History as a Visual Art in the Twelfth-Century Renaissance:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton, N.J.
Princeton University Press
[1990]
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Beschreibung: | Karl Morrison discusses historical writing at a turning point in European culture: the so-called Renaissance of the twelfth century. Why do texts considered at that time to be masterpieces seem now to be fragmentary and full of contradictions? Morrison maintains that the answer comes from ideas about art. Viewing histories as artifacts made according to the same aesthetic principles as paintings and theater, he shows that twelfth-century authors and audiences found unity not in what the reason read in a text but in what the imagination read into it: they prized visual over verbal imagination and employed a circular, or nuclear, spectator-centered perspective cast aside in the Renaissance of the fourteenth and fifteenth centuries.Twelfth-century writers assimilated and transformed a tradition of the conceptual unity of all the arts and attributed that unity to the fact that art both conceals and discloses. Recovering that tradition, especially the methods and motives of concealment, provides extraordinary insights into twelfth-century ideas about the kingdom of God, the status of women, and the nature of time itself. It also identifies a strain in European thought that had striking affinities to methods of perception familiar in Oriental religions and that proved to be antithetic to later humanist traditions in the West.Originally published in 1990.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 |
| Beschreibung: | 1 Online-Ressource (287p.) |
| ISBN: | 9781400861187 |
| DOI: | 10.1515/9781400861187 |
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Datensatz im Suchindex
| _version_ | 1804153278086250496 |
|---|---|
| any_adam_object | |
| author | Morrison, Karl F. 1936- |
| author_GND | (DE-588)1036564401 |
| author_facet | Morrison, Karl F. 1936- |
| author_role | aut |
| author_sort | Morrison, Karl F. 1936- |
| author_variant | k f m kf kfm |
| building | Verbundindex |
| bvnumber | BV042523858 |
| collection | ZDB-23-DGG |
| ctrlnum | (OCoLC)889253290 (DE-599)BVBBV042523858 |
| dewey-full | 111/.85/09409021 |
| dewey-hundreds | 100 - Philosophy & psychology |
| dewey-ones | 111 - Ontology |
| dewey-raw | 111/.85/09409021 |
| dewey-search | 111/.85/09409021 |
| dewey-sort | 3111 285 79409021 |
| dewey-tens | 110 - Metaphysics |
| discipline | Philosophie |
| doi_str_mv | 10.1515/9781400861187 |
| era | Geschichte 950-1250 gnd Geschichte 1100-1200 gnd |
| era_facet | Geschichte 950-1250 Geschichte 1100-1200 |
| format | Electronic eBook |
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Morrison</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Princeton, N.J.</subfield><subfield code="b">Princeton University Press</subfield><subfield code="c">[1990]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (287p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Karl Morrison discusses historical writing at a turning point in European culture: the so-called Renaissance of the twelfth century. Why do texts considered at that time to be masterpieces seem now to be fragmentary and full of contradictions? 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It also identifies a strain in European thought that had striking affinities to methods of perception familiar in Oriental religions and that proved to be antithetic to later humanist traditions in the West.Originally published in 1990.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. 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| id | DE-604.BV042523858 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T01:24:04Z |
| institution | BVB |
| isbn | 9781400861187 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027958197 |
| oclc_num | 889253290 |
| open_access_boolean | |
| physical | 1 Online-Ressource (287p.) |
| psigel | ZDB-23-DGG |
| publishDate | 1990 |
| publishDateSearch | 1990 |
| publishDateSort | 1990 |
| publisher | Princeton University Press |
| record_format | marc |
| spelling | Morrison, Karl F. 1936- Verfasser (DE-588)1036564401 aut History as a Visual Art in the Twelfth-Century Renaissance Karl F. Morrison Princeton, N.J. Princeton University Press [1990] 1 Online-Ressource (287p.) txt rdacontent c rdamedia cr rdacarrier Karl Morrison discusses historical writing at a turning point in European culture: the so-called Renaissance of the twelfth century. Why do texts considered at that time to be masterpieces seem now to be fragmentary and full of contradictions? Morrison maintains that the answer comes from ideas about art. Viewing histories as artifacts made according to the same aesthetic principles as paintings and theater, he shows that twelfth-century authors and audiences found unity not in what the reason read in a text but in what the imagination read into it: they prized visual over verbal imagination and employed a circular, or nuclear, spectator-centered perspective cast aside in the Renaissance of the fourteenth and fifteenth centuries.Twelfth-century writers assimilated and transformed a tradition of the conceptual unity of all the arts and attributed that unity to the fact that art both conceals and discloses. Recovering that tradition, especially the methods and motives of concealment, provides extraordinary insights into twelfth-century ideas about the kingdom of God, the status of women, and the nature of time itself. It also identifies a strain in European thought that had striking affinities to methods of perception familiar in Oriental religions and that proved to be antithetic to later humanist traditions in the West.Originally published in 1990.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 In English Geschichte 950-1250 gnd rswk-swf Geschichte 1100-1200 gnd rswk-swf Philosophie Aesthetics, Medieval Historiography Cognition Kingdom of God Women Time PHILOSOPHY / Aesthetics bisacsh Frau Ästhetik Geschichtsschreibung (DE-588)4020531-9 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Kunstproduktion (DE-588)4166043-2 gnd rswk-swf Geschichtsdenken (DE-588)4071770-7 gnd rswk-swf Kunstgeschichtsschreibung (DE-588)4033643-8 gnd rswk-swf Romanik (DE-588)4050482-7 gnd rswk-swf Geschichtsbild (DE-588)4071769-0 gnd rswk-swf Protorenaissance (DE-588)4130063-4 gnd rswk-swf Kognition (DE-588)4031630-0 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Geschichtsbild (DE-588)4071769-0 s Geschichtsdenken (DE-588)4071770-7 s Kunst (DE-588)4114333-4 s Geschichte 1100-1200 z 1\p DE-604 Ästhetik (DE-588)4000626-8 s Kognition (DE-588)4031630-0 s Geschichtsschreibung (DE-588)4020531-9 s 2\p DE-604 Kunstproduktion (DE-588)4166043-2 s Geschichte 950-1250 z 3\p DE-604 Protorenaissance (DE-588)4130063-4 s 4\p DE-604 Romanik (DE-588)4050482-7 s 5\p DE-604 6\p DE-604 Kunstgeschichtsschreibung (DE-588)4033643-8 s 7\p DE-604 https://doi.org/10.1515/9781400861187 Verlag Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 4\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 5\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 6\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 7\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Morrison, Karl F. 1936- History as a Visual Art in the Twelfth-Century Renaissance Philosophie Aesthetics, Medieval Historiography Cognition Kingdom of God Women Time PHILOSOPHY / Aesthetics bisacsh Frau Ästhetik Geschichtsschreibung (DE-588)4020531-9 gnd Kunst (DE-588)4114333-4 gnd Kunstproduktion (DE-588)4166043-2 gnd Geschichtsdenken (DE-588)4071770-7 gnd Kunstgeschichtsschreibung (DE-588)4033643-8 gnd Romanik (DE-588)4050482-7 gnd Geschichtsbild (DE-588)4071769-0 gnd Protorenaissance (DE-588)4130063-4 gnd Kognition (DE-588)4031630-0 gnd Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)4020531-9 (DE-588)4114333-4 (DE-588)4166043-2 (DE-588)4071770-7 (DE-588)4033643-8 (DE-588)4050482-7 (DE-588)4071769-0 (DE-588)4130063-4 (DE-588)4031630-0 (DE-588)4000626-8 |
| title | History as a Visual Art in the Twelfth-Century Renaissance |
| title_auth | History as a Visual Art in the Twelfth-Century Renaissance |
| title_exact_search | History as a Visual Art in the Twelfth-Century Renaissance |
| title_full | History as a Visual Art in the Twelfth-Century Renaissance Karl F. Morrison |
| title_fullStr | History as a Visual Art in the Twelfth-Century Renaissance Karl F. Morrison |
| title_full_unstemmed | History as a Visual Art in the Twelfth-Century Renaissance Karl F. Morrison |
| title_short | History as a Visual Art in the Twelfth-Century Renaissance |
| title_sort | history as a visual art in the twelfth century renaissance |
| topic | Philosophie Aesthetics, Medieval Historiography Cognition Kingdom of God Women Time PHILOSOPHY / Aesthetics bisacsh Frau Ästhetik Geschichtsschreibung (DE-588)4020531-9 gnd Kunst (DE-588)4114333-4 gnd Kunstproduktion (DE-588)4166043-2 gnd Geschichtsdenken (DE-588)4071770-7 gnd Kunstgeschichtsschreibung (DE-588)4033643-8 gnd Romanik (DE-588)4050482-7 gnd Geschichtsbild (DE-588)4071769-0 gnd Protorenaissance (DE-588)4130063-4 gnd Kognition (DE-588)4031630-0 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Philosophie Aesthetics, Medieval Historiography Cognition Kingdom of God Women Time PHILOSOPHY / Aesthetics Frau Ästhetik Geschichtsschreibung Kunst Kunstproduktion Geschichtsdenken Kunstgeschichtsschreibung Romanik Geschichtsbild Protorenaissance Kognition |
| url | https://doi.org/10.1515/9781400861187 |
| work_keys_str_mv | AT morrisonkarlf historyasavisualartinthetwelfthcenturyrenaissance |