Divine Decadence: Fascism, Female Spectacle, and the Makings of Sally Bowles
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton, N.J.
Princeton University Press
[1992]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
| Beschreibung: | As femme fatale, cabaret siren, and icon of Camp, the Christopher Isherwood character Sally Bowles has become this century's darling of "divine decadence"--a measure of how much we are attracted by the fiction of the "shocking" British/American vamp in Weimar Berlin. Originally a character in a short story by Isherwood, published in 1939, "Sally" has appeared over the years in John Van Druten's stage play I Am a Camera, Henry Cornelius's film of the same name, and Joe Masteroff's stage musical and Bob Fosse's Academy Award-winning musical film, both entitled Cabaret. Linda Mizejewski shows how each successive repetition of the tale of the showgirl and the male writer/scholar has linked the young man's fascination with Sally more closely to the fascination of fascism. In every version, political difference is read as sexual difference, fascism is disavowed as secretly female or homosexual, and the hero eventually renounces both Sally and the corruption of the coming regime. Mizejewski argues, however, that the historical and political aspects of this story are too specific--and too frightening--to explain in purely psychoanalytic terms. Instead, Divine Decadence examines how each text engages particular cultural issues and anxieties of its era, from postwar "Momism" to the Vietnam War. Sally Bowles as the symbol of "wild Weimar" or Nazi eroticism represents "history" from within the grid of many other controversial discourses, including changing theories of fascism, the story of Camp, vicissitudes of male homosexual representations and discourses, and the relationships of these issues to images of female sexuality. To Mizejewski, the Sally Bowles adaptations end up duplicating the fascist politics they strain to condemn, reproducing the homophobia, misogyny, fascination for spectacle, and emphasis of sexual difference that characterized German fascism.Originally published in 1992.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 |
| Beschreibung: | 1 Online-Ressource (284p.) |
| ISBN: | 9781400863006 |
| DOI: | 10.1515/9781400863006 |
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| 500 | |a As femme fatale, cabaret siren, and icon of Camp, the Christopher Isherwood character Sally Bowles has become this century's darling of "divine decadence"--a measure of how much we are attracted by the fiction of the "shocking" British/American vamp in Weimar Berlin. Originally a character in a short story by Isherwood, published in 1939, "Sally" has appeared over the years in John Van Druten's stage play I Am a Camera, Henry Cornelius's film of the same name, and Joe Masteroff's stage musical and Bob Fosse's Academy Award-winning musical film, both entitled Cabaret. Linda Mizejewski shows how each successive repetition of the tale of the showgirl and the male writer/scholar has linked the young man's fascination with Sally more closely to the fascination of fascism. In every version, political difference is read as sexual difference, fascism is disavowed as secretly female or homosexual, and the hero eventually renounces both Sally and the corruption of the coming regime. | ||
| 500 | |a Mizejewski argues, however, that the historical and political aspects of this story are too specific--and too frightening--to explain in purely psychoanalytic terms. Instead, Divine Decadence examines how each text engages particular cultural issues and anxieties of its era, from postwar "Momism" to the Vietnam War. Sally Bowles as the symbol of "wild Weimar" or Nazi eroticism represents "history" from within the grid of many other controversial discourses, including changing theories of fascism, the story of Camp, vicissitudes of male homosexual representations and discourses, and the relationships of these issues to images of female sexuality. | ||
| 500 | |a To Mizejewski, the Sally Bowles adaptations end up duplicating the fascist politics they strain to condemn, reproducing the homophobia, misogyny, fascination for spectacle, and emphasis of sexual difference that characterized German fascism.Originally published in 1992.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 | ||
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| author | Mizejewski, Linda |
| author_facet | Mizejewski, Linda |
| author_role | aut |
| author_sort | Mizejewski, Linda |
| author_variant | l m lm |
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| bvnumber | BV042524005 |
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| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 823 - English fiction |
| dewey-raw | 823/.912 |
| dewey-search | 823/.912 |
| dewey-sort | 3823 3912 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| doi_str_mv | 10.1515/9781400863006 |
| format | Electronic eBook |
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| id | DE-604.BV042524005 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T01:24:04Z |
| institution | BVB |
| isbn | 9781400863006 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027958344 |
| oclc_num | 889252659 |
| open_access_boolean | |
| owner | DE-859 DE-860 DE-473 DE-BY-UBG DE-Aug4 DE-739 DE-1046 DE-1043 DE-858 |
| owner_facet | DE-859 DE-860 DE-473 DE-BY-UBG DE-Aug4 DE-739 DE-1046 DE-1043 DE-858 |
| physical | 1 Online-Ressource (284p.) |
| psigel | ZDB-23-DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UPA_PDA_DGG |
| publishDate | 1992 |
| publishDateSearch | 1992 |
| publishDateSort | 1992 |
| publisher | Princeton University Press |
| record_format | marc |
| spelling | Mizejewski, Linda Verfasser aut Divine Decadence Fascism, Female Spectacle, and the Makings of Sally Bowles Linda Mizejewski Princeton, N.J. Princeton University Press [1992] 1 Online-Ressource (284p.) txt rdacontent c rdamedia cr rdacarrier As femme fatale, cabaret siren, and icon of Camp, the Christopher Isherwood character Sally Bowles has become this century's darling of "divine decadence"--a measure of how much we are attracted by the fiction of the "shocking" British/American vamp in Weimar Berlin. Originally a character in a short story by Isherwood, published in 1939, "Sally" has appeared over the years in John Van Druten's stage play I Am a Camera, Henry Cornelius's film of the same name, and Joe Masteroff's stage musical and Bob Fosse's Academy Award-winning musical film, both entitled Cabaret. Linda Mizejewski shows how each successive repetition of the tale of the showgirl and the male writer/scholar has linked the young man's fascination with Sally more closely to the fascination of fascism. In every version, political difference is read as sexual difference, fascism is disavowed as secretly female or homosexual, and the hero eventually renounces both Sally and the corruption of the coming regime. Mizejewski argues, however, that the historical and political aspects of this story are too specific--and too frightening--to explain in purely psychoanalytic terms. Instead, Divine Decadence examines how each text engages particular cultural issues and anxieties of its era, from postwar "Momism" to the Vietnam War. Sally Bowles as the symbol of "wild Weimar" or Nazi eroticism represents "history" from within the grid of many other controversial discourses, including changing theories of fascism, the story of Camp, vicissitudes of male homosexual representations and discourses, and the relationships of these issues to images of female sexuality. To Mizejewski, the Sally Bowles adaptations end up duplicating the fascist politics they strain to condemn, reproducing the homophobia, misogyny, fascination for spectacle, and emphasis of sexual difference that characterized German fascism.Originally published in 1992.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 In English Isherwood, Christopher 1904-1986 Goodbye to Berlin (DE-588)4632671-6 gnd rswk-swf Isherwood, Christopher 1904-1986 (DE-588)118710958 gnd rswk-swf Englische Literatur Bowles, Sally (Fictitious character) Decadence in literature Fascism and literature Women in literature LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh PERFORMING ARTS / Film & Video / History & Criticism bisacsh Literature Literatur Sexualität (DE-588)4054684-6 gnd rswk-swf Bearbeitung (DE-588)4120981-3 gnd rswk-swf Faschismus (DE-588)4016494-9 gnd rswk-swf Verfilmung (DE-588)4062809-7 gnd rswk-swf Isherwood, Christopher 1904-1986 Goodbye to Berlin (DE-588)4632671-6 u Bearbeitung (DE-588)4120981-3 s Faschismus (DE-588)4016494-9 s Sexualität (DE-588)4054684-6 s 1\p DE-604 Verfilmung (DE-588)4062809-7 s 2\p DE-604 Isherwood, Christopher 1904-1986 (DE-588)118710958 p 3\p DE-604 https://doi.org/10.1515/9781400863006 Verlag Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Mizejewski, Linda Divine Decadence Fascism, Female Spectacle, and the Makings of Sally Bowles Isherwood, Christopher 1904-1986 Goodbye to Berlin (DE-588)4632671-6 gnd Isherwood, Christopher 1904-1986 (DE-588)118710958 gnd Englische Literatur Bowles, Sally (Fictitious character) Decadence in literature Fascism and literature Women in literature LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh PERFORMING ARTS / Film & Video / History & Criticism bisacsh Literature Literatur Sexualität (DE-588)4054684-6 gnd Bearbeitung (DE-588)4120981-3 gnd Faschismus (DE-588)4016494-9 gnd Verfilmung (DE-588)4062809-7 gnd |
| subject_GND | (DE-588)4632671-6 (DE-588)118710958 (DE-588)4054684-6 (DE-588)4120981-3 (DE-588)4016494-9 (DE-588)4062809-7 |
| title | Divine Decadence Fascism, Female Spectacle, and the Makings of Sally Bowles |
| title_auth | Divine Decadence Fascism, Female Spectacle, and the Makings of Sally Bowles |
| title_exact_search | Divine Decadence Fascism, Female Spectacle, and the Makings of Sally Bowles |
| title_full | Divine Decadence Fascism, Female Spectacle, and the Makings of Sally Bowles Linda Mizejewski |
| title_fullStr | Divine Decadence Fascism, Female Spectacle, and the Makings of Sally Bowles Linda Mizejewski |
| title_full_unstemmed | Divine Decadence Fascism, Female Spectacle, and the Makings of Sally Bowles Linda Mizejewski |
| title_short | Divine Decadence |
| title_sort | divine decadence fascism female spectacle and the makings of sally bowles |
| title_sub | Fascism, Female Spectacle, and the Makings of Sally Bowles |
| topic | Isherwood, Christopher 1904-1986 Goodbye to Berlin (DE-588)4632671-6 gnd Isherwood, Christopher 1904-1986 (DE-588)118710958 gnd Englische Literatur Bowles, Sally (Fictitious character) Decadence in literature Fascism and literature Women in literature LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh PERFORMING ARTS / Film & Video / History & Criticism bisacsh Literature Literatur Sexualität (DE-588)4054684-6 gnd Bearbeitung (DE-588)4120981-3 gnd Faschismus (DE-588)4016494-9 gnd Verfilmung (DE-588)4062809-7 gnd |
| topic_facet | Isherwood, Christopher 1904-1986 Goodbye to Berlin Isherwood, Christopher 1904-1986 Englische Literatur Bowles, Sally (Fictitious character) Decadence in literature Fascism and literature Women in literature LITERARY CRITICISM / European / English, Irish, Scottish, Welsh PERFORMING ARTS / Film & Video / History & Criticism Literature Literatur Sexualität Bearbeitung Faschismus Verfilmung |
| url | https://doi.org/10.1515/9781400863006 |
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