Fotografía y arquitectura en España: 1839 - 1886
The study of photography and its relationship to architecture has been referred to in the literature from a very large forms, from purely philological techniques paths, through the biographical, with few crossing pure lines to study technological analysis the consequences of use of one technique or...
Gespeichert in:
Format: | Elektronisch E-Book |
---|---|
Sprache: | Spanish |
Veröffentlicht: |
Madrid
Universidad Complutense de Madrid
2013
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | The study of photography and its relationship to architecture has been referred to in the literature from a very large forms, from purely philological techniques paths, through the biographical, with few crossing pure lines to study technological analysis the consequences of use of one technique or another in the formal or who, in addition to a detailed inventory of images, linking the cultural moment in which they were created. After analyzing all of them and in the absence also of any previous detailed study for the Spanish case, we considered making the thesis Photography and Architecture in Spain (1839-1886), which analyzes and explains the relationship between the two disciplines from the official date of the establishment of photography to the death of a French photographer, Jean Laurent, as the figure through its commercial firm, exceptionally exemplified all possible ways of developing the architectural photography reached in the nineteenth century. In our methodology we explained the technical issues and responsibility on the forms produced. It also analyzes the reasons for choosing to photograph buildings and monuments, to conclude which was the main target of all these pictures. That is this thesis attempts to answer the how, when, who, why and what architectural photography took place in Spain, because only answering these questions can be reached to conduct a study as comprehensive and panoramic possible about this genre in our country, give back the keys to his development and establish their points of connection to the history of art. |
Internformat
MARC
LEADER | 00000nmm a2200000 c 4500 | ||
---|---|---|---|
001 | BV042543007 | ||
003 | DE-604 | ||
007 | cr|uuu---uuuuu | ||
008 | 150506s2013 |||| o||u| ||||||spa d | ||
035 | |a (OCoLC)910517223 | ||
035 | |a (DE-599)BVBBV042543007 | ||
040 | |a DE-604 |b ger |e rakwb | ||
041 | 0 | |a spa | |
049 | |a DE-Y3 |a DE-255 |a DE-Y7 |a DE-Y2 | ||
245 | 1 | 0 | |a Fotografía y arquitectura en España |b 1839 - 1886 |
264 | 1 | |a Madrid |b Universidad Complutense de Madrid |c 2013 | |
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
520 | |a The study of photography and its relationship to architecture has been referred to in the literature from a very large forms, from purely philological techniques paths, through the biographical, with few crossing pure lines to study technological analysis the consequences of use of one technique or another in the formal or who, in addition to a detailed inventory of images, linking the cultural moment in which they were created. After analyzing all of them and in the absence also of any previous detailed study for the Spanish case, we considered making the thesis Photography and Architecture in Spain (1839-1886), which analyzes and explains the relationship between the two disciplines from the official date of the establishment of photography to the death of a French photographer, Jean Laurent, as the figure through its commercial firm, exceptionally exemplified all possible ways of developing the architectural photography reached in the nineteenth century. In our methodology we explained the technical issues and responsibility on the forms produced. It also analyzes the reasons for choosing to photograph buildings and monuments, to conclude which was the main target of all these pictures. That is this thesis attempts to answer the how, when, who, why and what architectural photography took place in Spain, because only answering these questions can be reached to conduct a study as comprehensive and panoramic possible about this genre in our country, give back the keys to his development and establish their points of connection to the history of art. | ||
650 | 4 | |a Fotografía artística | |
650 | 0 | 7 | |a Fotografie |0 (DE-588)4045895-7 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Architektur |0 (DE-588)4002851-3 |2 gnd |9 rswk-swf |
651 | 7 | |a Spanien |0 (DE-588)4055964-6 |2 gnd |9 rswk-swf | |
689 | 0 | 0 | |a Fotografie |0 (DE-588)4045895-7 |D s |
689 | 0 | 1 | |a Architektur |0 (DE-588)4002851-3 |D s |
689 | 0 | 2 | |a Spanien |0 (DE-588)4055964-6 |D g |
689 | 0 | |5 DE-604 | |
700 | 1 | |a Pérez Gallardo, Helena |e Sonstige |0 (DE-588)1056785276 |4 oth | |
856 | 4 | 0 | |q application/pdf |u http://eprints.ucm.es/23135/1/T34814.pdf |x Langzeitarchivierung |z kostenfrei |3 Volltext |
912 | |a ebook | ||
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-027977033 |
Datensatz im Suchindex
_version_ | 1808865298228445184 |
---|---|
adam_text | |
any_adam_object | |
author_GND | (DE-588)1056785276 |
building | Verbundindex |
bvnumber | BV042543007 |
collection | ebook |
ctrlnum | (OCoLC)910517223 (DE-599)BVBBV042543007 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nmm a2200000 c 4500</leader><controlfield tag="001">BV042543007</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">150506s2013 |||| o||u| ||||||spa d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)910517223</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV042543007</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">spa</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y3</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-Y7</subfield><subfield code="a">DE-Y2</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Fotografía y arquitectura en España</subfield><subfield code="b">1839 - 1886</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Madrid</subfield><subfield code="b">Universidad Complutense de Madrid</subfield><subfield code="c">2013</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The study of photography and its relationship to architecture has been referred to in the literature from a very large forms, from purely philological techniques paths, through the biographical, with few crossing pure lines to study technological analysis the consequences of use of one technique or another in the formal or who, in addition to a detailed inventory of images, linking the cultural moment in which they were created. After analyzing all of them and in the absence also of any previous detailed study for the Spanish case, we considered making the thesis Photography and Architecture in Spain (1839-1886), which analyzes and explains the relationship between the two disciplines from the official date of the establishment of photography to the death of a French photographer, Jean Laurent, as the figure through its commercial firm, exceptionally exemplified all possible ways of developing the architectural photography reached in the nineteenth century. In our methodology we explained the technical issues and responsibility on the forms produced. It also analyzes the reasons for choosing to photograph buildings and monuments, to conclude which was the main target of all these pictures. That is this thesis attempts to answer the how, when, who, why and what architectural photography took place in Spain, because only answering these questions can be reached to conduct a study as comprehensive and panoramic possible about this genre in our country, give back the keys to his development and establish their points of connection to the history of art.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Fotografía artística</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Fotografie</subfield><subfield code="0">(DE-588)4045895-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Architektur</subfield><subfield code="0">(DE-588)4002851-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Spanien</subfield><subfield code="0">(DE-588)4055964-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Fotografie</subfield><subfield code="0">(DE-588)4045895-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Architektur</subfield><subfield code="0">(DE-588)4002851-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Spanien</subfield><subfield code="0">(DE-588)4055964-6</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Pérez Gallardo, Helena</subfield><subfield code="e">Sonstige</subfield><subfield code="0">(DE-588)1056785276</subfield><subfield code="4">oth</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="q">application/pdf</subfield><subfield code="u">http://eprints.ucm.es/23135/1/T34814.pdf</subfield><subfield code="x">Langzeitarchivierung</subfield><subfield code="z">kostenfrei</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ebook</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-027977033</subfield></datafield></record></collection> |
geographic | Spanien (DE-588)4055964-6 gnd |
geographic_facet | Spanien |
id | DE-604.BV042543007 |
illustrated | Not Illustrated |
indexdate | 2024-08-31T01:39:35Z |
institution | BVB |
language | Spanish |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027977033 |
oclc_num | 910517223 |
open_access_boolean | 1 |
owner | DE-Y3 DE-255 DE-Y7 DE-Y2 |
owner_facet | DE-Y3 DE-255 DE-Y7 DE-Y2 |
psigel | ebook |
publishDate | 2013 |
publishDateSearch | 2013 |
publishDateSort | 2013 |
publisher | Universidad Complutense de Madrid |
record_format | marc |
spelling | Fotografía y arquitectura en España 1839 - 1886 Madrid Universidad Complutense de Madrid 2013 txt rdacontent c rdamedia cr rdacarrier The study of photography and its relationship to architecture has been referred to in the literature from a very large forms, from purely philological techniques paths, through the biographical, with few crossing pure lines to study technological analysis the consequences of use of one technique or another in the formal or who, in addition to a detailed inventory of images, linking the cultural moment in which they were created. After analyzing all of them and in the absence also of any previous detailed study for the Spanish case, we considered making the thesis Photography and Architecture in Spain (1839-1886), which analyzes and explains the relationship between the two disciplines from the official date of the establishment of photography to the death of a French photographer, Jean Laurent, as the figure through its commercial firm, exceptionally exemplified all possible ways of developing the architectural photography reached in the nineteenth century. In our methodology we explained the technical issues and responsibility on the forms produced. It also analyzes the reasons for choosing to photograph buildings and monuments, to conclude which was the main target of all these pictures. That is this thesis attempts to answer the how, when, who, why and what architectural photography took place in Spain, because only answering these questions can be reached to conduct a study as comprehensive and panoramic possible about this genre in our country, give back the keys to his development and establish their points of connection to the history of art. Fotografía artística Fotografie (DE-588)4045895-7 gnd rswk-swf Architektur (DE-588)4002851-3 gnd rswk-swf Spanien (DE-588)4055964-6 gnd rswk-swf Fotografie (DE-588)4045895-7 s Architektur (DE-588)4002851-3 s Spanien (DE-588)4055964-6 g DE-604 Pérez Gallardo, Helena Sonstige (DE-588)1056785276 oth application/pdf http://eprints.ucm.es/23135/1/T34814.pdf Langzeitarchivierung kostenfrei Volltext |
spellingShingle | Fotografía y arquitectura en España 1839 - 1886 Fotografía artística Fotografie (DE-588)4045895-7 gnd Architektur (DE-588)4002851-3 gnd |
subject_GND | (DE-588)4045895-7 (DE-588)4002851-3 (DE-588)4055964-6 |
title | Fotografía y arquitectura en España 1839 - 1886 |
title_auth | Fotografía y arquitectura en España 1839 - 1886 |
title_exact_search | Fotografía y arquitectura en España 1839 - 1886 |
title_full | Fotografía y arquitectura en España 1839 - 1886 |
title_fullStr | Fotografía y arquitectura en España 1839 - 1886 |
title_full_unstemmed | Fotografía y arquitectura en España 1839 - 1886 |
title_short | Fotografía y arquitectura en España |
title_sort | fotografia y arquitectura en espana 1839 1886 |
title_sub | 1839 - 1886 |
topic | Fotografía artística Fotografie (DE-588)4045895-7 gnd Architektur (DE-588)4002851-3 gnd |
topic_facet | Fotografía artística Fotografie Architektur Spanien |
url | http://eprints.ucm.es/23135/1/T34814.pdf |
work_keys_str_mv | AT perezgallardohelena fotografiayarquitecturaenespana18391886 |