Daguerreotypes: fugitive subjects, contemporary objects
In the digital age, photography confronts its future under the competing signs of ubiquity and obsolescence. While technology has allowed amateurs and experts alike to create high-quality photographs in the blink of an eye, new electronic formats have severed the original photochemical link between...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Chicago and London
University of Chicago Press
2015
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | In the digital age, photography confronts its future under the competing signs of ubiquity and obsolescence. While technology has allowed amateurs and experts alike to create high-quality photographs in the blink of an eye, new electronic formats have severed the original photochemical link between image and subject. At the same time, recent cinematic photography has stretched the concept of photography and raised questions about its truth value as a documentary medium. Despite this situation, photography remains a stubbornly substantive form of evidence: referenced by artists, filmmakers, and |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | IX, 189 S. zahlr. Ill. 16 x 23 cm |
ISBN: | 9780226242033 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV042525242 | ||
003 | DE-604 | ||
005 | 20150922 | ||
007 | t | ||
008 | 150424s2015 xxua||| |||| 00||| eng d | ||
010 | |a 014044793 | ||
020 | |a 9780226242033 |c Hbk. |9 978-0-226-24203-3 | ||
035 | |a (OCoLC)915766622 | ||
035 | |a (DE-599)BVBBV042525242 | ||
040 | |a DE-604 |b ger |e aacr | ||
041 | 0 | |a eng | |
044 | |a xxu |c US | ||
049 | |a DE-29 |a DE-20 |a DE-Y3 |a DE-255 | ||
050 | 0 | |a TR183 | |
082 | 0 | |a 770 |2 23 | |
084 | |a AP 94200 |0 (DE-625)8147:658 |2 rvk | ||
100 | 1 | |a Saltzman, Lisa |d 1966- |e Verfasser |0 (DE-588)121871770 |4 aut | |
245 | 1 | 0 | |a Daguerreotypes |b fugitive subjects, contemporary objects |c Lisa Saltzman |
264 | 1 | |a Chicago and London |b University of Chicago Press |c 2015 | |
300 | |a IX, 189 S. |b zahlr. Ill. |c 16 x 23 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
500 | |a Includes bibliographical references and index | ||
520 | 1 | |a In the digital age, photography confronts its future under the competing signs of ubiquity and obsolescence. While technology has allowed amateurs and experts alike to create high-quality photographs in the blink of an eye, new electronic formats have severed the original photochemical link between image and subject. At the same time, recent cinematic photography has stretched the concept of photography and raised questions about its truth value as a documentary medium. Despite this situation, photography remains a stubbornly substantive form of evidence: referenced by artists, filmmakers, and | |
650 | 4 | |a Geschichte | |
650 | 4 | |a Gesellschaft | |
650 | 4 | |a Philosophie | |
650 | 4 | |a Photography, Artistic |x Philosophy | |
650 | 4 | |a Photography |x Social aspects | |
650 | 4 | |a Photography |x History | |
650 | 4 | |a Photographic interpetation | |
650 | 0 | 7 | |a Identität |0 (DE-588)4026482-8 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Evidenz |0 (DE-588)4129356-3 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Medien |0 (DE-588)4169187-8 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Fotografie |0 (DE-588)4045895-7 |2 gnd |9 rswk-swf |
689 | 0 | 0 | |a Fotografie |0 (DE-588)4045895-7 |D s |
689 | 0 | 1 | |a Medien |0 (DE-588)4169187-8 |D s |
689 | 0 | 2 | |a Evidenz |0 (DE-588)4129356-3 |D s |
689 | 0 | 3 | |a Identität |0 (DE-588)4026482-8 |D s |
689 | 0 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-0-226-24217-0 |
856 | 4 | 2 | |m LoC Fremddatenuebernahme |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027959579&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
999 | |a oai:aleph.bib-bvb.de:BVB01-027959579 |
Datensatz im Suchindex
_version_ | 1804153281147043840 |
---|---|
adam_text | DAGUERREOTYPES
/ SALTZMAN, LISA.
: 2015
TABLE OF CONTENTS / INHALTSVERZEICHNIS
RETRO-SPECTACLES : ON THE FICTIONS OF CONTEMPORARY ART PHOTOGRAPHY
ORPHANS : ON AMIGRAS AND IMAGES IN W.G. SEBALD S AUSTERLITZ
JUST DRAWINGS : ON PHOTOGRAPHS, FUN HOME AND THE PENCIL OF NATURE
TIME REGAINED : ON STASIS AND DURATION IN CONTEMPORARY VIDEO PORTRAITS
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
any_adam_object | 1 |
author | Saltzman, Lisa 1966- |
author_GND | (DE-588)121871770 |
author_facet | Saltzman, Lisa 1966- |
author_role | aut |
author_sort | Saltzman, Lisa 1966- |
author_variant | l s ls |
building | Verbundindex |
bvnumber | BV042525242 |
callnumber-first | T - Technology |
callnumber-label | TR183 |
callnumber-raw | TR183 |
callnumber-search | TR183 |
callnumber-sort | TR 3183 |
callnumber-subject | TR - Photography |
classification_rvk | AP 94200 |
ctrlnum | (OCoLC)915766622 (DE-599)BVBBV042525242 |
dewey-full | 770 |
dewey-hundreds | 700 - The arts |
dewey-ones | 770 - Photography, computer art, cinematography |
dewey-raw | 770 |
dewey-search | 770 |
dewey-sort | 3770 |
dewey-tens | 770 - Photography, computer art, cinematography |
discipline | Kunstgeschichte Allgemeines |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02667nam a2200553 c 4500</leader><controlfield tag="001">BV042525242</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20150922 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">150424s2015 xxua||| |||| 00||| eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">014044793</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780226242033</subfield><subfield code="c">Hbk.</subfield><subfield code="9">978-0-226-24203-3</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)915766622</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV042525242</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">US</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-29</subfield><subfield code="a">DE-20</subfield><subfield code="a">DE-Y3</subfield><subfield code="a">DE-255</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">TR183</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">770</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 94200</subfield><subfield code="0">(DE-625)8147:658</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Saltzman, Lisa</subfield><subfield code="d">1966-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)121871770</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Daguerreotypes</subfield><subfield code="b">fugitive subjects, contemporary objects</subfield><subfield code="c">Lisa Saltzman</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Chicago and London</subfield><subfield code="b">University of Chicago Press</subfield><subfield code="c">2015</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">IX, 189 S.</subfield><subfield code="b">zahlr. Ill.</subfield><subfield code="c">16 x 23 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="520" ind1="1" ind2=" "><subfield code="a">In the digital age, photography confronts its future under the competing signs of ubiquity and obsolescence. While technology has allowed amateurs and experts alike to create high-quality photographs in the blink of an eye, new electronic formats have severed the original photochemical link between image and subject. At the same time, recent cinematic photography has stretched the concept of photography and raised questions about its truth value as a documentary medium. Despite this situation, photography remains a stubbornly substantive form of evidence: referenced by artists, filmmakers, and</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Gesellschaft</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Philosophie</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Photography, Artistic</subfield><subfield code="x">Philosophy</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Photography</subfield><subfield code="x">Social aspects</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Photography</subfield><subfield code="x">History</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Photographic interpetation</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Identität</subfield><subfield code="0">(DE-588)4026482-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Evidenz</subfield><subfield code="0">(DE-588)4129356-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Medien</subfield><subfield code="0">(DE-588)4169187-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Fotografie</subfield><subfield code="0">(DE-588)4045895-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Fotografie</subfield><subfield code="0">(DE-588)4045895-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Medien</subfield><subfield code="0">(DE-588)4169187-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Evidenz</subfield><subfield code="0">(DE-588)4129356-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Identität</subfield><subfield code="0">(DE-588)4026482-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-0-226-24217-0</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">LoC Fremddatenuebernahme</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027959579&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-027959579</subfield></datafield></record></collection> |
id | DE-604.BV042525242 |
illustrated | Illustrated |
indexdate | 2024-07-10T01:24:07Z |
institution | BVB |
isbn | 9780226242033 |
language | English |
lccn | 014044793 |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027959579 |
oclc_num | 915766622 |
open_access_boolean | |
owner | DE-29 DE-20 DE-Y3 DE-255 |
owner_facet | DE-29 DE-20 DE-Y3 DE-255 |
physical | IX, 189 S. zahlr. Ill. 16 x 23 cm |
publishDate | 2015 |
publishDateSearch | 2015 |
publishDateSort | 2015 |
publisher | University of Chicago Press |
record_format | marc |
spelling | Saltzman, Lisa 1966- Verfasser (DE-588)121871770 aut Daguerreotypes fugitive subjects, contemporary objects Lisa Saltzman Chicago and London University of Chicago Press 2015 IX, 189 S. zahlr. Ill. 16 x 23 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index In the digital age, photography confronts its future under the competing signs of ubiquity and obsolescence. While technology has allowed amateurs and experts alike to create high-quality photographs in the blink of an eye, new electronic formats have severed the original photochemical link between image and subject. At the same time, recent cinematic photography has stretched the concept of photography and raised questions about its truth value as a documentary medium. Despite this situation, photography remains a stubbornly substantive form of evidence: referenced by artists, filmmakers, and Geschichte Gesellschaft Philosophie Photography, Artistic Philosophy Photography Social aspects Photography History Photographic interpetation Identität (DE-588)4026482-8 gnd rswk-swf Evidenz (DE-588)4129356-3 gnd rswk-swf Medien (DE-588)4169187-8 gnd rswk-swf Fotografie (DE-588)4045895-7 gnd rswk-swf Fotografie (DE-588)4045895-7 s Medien (DE-588)4169187-8 s Evidenz (DE-588)4129356-3 s Identität (DE-588)4026482-8 s DE-604 Erscheint auch als Online-Ausgabe 978-0-226-24217-0 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027959579&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Saltzman, Lisa 1966- Daguerreotypes fugitive subjects, contemporary objects Geschichte Gesellschaft Philosophie Photography, Artistic Philosophy Photography Social aspects Photography History Photographic interpetation Identität (DE-588)4026482-8 gnd Evidenz (DE-588)4129356-3 gnd Medien (DE-588)4169187-8 gnd Fotografie (DE-588)4045895-7 gnd |
subject_GND | (DE-588)4026482-8 (DE-588)4129356-3 (DE-588)4169187-8 (DE-588)4045895-7 |
title | Daguerreotypes fugitive subjects, contemporary objects |
title_auth | Daguerreotypes fugitive subjects, contemporary objects |
title_exact_search | Daguerreotypes fugitive subjects, contemporary objects |
title_full | Daguerreotypes fugitive subjects, contemporary objects Lisa Saltzman |
title_fullStr | Daguerreotypes fugitive subjects, contemporary objects Lisa Saltzman |
title_full_unstemmed | Daguerreotypes fugitive subjects, contemporary objects Lisa Saltzman |
title_short | Daguerreotypes |
title_sort | daguerreotypes fugitive subjects contemporary objects |
title_sub | fugitive subjects, contemporary objects |
topic | Geschichte Gesellschaft Philosophie Photography, Artistic Philosophy Photography Social aspects Photography History Photographic interpetation Identität (DE-588)4026482-8 gnd Evidenz (DE-588)4129356-3 gnd Medien (DE-588)4169187-8 gnd Fotografie (DE-588)4045895-7 gnd |
topic_facet | Geschichte Gesellschaft Philosophie Photography, Artistic Philosophy Photography Social aspects Photography History Photographic interpetation Identität Evidenz Medien Fotografie |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027959579&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT saltzmanlisa daguerreotypesfugitivesubjectscontemporaryobjects |