Microgroove: forays into other music
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Durham, London
Duke Univ. Press
2015
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | XXI, 468 Seiten Illustrationen |
ISBN: | 9780822359005 9780822358701 9780822375531 |
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246 | 1 | 3 | |a Micro-grove |
264 | 1 | |a Durham, London |b Duke Univ. Press |c 2015 | |
300 | |a XXI, 468 Seiten |b Illustrationen | ||
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505 | 8 | |a Includes bibliographical references and index | |
505 | 8 | |a Joe Harriott and Bernie McGann: flying without Ornette -- Michael Hurley: Jocko's lament -- Mayo Thompson: genre of one -- John Stevens: unpopular populists -- Peter Brötzmann Tentet: freeways -- Steve Lacy: sojourner saxophone -- David Grubbs: postcards from the edge -- Voice Crack: from nothing to everything -- Milford Graves: pulseology -- Out of nowhere: Deleuze, Gräwe, Cadence -- Carla Bley and steve Swallow: feeding quarters to the nonstop mental jukebox -- Misha Mengelberg: no simple calculations for life -- Misha Mengelberg and Han Bennink: natural inbuilt contrapuncto -- Form follows faction?: ethnicity and creative music -- Anthony Braxton: ism vs. is -- Anthony Braxton: Bildungsmusik thoughts on composition 171 -- Paul Lovens: Lo our Lo -- Clark Coolidge: the improvised line -- Nathaniel Mackey: steep incumbencies -- Sun Ra: from the Windy City to the omniverse: Chicago life as a street priest of D.I.Y. jazz -- Fred Anderson: the house that Fred built -- | |
505 | 8 | |a Sun Ra: queer voice -- Jaap Blonk: uncommon tongue -- PJ Harvey: mother's tongue -- Aural sex: the female orgasm in popular sound (coauthored with Terri Kapsalis) -- Liz Phair and Lou Barlow: on music, sex, TV, and beyond -- Liz Phair and Kim Gordon: exile in Galville? -- Koko Taylor: the blue queen cooks -- Brion Gysin and Steve Lacy: nothing is true, everything is permuted -- Ornette Coleman: doing is believing -- Roscoe Mitchell: citizen of sound -- Fred Anderson and Von Freeman: tenacity -- George Lewis: interactive imagination -- Mats Gustafsson: mg at half-c -- Ken Vandermark: six dispatches from the memory bank -- Ken Vandermark and Joe McPhee: mutual admiration society -- Peter Brötzmann and Evan Parker: bring something to the table -- Oncology of the record album -- Discaholic or vinyl freak? Mats Gustafsson interrogates John Corbett -- Enthusiasms: a spontaneous listening session -- A very visual kind of music: the cartoon soundtrack beyond the screen -- | |
505 | 8 | |a R.L. Burnside and Jon Spencer: fattening frogs for snake drive -- Before and after punk: the comp as teaching tool -- Raymond scott: cradle of electronica -- Peter Brötzmann: graphic equalizer -- Albert Oehlen: bionic painting -- Albert Oehlen: mangy a conversation and a playlist -- Christopher Wool: impropositions? improvisation, dub painting -- Christopher Wool: into the woods- six meditations on the interdisciplinary -- Sun Ra: an Afro-space-jazz imaginary- the printed record of El Saturn -- Helmut Lachenmann: Hellhörig, or the intricacies of perceptiveness -- Guillermo Gregorio: Madi music -- Experimental Oriental: new music and other others -- Afterword: a concise history of music -- Grooving on: selected listening | |
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650 | 4 | |a Music / 21st century / History and criticism | |
650 | 4 | |a Improvisation (Music) | |
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Datensatz im Suchindex
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---|---|
adam_text | CONTENTS
Preface: Tympanum of the Other Frog · xv
Acknowledgments · xix
Introduction · i
One. On the Road, Into the Cul-de-Sac
Joe Harriott and Bernie McGann: Flying without Ornette · 15
Michael Hurley: Jocko’s Lament · 21
Mayo Thompson: Genre of One · 33
John Stevens: Unpopular Populists · 36
Peter Brotzmann Tentet: Freeways · 40
Steve Lacy: Sojourner Saxophone · 49
David Grubbs: Postcards from the Edge · 57
Voice Crack: From Nothing to Everything · 67
Two. Exigeneses of Creative Music
Milford Graves: Pulseology · 71
Out of Nowhere: Deleuze, Grawe, Cadence · 79
Carla Bley and Steve Swallow: Feeding Quarters to the Nonstop Mental
Jukebox * 85
Misha Mengelberg: No Simple Calculations for Life · 93
Misha Mengelberg and Han Bennink: Natural Inbuilt
Contrapuncto · 109
Form Follows Faction? Ethnicity and Creative Music · 116
Anthony Braxton: Ism vs. Is · 123
Anthony Braxton: Bildungsmusik—Thoughts on “Composition 171” · 129
Paul Lovens: Lo Our Lo · 132
Clark Coolidge: The Improvised Line · 136
Nathaniel Mackey: Steep Incumbencies · 142
Sun Ra: From the Windy City to the Omniverse—Chicago Life as a Street
Priest of diy Jazz · 153
Fred Anderson: The House That Fred Built · 162
Three, ULulations and Other Vocal Stimulants
Sun Ra: Queer Voice · 169
Jaap Blonk: Uncommon Tongue · 170
PJ Harvey: Mother’s Tongue · 179
Aural Sex: The Female Orgasm in Popular Sound
(coauthored with Terri Kapsalis) · 182
Liz Phair and Lou Barlow: On Music, Sex, tv, and Beyond * 194
Liz Phair and Kim Gordon: Exile in Galville? · 205
Koko Taylor: The Blue Queen Cooks · 212
Brion Gysin and Steve Lacy: Nothing Is True, Everything Is
Permuted · 217
Four. The Horn Section
Ornette Coleman: Doing Is Believing · 233
Roscoe Mitchell: Citizen of Sound · 244
Fred Anderson and Von Freeman: Tenacity · 250
George Lewis: Interactive Imagination · 258
Mats Gustafsson: MG atHalf C · 264
Ken Vandermark: Six Dispatches from the Memory Bank · 270
Ken Vandermarlc and Joe McPhee: Mutual Admiration Society · 278
Peter Brotzmann and Evan Parker: Bring Something to the Table · 285
Five. Track Marks
Oncology of the Record Album · 297
Discaholic or Vinyl Freak? Mats Gustafsson Interrogates John
Corbett · 301
Twenty-Seven Enthusiasms: A Spontaneous Listening Session · 308
Xll CONTENTS
A Very Visual Kind of Music: The Cartoon Soundtrack beyond the
Screen · 313
R. L. Burnside and Jon Spencer: Fattening Frogs for Snake Drive · 32.2
Before and After Punk: The Comp as Teaching Tool * 331
Raymond Scott: Cradle of Electro nica · 336
Six. Melodic Line and Tone Color
Peter Brotzmann: Graphic Equalizer · 343
Albert Oehlen: Bionic Painting · 347
Albert Oehlen: Mangy—A Conversation and a Playlist · 352
Christopher Wool: Impropositions—Improvisation, Dub Painting · 359
Christopher Wool: Into the Woods—Six Meditations on the
Interdisciplinary · 366
Sun Ra: An Afro-Space-Jazz Imaginary—The Printed Record of El
Saturn · 371
Seven. The Texture of Refusal
Helmut Lachenmann: Hellhorig, or the Intricacies of Perceptiveness · 379
Guillermo Gregorio: Madi Music · 387
Experimental Oriental: New Music and Other Others · 391
Afterword: A Concise History of Music · 417
Grooving On: Selected Listening · 423
Credits · 443
Index · 447
CONTENTS Xlii
|
any_adam_object | 1 |
author | Corbett, John 1963- |
author_GND | (DE-588)139302298 |
author_facet | Corbett, John 1963- |
author_role | aut |
author_sort | Corbett, John 1963- |
author_variant | j c jc |
building | Verbundindex |
bvnumber | BV042506572 |
classification_rvk | LR 56000 LR 56820 |
contents | Includes bibliographical references and index Joe Harriott and Bernie McGann: flying without Ornette -- Michael Hurley: Jocko's lament -- Mayo Thompson: genre of one -- John Stevens: unpopular populists -- Peter Brötzmann Tentet: freeways -- Steve Lacy: sojourner saxophone -- David Grubbs: postcards from the edge -- Voice Crack: from nothing to everything -- Milford Graves: pulseology -- Out of nowhere: Deleuze, Gräwe, Cadence -- Carla Bley and steve Swallow: feeding quarters to the nonstop mental jukebox -- Misha Mengelberg: no simple calculations for life -- Misha Mengelberg and Han Bennink: natural inbuilt contrapuncto -- Form follows faction?: ethnicity and creative music -- Anthony Braxton: ism vs. is -- Anthony Braxton: Bildungsmusik thoughts on composition 171 -- Paul Lovens: Lo our Lo -- Clark Coolidge: the improvised line -- Nathaniel Mackey: steep incumbencies -- Sun Ra: from the Windy City to the omniverse: Chicago life as a street priest of D.I.Y. jazz -- Fred Anderson: the house that Fred built -- Sun Ra: queer voice -- Jaap Blonk: uncommon tongue -- PJ Harvey: mother's tongue -- Aural sex: the female orgasm in popular sound (coauthored with Terri Kapsalis) -- Liz Phair and Lou Barlow: on music, sex, TV, and beyond -- Liz Phair and Kim Gordon: exile in Galville? -- Koko Taylor: the blue queen cooks -- Brion Gysin and Steve Lacy: nothing is true, everything is permuted -- Ornette Coleman: doing is believing -- Roscoe Mitchell: citizen of sound -- Fred Anderson and Von Freeman: tenacity -- George Lewis: interactive imagination -- Mats Gustafsson: mg at half-c -- Ken Vandermark: six dispatches from the memory bank -- Ken Vandermark and Joe McPhee: mutual admiration society -- Peter Brötzmann and Evan Parker: bring something to the table -- Oncology of the record album -- Discaholic or vinyl freak? Mats Gustafsson interrogates John Corbett -- Enthusiasms: a spontaneous listening session -- A very visual kind of music: the cartoon soundtrack beyond the screen -- R.L. Burnside and Jon Spencer: fattening frogs for snake drive -- Before and after punk: the comp as teaching tool -- Raymond scott: cradle of electronica -- Peter Brötzmann: graphic equalizer -- Albert Oehlen: bionic painting -- Albert Oehlen: mangy a conversation and a playlist -- Christopher Wool: impropositions? improvisation, dub painting -- Christopher Wool: into the woods- six meditations on the interdisciplinary -- Sun Ra: an Afro-space-jazz imaginary- the printed record of El Saturn -- Helmut Lachenmann: Hellhörig, or the intricacies of perceptiveness -- Guillermo Gregorio: Madi music -- Experimental Oriental: new music and other others -- Afterword: a concise history of music -- Grooving on: selected listening |
ctrlnum | (OCoLC)915645706 (DE-599)BVBBV042506572 |
discipline | Musikwissenschaft |
era | Geschichte 1900-2000 Geschichte 1950-2015 gnd |
era_facet | Geschichte 1900-2000 Geschichte 1950-2015 |
format | Book |
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id | DE-604.BV042506572 |
illustrated | Illustrated |
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publisher | Duke Univ. Press |
record_format | marc |
spelling | Corbett, John 1963- Verfasser (DE-588)139302298 aut Microgroove forays into other music John Corbett Micro-grove Durham, London Duke Univ. Press 2015 XXI, 468 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Joe Harriott and Bernie McGann: flying without Ornette -- Michael Hurley: Jocko's lament -- Mayo Thompson: genre of one -- John Stevens: unpopular populists -- Peter Brötzmann Tentet: freeways -- Steve Lacy: sojourner saxophone -- David Grubbs: postcards from the edge -- Voice Crack: from nothing to everything -- Milford Graves: pulseology -- Out of nowhere: Deleuze, Gräwe, Cadence -- Carla Bley and steve Swallow: feeding quarters to the nonstop mental jukebox -- Misha Mengelberg: no simple calculations for life -- Misha Mengelberg and Han Bennink: natural inbuilt contrapuncto -- Form follows faction?: ethnicity and creative music -- Anthony Braxton: ism vs. is -- Anthony Braxton: Bildungsmusik thoughts on composition 171 -- Paul Lovens: Lo our Lo -- Clark Coolidge: the improvised line -- Nathaniel Mackey: steep incumbencies -- Sun Ra: from the Windy City to the omniverse: Chicago life as a street priest of D.I.Y. jazz -- Fred Anderson: the house that Fred built -- Sun Ra: queer voice -- Jaap Blonk: uncommon tongue -- PJ Harvey: mother's tongue -- Aural sex: the female orgasm in popular sound (coauthored with Terri Kapsalis) -- Liz Phair and Lou Barlow: on music, sex, TV, and beyond -- Liz Phair and Kim Gordon: exile in Galville? -- Koko Taylor: the blue queen cooks -- Brion Gysin and Steve Lacy: nothing is true, everything is permuted -- Ornette Coleman: doing is believing -- Roscoe Mitchell: citizen of sound -- Fred Anderson and Von Freeman: tenacity -- George Lewis: interactive imagination -- Mats Gustafsson: mg at half-c -- Ken Vandermark: six dispatches from the memory bank -- Ken Vandermark and Joe McPhee: mutual admiration society -- Peter Brötzmann and Evan Parker: bring something to the table -- Oncology of the record album -- Discaholic or vinyl freak? Mats Gustafsson interrogates John Corbett -- Enthusiasms: a spontaneous listening session -- A very visual kind of music: the cartoon soundtrack beyond the screen -- R.L. Burnside and Jon Spencer: fattening frogs for snake drive -- Before and after punk: the comp as teaching tool -- Raymond scott: cradle of electronica -- Peter Brötzmann: graphic equalizer -- Albert Oehlen: bionic painting -- Albert Oehlen: mangy a conversation and a playlist -- Christopher Wool: impropositions? improvisation, dub painting -- Christopher Wool: into the woods- six meditations on the interdisciplinary -- Sun Ra: an Afro-space-jazz imaginary- the printed record of El Saturn -- Helmut Lachenmann: Hellhörig, or the intricacies of perceptiveness -- Guillermo Gregorio: Madi music -- Experimental Oriental: new music and other others -- Afterword: a concise history of music -- Grooving on: selected listening Geschichte 1900-2000 Geschichte 1950-2015 gnd rswk-swf Avant-garde (Music) Music / 20th century / History and criticism Music / 21st century / History and criticism Improvisation (Music) Avant-garde (Music) fast Improvisation (Music) fast Music fast Musik Improvisation (DE-588)4127993-1 gnd rswk-swf Jazz (DE-588)4028532-7 gnd rswk-swf Avantgarde (DE-588)4133965-4 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Musik (DE-588)4040802-4 s Jazz (DE-588)4028532-7 s Avantgarde (DE-588)4133965-4 s Improvisation (DE-588)4127993-1 s Geschichte 1950-2015 z DE-604 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027941176&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Corbett, John 1963- Microgroove forays into other music Includes bibliographical references and index Joe Harriott and Bernie McGann: flying without Ornette -- Michael Hurley: Jocko's lament -- Mayo Thompson: genre of one -- John Stevens: unpopular populists -- Peter Brötzmann Tentet: freeways -- Steve Lacy: sojourner saxophone -- David Grubbs: postcards from the edge -- Voice Crack: from nothing to everything -- Milford Graves: pulseology -- Out of nowhere: Deleuze, Gräwe, Cadence -- Carla Bley and steve Swallow: feeding quarters to the nonstop mental jukebox -- Misha Mengelberg: no simple calculations for life -- Misha Mengelberg and Han Bennink: natural inbuilt contrapuncto -- Form follows faction?: ethnicity and creative music -- Anthony Braxton: ism vs. is -- Anthony Braxton: Bildungsmusik thoughts on composition 171 -- Paul Lovens: Lo our Lo -- Clark Coolidge: the improvised line -- Nathaniel Mackey: steep incumbencies -- Sun Ra: from the Windy City to the omniverse: Chicago life as a street priest of D.I.Y. jazz -- Fred Anderson: the house that Fred built -- Sun Ra: queer voice -- Jaap Blonk: uncommon tongue -- PJ Harvey: mother's tongue -- Aural sex: the female orgasm in popular sound (coauthored with Terri Kapsalis) -- Liz Phair and Lou Barlow: on music, sex, TV, and beyond -- Liz Phair and Kim Gordon: exile in Galville? -- Koko Taylor: the blue queen cooks -- Brion Gysin and Steve Lacy: nothing is true, everything is permuted -- Ornette Coleman: doing is believing -- Roscoe Mitchell: citizen of sound -- Fred Anderson and Von Freeman: tenacity -- George Lewis: interactive imagination -- Mats Gustafsson: mg at half-c -- Ken Vandermark: six dispatches from the memory bank -- Ken Vandermark and Joe McPhee: mutual admiration society -- Peter Brötzmann and Evan Parker: bring something to the table -- Oncology of the record album -- Discaholic or vinyl freak? Mats Gustafsson interrogates John Corbett -- Enthusiasms: a spontaneous listening session -- A very visual kind of music: the cartoon soundtrack beyond the screen -- R.L. Burnside and Jon Spencer: fattening frogs for snake drive -- Before and after punk: the comp as teaching tool -- Raymond scott: cradle of electronica -- Peter Brötzmann: graphic equalizer -- Albert Oehlen: bionic painting -- Albert Oehlen: mangy a conversation and a playlist -- Christopher Wool: impropositions? improvisation, dub painting -- Christopher Wool: into the woods- six meditations on the interdisciplinary -- Sun Ra: an Afro-space-jazz imaginary- the printed record of El Saturn -- Helmut Lachenmann: Hellhörig, or the intricacies of perceptiveness -- Guillermo Gregorio: Madi music -- Experimental Oriental: new music and other others -- Afterword: a concise history of music -- Grooving on: selected listening Avant-garde (Music) Music / 20th century / History and criticism Music / 21st century / History and criticism Improvisation (Music) Avant-garde (Music) fast Improvisation (Music) fast Music fast Musik Improvisation (DE-588)4127993-1 gnd Jazz (DE-588)4028532-7 gnd Avantgarde (DE-588)4133965-4 gnd Musik (DE-588)4040802-4 gnd |
subject_GND | (DE-588)4127993-1 (DE-588)4028532-7 (DE-588)4133965-4 (DE-588)4040802-4 |
title | Microgroove forays into other music |
title_alt | Micro-grove |
title_auth | Microgroove forays into other music |
title_exact_search | Microgroove forays into other music |
title_full | Microgroove forays into other music John Corbett |
title_fullStr | Microgroove forays into other music John Corbett |
title_full_unstemmed | Microgroove forays into other music John Corbett |
title_short | Microgroove |
title_sort | microgroove forays into other music |
title_sub | forays into other music |
topic | Avant-garde (Music) Music / 20th century / History and criticism Music / 21st century / History and criticism Improvisation (Music) Avant-garde (Music) fast Improvisation (Music) fast Music fast Musik Improvisation (DE-588)4127993-1 gnd Jazz (DE-588)4028532-7 gnd Avantgarde (DE-588)4133965-4 gnd Musik (DE-588)4040802-4 gnd |
topic_facet | Avant-garde (Music) Music / 20th century / History and criticism Music / 21st century / History and criticism Improvisation (Music) Music Musik Improvisation Jazz Avantgarde |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027941176&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT corbettjohn microgrooveforaysintoothermusic AT corbettjohn microgrove |