Odrzucony topos: "Tablica Cebesa" w kulturze polskiej XVI wieku
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Polish |
| Veröffentlicht: |
Warszawa
Instytut Badań Literackich PAN Wydawnictwo
2014
Stowarzyszenie Pro Cultura Litteraria |
| Schriftenreihe: | Studia Staropolskie / Series nova
38 = 94 |
| Schlagworte: | |
| Online-Zugang: | Abstract Inhaltsverzeichnis |
| Beschreibung: | Zsfassung in engl. Sprache Bibliogr. s. 171-178. Indeks |
| Beschreibung: | 200 S. 24 cm 1 CD (12 cm) |
| ISBN: | 9788361757559 8361757554 |
Internformat
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| 500 | |a Bibliogr. s. 171-178. Indeks | ||
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Datensatz im Suchindex
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|---|---|
| adam_text |
Spis treści
Wstęp.7
ROZDZIAŁ I
ANTYCZNE ŹRÓDŁA I NOWOŻYTNE ADAPTACJE.17
1. Późnoantyczny dialog.21
2. Nowożytne wydania.31
3. Nowożytne interpretacje.36
4. Cebes schrystianizowany.47
5. Renesansowa ikonografia.50
ROZDZIAŁ II
KOLISTA PIEŚŃ O PRAWIE BOŻYM. ROTUŁY DO SYNÓW SWYCH
MIKOŁAJA KOCHANOWSKIEGO A CHRZEŚCIJAŃSKIE
TRADYCJE MOTYWU.53
1. Rotuły do synów swych Mikołaja Kochanowskiego.57
2. Pod obrazy konterfetu żywota ludzkiego j ako emblematy.74
2.1 Emblematy: lemma, imago, subskrypcja.74
2.2 Zagadka łacińskiego epigrafu Decipimur votis.81
2.3 Pars ^ totus. Emblematyczne epigrafy a Rotuły.88
3. Rotuły Mikołaj a Kochanowskiego w kontekście dialogu Pseudo-Cebesa . 91
3.1 Cykl miedziorytów Stradanusa jako realizacja ikonograficzna motywów.91
3.2 Rotuła Ia wykład Sofronymosa o cnocie.95
3.3 Cebes schrystianizowany. Pomiędzy tradycjami biblijnymi i antycznymi
w Rotułach.103
4. Matematyczne zależności w kolistej strukturze Rotuł.110
5. Recepcja Tablicy Cebesa w polskiej literaturze dawnej. Dalsze przykłady.113
6
Spis treści
ROZDZIAŁ III
VITA TRIPLEX. WAWELSKI FRYZ OBRAZ ŻYCIA LUDZKIEGO
A NEOPLATOŃSKIE INTERPRETACJE MOTYWU.121
1. Fryz podstropowy w sali poselskiej na Zamku Królewskim w Krakowie . 126
2. Analiza ikonograficzna fryzu.133
3. Postać chłopca z jabłkami.143
3.1 Chłopiec z jabłkami a myśl neoplatońska.144
3.2 Chłopiec z jabłkami a myśl chrześcijańska.157
4. Recepcja Tablicy Cebesa w kulturze polskiej. Dalsze przykłady.161
Zakończenie.165
Summary. 167
Bibliografia.171
1. Teksty źródłowe.171
2. Encyklopedie i słowniki.173
3. Opracowania.173
4. Artykuły.176
5. Strony internetowe.178
Indeks nazwisk.179
Spis ilustracji na płycie CD.186
Summary
The book concentrates on the issues of reception and adaptation of
the Tablet ofCebes motif in Polish culture of the late Renaissance. The Tablet
ofCebes (Pinax, Tabula Cebetis) was a late antique dialogue - first thought to
have been composed by Cebes, a student of Socrates and protagonist of
Plato’s dialogue — that have counted among the most frequently read texts
in the early modern period. It gained popularity and canonicity and remai-
ned in schools even until the 19th-century also due to its simple ancient
Greek verse. In the Renaissance the Tablet was distributed in numerous edi-
tions and translations in vernacular languages as well as through a grand
number of pictorial adaptations. Although there is no proof such artwork as
the described Tablet ever existed, draftsmen and painters of the 16th and
17th centuries were aiming to reconstruct it, because the text has qualified
as ekphrasis - a literary text about a work of art. The text was, thus, even
more important, due to the value of preserving ancient art in literary repre-
sentation. Its longevity within the canon is usually ascribed to its syncretic
nature, which allowed for changing - and unchangingly ennobling - inter-
pretations, based on shifting intellectual currents and cultural tendencies.
The Tablet ofCebes is certainly not a topos of modern humanities, al-
though its status in the early modern period suggests it should be. Certain
qualities, especially simple syntax and lexical choices, enabled its quick rise,
alongside the speeches of Isocrates, to the position of school handbook to
ancient Greek and good manners. Its broad range of influence — on intellec-
tual, religious, court, educational, and even political circles ֊ definitely legi-
timizes the idea of it being a commonplace of the early modern culture.
I prove that the Tablet had a prominent position in the early modern
Polish culture. Moreover, although Cebes has been rarely listed by Polish
scholarship, its presence in literature and art of the Renaissance is not an
exception but rather — exceptional. My studies reveal that in the Renaissan-
ce the motif of Tabula Cebetis has not only been popular and widely known,
168
Summary
but also important and valued; suffice to say that it decorates one of the
diplomatic chambers of the Royal Residence on the Wawel Hill in Krakow.
The artists of the early modern period believed the most important side of
Pinax was its didactic-persuasive formula and, thus, its educational useful-
ness. Its influence is visible even in texts thematically unrelated but repre-
senting, e.g., a similar scheme of literary-philosophical expression, where illus-
tration plays the key role. In such way Giambattista Vico refers to it in his
Scienza Nuova (New Science) and takes the mnemonic qualities of the late
antique text for his ideal: „as Cebes from Thebes” he wants to steer the rea-
der with the help of rhetorics, to manipulate his attention and memory. In
this way, Tabula Cebetis has been regarded a golden measure of efficiency in
writing, a stable and timeless source of literary-rhetorical competence. For
the early modern period, Pinax was the foundation of humanistic education
and literary art. The cultural-historical importance of this forgotten allego-
ry of human life is furthermore witnessed by many translations, leaflets,
drawings, woodcuts and copperplates, bought by representatives of diverse
fields, classes, and confessions, so as to treasure them in their atlases and
bibliophilic collections or simply pass on as tokens of friendship, adorned
with proper dedications.
The Discarded Image by Clive Staples Lewis - a classical attempt to res-
titute and appreciate the medieval system of ideas — ends with a reminder
that even the contemporary model of understanding the universe is histori-
cal and finite. The British author states that deliberating about their truth-
fulness - e.g., the false imago mundi from a thousand years ago vs. the apt way
of modern thought - is futile. We can only contemplate them. I devised the
title of my book after Lewis - The Discarded Topos. Although I do not mean
to reconstruct and appreciate a past worldview, I certainly relate to his me-
thod of closely observing a marginalized and depreciated cultural artifact.
The Table of Cebes is exactly such an artifact - a topos banalized and neglec-
ted by modern literary studies. While the image of the Choice of Hercules
remains a generally accepted founding motif, Pinax is not. Even though this
discarded topos returns to the fore and rejects oblivion when, for instance,
one opens Novum Testamentum by Erasmus of Rotterdam or visits the halls of
the Royal Residence of Polish monarchs on the Wawel Hill.
The book is a scrupulous gathering of Cebes’ presence in the early
modern Polish culture; and, while always fragmentary and open-ended, it
reconstructs its „discarded image”. In the following chapters I analyze the
reception range of the ancient dialogue, which functioned in the early mo-
dern period already as an independent cultural motif. Pinax of the 16th-cen-
tury is no longer only a literary work but an amazingly popular allegory of
human life. I am thus interested both in how the Tablet of Cebes inspired works
of literature as well as graphical reconstructions of the described tablet, mostly
Summary
169
independent from the actual text. My study is narrowed to the field of Po-
lish culture, which has been surprisingly neglected in the previous studies
about Cebes.
I decided to compose the book in the way that will allow the reader to
see the bibliographic diversity surrounding the dialogue as well as its early
modern reception, mostly in Poland; on the other hand, I hope to acquain-
tance the reader at least fragmentary with the broad reception of the motif
in literature and art, thus I devoted two complete chapters to the analysis of
singular written and painted works of art. In doing so, I was motivated by
the lack of any studies regarding the Tablet of Cebes in Polish culture. Hence,
the reader receives both an introduction to the important text of culture and
follows the development and character of its reception on the example of
early modern Polish works of art: a poetic cycle by Mikołaj Kochanowski
and the painting in the Royal Residence on the Wawel Hill.
In the first part I attempt a concise monographical overview of Tabula
Cebetis motif in European culture. The aim is to gather elementary factogra-
phic data about the dialogue as well as its reception in the early modern
culture, with special consideration for the Polish context. Thus, I take into
consideration not only the late antique sources of Pinax with its issues of
authorship, date of origin, literary genre, and what thoughtful subtleties it
contains, but also its early modern adaptations: Renaissance editions and
translations into Latin and the vernacular languages, humanistic and Chri-
stian interpretations, Christian transformations (Cebes Socraticus versus
Cebes Christianus), and iconography.
In the second part I analyze a poetic cycle by Mikołaj Kochanowski
Rotuly do synów swych (Eng. Cycle For My Sons) in context of Pinax1 s Christian
transformations. Tabula Cebetis is present in Kochanowski’s text indirectly,
through a cycle of copperplates by Jan van der Straet (Stradanus), illustra-
ting the verses of the part entitled Pod obrazy konterfetu żywota ludzkiego {On
the Images of Human Life). I compare their allegorical figures, the understan-
ding of virtue as wisdom, the inner-textual rhetorical communication, and
the methods of persuasion. Above all, I analyze to what extent the nexus of
images related with the tradition of the Table of Cebes fits into Kochanow-
ski^ poetic composition. I consider chiefly Renaissance interpretations of
the dialogue (pythagorean-platonic and Christian), which surface in the cycle
of Stradanus’s copperplates.
In the third part I present the most important visual realization of the
motif in Poland: the wall frieze in the Envoys’ Room of the Royal Residence
on the Wawel Hill. In the context of its two dominating Renaissance Chri-
stian and neoplatonic interpretations I propose two hypotheses: accordin-
gly, one surrounding neoplatonic teachings; and the other encircling Chri-
stian hagiologic iconography, especially the legend of Saint Dorothea of
170
Summary
Caesarea. Alongside a recounting of scholarly interpretations of its author-
ship and artistic sources, I elaborate my own iconographie analysis of the
frieze and point towards other realizations of the motif in the 16th-century
Polish culture.
Pinax — a text forgotten — moulded the imagination of its 16th-century
recipients and belonged to the primary sources of the early modern culture.
In the light of my studies I am persuaded about its exceptional cultural po-
sition in Poland. Although novel for contemporary readers and scholars,
Tabula Cebetis as allegory of human life was obvious for them five centuries
ago. It did not require an elaborate apparatus of footnotes and commenta-
ries, which accompany its modern-day editions. In this way, its influence on
European culture is comparable with that of the Choice of Hercules. Howe-
ver, in contrast to the latter, in contemporary scholarly debates it remains
a discarded topos.
Restitution of motifs is also restitution of works of culture. Understan-
ding the cultural importance of Pinax will certainly enable us to bring to li-
ght whole series of neglected and misunderstood texts of culture. It may even
allow for new readings of canonical works. For all the evidence points to-
wards the Tablet ofCebes as one of the most important instructions on how
to study the early modern culture.
tłum. Mikołaj Golubiewski |
| any_adam_object | 1 |
| author | Kulas, Joanna 1986- |
| author_GND | (DE-588)1070358908 |
| author_facet | Kulas, Joanna 1986- |
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| discipline | Slavistik Philologie / Byzantinistik / Neulatein |
| era | Geschichte 1500-1600 gnd |
| era_facet | Geschichte 1500-1600 |
| format | Book |
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| indexdate | 2024-07-20T08:44:26Z |
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| owner | DE-19 DE-BY-UBM DE-12 DE-355 DE-BY-UBR |
| owner_facet | DE-19 DE-BY-UBM DE-12 DE-355 DE-BY-UBR |
| physical | 200 S. 24 cm 1 CD (12 cm) |
| psigel | gbd_4_1506 |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Instytut Badań Literackich PAN Wydawnictwo Stowarzyszenie Pro Cultura Litteraria |
| record_format | marc |
| series2 | Studia Staropolskie / Series nova |
| spelling | Kulas, Joanna 1986- Verfasser (DE-588)1070358908 aut Odrzucony topos "Tablica Cebesa" w kulturze polskiej XVI wieku Joanna Kulas Warszawa Instytut Badań Literackich PAN Wydawnictwo 2014 Stowarzyszenie Pro Cultura Litteraria 200 S. 24 cm 1 CD (12 cm) txt rdacontent n rdamedia nc rdacarrier Studia Staropolskie / Series nova 38 = 94 Zsfassung in engl. Sprache Bibliogr. s. 171-178. Indeks Cebes Philosophus / Tabula Cebetis tabula (DE-588)4147431-4 gnd rswk-swf Geschichte 1500-1600 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Kultur (DE-588)4125698-0 gnd rswk-swf Polska / kultura / 16 w Polen (DE-588)4046496-9 gnd rswk-swf Cebetis Tabula TLG 1247 (DE-2581)TH000000604 gbd Cebetis tabula (DE-588)4147431-4 u Polen (DE-588)4046496-9 g Kultur (DE-588)4125698-0 s Rezeption (DE-588)4049716-1 s Geschichte 1500-1600 z DE-604 Series nova Studia Staropolskie 38 = 94 (DE-604)BV017138095 38 Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027968539&sequence=000005&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Abstract Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027968539&sequence=000006&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Kulas, Joanna 1986- Odrzucony topos "Tablica Cebesa" w kulturze polskiej XVI wieku Cebes Philosophus / Tabula Cebetis tabula (DE-588)4147431-4 gnd Rezeption (DE-588)4049716-1 gnd Kultur (DE-588)4125698-0 gnd |
| subject_GND | (DE-588)4147431-4 (DE-588)4049716-1 (DE-588)4125698-0 (DE-588)4046496-9 |
| title | Odrzucony topos "Tablica Cebesa" w kulturze polskiej XVI wieku |
| title_auth | Odrzucony topos "Tablica Cebesa" w kulturze polskiej XVI wieku |
| title_exact_search | Odrzucony topos "Tablica Cebesa" w kulturze polskiej XVI wieku |
| title_full | Odrzucony topos "Tablica Cebesa" w kulturze polskiej XVI wieku Joanna Kulas |
| title_fullStr | Odrzucony topos "Tablica Cebesa" w kulturze polskiej XVI wieku Joanna Kulas |
| title_full_unstemmed | Odrzucony topos "Tablica Cebesa" w kulturze polskiej XVI wieku Joanna Kulas |
| title_short | Odrzucony topos |
| title_sort | odrzucony topos tablica cebesa w kulturze polskiej xvi wieku |
| title_sub | "Tablica Cebesa" w kulturze polskiej XVI wieku |
| topic | Cebes Philosophus / Tabula Cebetis tabula (DE-588)4147431-4 gnd Rezeption (DE-588)4049716-1 gnd Kultur (DE-588)4125698-0 gnd |
| topic_facet | Cebes Philosophus / Tabula Cebetis tabula Rezeption Kultur Polska / kultura / 16 w Polen |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027968539&sequence=000005&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027968539&sequence=000006&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV017138095 |
| work_keys_str_mv | AT kulasjoanna odrzuconytopostablicacebesawkulturzepolskiejxviwieku |