The Face of Nature: Wit, Narrative, and Cosmic Origins in Ovid's "Metamorphoses"
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Princeton, N.J.
Princeton University Press
1996
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Schlagworte: | |
Online-Zugang: | Volltext Volltext |
Beschreibung: | Main description: In these reflections on the mercurial qualities of style in Ovid's Meta-morphoses, Garth Tissol contends that stylistic features of the ever-shifting narrative surface, such as wordplay, narrative disruption, and the self-conscious reworking of the poetic tradition, are thematically significant. It is the style that makes the process of reading the work a changing, transformative experience, as it both embodies and reflects the poem's presentation of the world as defined by instability and flux. Tissol deftly illustrates that far from being merely ornamental, style is as much a site for interpretation as any other element of Ovid's art.In the first chapter, Tissol argues that verbal wit and wordplay are closely linked to Ovidian metamorphoses. Wit challenges the ordinary conceptual categories of Ovid's readers, disturbing and extending the meanings and references of words. Thereby it contributes on the stylistic level to the readers' apprehension of flux. On a larger scale, parallel disturbances occur in the progress of narratives. In the second and third chapters, the author examines surprise and abrupt alteration of perspective as important features of narrative style. We experience reading as a transformative process not only in the characteristic indirection and unpredictability of Ovid's narrative but also in the memory of his predecessors. In the fourth chapter, Tissol shows how Ovid subsumes Vergil's Aeneid into the Metamorphoses in an especially rich allusive exploitation, one which contrasts Vergil's aetiological themes with those of his own work.Originally published in 1996.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 |
Beschreibung: | 1 Online-Ressource (256 S.) |
ISBN: | 9781400864614 |
DOI: | 10.1515/9781400864614 |
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500 | |a On a larger scale, parallel disturbances occur in the progress of narratives. In the second and third chapters, the author examines surprise and abrupt alteration of perspective as important features of narrative style. We experience reading as a transformative process not only in the characteristic indirection and unpredictability of Ovid's narrative but also in the memory of his predecessors. In the fourth chapter, Tissol shows how Ovid subsumes Vergil's Aeneid into the Metamorphoses in an especially rich allusive exploitation, one which contrasts Vergil's aetiological themes with those of his own work.Originally published in 1996.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. | ||
500 | |a The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 | ||
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spelling | Tissol, Garth 1953- Verfasser (DE-588)173185444 aut The Face of Nature Wit, Narrative, and Cosmic Origins in Ovid's "Metamorphoses" Princeton, N.J. Princeton University Press 1996 1 Online-Ressource (256 S.) txt rdacontent c rdamedia cr rdacarrier Main description: In these reflections on the mercurial qualities of style in Ovid's Meta-morphoses, Garth Tissol contends that stylistic features of the ever-shifting narrative surface, such as wordplay, narrative disruption, and the self-conscious reworking of the poetic tradition, are thematically significant. It is the style that makes the process of reading the work a changing, transformative experience, as it both embodies and reflects the poem's presentation of the world as defined by instability and flux. Tissol deftly illustrates that far from being merely ornamental, style is as much a site for interpretation as any other element of Ovid's art.In the first chapter, Tissol argues that verbal wit and wordplay are closely linked to Ovidian metamorphoses. Wit challenges the ordinary conceptual categories of Ovid's readers, disturbing and extending the meanings and references of words. Thereby it contributes on the stylistic level to the readers' apprehension of flux. On a larger scale, parallel disturbances occur in the progress of narratives. In the second and third chapters, the author examines surprise and abrupt alteration of perspective as important features of narrative style. We experience reading as a transformative process not only in the characteristic indirection and unpredictability of Ovid's narrative but also in the memory of his predecessors. In the fourth chapter, Tissol shows how Ovid subsumes Vergil's Aeneid into the Metamorphoses in an especially rich allusive exploitation, one which contrasts Vergil's aetiological themes with those of his own work.Originally published in 1996.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 Ovidius Naso, Publius v43-17 Metamorphoses (DE-588)4123895-3 gnd rswk-swf Ovidius Naso, Publius v43-17 Metamorphoses (DE-588)4123895-3 u 1\p DE-604 https://doi.org/10.1515/9781400864614 Verlag Volltext http://www.degruyter.com/search?f_0=isbnissn&q_0=9781400864614&searchTitles=true Verlag Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Tissol, Garth 1953- The Face of Nature Wit, Narrative, and Cosmic Origins in Ovid's "Metamorphoses" Ovidius Naso, Publius v43-17 Metamorphoses (DE-588)4123895-3 gnd |
subject_GND | (DE-588)4123895-3 |
title | The Face of Nature Wit, Narrative, and Cosmic Origins in Ovid's "Metamorphoses" |
title_auth | The Face of Nature Wit, Narrative, and Cosmic Origins in Ovid's "Metamorphoses" |
title_exact_search | The Face of Nature Wit, Narrative, and Cosmic Origins in Ovid's "Metamorphoses" |
title_full | The Face of Nature Wit, Narrative, and Cosmic Origins in Ovid's "Metamorphoses" |
title_fullStr | The Face of Nature Wit, Narrative, and Cosmic Origins in Ovid's "Metamorphoses" |
title_full_unstemmed | The Face of Nature Wit, Narrative, and Cosmic Origins in Ovid's "Metamorphoses" |
title_short | The Face of Nature |
title_sort | the face of nature wit narrative and cosmic origins in ovid s metamorphoses |
title_sub | Wit, Narrative, and Cosmic Origins in Ovid's "Metamorphoses" |
topic | Ovidius Naso, Publius v43-17 Metamorphoses (DE-588)4123895-3 gnd |
topic_facet | Ovidius Naso, Publius v43-17 Metamorphoses |
url | https://doi.org/10.1515/9781400864614 http://www.degruyter.com/search?f_0=isbnissn&q_0=9781400864614&searchTitles=true |
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