Chaucerian Theatricality:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton, N.J.
Princeton University Press
[1990]
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Beschreibung: | Whereas modern criticism has emphasized the unity and sense of permanence in The Canterbury Tales, John Ganim alerts us to a dialectically opposing dimension that Chaucer's poetics shares with the popular culture of the late Middle Ages: his celebration of the ephemeral and his sense of performance. Ganim uses the concept of theatricality to illuminate Chaucer's manipulations of the forms of popular culture and high literary discourse. He calls upon recent work in semiotics and social history to question Mikhail Bakhtin's notion of the "carnivalesque" and the "dialogic," at the same time suggesting Bakhtin's usefulness in understanding Chaucer.This book includes chapters on how Chaucer adopts the voice of such popular literary forms as chronicles and pious collections, on his equivalence between his own image making and dramatic performance, and on Chaucer's and Boccaccio's handling of the related issues of popular understanding and the creation of illusions. The book concludes by describing how Chaucer conflates "noise" and popular expression, simultaneously appropriating and distancing himself from his richest cultural context.Originally published in 1990.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 |
| Beschreibung: | 1 Online-Ressource (171p.) |
| ISBN: | 9781400861361 |
| DOI: | 10.1515/9781400861361 |
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| 500 | |a Whereas modern criticism has emphasized the unity and sense of permanence in The Canterbury Tales, John Ganim alerts us to a dialectically opposing dimension that Chaucer's poetics shares with the popular culture of the late Middle Ages: his celebration of the ephemeral and his sense of performance. Ganim uses the concept of theatricality to illuminate Chaucer's manipulations of the forms of popular culture and high literary discourse. He calls upon recent work in semiotics and social history to question Mikhail Bakhtin's notion of the "carnivalesque" and the "dialogic," at the same time suggesting Bakhtin's usefulness in understanding Chaucer.This book includes chapters on how Chaucer adopts the voice of such popular literary forms as chronicles and pious collections, on his equivalence between his own image making and dramatic performance, and on Chaucer's and Boccaccio's handling of the related issues of popular understanding and the creation of illusions. The book concludes by describing how Chaucer conflates "noise" and popular expression, simultaneously appropriating and distancing himself from his richest cultural context.Originally published in 1990.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 | ||
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Datensatz im Suchindex
| _version_ | 1804153278095687680 |
|---|---|
| any_adam_object | |
| author | Ganim, John M. |
| author_facet | Ganim, John M. |
| author_role | aut |
| author_sort | Ganim, John M. |
| author_variant | j m g jm jmg |
| building | Verbundindex |
| bvnumber | BV042523875 |
| collection | ZDB-23-DGG |
| ctrlnum | (OCoLC)884013149 (DE-599)BVBBV042523875 |
| dewey-full | 821.1 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 821 - English poetry |
| dewey-raw | 821.1 |
| dewey-search | 821.1 |
| dewey-sort | 3821.1 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| doi_str_mv | 10.1515/9781400861361 |
| format | Electronic eBook |
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| publisher | Princeton University Press |
| record_format | marc |
| spelling | Ganim, John M. Verfasser aut Chaucerian Theatricality John M. Ganim Princeton, N.J. Princeton University Press [1990] 1 Online-Ressource (171p.) txt rdacontent c rdamedia cr rdacarrier Whereas modern criticism has emphasized the unity and sense of permanence in The Canterbury Tales, John Ganim alerts us to a dialectically opposing dimension that Chaucer's poetics shares with the popular culture of the late Middle Ages: his celebration of the ephemeral and his sense of performance. Ganim uses the concept of theatricality to illuminate Chaucer's manipulations of the forms of popular culture and high literary discourse. He calls upon recent work in semiotics and social history to question Mikhail Bakhtin's notion of the "carnivalesque" and the "dialogic," at the same time suggesting Bakhtin's usefulness in understanding Chaucer.This book includes chapters on how Chaucer adopts the voice of such popular literary forms as chronicles and pious collections, on his equivalence between his own image making and dramatic performance, and on Chaucer's and Boccaccio's handling of the related issues of popular understanding and the creation of illusions. The book concludes by describing how Chaucer conflates "noise" and popular expression, simultaneously appropriating and distancing himself from his richest cultural context.Originally published in 1990.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 In English Chaucer, Geoffrey 1343-1400 The Canterbury tales (DE-588)4135927-6 gnd rswk-swf Chaucer, Geoffrey 1343-1400 (DE-588)118520245 gnd rswk-swf Englische Literatur Popular culture / England / History / To 1500 Christian pilgrims and pilgrimages in literature Performing arts / England / History / To 1500 Performing arts in literature Popular culture in literature Carnival in literature LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh Performing arts Popular culture Geschichte Erzähltechnik (DE-588)4124854-5 gnd rswk-swf Inszenierung (DE-588)4027223-0 gnd rswk-swf Darstellende Kunst (DE-588)4129566-3 gnd rswk-swf Volkskultur (DE-588)4063849-2 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Chaucer, Geoffrey 1343-1400 (DE-588)118520245 p Erzähltechnik (DE-588)4124854-5 s 2\p DE-604 Chaucer, Geoffrey 1343-1400 The Canterbury tales (DE-588)4135927-6 u Volkskultur (DE-588)4063849-2 s 3\p DE-604 Darstellende Kunst (DE-588)4129566-3 s 4\p DE-604 Inszenierung (DE-588)4027223-0 s 5\p DE-604 Theater (DE-588)4059702-7 s 6\p DE-604 https://doi.org/10.1515/9781400861361 Verlag Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 4\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 5\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 6\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Ganim, John M. Chaucerian Theatricality Chaucer, Geoffrey 1343-1400 The Canterbury tales (DE-588)4135927-6 gnd Chaucer, Geoffrey 1343-1400 (DE-588)118520245 gnd Englische Literatur Popular culture / England / History / To 1500 Christian pilgrims and pilgrimages in literature Performing arts / England / History / To 1500 Performing arts in literature Popular culture in literature Carnival in literature LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh Performing arts Popular culture Geschichte Erzähltechnik (DE-588)4124854-5 gnd Inszenierung (DE-588)4027223-0 gnd Darstellende Kunst (DE-588)4129566-3 gnd Volkskultur (DE-588)4063849-2 gnd Theater (DE-588)4059702-7 gnd |
| subject_GND | (DE-588)4135927-6 (DE-588)118520245 (DE-588)4124854-5 (DE-588)4027223-0 (DE-588)4129566-3 (DE-588)4063849-2 (DE-588)4059702-7 (DE-588)4143413-4 |
| title | Chaucerian Theatricality |
| title_auth | Chaucerian Theatricality |
| title_exact_search | Chaucerian Theatricality |
| title_full | Chaucerian Theatricality John M. Ganim |
| title_fullStr | Chaucerian Theatricality John M. Ganim |
| title_full_unstemmed | Chaucerian Theatricality John M. Ganim |
| title_short | Chaucerian Theatricality |
| title_sort | chaucerian theatricality |
| topic | Chaucer, Geoffrey 1343-1400 The Canterbury tales (DE-588)4135927-6 gnd Chaucer, Geoffrey 1343-1400 (DE-588)118520245 gnd Englische Literatur Popular culture / England / History / To 1500 Christian pilgrims and pilgrimages in literature Performing arts / England / History / To 1500 Performing arts in literature Popular culture in literature Carnival in literature LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh Performing arts Popular culture Geschichte Erzähltechnik (DE-588)4124854-5 gnd Inszenierung (DE-588)4027223-0 gnd Darstellende Kunst (DE-588)4129566-3 gnd Volkskultur (DE-588)4063849-2 gnd Theater (DE-588)4059702-7 gnd |
| topic_facet | Chaucer, Geoffrey 1343-1400 The Canterbury tales Chaucer, Geoffrey 1343-1400 Englische Literatur Popular culture / England / History / To 1500 Christian pilgrims and pilgrimages in literature Performing arts / England / History / To 1500 Performing arts in literature Popular culture in literature Carnival in literature LITERARY CRITICISM / European / English, Irish, Scottish, Welsh Performing arts Popular culture Geschichte Erzähltechnik Inszenierung Darstellende Kunst Volkskultur Theater Aufsatzsammlung |
| url | https://doi.org/10.1515/9781400861361 |
| work_keys_str_mv | AT ganimjohnm chauceriantheatricality |