The Culture of Opera Buffa in Mozart's Vienna: A Poetics of Entertainment
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton, N.J.
Princeton University Press
1999
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| Schriftenreihe: | Princeton Studies in Opera
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| Schlagworte: | |
| Online-Zugang: | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-739 Volltext Volltext |
| Beschreibung: | Main description: Mozart's comic operas are among the masterworks of Western civilization, and yet the musical environment in which Mozart and his librettist Lorenzo da Ponte wrote these now-popular operas has received little critical attention. In this richly detailed book, Mary Hunter offers a sweeping, synthetic view of opera buffa in the lively theatrical world of late-eighteenth-century Vienna. Opera buffa (Italian-language comic opera) persistently entertained audiences at a time when Joseph was striving for a German national theater. Hunter attributes opera buffa's success to its ability to provide "sheer" pleasure and hence explores how the genre functioned as entertainment. She argues that opera buffa, like mainstream film today, projects a social world both recognizable and distinct from reality. It raises important issues while containing them in the "merely entertaining" frame of the occasion, as well as presenting them as a series of easily identifiable dramatic and musical conventions. Exploring nearly eighty comic operas, Hunter shows how the arias and ensembles convey a multifaceted picture of the repertory's social values and habits. In a concluding chapter, she discusses Cos" fan tutte as a work profoundly concerned with the conventions of its repertory and with the larger idea of convention itself and reveals the ways Mozart and da Ponte pointedly converse with their immediate contemporaries |
| Beschreibung: | 1 Online-Ressource (312 S.) |
| ISBN: | 9781400822751 |
| DOI: | 10.1515/9781400822751 |
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Datensatz im Suchindex
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| isbn | 9781400822751 |
| language | English |
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| spelling | Hunter, Mary Verfasser aut The Culture of Opera Buffa in Mozart's Vienna A Poetics of Entertainment Princeton, N.J. Princeton University Press 1999 1 Online-Ressource (312 S.) txt rdacontent c rdamedia cr rdacarrier Princeton Studies in Opera Main description: Mozart's comic operas are among the masterworks of Western civilization, and yet the musical environment in which Mozart and his librettist Lorenzo da Ponte wrote these now-popular operas has received little critical attention. In this richly detailed book, Mary Hunter offers a sweeping, synthetic view of opera buffa in the lively theatrical world of late-eighteenth-century Vienna. Opera buffa (Italian-language comic opera) persistently entertained audiences at a time when Joseph was striving for a German national theater. Hunter attributes opera buffa's success to its ability to provide "sheer" pleasure and hence explores how the genre functioned as entertainment. She argues that opera buffa, like mainstream film today, projects a social world both recognizable and distinct from reality. It raises important issues while containing them in the "merely entertaining" frame of the occasion, as well as presenting them as a series of easily identifiable dramatic and musical conventions. Exploring nearly eighty comic operas, Hunter shows how the arias and ensembles convey a multifaceted picture of the repertory's social values and habits. In a concluding chapter, she discusses Cos" fan tutte as a work profoundly concerned with the conventions of its repertory and with the larger idea of convention itself and reveals the ways Mozart and da Ponte pointedly converse with their immediate contemporaries Mozart, Wolfgang Amadeus 1756-1791 Così fan tutte (DE-588)300107331 gnd rswk-swf Geschichte 1770-1790 gnd rswk-swf Opera buffa (DE-588)4139331-4 gnd rswk-swf Wien (DE-588)4066009-6 gnd rswk-swf Wien (DE-588)4066009-6 g Opera buffa (DE-588)4139331-4 s Geschichte 1770-1790 z 1\p DE-604 Mozart, Wolfgang Amadeus 1756-1791 Così fan tutte (DE-588)300107331 u 2\p DE-604 https://doi.org/10.1515/9781400822751 Verlag Volltext http://www.degruyter.com/search?f_0=isbnissn&q_0=9781400822751&searchTitles=true Verlag Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Hunter, Mary The Culture of Opera Buffa in Mozart's Vienna A Poetics of Entertainment Mozart, Wolfgang Amadeus 1756-1791 Così fan tutte (DE-588)300107331 gnd Opera buffa (DE-588)4139331-4 gnd |
| subject_GND | (DE-588)300107331 (DE-588)4139331-4 (DE-588)4066009-6 |
| title | The Culture of Opera Buffa in Mozart's Vienna A Poetics of Entertainment |
| title_auth | The Culture of Opera Buffa in Mozart's Vienna A Poetics of Entertainment |
| title_exact_search | The Culture of Opera Buffa in Mozart's Vienna A Poetics of Entertainment |
| title_full | The Culture of Opera Buffa in Mozart's Vienna A Poetics of Entertainment |
| title_fullStr | The Culture of Opera Buffa in Mozart's Vienna A Poetics of Entertainment |
| title_full_unstemmed | The Culture of Opera Buffa in Mozart's Vienna A Poetics of Entertainment |
| title_short | The Culture of Opera Buffa in Mozart's Vienna |
| title_sort | the culture of opera buffa in mozart s vienna a poetics of entertainment |
| title_sub | A Poetics of Entertainment |
| topic | Mozart, Wolfgang Amadeus 1756-1791 Così fan tutte (DE-588)300107331 gnd Opera buffa (DE-588)4139331-4 gnd |
| topic_facet | Mozart, Wolfgang Amadeus 1756-1791 Così fan tutte Opera buffa Wien |
| url | https://doi.org/10.1515/9781400822751 http://www.degruyter.com/search?f_0=isbnissn&q_0=9781400822751&searchTitles=true |
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