Shakespeare and the idea of apocrypha: negotiating the boundaries of the dramatic canon
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge Univ. Press
2015
|
Ausgabe: | 1. publ. |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | XII, 258 S. Ill. 23 cm |
ISBN: | 9781107096172 |
Internformat
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Datensatz im Suchindex
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adam_text | Contents
List of illustrations page
ix
Acknowledgements
x
Introduction: the idea of Apocrypha
ι
Falsehoods
ι
New directions
5
The return of the author
12
1
Canonising the Apocrypha
15
The 43-play canon: 1664-1734
18
Restoring reputations:
1723-65
2tf
Biography, chronology, Bardolatry: 1760-1844
36
Canonising the Apocrypha:
1780-1908 48
CF.
Tucker Brooke and the canonising
of the Apocrypha
66
2
The Apocrypha in rep
72
Prodigal husbands and patient wives
75
Absent kings and common voices
89
Romance and nostalgia
98
Knsemble comedy
106
Conclusions
tu
3
Defining Shakespeare
115
I he Shakespearean corpse: physical traces of Shakespeare
119
Sample size, the problem of revision and Locrine
127
Iheory versus history
138
The integration of disintegration:
Edward ìli
and
Arden
of
Favmham
146
Conclusions r6i
VII
viii Contents
4
Apocryphising the
canon
164
ľhc
[Bibliographic] Complete Works of Shakespeare
169
ľhc
[Authorial] Works of William Shakespeare [and Thomas
Middlcton)
181
The [Performative] Complete Works of Shakespeare
189
Conclusions
203
Epilogue: an apocryphal identity
207
Appendix
215
Works cited
230
Index
253
In addition to the thirty-six plays of the First Folio, some eighty plays
have been attributed in whole or part to William Shakespeare, yet
most are rarely read, performed or discussed. This book, the first to
confront the implications of the Shakespeare Apocrypha’, asks how
and why these plays have historically been excluded from the canon.
Innovatively combining approaches from book history, theatre
history, attribution studies and canon theory, Peter Kirwan unveils
the historical assumptions and principles that shaped the construc-
tion of the Shakespeare canon. Case studies treat plays such as Sir
Thomas More, Edward III, Arden of Faversham, Mucedorus, Double
Falsehood and A Yorkshire Tragedy, showing how the plays’ con-
tested ‘Shakespearean’ status has shaped their fortunes. Kirwan’s
book rethinks the impact of authorial canons on the treatment of
anonymous and disputed plays.
|
any_adam_object | 1 |
author | Kirwan, Peter |
author_GND | (DE-588)1070544264 |
author_facet | Kirwan, Peter |
author_role | aut |
author_sort | Kirwan, Peter |
author_variant | p k pk |
building | Verbundindex |
bvnumber | BV042534810 |
classification_rvk | HI 3511 |
ctrlnum | (OCoLC)911135853 (DE-599)HBZHT018545577 |
dewey-full | 822.3/3 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 822 - English drama |
dewey-raw | 822.3/3 |
dewey-search | 822.3/3 |
dewey-sort | 3822.3 13 |
dewey-tens | 820 - English & Old English literatures |
discipline | Anglistik / Amerikanistik |
edition | 1. publ. |
format | Book |
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illustrated | Illustrated |
indexdate | 2024-07-10T01:24:21Z |
institution | BVB |
isbn | 9781107096172 |
language | English |
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oclc_num | 911135853 |
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physical | XII, 258 S. Ill. 23 cm |
publishDate | 2015 |
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spelling | Kirwan, Peter Verfasser (DE-588)1070544264 aut Shakespeare and the idea of apocrypha negotiating the boundaries of the dramatic canon Peter Kirwan 1. publ. Cambridge Cambridge Univ. Press 2015 XII, 258 S. Ill. 23 cm txt rdacontent n rdamedia nc rdacarrier Shakespeare, William 1564-1616 Authorship Shakespeare, William 1564-1616 Criticism and interpretation Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Autorschaft (DE-588)4130545-0 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Autorschaft (DE-588)4130545-0 s Drama (DE-588)4012899-4 s DE-604 Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027968963&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027968963&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | Kirwan, Peter Shakespeare and the idea of apocrypha negotiating the boundaries of the dramatic canon Shakespeare, William 1564-1616 Authorship Shakespeare, William 1564-1616 Criticism and interpretation Shakespeare, William 1564-1616 (DE-588)118613723 gnd Autorschaft (DE-588)4130545-0 gnd Drama (DE-588)4012899-4 gnd |
subject_GND | (DE-588)118613723 (DE-588)4130545-0 (DE-588)4012899-4 |
title | Shakespeare and the idea of apocrypha negotiating the boundaries of the dramatic canon |
title_auth | Shakespeare and the idea of apocrypha negotiating the boundaries of the dramatic canon |
title_exact_search | Shakespeare and the idea of apocrypha negotiating the boundaries of the dramatic canon |
title_full | Shakespeare and the idea of apocrypha negotiating the boundaries of the dramatic canon Peter Kirwan |
title_fullStr | Shakespeare and the idea of apocrypha negotiating the boundaries of the dramatic canon Peter Kirwan |
title_full_unstemmed | Shakespeare and the idea of apocrypha negotiating the boundaries of the dramatic canon Peter Kirwan |
title_short | Shakespeare and the idea of apocrypha |
title_sort | shakespeare and the idea of apocrypha negotiating the boundaries of the dramatic canon |
title_sub | negotiating the boundaries of the dramatic canon |
topic | Shakespeare, William 1564-1616 Authorship Shakespeare, William 1564-1616 Criticism and interpretation Shakespeare, William 1564-1616 (DE-588)118613723 gnd Autorschaft (DE-588)4130545-0 gnd Drama (DE-588)4012899-4 gnd |
topic_facet | Shakespeare, William 1564-1616 Authorship Shakespeare, William 1564-1616 Criticism and interpretation Shakespeare, William 1564-1616 Autorschaft Drama |
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