Verfügbarkeit: Painting: critical and primary sources

Painting: critical and primary sources: Volume 1 Painting's histories

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Bibliographische Detailangaben
Weitere Verfasser:	Harland, Beth (HerausgeberIn), Manghani, Sunil (HerausgeberIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	London ; Oxford ; New York ; New Delhi ; Sydney Bloomsbury 2016
Ausgabe:	First published
Online-Zugang:	Inhaltsverzeichnis
Beschreibung:	xxvi, 259 Seiten
ISBN:	9780857854995

Internformat

MARC


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Datensatz im Suchindex

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adam_text	PAINTING: CRITICAL AND PRIMARY SOURCES VOLUME 1 PAINTING’S HISTORIES Edited by Beth Harland and Sunil Manghani Bloomsbury Academic An imprint of Bloomsbury Publishing Pic BLOOMSBURY LONDON • OXFORD • NEW YORK • NEW DELHI • SYDNEY CONTENTS VOLUME 1 PAINTING’S HISTORIES General Introduction xii Beth Harland and Sunil Manghani Introduction xv Beth Harland and Sunil Manghani Part 1 Early Aesthetic Theories 1 The Shadow Stage 3 Victor Stoichita 2 The Inventor of Painting 12 Hubert Damisch 3 Roman Painting 33 Donald Strong Part 2 Epistemologies of Painting 4 Giotto’s Joy 47 Julia Kristeva 5 A Confrontation of “Word and Image” in My Name Is Red 68 Feride Çiçekoglu VI CONTENTS 6 Las Meninas 89 Michel Foucault 7 The Nature of Picturing in the North 102 Svetlana Alpers 8 Barthes and the Lesson of Saenredam 119 Howard Caygill 9 Pictures and Ideas: Chardin’s A Lady Taking Tea 132 Michael Baxandall Part 3 Painting as a Medium 10 On Painting 145 Walter Benjamin 11 Cézanne’s Letters 150 Paul Cézanne to Emile Bernard 12 Percept, Affect and Concept 158 Gilles Deleuze and Felix Guattari 13 The Precious Little Patch of Yellow Wall 164 Marcel Proust Part 4 Artist, Artwork and Viewer 14 The Lives of the Artists 169 Giorgio Vasari 15 The Idea of Painting 175 John Buskin 16 On Pictorial Representation 185 Richard Wollheim 17 Easel Painting and Pictorial Order 201 Thomas Puttfarken 18 Notes on Two Women Surrealist Painters 227 Dawn Ades 19 Crossing Country: Tribal Modernism and Kuninjku Bark Painting 238 Ian McLean CONTENTS vii VOLUME 2 MODERN PAINTING General Introduction vii Beth Harland and Sunil Manghani Introduction x Beth Harland and Sunil Manghani Part 1 New Ways of Seeing 1 The Salon and Early Art Criticism 3 Denis Diderot 2 The Masterpiece 14 Emile Zola 3 Manet in His Generation 26 Michael Fried 4 Courbet, Incommensurate and Emergent 40 James D. Herbert 5 Géricault, the Panorama, and Sites of Reality in the Early Nineteenth Century 76 Jonathan Crary 6 The Art of Orientalist Painting 93 Emily M. Weeks Part 2 Painting’s Autonomy 7 Modernist Painting 117 Clement Greenberg 8 Jackson Pollock: The Unhappy Consciousness 125 T. J. Clark 9 The Death of Sensuous Particulars: T. J. Clark and Abstract Expressionism 144 /. M. Bernstein 10 Experimental Painting 164 Stephen Bann 11 On the Surface of Painting 178 Charles Harrison CONTENTS viii Part 3 The Expanded Medium 12 Last Exit: Painting 207 Thomas Lawson 13 Painting as Model 219 Yve-Alain Bois 14 Richard Hamilton, or the Tabular Image 233 Hal Foster 15 Dansaekhwa: Korean Monochrome Painting 268 Simon Morley 16 Noncompositional Effects 288 Howard Singerman VOLUME 3 CRITICAL PERSPECTIVES General Introduction viii Beth Harland and Sunil Manghani Introduction xi Beth Harland and Sunil Manghani Part 1 Critical Theories 1 Immanuel Kant and the Bo(a)rders of Art History 3 Mark A. Cheetham 2 The Sublime and the Avant-Garde 24 Jean-François Lyotard 3 The Ideal as Such 38 G.W.F. Hegel 4 Naturalism as Nationalism in the Study of Early Netherlandish Painting 56 Keith Moxey 5 Image and Gesture 83 Hans-Georg Gadamer CONTENTS IX Part 2 Painting and Language 6 Is Painting a Language? 93 Roland Barthes 7 This Is Not a Painting 96 Mieke Bal 8 Colophons, Reception, and Chinese Painting 106 De-nin D. Lee 9 Ut Pictura Theoria-. Abstract Painting and Language 129 W. J. T. Mitchell 10 Painting in the Text 147 Jacques Rancière Part 3 Phenomenology 11 The Origin of the Work of Art 163 Martin Heidegger 12 Decisiveness and Undecidability 179 Matthew Biro 13 Beyond ‘Cézanne’s Doubt’ 205 Sandra Alexander 14 The Eye and the Hand 221 Gilles Deleuze 15 The Gaze in the Expanded Field 227 Norman Bryson 16 The Case for the External Spectator 244 Ken Wilder Part 4 Painting Reframed 17 The Waning of Affect 263 Fredric Jameson 18 Anamnesis: Of the Visible 271 Jean-François Lyotard X CONTENTS 19 Interpreting/Painting and the Art of Deconstruction 284 Andrew Benjamin 20 A Theory of /Cloud/ 293 Hubert Damisch 21 Bodies, Aesthetics and Feminism 308 Rosemary Betterton VOLUME 4 PROCESSES AND STRATEGIES General Introduction vii Beth Harland and Sunil Manghani Introduction x Beth Harland and Sunil Manghani Part 1 Post-Medium 1 The Value of Painting: Notes on Unspecificity, Indexicality and Highly Valuable Quasi-Persons 3 Isabelle Graw 2 Rehearsing Doubt: Recent Developments in Painting-After-Photography 13 Martin Herbert 3 Painting After Performance 23 Catherine Wood 4 Painting Beside Itself 40 David Joselit Part 2 Process and Production 5 Cy Twombly: Works on Paper 49 Roland Barthes 6 Philip Guston and the Crisis of Image 61 Robert Zaller 7 Unknown Knowns: Jenny Holzer’s Redaction Paintings and the History of the War on Terror 81 Robert Bailey CONTENTS xi 8 The Most Wanted Painting 95 Arthur C. Danto 9 Touch Screen 109 Bernice Donszelmann Part 3 The Site of Painting 10 The Sight of Death 121 T. /. Clark 11 Painting and Time 139 John Berger 12 Paul Klee: An Art of Privacy? 144 Annie Bourneuf 13 Medium and Membrane 152 Jorg Heiser 14 Notes on the Tableau 159 Laura Lisbon 15 The Moral Economy of the Street: The Bombay Paintings of Gieve Patel and Sudhir Patwardhan 171 Karin Zitzewitz Appendix of Sources 184
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spelling	Painting: critical and primary sources Volume 1 Painting's histories edited by Beth Harland and Sunil Manghani First published London ; Oxford ; New York ; New Delhi ; Sydney Bloomsbury 2016 xxvi, 259 Seiten txt rdacontent n rdamedia nc rdacarrier Harland, Beth edt Manghani, Sunil edt (DE-604)BV042484582 1 KUBIKAT Anreicherung application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027919502&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Painting: critical and primary sources
title	Painting: critical and primary sources
title_auth	Painting: critical and primary sources
title_exact_search	Painting: critical and primary sources
title_full	Painting: critical and primary sources Volume 1 Painting's histories edited by Beth Harland and Sunil Manghani
title_fullStr	Painting: critical and primary sources Volume 1 Painting's histories edited by Beth Harland and Sunil Manghani
title_full_unstemmed	Painting: critical and primary sources Volume 1 Painting's histories edited by Beth Harland and Sunil Manghani
title_short	Painting: critical and primary sources
title_sort	painting critical and primary sources painting s histories
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