The Artistry of Aeschylus and Zeami: A Comparative Study of Greek Tragedy and No
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton, N.J.
Princeton University Press
[1989]
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Beschreibung: | By means of a cross-cultural analysis of selected examples of early Japanese and early Greek drama, Mae Smethurst enhances our appreciation of each form. While using the methods of a classicist to increase our understanding of no as literary texts, she also demonstrates that the fifteenth-century treatises of Zeami--an important playwright, actor, critic, and teacher of no--offer fresh insight into Aeschylus' use of actors, language, and various elements of stage presentation.Relatively little documentation apart from the texts of the plays is available for the Greek theater of the fifth century B.C., but Smethurst uses documentation on no, and evidence from no performances today, to suggest how presentations of the Persians could have been so successful despite the play's lack of dramatic confrontation. Aeschylean theater resembles that of Zeami in creating its powerful emotional and aesthetic effect through a coherent organization of structural elements. Both playwrights used such methods as the gradual intensification of rhythmic and musical effects, an increase in the number and complexity of the actors' movements, and a progressive focusing of attention on the main actors and on costumes, masks, and props during the course of the play.Originally published in 1989.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 |
| Beschreibung: | 1 Online-Ressource (359p.) |
| ISBN: | 9781400860050 |
| DOI: | 10.1515/9781400860050 |
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| 500 | |a By means of a cross-cultural analysis of selected examples of early Japanese and early Greek drama, Mae Smethurst enhances our appreciation of each form. While using the methods of a classicist to increase our understanding of no as literary texts, she also demonstrates that the fifteenth-century treatises of Zeami--an important playwright, actor, critic, and teacher of no--offer fresh insight into Aeschylus' use of actors, language, and various elements of stage presentation.Relatively little documentation apart from the texts of the plays is available for the Greek theater of the fifth century B.C., but Smethurst uses documentation on no, and evidence from no performances today, to suggest how presentations of the Persians could have been so successful despite the play's lack of dramatic confrontation. Aeschylean theater resembles that of Zeami in creating its powerful emotional and aesthetic effect through a coherent organization of structural elements. Both playwrights used such methods as the gradual intensification of rhythmic and musical effects, an increase in the number and complexity of the actors' movements, and a progressive focusing of attention on the main actors and on costumes, masks, and props during the course of the play.Originally published in 1989.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 | ||
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| 650 | 4 | |a Comparative literature / Greek and Japanese | |
| 650 | 4 | |a Comparative literature / Japanese and Greek | |
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Datensatz im Suchindex
| _version_ | 1804153277917429760 |
|---|---|
| any_adam_object | |
| author | Smethurst, Mae J. |
| author_facet | Smethurst, Mae J. |
| author_role | aut |
| author_sort | Smethurst, Mae J. |
| author_variant | m j s mj mjs |
| building | Verbundindex |
| bvnumber | BV042523774 |
| collection | ZDB-23-DGG |
| ctrlnum | (OCoLC)582621557 (DE-599)BVBBV042523774 |
| dewey-full | 882/.01 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 882 - Classical Greek dramatic poetry & drama |
| dewey-raw | 882/.01 |
| dewey-search | 882/.01 |
| dewey-sort | 3882 11 |
| dewey-tens | 880 - Classical Greek & Hellenic literatures |
| discipline | Philologie / Byzantinistik / Neulatein |
| doi_str_mv | 10.1515/9781400860050 |
| format | Electronic eBook |
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| indexdate | 2024-07-10T01:24:03Z |
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| isbn | 9781400860050 |
| language | English |
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| spelling | Smethurst, Mae J. Verfasser aut The Artistry of Aeschylus and Zeami A Comparative Study of Greek Tragedy and No Mae J. Smethurst Princeton, N.J. Princeton University Press [1989] 1 Online-Ressource (359p.) txt rdacontent c rdamedia cr rdacarrier By means of a cross-cultural analysis of selected examples of early Japanese and early Greek drama, Mae Smethurst enhances our appreciation of each form. While using the methods of a classicist to increase our understanding of no as literary texts, she also demonstrates that the fifteenth-century treatises of Zeami--an important playwright, actor, critic, and teacher of no--offer fresh insight into Aeschylus' use of actors, language, and various elements of stage presentation.Relatively little documentation apart from the texts of the plays is available for the Greek theater of the fifth century B.C., but Smethurst uses documentation on no, and evidence from no performances today, to suggest how presentations of the Persians could have been so successful despite the play's lack of dramatic confrontation. Aeschylean theater resembles that of Zeami in creating its powerful emotional and aesthetic effect through a coherent organization of structural elements. Both playwrights used such methods as the gradual intensification of rhythmic and musical effects, an increase in the number and complexity of the actors' movements, and a progressive focusing of attention on the main actors and on costumes, masks, and props during the course of the play.Originally published in 1989.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 In English Aeschylus v525-v456 (DE-588)118500856 gnd rswk-swf Zeami 1363-1443 (DE-588)118760319 gnd rswk-swf Griechische Literatur Tragedy No plays / History and criticism Comparative literature / Greek and Japanese Comparative literature / Japanese and Greek DRAMA / Ancient & Classical bisacsh Griechisch (DE-588)4113791-7 gnd rswk-swf Nō-Spiel (DE-588)4131488-8 gnd rswk-swf Tragödie (DE-588)4060591-7 gnd rswk-swf Aeschylus v525-v456 (DE-588)118500856 p Tragödie (DE-588)4060591-7 s Zeami 1363-1443 (DE-588)118760319 p Nō-Spiel (DE-588)4131488-8 s 1\p DE-604 Griechisch (DE-588)4113791-7 s 2\p DE-604 https://doi.org/10.1515/9781400860050 Verlag Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Smethurst, Mae J. The Artistry of Aeschylus and Zeami A Comparative Study of Greek Tragedy and No Aeschylus v525-v456 (DE-588)118500856 gnd Zeami 1363-1443 (DE-588)118760319 gnd Griechische Literatur Tragedy No plays / History and criticism Comparative literature / Greek and Japanese Comparative literature / Japanese and Greek DRAMA / Ancient & Classical bisacsh Griechisch (DE-588)4113791-7 gnd Nō-Spiel (DE-588)4131488-8 gnd Tragödie (DE-588)4060591-7 gnd |
| subject_GND | (DE-588)118500856 (DE-588)118760319 (DE-588)4113791-7 (DE-588)4131488-8 (DE-588)4060591-7 |
| title | The Artistry of Aeschylus and Zeami A Comparative Study of Greek Tragedy and No |
| title_auth | The Artistry of Aeschylus and Zeami A Comparative Study of Greek Tragedy and No |
| title_exact_search | The Artistry of Aeschylus and Zeami A Comparative Study of Greek Tragedy and No |
| title_full | The Artistry of Aeschylus and Zeami A Comparative Study of Greek Tragedy and No Mae J. Smethurst |
| title_fullStr | The Artistry of Aeschylus and Zeami A Comparative Study of Greek Tragedy and No Mae J. Smethurst |
| title_full_unstemmed | The Artistry of Aeschylus and Zeami A Comparative Study of Greek Tragedy and No Mae J. Smethurst |
| title_short | The Artistry of Aeschylus and Zeami |
| title_sort | the artistry of aeschylus and zeami a comparative study of greek tragedy and no |
| title_sub | A Comparative Study of Greek Tragedy and No |
| topic | Aeschylus v525-v456 (DE-588)118500856 gnd Zeami 1363-1443 (DE-588)118760319 gnd Griechische Literatur Tragedy No plays / History and criticism Comparative literature / Greek and Japanese Comparative literature / Japanese and Greek DRAMA / Ancient & Classical bisacsh Griechisch (DE-588)4113791-7 gnd Nō-Spiel (DE-588)4131488-8 gnd Tragödie (DE-588)4060591-7 gnd |
| topic_facet | Aeschylus v525-v456 Zeami 1363-1443 Griechische Literatur Tragedy No plays / History and criticism Comparative literature / Greek and Japanese Comparative literature / Japanese and Greek DRAMA / Ancient & Classical Griechisch Nō-Spiel Tragödie |
| url | https://doi.org/10.1515/9781400860050 |
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