Listening to Reason: Culture, Subjectivity, and Nineteenth-Century Music
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Princeton, N.J.
Princeton University Press
2006
|
Schlagworte: | |
Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext Volltext |
Beschreibung: | Main description: This pathbreaking work reveals the pivotal role of music--musical works and musical culture--in debates about society, self, and culture that forged European modernity through the "long nineteenth century." Michael Steinberg argues that, from the late 1700s to the early 1900s, music not only reflected but also embodied modern subjectivity as it increasingly engaged and criticized old regimes of power, belief, and representation. His purview ranges from Mozart to Mahler, and from the sacred to the secular, including opera as well as symphonic and solo instrumental music. Defining subjectivity as the experience rather than the position of the "I," Steinberg argues that music's embodiment of subjectivity involved its apparent capacity to "listen" to itself, its past, its desires. Nineteenth-century music, in particular music from a north German Protestant sphere, inspired introspection in a way that the music and art of previous periods, notably the Catholic baroque with its emphasis on the visual, did not. The book analyzes musical subjectivity initially from Mozart through Mendelssohn, then seeks it, in its central chapter, in those aspects of Wagner that contradict his own ideological imperialism, before finally uncovering its survival in the post-Wagnerian recovery from musical and other ideologies. Engagingly written yet theoretically sophisticated, Listening to Reason represents a startlingly original corrective to cultural history's long-standing inhibition to engage with music while presenting a powerful alternative vision of the modern.Some images inside the book are unavailable due to digital copyright restrictions |
Beschreibung: | 1 Online-Ressource (264 S.) |
ISBN: | 9781400835737 |
DOI: | 10.1515/9781400835737 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV042522730 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | cr|uuu---uuuuu | ||
008 | 150423s2006 |||| o||u| ||||||eng d | ||
020 | |a 9781400835737 |9 978-1-4008-3573-7 | ||
024 | 7 | |a 10.1515/9781400835737 |2 doi | |
035 | |a (OCoLC)909818462 | ||
035 | |a (DE-599)BVBBV042522730 | ||
040 | |a DE-604 |b ger |e aacr | ||
041 | 0 | |a eng | |
049 | |a DE-859 |a DE-860 |a DE-473 |a DE-Aug4 |a DE-739 |a DE-1046 |a DE-1043 |a DE-858 | ||
100 | 1 | |a Steinberg, Michael P. |e Verfasser |4 aut | |
245 | 1 | 0 | |a Listening to Reason |b Culture, Subjectivity, and Nineteenth-Century Music |
264 | 1 | |a Princeton, N.J. |b Princeton University Press |c 2006 | |
300 | |a 1 Online-Ressource (264 S.) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
500 | |a Main description: This pathbreaking work reveals the pivotal role of music--musical works and musical culture--in debates about society, self, and culture that forged European modernity through the "long nineteenth century." Michael Steinberg argues that, from the late 1700s to the early 1900s, music not only reflected but also embodied modern subjectivity as it increasingly engaged and criticized old regimes of power, belief, and representation. His purview ranges from Mozart to Mahler, and from the sacred to the secular, including opera as well as symphonic and solo instrumental music. Defining subjectivity as the experience rather than the position of the "I," Steinberg argues that music's embodiment of subjectivity involved its apparent capacity to "listen" to itself, its past, its desires. Nineteenth-century music, in particular music from a north German Protestant sphere, inspired introspection in a way that the music and art of previous periods, notably the Catholic baroque with its emphasis on the visual, did not. The book analyzes musical subjectivity initially from Mozart through Mendelssohn, then seeks it, in its central chapter, in those aspects of Wagner that contradict his own ideological imperialism, before finally uncovering its survival in the post-Wagnerian recovery from musical and other ideologies. Engagingly written yet theoretically sophisticated, Listening to Reason represents a startlingly original corrective to cultural history's long-standing inhibition to engage with music while presenting a powerful alternative vision of the modern.Some images inside the book are unavailable due to digital copyright restrictions | ||
600 | 1 | 7 | |a Beethoven, Ludwig van |d 1770-1827 |0 (DE-588)118508288 |2 gnd |9 rswk-swf |
600 | 1 | 7 | |a Mozart, Wolfgang Amadeus |d 1756-1791 |0 (DE-588)118584596 |2 gnd |9 rswk-swf |
600 | 1 | 7 | |a Da Ponte, Lorenzo |d 1749-1838 |0 (DE-588)118678841 |2 gnd |9 rswk-swf |
648 | 7 | |a Geschichte 1800-1900 |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Musik |0 (DE-588)4040802-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Kultur |0 (DE-588)4125698-0 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Biedermeier |0 (DE-588)4006499-2 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Subjektivität |0 (DE-588)4058323-5 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Oper |0 (DE-588)4043582-9 |2 gnd |9 rswk-swf |
689 | 0 | 0 | |a Musik |0 (DE-588)4040802-4 |D s |
689 | 0 | 1 | |a Kultur |0 (DE-588)4125698-0 |D s |
689 | 0 | 2 | |a Subjektivität |0 (DE-588)4058323-5 |D s |
689 | 0 | 3 | |a Geschichte 1800-1900 |A z |
689 | 0 | |8 1\p |5 DE-604 | |
689 | 1 | 0 | |a Mozart, Wolfgang Amadeus |d 1756-1791 |0 (DE-588)118584596 |D p |
689 | 1 | 1 | |a Da Ponte, Lorenzo |d 1749-1838 |0 (DE-588)118678841 |D p |
689 | 1 | 2 | |a Oper |0 (DE-588)4043582-9 |D s |
689 | 1 | |8 2\p |5 DE-604 | |
689 | 2 | 0 | |a Biedermeier |0 (DE-588)4006499-2 |D s |
689 | 2 | 1 | |a Musik |0 (DE-588)4040802-4 |D s |
689 | 2 | |8 3\p |5 DE-604 | |
689 | 3 | 0 | |a Oper |0 (DE-588)4043582-9 |D s |
689 | 3 | 1 | |a Geschichte 1800-1900 |A z |
689 | 3 | |8 4\p |5 DE-604 | |
689 | 4 | 0 | |a Beethoven, Ludwig van |d 1770-1827 |0 (DE-588)118508288 |D p |
689 | 4 | |8 5\p |5 DE-604 | |
856 | 4 | 0 | |u https://doi.org/10.1515/9781400835737 |x Verlag |3 Volltext |
856 | 4 | 0 | |u http://www.degruyter.com/search?f_0=isbnissn&q_0=9781400835737&searchTitles=true |x Verlag |3 Volltext |
912 | |a ZDB-23-DGG | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-027957069 | ||
883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
883 | 1 | |8 2\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
883 | 1 | |8 3\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
883 | 1 | |8 4\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
883 | 1 | |8 5\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
966 | e | |u https://doi.org/10.1515/9781400835737?locatt=mode:legacy |l FAB01 |p ZDB-23-DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781400835737?locatt=mode:legacy |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781400835737?locatt=mode:legacy |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781400835737?locatt=mode:legacy |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781400835737?locatt=mode:legacy |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781400835737?locatt=mode:legacy |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781400835737?locatt=mode:legacy |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781400835737?locatt=mode:legacy |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804153275777286144 |
---|---|
any_adam_object | |
author | Steinberg, Michael P. |
author_facet | Steinberg, Michael P. |
author_role | aut |
author_sort | Steinberg, Michael P. |
author_variant | m p s mp mps |
building | Verbundindex |
bvnumber | BV042522730 |
collection | ZDB-23-DGG |
ctrlnum | (OCoLC)909818462 (DE-599)BVBBV042522730 |
doi_str_mv | 10.1515/9781400835737 |
era | Geschichte 1800-1900 gnd |
era_facet | Geschichte 1800-1900 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05523nmm a2200781zc 4500</leader><controlfield tag="001">BV042522730</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">150423s2006 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781400835737</subfield><subfield code="9">978-1-4008-3573-7</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781400835737</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)909818462</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV042522730</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-1043</subfield><subfield code="a">DE-858</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Steinberg, Michael P.</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Listening to Reason</subfield><subfield code="b">Culture, Subjectivity, and Nineteenth-Century Music</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Princeton, N.J.</subfield><subfield code="b">Princeton University Press</subfield><subfield code="c">2006</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (264 S.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Main description: This pathbreaking work reveals the pivotal role of music--musical works and musical culture--in debates about society, self, and culture that forged European modernity through the "long nineteenth century." Michael Steinberg argues that, from the late 1700s to the early 1900s, music not only reflected but also embodied modern subjectivity as it increasingly engaged and criticized old regimes of power, belief, and representation. His purview ranges from Mozart to Mahler, and from the sacred to the secular, including opera as well as symphonic and solo instrumental music. Defining subjectivity as the experience rather than the position of the "I," Steinberg argues that music's embodiment of subjectivity involved its apparent capacity to "listen" to itself, its past, its desires. Nineteenth-century music, in particular music from a north German Protestant sphere, inspired introspection in a way that the music and art of previous periods, notably the Catholic baroque with its emphasis on the visual, did not. The book analyzes musical subjectivity initially from Mozart through Mendelssohn, then seeks it, in its central chapter, in those aspects of Wagner that contradict his own ideological imperialism, before finally uncovering its survival in the post-Wagnerian recovery from musical and other ideologies. Engagingly written yet theoretically sophisticated, Listening to Reason represents a startlingly original corrective to cultural history's long-standing inhibition to engage with music while presenting a powerful alternative vision of the modern.Some images inside the book are unavailable due to digital copyright restrictions</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Beethoven, Ludwig van</subfield><subfield code="d">1770-1827</subfield><subfield code="0">(DE-588)118508288</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Mozart, Wolfgang Amadeus</subfield><subfield code="d">1756-1791</subfield><subfield code="0">(DE-588)118584596</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Da Ponte, Lorenzo</subfield><subfield code="d">1749-1838</subfield><subfield code="0">(DE-588)118678841</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1800-1900</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kultur</subfield><subfield code="0">(DE-588)4125698-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Biedermeier</subfield><subfield code="0">(DE-588)4006499-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Subjektivität</subfield><subfield code="0">(DE-588)4058323-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Oper</subfield><subfield code="0">(DE-588)4043582-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Kultur</subfield><subfield code="0">(DE-588)4125698-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Subjektivität</subfield><subfield code="0">(DE-588)4058323-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1800-1900</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Mozart, Wolfgang Amadeus</subfield><subfield code="d">1756-1791</subfield><subfield code="0">(DE-588)118584596</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Da Ponte, Lorenzo</subfield><subfield code="d">1749-1838</subfield><subfield code="0">(DE-588)118678841</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Oper</subfield><subfield code="0">(DE-588)4043582-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">Biedermeier</subfield><subfield code="0">(DE-588)4006499-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="1"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="8">3\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="3" ind2="0"><subfield code="a">Oper</subfield><subfield code="0">(DE-588)4043582-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="3" ind2="1"><subfield code="a">Geschichte 1800-1900</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="3" ind2=" "><subfield code="8">4\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="4" ind2="0"><subfield code="a">Beethoven, Ludwig van</subfield><subfield code="d">1770-1827</subfield><subfield code="0">(DE-588)118508288</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="4" ind2=" "><subfield code="8">5\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9781400835737</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://www.degruyter.com/search?f_0=isbnissn&q_0=9781400835737&searchTitles=true</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-027957069</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">3\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">4\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">5\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781400835737?locatt=mode:legacy</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781400835737?locatt=mode:legacy</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781400835737?locatt=mode:legacy</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781400835737?locatt=mode:legacy</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781400835737?locatt=mode:legacy</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781400835737?locatt=mode:legacy</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781400835737?locatt=mode:legacy</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781400835737?locatt=mode:legacy</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV042522730 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T01:24:01Z |
institution | BVB |
isbn | 9781400835737 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027957069 |
oclc_num | 909818462 |
open_access_boolean | |
owner | DE-859 DE-860 DE-473 DE-BY-UBG DE-Aug4 DE-739 DE-1046 DE-1043 DE-858 |
owner_facet | DE-859 DE-860 DE-473 DE-BY-UBG DE-Aug4 DE-739 DE-1046 DE-1043 DE-858 |
physical | 1 Online-Ressource (264 S.) |
psigel | ZDB-23-DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UPA_PDA_DGG |
publishDate | 2006 |
publishDateSearch | 2006 |
publishDateSort | 2006 |
publisher | Princeton University Press |
record_format | marc |
spelling | Steinberg, Michael P. Verfasser aut Listening to Reason Culture, Subjectivity, and Nineteenth-Century Music Princeton, N.J. Princeton University Press 2006 1 Online-Ressource (264 S.) txt rdacontent c rdamedia cr rdacarrier Main description: This pathbreaking work reveals the pivotal role of music--musical works and musical culture--in debates about society, self, and culture that forged European modernity through the "long nineteenth century." Michael Steinberg argues that, from the late 1700s to the early 1900s, music not only reflected but also embodied modern subjectivity as it increasingly engaged and criticized old regimes of power, belief, and representation. His purview ranges from Mozart to Mahler, and from the sacred to the secular, including opera as well as symphonic and solo instrumental music. Defining subjectivity as the experience rather than the position of the "I," Steinberg argues that music's embodiment of subjectivity involved its apparent capacity to "listen" to itself, its past, its desires. Nineteenth-century music, in particular music from a north German Protestant sphere, inspired introspection in a way that the music and art of previous periods, notably the Catholic baroque with its emphasis on the visual, did not. The book analyzes musical subjectivity initially from Mozart through Mendelssohn, then seeks it, in its central chapter, in those aspects of Wagner that contradict his own ideological imperialism, before finally uncovering its survival in the post-Wagnerian recovery from musical and other ideologies. Engagingly written yet theoretically sophisticated, Listening to Reason represents a startlingly original corrective to cultural history's long-standing inhibition to engage with music while presenting a powerful alternative vision of the modern.Some images inside the book are unavailable due to digital copyright restrictions Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd rswk-swf Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd rswk-swf Da Ponte, Lorenzo 1749-1838 (DE-588)118678841 gnd rswk-swf Geschichte 1800-1900 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Kultur (DE-588)4125698-0 gnd rswk-swf Biedermeier (DE-588)4006499-2 gnd rswk-swf Subjektivität (DE-588)4058323-5 gnd rswk-swf Oper (DE-588)4043582-9 gnd rswk-swf Musik (DE-588)4040802-4 s Kultur (DE-588)4125698-0 s Subjektivität (DE-588)4058323-5 s Geschichte 1800-1900 z 1\p DE-604 Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 p Da Ponte, Lorenzo 1749-1838 (DE-588)118678841 p Oper (DE-588)4043582-9 s 2\p DE-604 Biedermeier (DE-588)4006499-2 s 3\p DE-604 4\p DE-604 Beethoven, Ludwig van 1770-1827 (DE-588)118508288 p 5\p DE-604 https://doi.org/10.1515/9781400835737 Verlag Volltext http://www.degruyter.com/search?f_0=isbnissn&q_0=9781400835737&searchTitles=true Verlag Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 4\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 5\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Steinberg, Michael P. Listening to Reason Culture, Subjectivity, and Nineteenth-Century Music Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd Da Ponte, Lorenzo 1749-1838 (DE-588)118678841 gnd Musik (DE-588)4040802-4 gnd Kultur (DE-588)4125698-0 gnd Biedermeier (DE-588)4006499-2 gnd Subjektivität (DE-588)4058323-5 gnd Oper (DE-588)4043582-9 gnd |
subject_GND | (DE-588)118508288 (DE-588)118584596 (DE-588)118678841 (DE-588)4040802-4 (DE-588)4125698-0 (DE-588)4006499-2 (DE-588)4058323-5 (DE-588)4043582-9 |
title | Listening to Reason Culture, Subjectivity, and Nineteenth-Century Music |
title_auth | Listening to Reason Culture, Subjectivity, and Nineteenth-Century Music |
title_exact_search | Listening to Reason Culture, Subjectivity, and Nineteenth-Century Music |
title_full | Listening to Reason Culture, Subjectivity, and Nineteenth-Century Music |
title_fullStr | Listening to Reason Culture, Subjectivity, and Nineteenth-Century Music |
title_full_unstemmed | Listening to Reason Culture, Subjectivity, and Nineteenth-Century Music |
title_short | Listening to Reason |
title_sort | listening to reason culture subjectivity and nineteenth century music |
title_sub | Culture, Subjectivity, and Nineteenth-Century Music |
topic | Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd Da Ponte, Lorenzo 1749-1838 (DE-588)118678841 gnd Musik (DE-588)4040802-4 gnd Kultur (DE-588)4125698-0 gnd Biedermeier (DE-588)4006499-2 gnd Subjektivität (DE-588)4058323-5 gnd Oper (DE-588)4043582-9 gnd |
topic_facet | Beethoven, Ludwig van 1770-1827 Mozart, Wolfgang Amadeus 1756-1791 Da Ponte, Lorenzo 1749-1838 Musik Kultur Biedermeier Subjektivität Oper |
url | https://doi.org/10.1515/9781400835737 http://www.degruyter.com/search?f_0=isbnissn&q_0=9781400835737&searchTitles=true |
work_keys_str_mv | AT steinbergmichaelp listeningtoreasonculturesubjectivityandnineteenthcenturymusic |