Moving words: forms of English poetry
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2015
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| 245 | 1 | 0 | |a Moving words |b forms of English poetry |c Derek Attridge |
| 250 | |a 1. publ. in paperback | ||
| 264 | 1 | |a Oxford |b Oxford Univ. Press |c 2015 | |
| 300 | |a VIII, 244 S. |c 22 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 4 | |a English poetry / History and criticism | |
| 650 | 4 | |a Poetics | |
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Datensatz im Suchindex
| _version_ | 1804153217430323200 |
|---|---|
| adam_text | Index
accentual metre,
147
rcentual-syllabic metre,
124, 128-41,
147-8, 150, 177, 189,219
anddolnik,
164
in Lyrical Ballads,
158
sixteenth-century,
128, 156
Victorian,
159, 167-8
Adorno,
Theodor,
21
Agamben, Giorgio,
21
Aitchison, Jean, 32n
alexandrine,
53^, 58-9, 63-8, 73
Allen, W. Sidney, 57n
Allingham, William,
169
alliteration,
22, 24, 32,
43n,
75,
80n,
83,
96, 140,210
alliterative verse,
210
inadiplosis,
42
anagrams,
89, 99
anapaest,
148,
160n
anapaestic metre,
160
Ancient Greek
metre,
9, 24, 172-3
poetry,
192,200
see also classical prosody
Anglo-Saxon
metre,
24
verse, see Old English verse
arbitrariness of the sign,
79-80, 89
Argent, Geoffrey Alan,
71, 74
Aristotle,
29
Armstrong, Isobel,
18
Arnold, Matthew,
170,
2l4n
Ashbery, John,
115-20
Actridge, Derek,
85
Auden,
W
H.,
24, 185-7,
215n, 216n
Austin, Alfred,
170
Badiou, Alain,
721
balanced pentameter,
114, 136
ballad,
104, 159, 161, 165, 170, 181,
185-6
stanza,
25, 32, 106, 155-6, 161, 165,
169, 179, 182
Barnby,
Joseph,
174
η
Bartiett, Neil, 67n
Bate, Walter Jackson,
201
Bath, Michael,
19
Baumgarten,
Alexander,
28
Beardsley, Monroe C,
9
beat,
Ъ-4,
4n,
11, 24, 105,
107n,
111-12,
112n,
116, 130, 188-93
prosody,
4, 103-26,
153n,
175, 202
symbol for,
105,223
Beeching, Henry Charles,
170
Berlin,
Adele, 21
2n
Berry, Eleanor, 203n
Betjeman, Sir John,
182-3
Blake, William,
38-9, 89, 213
blankverse,
31, 51, 57, 70, 118, 162,
192n
and line-ends,
207, 211, 213-15
in Racine translations,
66-7, 72-3
introduction of,
56, 119, 211
blues, 46n
Blunt, Wilfred Scawen,
169
blurring, rhythmic,
190
Boland, Eavan,
19
Bolt,
Rânjit, 63n
Boswell, R.
В.,
66n,
67
Boyer, Abel,
66n
Boyle, Roger, Earl of Orrery,
50
Bradford, Richard, 215n
Brinton, Ian,
78
Brogan, T. V. E,
203
Brooke, Rupert,
23
Brooks, Cleanth,
22
Brown, Marshall,
18
Brownian noise,
81,
82n
Browning, Elizabeth Barrett,
169-70
Browning, Robert,
162-3, 167-8, 214
Bruns,
Gerald,
86
Burns, Robert,
157
Burt,
Stephen,
19
Byron, George, Lord,
61,
63n
Cable, Thomas, 156n
caesura,
59, 65,
79n,
1
14n,
135, 212
Cairncross, John, 66n,
67
Campbell, Matthew,
18
In
Campion, Thomas,
2, 220-1
Caplan, David,
19
Carper, Thomas,
4
Carroll, Lewis,
171
η
Carruth, Hayden, 43n
catalexis,
177
Chapman, George,
195,
195n
Charles II, King,
50, 53
Chartist verse,
162
240
Index
Chaucer, Geoffrey,
9,
62η,
150
Chesterton,
G. K.,
110
Chomsky, Noam,
3,
I42n
choral
reading,
106,
I49n
Clarke,
Charles Cowden,
195
classical prosody,
1-2, 4, 137, 148, 150,
152-3, 164-5, 172,
181η
see also Ancient Greek metre; Latin
metre; Sapphic
closure,
32, 35-8,
43n,
45, 48, 106, 109,
119, 144, 218
Clough, Arthur Hugh,
172-3
cognitive poetics,
13
Coleridge, Samuel Taylor,
24, 44, 52,
157-8
Christabel , 161-2, 166, 18
In
common measure, see ballad, stanza
compounds,
193—202
concrete poetry,
215
conditions, metrical,
131—2
Conington, John, 173n
contre-rejet,
72
Cooper, G. Burns, 112n
Cope, Wendy,
183
Corneille,
Pierre,
53, 55
Corpus
Christi
Carol,
156
counterpoint,
12
Cowley, Abraham,
214
Crane, Stephen, 2l3n
Cratylism,
77, 79
Creaser, John, 6ln
Croker, John,
196
Crowne, John,
53
Cureton, Richard,
5, 33-4, 39^2,
44η, 117η,
208
dactyl,
148, 179, 192
Dante
Alighieri,
218η
Davenant, William,
50
Davidson, John,
170,
215n
Davie, Donald, 34n
de Bolla,
Peter,
18
de la Mare,
Walter,
181-2
Dearmer, Henry, 173
demotion,
5n, 115n, 133, 191, 194n,
197-8,201
in double
offbeats,
199, 242
in
single offbeats,
135, 157,
159η,
178, 202
on initial syllable,
135, 141, 202
rules for, 112n,
130, 190-1
symbol for, 115n,
133,
159n,
223
Derrida, Jacques,
21,
79n
Dickens, Charles,
191—3
le metre
Dillon,
George,
66
dipodic metre, see quadnipl
dolnik, 154n
dolnik,
110, 147-87
Donne, John,
26, 146
double offbeat,
130, 180, 191
rules for,
132
symbol for,
108, 133, 151, 223
Douglas, Lord Alfred,
170
Drabble, Margaret,
126
Dryden, John,
24, 50-3, 56, 62
Duffell, Martin, 154n, 203n
Duncombe, William, 66n
Dunn, Douglas, 74n
Eagleton, Terry,
18-19, 23-4
Eliot, T. S.,
51, 181
Elliott, Jane,
21
η
Empson, William,
22,
45n
end-stopping,
67, 71, 73,
74n»
75;
I
162, 205, 210-2, 215
enjambment, see run-on
epanalepsis,
218
epizeuxis,
42, 218
extrinsically segmented verse,
206, 21
■.Щ
falling inversion,
133, 177, 199,
199n,
201
ШШ:
falLing rhythm,
124, 157, 186, 209
.Ж-
feet
■
φί.
metrical,
1, 9-11,
79n,
137, 148-58^
152-3, 160, 164, 174, 188
%Щ%-
see
aho
foot-prosody
· ·;*
ΐ
feminine ending,
25, 131, 136, 148,183
see
abo
rhyme, feminine .^U
Fenton, James,
187
-Г
Firth, J. R.,
79
Ј аФ
Fish, Stanley,
127-8
Щ
foot-prosody,
10-11, 25, 104, 187,201
see
abo
classical prosody; feet, metrical
.
four-beat rhythm,
4, 25, 54-5, 103-13,
120-2, 124, 135, 189
see also dolnik
fourteeners, 50n,
136
France, Peter,
54—5
Frederic, Madeline, 39n, 42n
free verse,
6, 115-20, 203-21
Freud,
Sigmund, AA
Frost, Robert,
46-9,
153n, 154n,
184
Fry, Christopher, 63n
Furniss,Tom,
19
Gadamer,
Hans-Georg,
21
Gall, Sally
Μ. 153η
Gašparov, M. L.,
154η
Index
241
^nerative
metrics,
3
gíette,
Gérard,
22
Villiers, Duke
of Buckingham,
51η
Sbe..,
ПО,
172
Gioia,
Dana,
160-2, 164
r
resory
the Great,
173
Raping,
34, 41,
43-í,
48, 209
guest, Edwin,
175-6
Guiraud, Pierre,
62
Gunn, Thorn,
215
J-Iaberer,
Adolphe, 39n
Hall, Jason,
19
Halle, Morris,
3
Hannah, Sophie,
183-4
Hard/, Thomas, 23n,
178, 180-1
Harley lyrics, the, 156n
Harrison, Tony,
4,
63n,
71, 74-5
Hartman,
Charles
Ο., 204η, 215η, 216η
Heaney, Seamus,
23, 43-4, 95
Hegel, G.W.F.,
21
Heidegger, Martin,
21
Henley, W. H.,
21
5n
heroic couplets,
50—76, 112—15, 123
Herrick,
Robert,
191
hexameter,
1, 56-7, 172-3,
174n,
179
see also classical prosody
hierarchy, rhythmic,
34, 40, 59,
lO7n,
111,
140, 208
Hill, Geoffrey,
216-20
Hill, Leslie, 79n
Hollander, John,
203η, 204η,
213n, 2l4n
Homer, 46n,
195
Hood, Thomas, 163n
Hopkins, Gerard Manley,
12,
I64n,
170-1,212,
215n
Horace,
173
Hough, Graham,
204, 215
Housman,
Α. Ε., 178η
Howard, Sir Robert,
50, 52—3, 62
Hughes,
Langston,
46, 1
84n
Hughes, Ted,
24, 7
In
Hugo, Victor,
61—2
I Sing of a Maiden ,
156
iamb,
9, 125, 149,
l60n,
187
iambic metre,
148,
I49n,
153-4, 157,
165η,
194,
198,207η
iambic pentameter,
3, 10—12, 24, 74, 107,
156, 127-46, 160, 174,
193-202, 219
and four-beat verse,
4, 55, 67, 124,
161-2
and line-ends,
38, 212
pauses in,
145
see
aho
blank verse; heroic couplets
iconicity,
80
ictus,
16
In,
173
implied offbeat,
107, 109, 134, 151-2,
168, 171, 157, 180, 199
rules for,
131
symbol for,
108, 134, 151, 223
In
Memoriam
stanza,
91
initial inversion,
132,
134n,
135, 140-1,
174, 190, 198, 201
intrinsically segmented verse,
210—13
inversion,
1, 98, 198, 200, 202
see
aho
falling inversion; initial
inversion; rising inversion
inversion, syntactic,
92
isochrony,
57, 129, 176
see
abo
stress-timing
jackendoff, Ray,
33
Jakobson,
Roman,
36, 38-9, 80, 212
Jarvis, Simon, 72n
Johnson, Charles, 66n
Johnson, Samuel,
207, 215
Joyce, James,
99,
90n,
142, 196
Kant, Immanuel,
18, 21, 28
Keats, John,
5, 11, 25, 61, 190, 193-202
Keyser, Samuel Jay,
3
Kierkegaard, Soren, 48n
Kingsley, Charles,
168—9
Kinsella, John,
173
Kipling, Rudyard, 110, 178-80, 187
Kirby-Smith,
H. T.,
203η, 207η, 212η,
215n
Knight, R. C, 66n,
67
Korn, Eric,
66n
Lamarque, Peter, 20n
Langland,
William,
210-11
Lash, Dominic, 82n
Latin,
1—2
metre,
1-2, 9, 57,
16ln,
173
see
abo
classical prosody
poetry,
2, 10, 89, 214
see also pronunciation of Latin
Lawrence, D. H.,
45, 213
Lear, Edward,
171
Leavis,
E R.,
9, 24, 162, 181
Leech, Geoffrey, 154n
Leigh, Henry Sambrooke,
172
Leigh ton, Angela,
19
Lerdahl, Fred,
33
Levin, Yisrael, 178n
Levine,
George, 18n
Levinson,
Marjorie,
19, 22
■■/ *-..
242
Index
limerick,
204-5, 210
lineation,
118
linkage,
199
Lockert,
Lacy,
71η
Loesberg, Jonathan,
18
Longenbach,
James,
18
Lowell, Robert,
71—3
Lowth, Robert, 212n
Lyall, Sir Alfred,
170
Lyotard,
Jean-François,
21
MacDonald, Robert David, 67n
Mahon, Derek,
71, 74
Mangan,
James Clarence,
169
Martin, Meredith,
19,
170n, 178n
masculine ending,
183
see
abo
rhyme, masculine
Masefield, John,
66—7
Matthews, Pamela R.,
18
McKie, Michael,
61
η
McNeice, Louis,
184—5
McWhirter, David,
18
metnorization,
126
Mengham, Rod,
85
Meredith, George,
169,
215n
Meschonnic, Henri,
5, 122—3
metrical phonology,
125
Mikics, David,
19
Milne,
Α. Α.,
103-211, 120-3, 131,
151, 181
Milton, John,
38, 120,215
L Allegro
and
Ί1
Pensoroso ,
25, 157
Lycidas,
10—12
Paradise Lost,
Ъ -Ъ,
37, 56, 160
Samson Agonistes,
206—7, 214
Modern Language Association,
19
Moliere,
63, 74
Moore, Marianne,
215
Moore, Thomas,
157
Morgan, Edwin, 66n
Morris, William,
170
Müller, Friedrich
Max,
80
Muir,
Kenneth, 66n,
67
Muldoon, Paul, 6ln
Munby, Arthur,
170
Myers, Frederic, 178n
Nash, Ogden,
210, 215
Neoplatonism,
139-40, 145
New Criticism,
9, 17, 177
New Formalism,
17, 19, 29
New Historicism,
17, 19
Newbolt, Sir Henry,
170
Norton Anthology of English Poetry,
147—50,
153, 155-6
Now Go th Sun under Wood
155,
1573184n
nursery
^^5^,89^104, 120,1
offbeat,
107-8, 116,
129-ЧП
189-90
symbol for,
108, 133, 151
see
ako
double offbeat;
сл л с
χχ^ΐ^νζ&ά
offbeat; virtual
Old English verse,
147, 162
Oldham, John,
24
Omond, T. S.,
178
optimali
ty
theory, 44n
oral poetry, 7n
Osborne, Peter,
21
Oswald, Alice, 46n
Otway, Thomas,
53, 68-70
Oxford English Dictionary,
174,
Packard, William, 67n
Palgrave, Francis Turner,
162
parallelism,
36, 39, 71,
212n,
213»
2Ш
pararhyme,
83—4
Paterson, Don,
77-85, 90-103
Patmore, Coventry, I64n,
176—8
Paulin,
Tom,
19,
23-Í,
27-8, 77,
89i¿
Pearl,
156 ; 4
pentameter, see iambic pentameter
Pepys, Samuel, 56n
Percy, Thomas,
161
Perloff, Marjorie,
19,
204n
Persson, Gunnar,
39η, 42η
Petrarchan tradition,
140, 145
Phelan, Joseph,
19
Philips, Ambrose, 66n
phonestheme,
79-80, 99
phrasing,
31—49
Pike, Kenneth, 58n
Pindar,
214
pindarics,
214
pink noise,
8
In,
82
Plath, Sylvia,
45, 207-8, 213
Plato,
29, 77
Рое,
Edgar Allan,
170
Poetics and Linguistics Association,
20
Pope, Alexander, 62n,
113, 123-4
postponed compensation,
201
Pound, Ezra,
181, 214
Prins, Yopie,
160, 163
prolongation,
34, 40-1, 48
promotion,
92,
112n,
130, 134,
134n,
140, 157, 187, 190-1
rules for,
130
symbol for,
133, 223
Ä···
Ш
Index
245
t
pronunciation
І Р
of English,
2, 57, 88, 125, 147
of French,
46
of Latin, x,
200
Prynne, J. H.,
2, 78, 91, 95-100
puttenham, George,
144
mej. F.A.,
160η
pyrrhic,
10, 199
nuadruple metre,
110-11,
llln,
121,
4 162-3,
I63n,
172, 177, 179-80
quantitative metre,
147, 173, 214, 220-1
Quiller-
Co
uch,
Sir Arthur,
162, 169-70
Racine, Jean,
5, 53-5,
59n,
62-76
Raine,
Craig,
67
Ramsey, Paul,
20
3n
Rancière,
Jacques,
21
Rands, William Brighty,
172
rap,
104, 125
Rawlings, Margaret, 66n,
67
Reed, Beatrice Szczepek, 4n, 105n,
106n
refer,
72
repetition
rhythmic,
112
of sounds,
72, 83, 92-3, 95-6, 98,
140,216
verbal,
31-49, 70, 109-10, 186,
213,218
see also rhyme
rhyme,
3, 27, 42, 50-76, 83^, 93, 106,
110, 113, 136, 151, 162,
215n
feminine,
59—60
masculine,
59, 71
-scheme,
151, 165, 187,
218n
and segmentation,
210, 215
triple,
60
see also pararhyme
rhythmic figure,
10, 11, 24, 133, 166,
190,197,201
Richards,
Ι. Α.,
22
Ricks, Christopher,
41,
72η, 165η, 216η
Ricoeur, Paul,
21
rime
banale,
61
faible,
46
féminine,
45
masculine,
45
riche,
46, 47
suffisante,
46
Rimmon-Kenan, Shlomith,
50η, 48η
rising
inversion,
144—5, 199—201
rising rhythm,
124, 157, 209
Rossetti,
Christina,
170
Rostand,
Edmond,
63η
Roubaud, Jacques, 55n
Rudy, Jason,
19,
163η, 176η
rules, metrical,
129-31,
I46n,
203
run-on, 31,74n,
75, 115, 136, 140, 145,
160, 180, 207, 211, 213,
219,221
and drama,
58, 71, 120, 214
and Latin verse,
214
and phrasing,
37—8
and rhyme,
72, 210
and segmentation,
208
Rutter,
Joseph,
54
Saintsbury, George,
178
Sandburg, Carl,
24
Sapphic, 94n, 136n,
173-5
Saussure,
Ferdinand
de,
89, 99
scansion,
223
see also beat, symbol for; demotion,
symbol for; double offbeat, symbol
for; implied offbeat, symbol for;
promotion, symbol for; quadruple
metre, symbol for; triple offbeat,
symbol for; virtual beat, symbol
for; virtual offbeat, symbol for
Schiller,
Friedrich, 66n
Scott,
Clive, 67n
Scott, Sir Walter,
160-1, 165,
I66n, I68n
segmentation,
7, 119, 203—20
Seneca,
5
On
Service, Robert, 153n
Shakespeare, William,
48, 146, 195, 214
A Midsummer Nights Dream,
56, 175
Henry VI Part One,
211
King Lear,
42
Sonnets,
42, 78-9, 94, 201
The Phoenix and the Turtle ,
156
Shelley, Percy Bysshe,
159,
218n,
166
short measure,
155, 162—3
Sidney, Sir Philip,
2, 59, 145-6
Silkin, Jon,
216
Sinclair, J. McH., 34n, 38n
Sisson, C. H., 66n
Skelton, John,
156
Smart, Christopher,
213
Smith, Barbara
Herrnstein, 39n,
43n
Smith, Edmund, 68n
Society for the Study of Narrative
Literature,
20
Solomon, Samuel,
71—4
sound-symbolism,
80
Spasmodic poets,
164
Spenser, Edmund,
2, 6
In,
128-9, 132-41,
143-6, 176, 195
244
Index
Spenserian stanza,
130
spondee,
10, 179, 199, 201
sprung pentameter,
94, 114, 135, 174
Stallworthy, Jon,
147, 153
stanza, see ballad, stanza; In
Memoriam
stanza; limerick; Sapphic;
Spenserian stanza
stanza form,
25, 91,
155n,
215, 219
see also rhyme-scheme
Steele, Joshua,
175
Stein, Gertrude,
41,
42n
Stetson, R.
Η., 57η, 58η
Stevenson, Randall,
78
Stevenson, Robert Louis,
169
Stewart, Susan,
18
Stewart, W. McC, 67n
Stoddart, John,
166
Strand, Mark,
19
stress rhythm,
212, 189
stress-timing,
112,
129n,
152
see
aho
isochrony
stylfctics,
20, 127-8, 136, 140, 146
substitution,
2, 9,
153n,
179
Sullivan, Arthur,
172
Surrey, Henry Howard, Earl of,
211, 215
Swinburne, Algernon Charles,
24, 166,
174n,
178-9
syllabic metre,
58, 147, 152, 215
syllabic rhythm,
112, 189
syllable-timing,
112
Tambling, Jeremy,
19
Tarlinskaja, Marina,
154
Taylor, Dennis,
18
In
Tennyson, Alfred, Lord, 23n,
173
Break, break, break ,
108, 159-60, 168
Mariana,
24
Princess, The,
201-2
Ti
thon
us ,
45
n
Tennyson,
Hallam, I66n
tension
rhythmic,
112, 122-3, 134, 189,
200, 209
semantic,
31—2, 36—7
syntactic,
33, 65
terza rima,
218η
tetrameter,
2, 184, 187
The king sits in Dunfermline town
Thomas, Dylan,
215 ^,
Thompson, John, 132n
Thomson, James,
170
Tobin,
Agnes, 66n,
67
Todhunter, John,
170
triple offbeat,
136,
158n,
173
symbol for,
135, 223
triple rhyme,
59
triple rhythm,
11, 107-9, 124, 162-3
167, 171-2, 179
trochaic metre,
25,
79n,
147,
149η 157
159, 167, 181
trochee,
9-Ю, 25, 149, 177, 187
Twinkle, Twinkle Little Star ,
89
unrealized offbeat,
107,
131n,
133
Vendler, Helen,
19, 25-8, 77,
79n, 153n
Vergil,
211
virtual beat,
106η, 107η, 155η
symbol for,
223
virtual offbeat,
108, 131, 133
symbol for,
133, 223
Voltaire,
53,
59n
Weismiller, Edward, 207n
Wheale, Nigel, 97n
Whitman, Walt,
210, 213
Wilbur, Richard,
63, 71, 74-6
Wilkinson, John,
95,
97n
Williams, William Carlos,
205-6, 109,
213,
213n,
218
Wimsatt,
W
К.,
9, 22, 61,
62η
Wittgenstein,
Ludwig,
48
Wolfe, Charles, 159n
Wolfson, Susan J., 18n
Wordsworth,
William,
24,
40n,
88,
89n,
90, 194-5
Yeats, W.
В.,
25-7, 51, 77, 184
Žižek, Slavoj,
21
The contemporary reader of English poetry is able to take pleasure in the
sounds and movements of the English language in works written over the past
eight centuries, in poems that convey powerful emotions and vivid images
from this entire period. This book investigates the ways in which poets have
exploited the resources of the language as a spoken medium
—
its characteristic
rhythms, its phonetic qualities, its deployment of syntax
—
-to write verse that
continues to move and delight. The chapters in the first of the two parts
examine a number of issues: the resurgence of interest in formal questions in
recent years, the role of syntactic phrasing, the function of rhyme, and the
relation between sound and sense. The second part is concerned with rhythm
and metre, explaining and demonstrating beat prosody as a tool of poetic
analysis, and discussing three major traditions in English versification: the
free four-beat form used in much popular verse, the controlled power of the
iambic pentameter, and the twentieth-century invention of free verse. Drawing
on Derek Attridge s forty-five years of engagement with the forms of poetry,
this volume provides extensive evidence of the importance of close attention
to the moving and sounding of language in the poems we enjoy.
|
| any_adam_object | 1 |
| author | Attridge, Derek 1945- |
| author_GND | (DE-588)129566837 |
| author_facet | Attridge, Derek 1945- |
| author_role | aut |
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| building | Verbundindex |
| bvnumber | BV042485146 |
| classification_rvk | HG 530 |
| ctrlnum | (OCoLC)909875626 (DE-599)BVBBV042485146 |
| discipline | Anglistik / Amerikanistik |
| edition | 1. publ. in paperback |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| illustrated | Not Illustrated |
| indexdate | 2024-07-10T01:23:06Z |
| institution | BVB |
| language | English |
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| physical | VIII, 244 S. 22 cm |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Oxford Univ. Press |
| record_format | marc |
| spelling | Attridge, Derek 1945- Verfasser (DE-588)129566837 aut Moving words forms of English poetry Derek Attridge 1. publ. in paperback Oxford Oxford Univ. Press 2015 VIII, 244 S. 22 cm txt rdacontent n rdamedia nc rdacarrier Geschichte gnd rswk-swf English poetry / History and criticism Poetics Lyrik (DE-588)4036774-5 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Sprache (DE-588)4056449-6 gnd rswk-swf Englisch (DE-588)4014777-0 s Lyrik (DE-588)4036774-5 s Sprache (DE-588)4056449-6 s Geschichte z DE-604 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027920044&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027920044&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Attridge, Derek 1945- Moving words forms of English poetry English poetry / History and criticism Poetics Lyrik (DE-588)4036774-5 gnd Englisch (DE-588)4014777-0 gnd Sprache (DE-588)4056449-6 gnd |
| subject_GND | (DE-588)4036774-5 (DE-588)4014777-0 (DE-588)4056449-6 |
| title | Moving words forms of English poetry |
| title_auth | Moving words forms of English poetry |
| title_exact_search | Moving words forms of English poetry |
| title_full | Moving words forms of English poetry Derek Attridge |
| title_fullStr | Moving words forms of English poetry Derek Attridge |
| title_full_unstemmed | Moving words forms of English poetry Derek Attridge |
| title_short | Moving words |
| title_sort | moving words forms of english poetry |
| title_sub | forms of English poetry |
| topic | English poetry / History and criticism Poetics Lyrik (DE-588)4036774-5 gnd Englisch (DE-588)4014777-0 gnd Sprache (DE-588)4056449-6 gnd |
| topic_facet | English poetry / History and criticism Poetics Lyrik Englisch Sprache |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027920044&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027920044&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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