Screen/Play: Derrida and Film Theory
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton, N.J.
Princeton University Press
[1990]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
| Beschreibung: | Peter Brunette and David Wills extend the work of Jacques Derrida into a new realm--with rewarding consequences. Although Derrida has never addressed film theory directly in his writings, Brunette and Wills argue that the ideas he has developed in his critique of the logocentric foundations of Western thought, especially his notion of "Writing," can be usefully applied to film theory and analysis. They maintain that such an application might even begin to shift film from its traditional position within the visual arts to a new place in the media and information sciences. This book also supplies a fascinating introduction to Derrida for the general reader. The authors begin by explaining, in political terms, why film theorists have neglected Derrida's work. Next they offer a Derridean critique of the assumptions of contemporary film studies. Then, drawing on his recently translated The Truth in Painting as well as on other, relatively unknown texts such as Droit de regards, they discuss his ideas in relation to the cinema and present two film analyses--of Truffaut's The Bride Wore Black and of Lynch's Blue Velvet--that attempt to demonstrate the notion of an "anagrammatical," radical reading practice. Finally, they focus on Derrida's neglected book, The Post Card, and situate cinema in terms of a new definition of the technological.Originally published in 1990.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 |
| Beschreibung: | 1 Online-Ressource (224p.) |
| ISBN: | 9781400860678 |
| DOI: | 10.1515/9781400860678 |
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| 500 | |a Peter Brunette and David Wills extend the work of Jacques Derrida into a new realm--with rewarding consequences. Although Derrida has never addressed film theory directly in his writings, Brunette and Wills argue that the ideas he has developed in his critique of the logocentric foundations of Western thought, especially his notion of "Writing," can be usefully applied to film theory and analysis. They maintain that such an application might even begin to shift film from its traditional position within the visual arts to a new place in the media and information sciences. This book also supplies a fascinating introduction to Derrida for the general reader. The authors begin by explaining, in political terms, why film theorists have neglected Derrida's work. Next they offer a Derridean critique of the assumptions of contemporary film studies. Then, drawing on his recently translated The Truth in Painting as well as on other, relatively unknown texts such as Droit de regards, they discuss his ideas in relation to the cinema and present two film analyses--of Truffaut's The Bride Wore Black and of Lynch's Blue Velvet--that attempt to demonstrate the notion of an "anagrammatical," radical reading practice. Finally, they focus on Derrida's neglected book, The Post Card, and situate cinema in terms of a new definition of the technological.Originally published in 1990.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 | ||
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Datensatz im Suchindex
| _version_ | 1804153278006558720 |
|---|---|
| any_adam_object | |
| author | Brunette, Peter |
| author_facet | Brunette, Peter |
| author_role | aut |
| author_sort | Brunette, Peter |
| author_variant | p b pb |
| building | Verbundindex |
| bvnumber | BV042523822 |
| collection | ZDB-23-DGG |
| ctrlnum | (OCoLC)889253026 (DE-599)BVBBV042523822 |
| dewey-full | 791.43/01 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/01 |
| dewey-search | 791.43/01 |
| dewey-sort | 3791.43 11 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| doi_str_mv | 10.1515/9781400860678 |
| format | Electronic eBook |
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| language | English |
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| spelling | Brunette, Peter Verfasser aut Screen/Play Derrida and Film Theory Peter Brunette, David Wills Princeton, N.J. Princeton University Press [1990] 1 Online-Ressource (224p.) txt rdacontent c rdamedia cr rdacarrier Peter Brunette and David Wills extend the work of Jacques Derrida into a new realm--with rewarding consequences. Although Derrida has never addressed film theory directly in his writings, Brunette and Wills argue that the ideas he has developed in his critique of the logocentric foundations of Western thought, especially his notion of "Writing," can be usefully applied to film theory and analysis. They maintain that such an application might even begin to shift film from its traditional position within the visual arts to a new place in the media and information sciences. This book also supplies a fascinating introduction to Derrida for the general reader. The authors begin by explaining, in political terms, why film theorists have neglected Derrida's work. Next they offer a Derridean critique of the assumptions of contemporary film studies. Then, drawing on his recently translated The Truth in Painting as well as on other, relatively unknown texts such as Droit de regards, they discuss his ideas in relation to the cinema and present two film analyses--of Truffaut's The Bride Wore Black and of Lynch's Blue Velvet--that attempt to demonstrate the notion of an "anagrammatical," radical reading practice. Finally, they focus on Derrida's neglected book, The Post Card, and situate cinema in terms of a new definition of the technological.Originally published in 1990.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 In English Derrida, Jacques 1930-2004 (DE-588)118677888 gnd rswk-swf Öffentliche Darbietungen, Film, Rundfunk Motion pictures Film criticism Film Filmtheorie (DE-588)4071216-3 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Derrida, Jacques 1930-2004 (DE-588)118677888 p Film (DE-588)4017102-4 s 1\p DE-604 Filmtheorie (DE-588)4071216-3 s 2\p DE-604 Wills, David Sonstige oth https://doi.org/10.1515/9781400860678 Verlag Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Brunette, Peter Screen/Play Derrida and Film Theory Derrida, Jacques 1930-2004 (DE-588)118677888 gnd Öffentliche Darbietungen, Film, Rundfunk Motion pictures Film criticism Film Filmtheorie (DE-588)4071216-3 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)118677888 (DE-588)4071216-3 (DE-588)4017102-4 |
| title | Screen/Play Derrida and Film Theory |
| title_auth | Screen/Play Derrida and Film Theory |
| title_exact_search | Screen/Play Derrida and Film Theory |
| title_full | Screen/Play Derrida and Film Theory Peter Brunette, David Wills |
| title_fullStr | Screen/Play Derrida and Film Theory Peter Brunette, David Wills |
| title_full_unstemmed | Screen/Play Derrida and Film Theory Peter Brunette, David Wills |
| title_short | Screen/Play |
| title_sort | screen play derrida and film theory |
| title_sub | Derrida and Film Theory |
| topic | Derrida, Jacques 1930-2004 (DE-588)118677888 gnd Öffentliche Darbietungen, Film, Rundfunk Motion pictures Film criticism Film Filmtheorie (DE-588)4071216-3 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Derrida, Jacques 1930-2004 Öffentliche Darbietungen, Film, Rundfunk Motion pictures Film criticism Film Filmtheorie |
| url | https://doi.org/10.1515/9781400860678 |
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