The sense of music: semiotic essays
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Princeton, N.J.
Princeton University Press
2000
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Schlagworte: | |
Online-Zugang: | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-739 Volltext Volltext |
Beschreibung: | Main description: The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history |
Beschreibung: | 1 Online-Ressource (336 S.) |
ISBN: | 9781400824038 |
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Datensatz im Suchindex
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---|---|
adam_text | |
any_adam_object | |
author | Monelle, Raymond 1937-2010 |
author_GND | (DE-588)14337799X |
author_facet | Monelle, Raymond 1937-2010 |
author_role | aut |
author_sort | Monelle, Raymond 1937-2010 |
author_variant | r m rm |
building | Verbundindex |
bvnumber | BV042522125 |
classification_rvk | LR 56800 |
collection | ZDB-23-DGG ebook |
ctrlnum | (OCoLC)891502962 (DE-599)BVBBV042522125 |
dewey-full | 780/.1/4 |
dewey-hundreds | 700 - The arts |
dewey-ones | 780 - Music |
dewey-raw | 780/.1/4 |
dewey-search | 780/.1/4 |
dewey-sort | 3780 11 14 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
format | Electronic eBook |
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spelling | Monelle, Raymond 1937-2010 Verfasser (DE-588)14337799X aut The sense of music semiotic essays Raymond Monelle Princeton, N.J. Princeton University Press 2000 1 Online-Ressource (336 S.) txt rdacontent c rdamedia cr rdacarrier Main description: The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history Musikalische Semiotik (DE-588)4195308-3 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Musikalische Semiotik (DE-588)4195308-3 s 2\p DE-604 Erscheint auch als Druck-Ausgabe 0-691-05715-X http://www.degruyter.com/doi/book/10.1515/9781400824038 Verlag Volltext http://www.degruyter.com/search?f_0=isbnissn&q_0=9781400824038&searchTitles=true Verlag Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Monelle, Raymond 1937-2010 The sense of music semiotic essays Musikalische Semiotik (DE-588)4195308-3 gnd |
subject_GND | (DE-588)4195308-3 (DE-588)4143413-4 |
title | The sense of music semiotic essays |
title_auth | The sense of music semiotic essays |
title_exact_search | The sense of music semiotic essays |
title_full | The sense of music semiotic essays Raymond Monelle |
title_fullStr | The sense of music semiotic essays Raymond Monelle |
title_full_unstemmed | The sense of music semiotic essays Raymond Monelle |
title_short | The sense of music |
title_sort | the sense of music semiotic essays |
title_sub | semiotic essays |
topic | Musikalische Semiotik (DE-588)4195308-3 gnd |
topic_facet | Musikalische Semiotik Aufsatzsammlung |
url | http://www.degruyter.com/doi/book/10.1515/9781400824038 http://www.degruyter.com/search?f_0=isbnissn&q_0=9781400824038&searchTitles=true |
work_keys_str_mv | AT monelleraymond thesenseofmusicsemioticessays |