Visions of the industrial age, 1830 - 1914: modernity and the anxiety of representation in Europe
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Farnham ; Burlington, Vt.
Ashgate
2014
|
| Ausgabe: | Transferred to digital printing |
| Schlagworte: | |
| Beschreibung: | Literaturverz. S. 333 - 358 |
| Beschreibung: | XXIV, 371 S. Ill. 24 cm |
| ISBN: | 9780754664888 |
Internformat
MARC
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| 245 | 1 | 0 | |a Visions of the industrial age, 1830 - 1914 |b modernity and the anxiety of representation in Europe |c ed. by Minsoo Kang and Amy Wooedson-Boulton |
| 250 | |a Transferred to digital printing | ||
| 264 | 1 | |a Farnham ; Burlington, Vt. |b Ashgate |c 2014 | |
| 300 | |a XXIV, 371 S. |b Ill. |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Literaturverz. S. 333 - 358 | ||
| 505 | 0 | |a Preface; Part I Envisioning the Industrial: The happy marriage of steam and engine produces beautiful daughters and bloody monsters: descriptions of locomotives as living creatures in modernist cultures, Minsoo Kang; Adoming the landscape: images of transportation in 19th-century France, Jane E. Boyd; Armand Guillaumin: the industrial impressionist, James H. Rubin.; Part II Photographing the (Un)real: Picturing the supernatural: spirit photography, radiant matter, and the spectacular science of Sir William Crookes, Courtenay Raia-Grean; Finding Florence in Birmingham: hybridity and the photomechanical image in the 1890s, Gerry Beegan; Auguste Rodin and the 'scientific image': the sublime copy versus the photograph, Natasha Ruiz-Gomez.; Part III Framing the Environment: A window onto nature: visual language, aesthetic ideology, and the art of social transformation, Amy Woodson-Boulton; From will to wallpaper: imaging and imagining the natural in the domestic interiors of the art nouveau, Amy Kulper; Pisarro's crowds: cityscape as wish image, Katherine Hover-Smoot.; Part IV Depicting the Scientific: Victorian stain glass as memorial: an image of George Boole, Kevin Lambert; 'Some wonders of the microscope' and other tales of marvel: the popularization of science in late Victorian Britain, Gabriel K. Wolfenstein; Orreries: mechanical and verbal, Hiroko Washizu.; Part V Exposing the Modern: Stripped: Gustave Caillebotte and the carcass of modern life, Paula Young Lee; Puff marries advertising: commercialization of culture in Jean-Jacques Grandville's Un Autre Monde (1844), Haejong Hazel Hahn; 'Awful, moony light': the visual and the colonial other in Wilkie Collins's The Moonstone, Carla Spivak; Index. | |
| 648 | 4 | |a Geschichte 1900-2000 | |
| 648 | 4 | |a Geschichte 1800-1900 | |
| 648 | 7 | |a Geschichte 1830-1914 |2 gnd |9 rswk-swf | |
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Datensatz im Suchindex
| _version_ | 1804153324244566016 |
|---|---|
| any_adam_object | |
| author2 | Kang, Minsoo 1967- |
| author2_role | edt |
| author2_variant | m k mk |
| author_GND | (DE-588)136195970 |
| author_facet | Kang, Minsoo 1967- |
| building | Verbundindex |
| bvnumber | BV042553893 |
| callnumber-first | N - Fine Arts |
| callnumber-label | NX180 |
| callnumber-raw | NX180.S6 |
| callnumber-search | NX180.S6 |
| callnumber-sort | NX 3180 S6 |
| callnumber-subject | NX - Arts in General |
| classification_rvk | LH 84958 |
| contents | Preface; Part I Envisioning the Industrial: The happy marriage of steam and engine produces beautiful daughters and bloody monsters: descriptions of locomotives as living creatures in modernist cultures, Minsoo Kang; Adoming the landscape: images of transportation in 19th-century France, Jane E. Boyd; Armand Guillaumin: the industrial impressionist, James H. Rubin.; Part II Photographing the (Un)real: Picturing the supernatural: spirit photography, radiant matter, and the spectacular science of Sir William Crookes, Courtenay Raia-Grean; Finding Florence in Birmingham: hybridity and the photomechanical image in the 1890s, Gerry Beegan; Auguste Rodin and the 'scientific image': the sublime copy versus the photograph, Natasha Ruiz-Gomez.; Part III Framing the Environment: A window onto nature: visual language, aesthetic ideology, and the art of social transformation, Amy Woodson-Boulton; From will to wallpaper: imaging and imagining the natural in the domestic interiors of the art nouveau, Amy Kulper; Pisarro's crowds: cityscape as wish image, Katherine Hover-Smoot.; Part IV Depicting the Scientific: Victorian stain glass as memorial: an image of George Boole, Kevin Lambert; 'Some wonders of the microscope' and other tales of marvel: the popularization of science in late Victorian Britain, Gabriel K. Wolfenstein; Orreries: mechanical and verbal, Hiroko Washizu.; Part V Exposing the Modern: Stripped: Gustave Caillebotte and the carcass of modern life, Paula Young Lee; Puff marries advertising: commercialization of culture in Jean-Jacques Grandville's Un Autre Monde (1844), Haejong Hazel Hahn; 'Awful, moony light': the visual and the colonial other in Wilkie Collins's The Moonstone, Carla Spivak; Index. |
| ctrlnum | (OCoLC)915659749 (DE-599)BVBBV042553893 |
| dewey-full | 700.94/09034 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 700 - The arts |
| dewey-raw | 700.94/09034 |
| dewey-search | 700.94/09034 |
| dewey-sort | 3700.94 49034 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| edition | Transferred to digital printing |
| era | Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1830-1914 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1830-1914 |
| format | Book |
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| id | DE-604.BV042553893 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T01:24:48Z |
| institution | BVB |
| isbn | 9780754664888 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027987735 |
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| physical | XXIV, 371 S. Ill. 24 cm |
| publishDate | 2014 |
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| spelling | Visions of the industrial age, 1830 - 1914 modernity and the anxiety of representation in Europe ed. by Minsoo Kang and Amy Wooedson-Boulton Transferred to digital printing Farnham ; Burlington, Vt. Ashgate 2014 XXIV, 371 S. Ill. 24 cm txt rdacontent n rdamedia nc rdacarrier Literaturverz. S. 333 - 358 Preface; Part I Envisioning the Industrial: The happy marriage of steam and engine produces beautiful daughters and bloody monsters: descriptions of locomotives as living creatures in modernist cultures, Minsoo Kang; Adoming the landscape: images of transportation in 19th-century France, Jane E. Boyd; Armand Guillaumin: the industrial impressionist, James H. Rubin.; Part II Photographing the (Un)real: Picturing the supernatural: spirit photography, radiant matter, and the spectacular science of Sir William Crookes, Courtenay Raia-Grean; Finding Florence in Birmingham: hybridity and the photomechanical image in the 1890s, Gerry Beegan; Auguste Rodin and the 'scientific image': the sublime copy versus the photograph, Natasha Ruiz-Gomez.; Part III Framing the Environment: A window onto nature: visual language, aesthetic ideology, and the art of social transformation, Amy Woodson-Boulton; From will to wallpaper: imaging and imagining the natural in the domestic interiors of the art nouveau, Amy Kulper; Pisarro's crowds: cityscape as wish image, Katherine Hover-Smoot.; Part IV Depicting the Scientific: Victorian stain glass as memorial: an image of George Boole, Kevin Lambert; 'Some wonders of the microscope' and other tales of marvel: the popularization of science in late Victorian Britain, Gabriel K. Wolfenstein; Orreries: mechanical and verbal, Hiroko Washizu.; Part V Exposing the Modern: Stripped: Gustave Caillebotte and the carcass of modern life, Paula Young Lee; Puff marries advertising: commercialization of culture in Jean-Jacques Grandville's Un Autre Monde (1844), Haejong Hazel Hahn; 'Awful, moony light': the visual and the colonial other in Wilkie Collins's The Moonstone, Carla Spivak; Index. Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1830-1914 gnd rswk-swf Beeldende kunsten gtt Bellettrie gtt Modernisme (cultuur) gtt Geschichte Kunst Arts and society Europe History 19th century Arts and society Europe History 20th century Modernism (Aesthetics) Europe History 19th century Modernism (Aesthetics) Europe History 20th century Fotografie (DE-588)4045895-7 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Technik Motiv (DE-588)4131616-2 gnd rswk-swf Industrialisierung (DE-588)4026776-3 gnd rswk-swf Kultur (DE-588)4125698-0 gnd rswk-swf Europa (geografie) gtt Europa Europa (DE-588)4015701-5 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Europa (DE-588)4015701-5 g Industrialisierung (DE-588)4026776-3 s Kunst (DE-588)4114333-4 s Geschichte 1830-1914 z DE-604 Kultur (DE-588)4125698-0 s Fotografie (DE-588)4045895-7 s Technik Motiv (DE-588)4131616-2 s 1\p DE-604 Kang, Minsoo 1967- (DE-588)136195970 edt 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Visions of the industrial age, 1830 - 1914 modernity and the anxiety of representation in Europe Preface; Part I Envisioning the Industrial: The happy marriage of steam and engine produces beautiful daughters and bloody monsters: descriptions of locomotives as living creatures in modernist cultures, Minsoo Kang; Adoming the landscape: images of transportation in 19th-century France, Jane E. Boyd; Armand Guillaumin: the industrial impressionist, James H. Rubin.; Part II Photographing the (Un)real: Picturing the supernatural: spirit photography, radiant matter, and the spectacular science of Sir William Crookes, Courtenay Raia-Grean; Finding Florence in Birmingham: hybridity and the photomechanical image in the 1890s, Gerry Beegan; Auguste Rodin and the 'scientific image': the sublime copy versus the photograph, Natasha Ruiz-Gomez.; Part III Framing the Environment: A window onto nature: visual language, aesthetic ideology, and the art of social transformation, Amy Woodson-Boulton; From will to wallpaper: imaging and imagining the natural in the domestic interiors of the art nouveau, Amy Kulper; Pisarro's crowds: cityscape as wish image, Katherine Hover-Smoot.; Part IV Depicting the Scientific: Victorian stain glass as memorial: an image of George Boole, Kevin Lambert; 'Some wonders of the microscope' and other tales of marvel: the popularization of science in late Victorian Britain, Gabriel K. Wolfenstein; Orreries: mechanical and verbal, Hiroko Washizu.; Part V Exposing the Modern: Stripped: Gustave Caillebotte and the carcass of modern life, Paula Young Lee; Puff marries advertising: commercialization of culture in Jean-Jacques Grandville's Un Autre Monde (1844), Haejong Hazel Hahn; 'Awful, moony light': the visual and the colonial other in Wilkie Collins's The Moonstone, Carla Spivak; Index. Beeldende kunsten gtt Bellettrie gtt Modernisme (cultuur) gtt Geschichte Kunst Arts and society Europe History 19th century Arts and society Europe History 20th century Modernism (Aesthetics) Europe History 19th century Modernism (Aesthetics) Europe History 20th century Fotografie (DE-588)4045895-7 gnd Kunst (DE-588)4114333-4 gnd Technik Motiv (DE-588)4131616-2 gnd Industrialisierung (DE-588)4026776-3 gnd Kultur (DE-588)4125698-0 gnd |
| subject_GND | (DE-588)4045895-7 (DE-588)4114333-4 (DE-588)4131616-2 (DE-588)4026776-3 (DE-588)4125698-0 (DE-588)4015701-5 (DE-588)4143413-4 |
| title | Visions of the industrial age, 1830 - 1914 modernity and the anxiety of representation in Europe |
| title_auth | Visions of the industrial age, 1830 - 1914 modernity and the anxiety of representation in Europe |
| title_exact_search | Visions of the industrial age, 1830 - 1914 modernity and the anxiety of representation in Europe |
| title_full | Visions of the industrial age, 1830 - 1914 modernity and the anxiety of representation in Europe ed. by Minsoo Kang and Amy Wooedson-Boulton |
| title_fullStr | Visions of the industrial age, 1830 - 1914 modernity and the anxiety of representation in Europe ed. by Minsoo Kang and Amy Wooedson-Boulton |
| title_full_unstemmed | Visions of the industrial age, 1830 - 1914 modernity and the anxiety of representation in Europe ed. by Minsoo Kang and Amy Wooedson-Boulton |
| title_short | Visions of the industrial age, 1830 - 1914 |
| title_sort | visions of the industrial age 1830 1914 modernity and the anxiety of representation in europe |
| title_sub | modernity and the anxiety of representation in Europe |
| topic | Beeldende kunsten gtt Bellettrie gtt Modernisme (cultuur) gtt Geschichte Kunst Arts and society Europe History 19th century Arts and society Europe History 20th century Modernism (Aesthetics) Europe History 19th century Modernism (Aesthetics) Europe History 20th century Fotografie (DE-588)4045895-7 gnd Kunst (DE-588)4114333-4 gnd Technik Motiv (DE-588)4131616-2 gnd Industrialisierung (DE-588)4026776-3 gnd Kultur (DE-588)4125698-0 gnd |
| topic_facet | Beeldende kunsten Bellettrie Modernisme (cultuur) Geschichte Kunst Arts and society Europe History 19th century Arts and society Europe History 20th century Modernism (Aesthetics) Europe History 19th century Modernism (Aesthetics) Europe History 20th century Fotografie Technik Motiv Industrialisierung Kultur Europa (geografie) Europa Aufsatzsammlung |
| work_keys_str_mv | AT kangminsoo visionsoftheindustrialage18301914modernityandtheanxietyofrepresentationineurope |