Installation and the moving image:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Wallflower Press
2015
|
| Schriftenreihe: | A wallflower press book
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Literaturverz. S. 278 - 294 Film and video create an illusory world, a reality elsewhere, and a material presence that both dramatizes and demystifies the magic trick of moving pictures. Beginning in the 1960s, artists have explored filmic and televisual phenomena in the controlled environments of galleries and museums, drawing on multiple antecedents in cinema, television, and the visual arts. This volume traces the lineage of moving-image installation through architecture, painting, sculpture, performance, expanded cinema, film history, and countercultural film and video from the 1960s, 1970s, and 1980s.Sound is given due attention, along with the shift from analogue to digital, issues of spectatorship, and the insights of cognitive science. Woven into this genealogy is a discussion of the procedural, political, theoretical, and ideological positions espoused by artists from the mid-twentieth century to the present. Historical constructs such as Peter Gidal's structural materialism, Maya Deren's notion of vertical and horizontal time, and identity politics are reconsidered in a contemporary context and intersect with more recent thinking on representation, subjectivity, and installation art.The book is written by a critic, curator, and practitioner who was a pioneer of British video and feminist art politics in the late 1970s. Elwes writes engagingly of her encounters with works by Anthony McCall, Gillian Wearing, David Hall, and Janet Cardiff, and her narrative is informed by exchanges with other practitioners. While the book addresses the key formal, theoretical, and historical parameters of moving-image installation, it ends with a question: "What's in it for the artist?" |
| Beschreibung: | X, 304 X, [8] S. Ill. |
| ISBN: | 9780231174503 9780231174510 |
Internformat
MARC
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| 500 | |a Literaturverz. S. 278 - 294 | ||
| 500 | |a Film and video create an illusory world, a reality elsewhere, and a material presence that both dramatizes and demystifies the magic trick of moving pictures. Beginning in the 1960s, artists have explored filmic and televisual phenomena in the controlled environments of galleries and museums, drawing on multiple antecedents in cinema, television, and the visual arts. This volume traces the lineage of moving-image installation through architecture, painting, sculpture, performance, expanded cinema, film history, and countercultural film and video from the 1960s, 1970s, and 1980s.Sound is given due attention, along with the shift from analogue to digital, issues of spectatorship, and the insights of cognitive science. Woven into this genealogy is a discussion of the procedural, political, theoretical, and ideological positions espoused by artists from the mid-twentieth century to the present. Historical constructs such as Peter Gidal's structural materialism, Maya Deren's notion of vertical and horizontal time, and identity politics are reconsidered in a contemporary context and intersect with more recent thinking on representation, subjectivity, and installation art.The book is written by a critic, curator, and practitioner who was a pioneer of British video and feminist art politics in the late 1970s. Elwes writes engagingly of her encounters with works by Anthony McCall, Gillian Wearing, David Hall, and Janet Cardiff, and her narrative is informed by exchanges with other practitioners. While the book addresses the key formal, theoretical, and historical parameters of moving-image installation, it ends with a question: "What's in it for the artist?" | ||
| 650 | 4 | |a Installations (Art) | |
| 650 | 4 | |a Motion pictures in art | |
| 650 | 4 | |a Motion pictures | |
| 650 | 4 | |a Öffentliche Darbietungen, Film, Rundfunk | |
| 650 | 4 | |a Video art | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism |2 bisacsh | |
| 650 | 4 | |a Film | |
| 650 | 0 | 7 | |a Video |0 (DE-588)4078895-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Installation |g Kunst |0 (DE-588)4131808-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
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| 689 | 0 | 1 | |a Film |0 (DE-588)4017102-4 |D s |
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| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-0-231-85080-3 |
| 856 | 4 | 2 | |m SWB Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027959519&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
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Datensatz im Suchindex
| _version_ | 1804153281042186240 |
|---|---|
| adam_text | CONTENTS
ACKNOWLEDGEMENTS IX
INTRODUCTION 1
1 ARCHITECTURE 11
2 PAINTING 21
3 SCULPTURE 38
4 PERFORMANCE 53
5 FILM HISTORY ?6
6 FILM AS FILM 104
? STRUCTURAL FILM: DETRACTIONS AND REVISIONS ... 129
8 THE DIALECTICS OF SPECTATORSHIP 142
9 EXPANDED CINEMA 164
10 SOUND 20?
11 VIDEO INSTALLATION 22B
12 CLOSING THOUGHTS 252
BIBLIOGRAPHY 2?8
INDEX 295
|
| any_adam_object | 1 |
| author | Elwes, Catherine 1952- |
| author_GND | (DE-588)124438369 |
| author_facet | Elwes, Catherine 1952- |
| author_role | aut |
| author_sort | Elwes, Catherine 1952- |
| author_variant | c e ce |
| building | Verbundindex |
| bvnumber | BV042525180 |
| ctrlnum | (OCoLC)911181301 (DE-599)BVBBV042525180 |
| dewey-full | 791 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791 |
| dewey-search | 791 |
| dewey-sort | 3791 |
| dewey-tens | 790 - Recreational and performing arts |
| format | Book |
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| isbn | 9780231174503 9780231174510 |
| language | English |
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| spelling | Elwes, Catherine 1952- Verfasser (DE-588)124438369 aut Installation and the moving image Catherine Elwes London [u.a.] Wallflower Press 2015 X, 304 X, [8] S. Ill. txt rdacontent n rdamedia nc rdacarrier A wallflower press book Literaturverz. S. 278 - 294 Film and video create an illusory world, a reality elsewhere, and a material presence that both dramatizes and demystifies the magic trick of moving pictures. Beginning in the 1960s, artists have explored filmic and televisual phenomena in the controlled environments of galleries and museums, drawing on multiple antecedents in cinema, television, and the visual arts. This volume traces the lineage of moving-image installation through architecture, painting, sculpture, performance, expanded cinema, film history, and countercultural film and video from the 1960s, 1970s, and 1980s.Sound is given due attention, along with the shift from analogue to digital, issues of spectatorship, and the insights of cognitive science. Woven into this genealogy is a discussion of the procedural, political, theoretical, and ideological positions espoused by artists from the mid-twentieth century to the present. Historical constructs such as Peter Gidal's structural materialism, Maya Deren's notion of vertical and horizontal time, and identity politics are reconsidered in a contemporary context and intersect with more recent thinking on representation, subjectivity, and installation art.The book is written by a critic, curator, and practitioner who was a pioneer of British video and feminist art politics in the late 1970s. Elwes writes engagingly of her encounters with works by Anthony McCall, Gillian Wearing, David Hall, and Janet Cardiff, and her narrative is informed by exchanges with other practitioners. While the book addresses the key formal, theoretical, and historical parameters of moving-image installation, it ends with a question: "What's in it for the artist?" Installations (Art) Motion pictures in art Motion pictures Öffentliche Darbietungen, Film, Rundfunk Video art PERFORMING ARTS / Film & Video / History & Criticism bisacsh Film Video (DE-588)4078895-7 gnd rswk-swf Installation Kunst (DE-588)4131808-0 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Installation Kunst (DE-588)4131808-0 s Film (DE-588)4017102-4 s Video (DE-588)4078895-7 s DE-604 Erscheint auch als Online-Ausgabe 978-0-231-85080-3 SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027959519&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Elwes, Catherine 1952- Installation and the moving image Installations (Art) Motion pictures in art Motion pictures Öffentliche Darbietungen, Film, Rundfunk Video art PERFORMING ARTS / Film & Video / History & Criticism bisacsh Film Video (DE-588)4078895-7 gnd Installation Kunst (DE-588)4131808-0 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4078895-7 (DE-588)4131808-0 (DE-588)4017102-4 (DE-588)4143413-4 |
| title | Installation and the moving image |
| title_auth | Installation and the moving image |
| title_exact_search | Installation and the moving image |
| title_full | Installation and the moving image Catherine Elwes |
| title_fullStr | Installation and the moving image Catherine Elwes |
| title_full_unstemmed | Installation and the moving image Catherine Elwes |
| title_short | Installation and the moving image |
| title_sort | installation and the moving image |
| topic | Installations (Art) Motion pictures in art Motion pictures Öffentliche Darbietungen, Film, Rundfunk Video art PERFORMING ARTS / Film & Video / History & Criticism bisacsh Film Video (DE-588)4078895-7 gnd Installation Kunst (DE-588)4131808-0 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Installations (Art) Motion pictures in art Motion pictures Öffentliche Darbietungen, Film, Rundfunk Video art PERFORMING ARTS / Film & Video / History & Criticism Film Video Installation Kunst Aufsatzsammlung |
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