Blackout: Reinventing Women for Wartime British Cinema
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton, N.J.
Princeton University Press
[1991]
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| Schlagworte: | |
| Online-Zugang: | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-739 Volltext |
| Beschreibung: | The most universal civilian privation in World War II Britain, the blackout possessed many symbolic meanings. Among its complicated implications for filmmakers was a stigmatization of film spectacle--including the display of "Hollywood women," whose extravagant appearance connoted at best unpatriotic wastefulness and at worst collaboration with the enemy. Exploring the wartime breakdown of conventional gender roles on the screen and in the audience, Antonia Lant demonstrates that many British films of the period signaled their national cinematic identity by diverging from the notion of the Hollywood star, the mainstay of commercial American motion pictures, replacing her with a deglamourized, mobilized heroine. Nevertheless, the war machine demanded that British films continue to celebrate stable and reassuring gender roles. Contradictions abounded, both within film narratives and between narrative and "real life." Analyzing films of all the major wartime studios, the author scrutinizes the efforts of realist and melodramatic texts to confront women's wartime experiences, including conscription. By combining study of contemporary posters, advertisements, propaganda notices, and cartoons with consideration of recent feminist theoretical work on the cinema, spectatorship, and history, she has produced the first book to examine the relationships among gender, cinema, and nationality as they are affected by the stresses of war.Originally published in 1991.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 |
| Beschreibung: | 1 Online-Ressource (282p.) |
| ISBN: | 9781400862191 |
| DOI: | 10.1515/9781400862191 |
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| 500 | |a The most universal civilian privation in World War II Britain, the blackout possessed many symbolic meanings. Among its complicated implications for filmmakers was a stigmatization of film spectacle--including the display of "Hollywood women," whose extravagant appearance connoted at best unpatriotic wastefulness and at worst collaboration with the enemy. Exploring the wartime breakdown of conventional gender roles on the screen and in the audience, Antonia Lant demonstrates that many British films of the period signaled their national cinematic identity by diverging from the notion of the Hollywood star, the mainstay of commercial American motion pictures, replacing her with a deglamourized, mobilized heroine. Nevertheless, the war machine demanded that British films continue to celebrate stable and reassuring gender roles. Contradictions abounded, both within film narratives and between narrative and "real life." Analyzing films of all the major wartime studios, the author scrutinizes the efforts of realist and melodramatic texts to confront women's wartime experiences, including conscription. By combining study of contemporary posters, advertisements, propaganda notices, and cartoons with consideration of recent feminist theoretical work on the cinema, spectatorship, and history, she has produced the first book to examine the relationships among gender, cinema, and nationality as they are affected by the stresses of war.Originally published in 1991.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 | ||
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| era | Geschichte 1900-2000 Geschichte 1939-1945 gnd |
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| spelling | Lant, Antonia Caroline Verfasser aut Blackout Reinventing Women for Wartime British Cinema Antonia Caroline Lant Princeton, N.J. Princeton University Press [1991] 1 Online-Ressource (282p.) txt rdacontent c rdamedia cr rdacarrier The most universal civilian privation in World War II Britain, the blackout possessed many symbolic meanings. Among its complicated implications for filmmakers was a stigmatization of film spectacle--including the display of "Hollywood women," whose extravagant appearance connoted at best unpatriotic wastefulness and at worst collaboration with the enemy. Exploring the wartime breakdown of conventional gender roles on the screen and in the audience, Antonia Lant demonstrates that many British films of the period signaled their national cinematic identity by diverging from the notion of the Hollywood star, the mainstay of commercial American motion pictures, replacing her with a deglamourized, mobilized heroine. Nevertheless, the war machine demanded that British films continue to celebrate stable and reassuring gender roles. Contradictions abounded, both within film narratives and between narrative and "real life." Analyzing films of all the major wartime studios, the author scrutinizes the efforts of realist and melodramatic texts to confront women's wartime experiences, including conscription. By combining study of contemporary posters, advertisements, propaganda notices, and cartoons with consideration of recent feminist theoretical work on the cinema, spectatorship, and history, she has produced the first book to examine the relationships among gender, cinema, and nationality as they are affected by the stresses of war.Originally published in 1991.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 In English Geschichte 1900-2000 Geschichte 1939-1945 gnd rswk-swf Öffentliche Darbietungen, Film, Rundfunk Women in motion pictures World War, 1939-1945 / Motion pictures and the war Motion pictures / Great Britain / History / 20th century Sex role in motion pictures Feminism and motion pictures National characteristics, British, in motion pictures Motion pictures / Social aspects / Great Britain PERFORMING ARTS / Reference bisacsh PERFORMING ARTS / Film & Video / History & Criticism bisacsh Film Geschichte Gesellschaft Weltkrieg (1939-1945) Film (DE-588)4017102-4 gnd rswk-swf Frauenbild (DE-588)4125057-6 gnd rswk-swf Großbritannien Großbritannien (DE-588)4022153-2 gnd rswk-swf Großbritannien (DE-588)4022153-2 g Film (DE-588)4017102-4 s Frauenbild (DE-588)4125057-6 s Geschichte 1939-1945 z 1\p DE-604 https://doi.org/10.1515/9781400862191 Verlag Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Lant, Antonia Caroline Blackout Reinventing Women for Wartime British Cinema Öffentliche Darbietungen, Film, Rundfunk Women in motion pictures World War, 1939-1945 / Motion pictures and the war Motion pictures / Great Britain / History / 20th century Sex role in motion pictures Feminism and motion pictures National characteristics, British, in motion pictures Motion pictures / Social aspects / Great Britain PERFORMING ARTS / Reference bisacsh PERFORMING ARTS / Film & Video / History & Criticism bisacsh Film Geschichte Gesellschaft Weltkrieg (1939-1945) Film (DE-588)4017102-4 gnd Frauenbild (DE-588)4125057-6 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4125057-6 (DE-588)4022153-2 |
| title | Blackout Reinventing Women for Wartime British Cinema |
| title_auth | Blackout Reinventing Women for Wartime British Cinema |
| title_exact_search | Blackout Reinventing Women for Wartime British Cinema |
| title_full | Blackout Reinventing Women for Wartime British Cinema Antonia Caroline Lant |
| title_fullStr | Blackout Reinventing Women for Wartime British Cinema Antonia Caroline Lant |
| title_full_unstemmed | Blackout Reinventing Women for Wartime British Cinema Antonia Caroline Lant |
| title_short | Blackout |
| title_sort | blackout reinventing women for wartime british cinema |
| title_sub | Reinventing Women for Wartime British Cinema |
| topic | Öffentliche Darbietungen, Film, Rundfunk Women in motion pictures World War, 1939-1945 / Motion pictures and the war Motion pictures / Great Britain / History / 20th century Sex role in motion pictures Feminism and motion pictures National characteristics, British, in motion pictures Motion pictures / Social aspects / Great Britain PERFORMING ARTS / Reference bisacsh PERFORMING ARTS / Film & Video / History & Criticism bisacsh Film Geschichte Gesellschaft Weltkrieg (1939-1945) Film (DE-588)4017102-4 gnd Frauenbild (DE-588)4125057-6 gnd |
| topic_facet | Öffentliche Darbietungen, Film, Rundfunk Women in motion pictures World War, 1939-1945 / Motion pictures and the war Motion pictures / Great Britain / History / 20th century Sex role in motion pictures Feminism and motion pictures National characteristics, British, in motion pictures Motion pictures / Social aspects / Great Britain PERFORMING ARTS / Reference PERFORMING ARTS / Film & Video / History & Criticism Film Geschichte Gesellschaft Weltkrieg (1939-1945) Frauenbild Großbritannien |
| url | https://doi.org/10.1515/9781400862191 |
| work_keys_str_mv | AT lantantoniacaroline blackoutreinventingwomenforwartimebritishcinema |