Film theory: an introduction through the senses
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Routledge
2015
|
| Ausgabe: | 2. edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | VIII, 237 S. Ill. |
| ISBN: | 9781138824294 9781138824300 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804153242511212544 |
|---|---|
| adam_text | Contents
Acknowledgments vii
Introduction: Film Theory, Cinema, the Body,
and the Senses 1
1 Cinema as Window and Frame 14
Rear Window — Constructivism — Realism — Open and Closed Film Forms
(Leo Braudy) — Classical Cinema — Centra] Perspective — Rudolf Arnheim — Sergei
Eisenstein — André Bazin — David Bordwell — Cinema as Shop Window
and Display
2 Cinema as Door — Screen and Threshold 39
The Searchers - Entry into the Film - Etymology of ‘Screen’ - Thresholds of the
Cinema — Beginnings: Credits and Credit Sequences — Neoformalism (Bordwell/
Thompson) — Poststructuralism (Thierry Kuntzel) — Mikhail Bakhtin — Door and
Screen as Filmic Motfs in Buster Keaton and Woody Alien
3 Cinema as Mirror — Face and Close-Up 63
Persona - Béla Balazs ֊ Close-Up and Face - Face as Mirror of the
Unconscious — Christian Metz - Jean-Louis Baudry — Apparatus Theory -֊ Early
Cinema and the Close-Up (Tom Gunning) — Refexive Doubling in Modern (Art)
Cinema — Mirror Neurons — Paradoxes of the Mirror
Cinema as Eye — Look and Gaze
Blade Runner —Active and Passive Eye - The Mobile Eye of Early Cinema -
Dziga Vertov - Apparatus-Theory — Suture - Continuity Editing — Laura
Mulvey — Feminist Film Theories — The Silence of the Lambs — Historicity
of Modes of Perception — Regimes of the Gaze — The ‘Big Other’ (Jacques
Lacan) — Slavoj Zizek — Panoptic Gaze (Michel Foucault) — Niklas Luhmann
and Self-Monitoring
94
vi Contents
5 Cinema as Skin - Body and Touch 124
Gravity - (Re)turn to the Body - Critique of Oocularcentrism’-
Phenomenology, Synaesthesia, Intermodality —Vivian Sobchack - Avant-Garde
Practices - Body and Genre (Linda Williams, Barbara Creed) - Haptic Perception
and Skin of Film (Laura Marks) - Crash ֊ Sltin and Identity -The New
World — Accented Cinema (Hamid Naficy) — Ethnographic Filmmaking —
Siegfried Kracauer
6 Cinema as Ear — Acoustics and Space 146
Her — Multisensory Address — Sounci as a Spatial Phenomenon - Silent
Cinema - Introduction of Sound - Singin’ in THE Rain - Sound in
Classical Cinema — On-Screen/ Off-Screen — Polysemy of Sound - Acousmêtre
(Michel Chion) - Sound and Psychoanalysis - Reversals in Hierarchy of
Image and Sound - Surround Sound - Materiality and Plasticity
7 Cinema as Brain - Mind and Body 169
Eternal Sunshine of the Spotless Mind - Propaganda and Cult Films -
Five Concepts for Connecting Mind and Cinema — Gilles Deleuze: Movement-
Image and Time-Image - Annette Michelson: Cinema as Epistemology - Torben
Grodal — Patricia Pisters: Neuro-Image — Mind and Body, Spectator and Film -
Empathy - Embodiment and Disembodied Vision
8 Digital Cinema and Film Theory -The Body Digital 194
Toy Story — Hybridity and Embedded Contradictions — Lev Manovich and Sean
Cubitt - Virtual Reality, Media Convergence ֊ Indexicality - Morphing and the
Malleability of the Digital - Media Archaeology and Remediation - *Change
Inside-Out - Video Essays - MONSTERS, Inc. - Fan Labour ֊ Public/Private -
Documentary and the Digital - Things and Materiality - Agency
Bibliography
Index
219
227
|
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| dewey-full | 791.43 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
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| dewey-search | 791.43 |
| dewey-sort | 3791.43 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| edition | 2. edition |
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| spelling | Elsaesser, Thomas 1943-2019 Verfasser (DE-588)122695682 aut Film theory an introduction through the senses Thomas Elsaesser and Malte Hagener 2. edition New York [u.a.] Routledge 2015 VIII, 237 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Film Motion pictures Film (DE-588)4017102-4 gnd rswk-swf Filmtheorie (DE-588)4071216-3 gnd rswk-swf 1\p (DE-588)4151278-9 Einführung gnd-content Filmtheorie (DE-588)4071216-3 s DE-604 Film (DE-588)4017102-4 s Hagener, Malte 1971- Verfasser (DE-588)121582892 aut Erscheint auch als Online-Ausgabe 978-1-315-74076-8 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027937277&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
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| title | Film theory an introduction through the senses |
| title_auth | Film theory an introduction through the senses |
| title_exact_search | Film theory an introduction through the senses |
| title_full | Film theory an introduction through the senses Thomas Elsaesser and Malte Hagener |
| title_fullStr | Film theory an introduction through the senses Thomas Elsaesser and Malte Hagener |
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| title_short | Film theory |
| title_sort | film theory an introduction through the senses |
| title_sub | an introduction through the senses |
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| topic_facet | Film Motion pictures Filmtheorie Einführung |
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