Patronizing the Arts:
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Princeton, N.J.
Princeton University Press
2008
|
Schlagworte: | |
Online-Zugang: | Volltext Volltext |
Beschreibung: | Main description: What is the role of the arts in American culture? Is art an essential element? If so, how should we support it? Today, as in the past, artists need the funding, approval, and friendship of patrons whether they are individuals, corporations, governments, or nonprofit foundations. But as Patronizing the Arts shows, these relationships can be problematic, leaving artists "patronized"--both supported with funds and personal interest, while being condescended to for vocations misperceived as play rather than serious work. In this provocative book, Marjorie Garber looks at the history of patronage, explains how patronage has elevated and damaged the arts in modern culture, and argues for the university as a serious patron of the arts. With clarity and wit, Garber supports rethinking prejudices that oppose art's role in higher education, rejects assumptions of inequality between the sciences and humanities, and points to similarities between the making of fine art and the making of good science. She examines issues of artistic and monetary value, and transactions between high and popular culture. She even asks how college sports could provide a new way of thinking about arts funding. Using vivid anecdotes and telling details, Garber calls passionately for an increased attention to the arts, not just through government and private support, but as a core aspect of higher education. Compulsively readable, Patronizing the Arts challenges all who value the survival of artistic creation both in the present and future.Some images inside the book are unavailable due to digital copyright restrictions |
Beschreibung: | 1 Online-Ressource (272 S.) |
ISBN: | 9781400830039 |
DOI: | 10.1515/9781400830039 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV042522478 | ||
003 | DE-604 | ||
005 | 20200930 | ||
007 | cr|uuu---uuuuu | ||
008 | 150423s2008 |||| o||u| ||||||eng d | ||
020 | |a 9781400830039 |9 978-1-4008-3003-9 | ||
024 | 7 | |a 10.1515/9781400830039 |2 doi | |
035 | |a (OCoLC)909890044 | ||
035 | |a (DE-599)BVBBV042522478 | ||
040 | |a DE-604 |b ger |e aacr | ||
041 | 0 | |a eng | |
100 | 1 | |a Garber, Marjorie B. |d 1944- |e Verfasser |0 (DE-588)115690077 |4 aut | |
245 | 1 | 0 | |a Patronizing the Arts |
264 | 1 | |a Princeton, N.J. |b Princeton University Press |c 2008 | |
300 | |a 1 Online-Ressource (272 S.) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
500 | |a Main description: What is the role of the arts in American culture? Is art an essential element? If so, how should we support it? Today, as in the past, artists need the funding, approval, and friendship of patrons whether they are individuals, corporations, governments, or nonprofit foundations. But as Patronizing the Arts shows, these relationships can be problematic, leaving artists "patronized"--both supported with funds and personal interest, while being condescended to for vocations misperceived as play rather than serious work. In this provocative book, Marjorie Garber looks at the history of patronage, explains how patronage has elevated and damaged the arts in modern culture, and argues for the university as a serious patron of the arts. With clarity and wit, Garber supports rethinking prejudices that oppose art's role in higher education, rejects assumptions of inequality between the sciences and humanities, and points to similarities between the making of fine art and the making of good science. She examines issues of artistic and monetary value, and transactions between high and popular culture. She even asks how college sports could provide a new way of thinking about arts funding. Using vivid anecdotes and telling details, Garber calls passionately for an increased attention to the arts, not just through government and private support, but as a core aspect of higher education. Compulsively readable, Patronizing the Arts challenges all who value the survival of artistic creation both in the present and future.Some images inside the book are unavailable due to digital copyright restrictions | ||
650 | 0 | 7 | |a Mäzenatentum |0 (DE-588)4074442-5 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Kunstmarkt |0 (DE-588)4120630-7 |2 gnd |9 rswk-swf |
651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
689 | 0 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
689 | 0 | 1 | |a Kunst |0 (DE-588)4114333-4 |D s |
689 | 0 | 2 | |a Kunstmarkt |0 (DE-588)4120630-7 |D s |
689 | 0 | 3 | |a Mäzenatentum |0 (DE-588)4074442-5 |D s |
689 | 0 | |8 1\p |5 DE-604 | |
856 | 4 | 0 | |u https://doi.org/10.1515/9781400830039 |x Verlag |3 Volltext |
856 | 4 | 0 | |u http://www.degruyter.com/search?f_0=isbnissn&q_0=9781400830039&searchTitles=true |x Verlag |3 Volltext |
912 | |a ZDB-23-DGG | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-027956817 | ||
883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk |
Datensatz im Suchindex
_version_ | 1804153275261386752 |
---|---|
any_adam_object | |
author | Garber, Marjorie B. 1944- |
author_GND | (DE-588)115690077 |
author_facet | Garber, Marjorie B. 1944- |
author_role | aut |
author_sort | Garber, Marjorie B. 1944- |
author_variant | m b g mb mbg |
building | Verbundindex |
bvnumber | BV042522478 |
collection | ZDB-23-DGG |
ctrlnum | (OCoLC)909890044 (DE-599)BVBBV042522478 |
doi_str_mv | 10.1515/9781400830039 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03161nmm a2200421zc 4500</leader><controlfield tag="001">BV042522478</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20200930 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">150423s2008 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781400830039</subfield><subfield code="9">978-1-4008-3003-9</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781400830039</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)909890044</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV042522478</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Garber, Marjorie B.</subfield><subfield code="d">1944-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)115690077</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Patronizing the Arts</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Princeton, N.J.</subfield><subfield code="b">Princeton University Press</subfield><subfield code="c">2008</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (272 S.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Main description: What is the role of the arts in American culture? Is art an essential element? If so, how should we support it? Today, as in the past, artists need the funding, approval, and friendship of patrons whether they are individuals, corporations, governments, or nonprofit foundations. But as Patronizing the Arts shows, these relationships can be problematic, leaving artists "patronized"--both supported with funds and personal interest, while being condescended to for vocations misperceived as play rather than serious work. In this provocative book, Marjorie Garber looks at the history of patronage, explains how patronage has elevated and damaged the arts in modern culture, and argues for the university as a serious patron of the arts. With clarity and wit, Garber supports rethinking prejudices that oppose art's role in higher education, rejects assumptions of inequality between the sciences and humanities, and points to similarities between the making of fine art and the making of good science. She examines issues of artistic and monetary value, and transactions between high and popular culture. She even asks how college sports could provide a new way of thinking about arts funding. Using vivid anecdotes and telling details, Garber calls passionately for an increased attention to the arts, not just through government and private support, but as a core aspect of higher education. Compulsively readable, Patronizing the Arts challenges all who value the survival of artistic creation both in the present and future.Some images inside the book are unavailable due to digital copyright restrictions</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Mäzenatentum</subfield><subfield code="0">(DE-588)4074442-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunstmarkt</subfield><subfield code="0">(DE-588)4120630-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Kunstmarkt</subfield><subfield code="0">(DE-588)4120630-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Mäzenatentum</subfield><subfield code="0">(DE-588)4074442-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9781400830039</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://www.degruyter.com/search?f_0=isbnissn&q_0=9781400830039&searchTitles=true</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-027956817</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield></record></collection> |
geographic | USA (DE-588)4078704-7 gnd |
geographic_facet | USA |
id | DE-604.BV042522478 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T01:24:01Z |
institution | BVB |
isbn | 9781400830039 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027956817 |
oclc_num | 909890044 |
open_access_boolean | |
physical | 1 Online-Ressource (272 S.) |
psigel | ZDB-23-DGG |
publishDate | 2008 |
publishDateSearch | 2008 |
publishDateSort | 2008 |
publisher | Princeton University Press |
record_format | marc |
spelling | Garber, Marjorie B. 1944- Verfasser (DE-588)115690077 aut Patronizing the Arts Princeton, N.J. Princeton University Press 2008 1 Online-Ressource (272 S.) txt rdacontent c rdamedia cr rdacarrier Main description: What is the role of the arts in American culture? Is art an essential element? If so, how should we support it? Today, as in the past, artists need the funding, approval, and friendship of patrons whether they are individuals, corporations, governments, or nonprofit foundations. But as Patronizing the Arts shows, these relationships can be problematic, leaving artists "patronized"--both supported with funds and personal interest, while being condescended to for vocations misperceived as play rather than serious work. In this provocative book, Marjorie Garber looks at the history of patronage, explains how patronage has elevated and damaged the arts in modern culture, and argues for the university as a serious patron of the arts. With clarity and wit, Garber supports rethinking prejudices that oppose art's role in higher education, rejects assumptions of inequality between the sciences and humanities, and points to similarities between the making of fine art and the making of good science. She examines issues of artistic and monetary value, and transactions between high and popular culture. She even asks how college sports could provide a new way of thinking about arts funding. Using vivid anecdotes and telling details, Garber calls passionately for an increased attention to the arts, not just through government and private support, but as a core aspect of higher education. Compulsively readable, Patronizing the Arts challenges all who value the survival of artistic creation both in the present and future.Some images inside the book are unavailable due to digital copyright restrictions Mäzenatentum (DE-588)4074442-5 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Kunstmarkt (DE-588)4120630-7 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Kunst (DE-588)4114333-4 s Kunstmarkt (DE-588)4120630-7 s Mäzenatentum (DE-588)4074442-5 s 1\p DE-604 https://doi.org/10.1515/9781400830039 Verlag Volltext http://www.degruyter.com/search?f_0=isbnissn&q_0=9781400830039&searchTitles=true Verlag Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Garber, Marjorie B. 1944- Patronizing the Arts Mäzenatentum (DE-588)4074442-5 gnd Kunst (DE-588)4114333-4 gnd Kunstmarkt (DE-588)4120630-7 gnd |
subject_GND | (DE-588)4074442-5 (DE-588)4114333-4 (DE-588)4120630-7 (DE-588)4078704-7 |
title | Patronizing the Arts |
title_auth | Patronizing the Arts |
title_exact_search | Patronizing the Arts |
title_full | Patronizing the Arts |
title_fullStr | Patronizing the Arts |
title_full_unstemmed | Patronizing the Arts |
title_short | Patronizing the Arts |
title_sort | patronizing the arts |
topic | Mäzenatentum (DE-588)4074442-5 gnd Kunst (DE-588)4114333-4 gnd Kunstmarkt (DE-588)4120630-7 gnd |
topic_facet | Mäzenatentum Kunst Kunstmarkt USA |
url | https://doi.org/10.1515/9781400830039 http://www.degruyter.com/search?f_0=isbnissn&q_0=9781400830039&searchTitles=true |
work_keys_str_mv | AT garbermarjorieb patronizingthearts |