Berlioz on music: selected criticism 1824 - 1837
The quintessential Romantic artist of his century, Hector Berlioz impressed Paganini and Liszt as "Beethoven's only heir" and dazzled the young Wagner as a composer, orchestra conductor, and critic. To Paris and all Europe, Berlioz was known as much for his writings as for his music,...
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2015
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| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | The quintessential Romantic artist of his century, Hector Berlioz impressed Paganini and Liszt as "Beethoven's only heir" and dazzled the young Wagner as a composer, orchestra conductor, and critic. To Paris and all Europe, Berlioz was known as much for his writings as for his music, yet there has been no English-language anthology of his criticism available until now. Berlioz on Music plunges us into the Parisian music world during one of its most vibrant periods, the revolutionary years surrounding 1830, still resonant with memories of Napoleon and the French Revolution of only a few decades before. We follow Berlioz as he confronts the transition to a modern, commerce-driven society where music as high art has yet to find a place, using his pen to praise or scold, rouse or cajole performers, composers, managers, and the general public. The articles presented here-given in chronological order and, with a few exceptions, in their entirety-are accompanied by an introductory paragraph and notes that explain Berlioz's references to persons, musical and literary works, historical events, and more. The result is an engaging collection of Berlioz's lively prose, presented with scholarly rigor and rendered in accessible, graceful English. Scholars, lovers of Berlioz's music, history enthusiasts, and Francophiles will delight in this compelling introduction to one of the richest periods of French culture. Katherine Kolb is Professor Emerita of French and German at Southeastern Louisiana University. She also founded and directed the Kolb-Proust Archive at the University of Illinois-Urbana, where she collaborated on the first anthology of Marcel Proust's correspondence (Marcel Proust, Lettres, Plon 2004). Samuel N. Rosenberg is Professor Emeritus of French and Italian at Indiana University, where he taught language and linguistics -- including translation -- and literature of the Middle Ages. His translations, like his philological scholarship, have appeared in a wide variety of publications both American and French. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XVII, 300 Seiten Porträts |
| ISBN: | 9780199391950 |
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| 520 | |a The quintessential Romantic artist of his century, Hector Berlioz impressed Paganini and Liszt as "Beethoven's only heir" and dazzled the young Wagner as a composer, orchestra conductor, and critic. To Paris and all Europe, Berlioz was known as much for his writings as for his music, yet there has been no English-language anthology of his criticism available until now. Berlioz on Music plunges us into the Parisian music world during one of its most vibrant periods, the revolutionary years surrounding 1830, still resonant with memories of Napoleon and the French Revolution of only a few decades before. We follow Berlioz as he confronts the transition to a modern, commerce-driven society where music as high art has yet to find a place, using his pen to praise or scold, rouse or cajole performers, composers, managers, and the general public. The articles presented here-given in chronological order and, with a few exceptions, in their entirety-are accompanied by an introductory paragraph and notes that explain Berlioz's references to persons, musical and literary works, historical events, and more. The result is an engaging collection of Berlioz's lively prose, presented with scholarly rigor and rendered in accessible, graceful English. Scholars, lovers of Berlioz's music, history enthusiasts, and Francophiles will delight in this compelling introduction to one of the richest periods of French culture. | ||
| 520 | |a Katherine Kolb is Professor Emerita of French and German at Southeastern Louisiana University. She also founded and directed the Kolb-Proust Archive at the University of Illinois-Urbana, where she collaborated on the first anthology of Marcel Proust's correspondence (Marcel Proust, Lettres, Plon 2004). Samuel N. Rosenberg is Professor Emeritus of French and Italian at Indiana University, where he taught language and linguistics -- including translation -- and literature of the Middle Ages. His translations, like his philological scholarship, have appeared in a wide variety of publications both American and French. | ||
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Datensatz im Suchindex
| _version_ | 1804153204698513408 |
|---|---|
| adam_text | Contents
Editor s Preface
xv
About the Companion Website
xix
Editor s Introduction
ι
i. Musical Polemic: On Dilettanti
2.7
Le Corsaire,
January
11, 18x4
Definition of dilettante ; Italian vs. French opera;
Rossini vs.
Gluck
2..
Musical Polemic: OnArmide and
Gluck
30
Le Corsaire,
December
19, 18x5
Criticism as understanding vs. carping; misprints and
borrowings in
Gluck;
defense of
Gluck;
attack on
Castil-Blaze (M.
XXX)
3.
The Arts: Observations on Classical Music and Romantic Music
34
Le Correspondant,
October 2.x,
1830
Romantic manifesto for music: definition of music;
Classical scholasticism vs. Romantic liberty;
Gluck as
first Romantic; instrumental expressiveness; ^C^eber and
Beethoven
4.
Concert Society of the Conservatoire: First Concert
41
Revue
européenne,
April
1833
Beethoven and the Egyptian pyramids; Weber s
Freischütz;
Beethoven s Pastoral Symphony
v i
Contents
5.
Music Review: Concerts
47
Le Rénovateur,
December
15,1833
Liszt, Chopin, and Ferdinand
Hiller;
launching of the
Symphonie
fantastique
6.
Music Review
52.
Le Rénovateur,
January
12, 1834
Measures of progress in audience education; Mozart s
Don Giovanni ill-served at the
Théâtre-Italien;
Beethoven
quartets well performed and well received
7.
Music Review
56
Le Rénovateur,
February
2.3,1834
Balls at the
Opéra; Opéra-Comique
woes and solutions;
Beethoven by the
Müller
Quartet; Chopin; Mozart s Don
Giovanni at the
Opéra-Italien
vs.
Donjuan
at the
Opéra;
Handel festival in London
8.
Music Review: Concerts
ói
Le Rénovateur,
April
27,1834
Women performers; violinist Hauman s communicative
emotion; Beethoven s Fifth Symphony and Shakespeare s
Othello;
Cherubini aria
sung by Ponchard; rarity of great
singers
9.
Gluck (Part
I)
66
Gazette
musicale de Par
is, June
1,1834
Biographical sketch; critique
admirative
of monologue
from
//
Telemaco
(Part II in companion website
Ό)
10.
Music Review: Beethoven and the Dilettanti of Bordeaux
73
Le Rénovateur,
June
8,1834
Turkish music; Beethoven s
Eroica
booed in Bordeaux;
musical conditions in the provinces; oasis of progress in
Lyon
11.
Music Review: Henri Reber Quartets
77
Le Rénovateur,
July
20,1834
Vil
Contents
Jealousy vs. solidarity among artists; trials of young
composers; ironies about Conservatoire training; Liszt
performs in Reber s piano trio
ι
г.
Music Review: Funeral Service for
Choron
(I)
81
Le Rénovateur,
August
xi, 1834
Choron,
voice teacher and propagator of sacred music
of the past; funeral service at the
Invalides:
Mozart
Requiem, Jommelli, and Palestrina
13.
Music Review: Funeral Service for
Choron
(II)
85
Gazette
musicale de
Paris, September
7,1834
Decline of religious music in France; destruction of
ancien régime
choir schools; church ban on women
singers; inadequate Tuba mirum of Mozart s Requiem;
visions of grandiose musical possibilities
14.
Rossini s William Tell (Part I)
90
Gazette
musicale de
Paris, October
1
г,
1834
Rossini s new manner; Overture
—
detailed analysis
(Parts II, III, and IV in companion website O)
15.
Boieldieu
94
Le Rénovateur,
October
14,1834
Funeral music for Boieldieu; survey of requiems;
Cherubini
16.
Notice to Readers Idle Enough to Read My Articles
98
Le Rénovateur,
November
г-3,
1834
Satirical announcement of Berlioz s upcoming concert,
conducted by
Girard;
amusing summary or Harold in
Italy
17.
Gluck s Iphigenia in
Taur
is (Part I)
101
Gazette
musicale de
Paris, November
9,1834
Early enthusiasm for
Gluck;
life-changing first experience
of Gluck s masterpiece at the
Opéra
(Parts II, III, and IV in companion website O)
viii Contents
18.
Music Review:
À elle,
Letters for Piano by
Chrétien
Urhan
105
Le Rénovateur,
November
16,1834
Music as poetry and as expression; conditions for
appreciating such music; analysis of Urhan s evocative
pieces
19.
Gahussi s Ernani at the
Théâtre-Italien
109
Le Rénovateur,
December
5,1834
Disappointing adaptation of Hugo s epoch-making play;
assessment of
Théâtre-Italien
orchestra
20.
Music Review:
Opéra:
William Tell·,
Opéra-Comique: Zémire et
Azor
(Reprise); Concerts
112
Le Rénovateur,
December
23,1834
Falling
standards
at the
Opéra;
success
of Grétry s
work;
concert initiative at the
Opéra-Comique;
little Paris
concerts vs. grand Handel festival in Vienna
21.
Conservatoire Orchestra: First Concert [Eighth Season]
117
Journal
des débats,
January
25,1835
Music in Paris before the founding of the Conservatoire
Orchestra; circumstances
ofthat
founding; piece-by-
piece analysis of a typically varied concert including
Schubert s The Nun ; ridiculous Amen fugue in
Beethoven s
Missa solemnis
vs.
fugai
perfection in
Mozart s overture to The Magic Flute
22.
Critical Review:
Le Moine,
Text by
Émilien Pacini,
Music by
G. Meyerbeer
12.5
Gazette
musicale de
Paris, February
8,1835
Struggle between sensuality and piety in Meyerbeer s
song; well-deserved success
23.
Third Concert at the Conservatoire: Symphonies by Haydn and
Beethoven
127
Journal
des débats,
February
20,1835
Haydn symphonies vs. choral works; progress in music;
digression on
Gluck;
Beethoven s Eighth Symphony
Contents
і
χ
2-4-
Music Review: Royal Academy of Music: First Performance
oî La
Juive,
Opera in Five Acts by MM. Scribe and
Halévy
133
Le Rénovateur,
March
ι,
1835
Critics on libretto vs. music; plot summary; scenic excess;
visual vs. vocal in opera; triumph for Mile. Falcon
25.
Music Review: Concert by the Pupils of
Choron
at the
Hôtel de
Ville
140
Le Rénovateur,
March
17,1835
Poor showing by remnants of Choron s school; difficulties of
performing Palestrina;
Choron as
composer; duo by
Clari;
scene from
Le Juif
errant by Monpou; Beethoven s
Kreutzer
Sonata performed by
Baillot and
Hiller
ъб.
Concert Society of the Conservatoire: Fourth Concert
145
Journal
des débats,
March
г г,
1835
Quest for great music in Paris by an enthusiast from
the provinces; scene from Weber s Euryantbe-, man s
tirade against arrangers; Beethoven: Prisoners Chorus
from
Fidelio,
quartet movement by full string section,
Pastoral Symphony as glimpse of a higher world
2.7.
Sixth Conservatoire Concert
154
Journal
des débats,
April
18, 1835
Analysis of Beethoven s Fifth Symphony; extraordinary
audience responses, notably to the Finale; Napoleonic
hauntings
2.8.
Concert by Franz Liszt:
Hôtel de Ville (Salle Saint-Jean)
161
Journal
des débats,
April
25,1835
Symphony by
Hiller;
Ballade
du pêcheur
from Berlioz s
Mélologue (Lélio);
new work by Liszt based on themes
from
Lélio;
trivial vs. poetic arrangements;
Girard s
transcription for orchestra of Beethoven s Moonlight
Sonata (first movement); his interpretation of Pilgrim s
March from Berlioz s Harold in Italy
χ
Contents
Ζ£>. Μ.
Cherubini
s
Requiem
at the
Invalides
and
M.
Lesueur s
Te
Deum at Notre Dame
168
Journal
des débats,
August
9,1835
Ceremony for the victims of an assassination attempt
on Louis-Philippe; aptness of Cherubini Requiem for
occasions of violent death; critique of Mozart s Requiem,
partly composed by
Süssmayer;
overlap between religious
and dramatic music; attribution to Mozart of funeral
march by
Devigne;
performing forces gauged in relation
to performance space; music on a grand scale; the way of
the future
30.
On the Score of
Hérold s Zampa
176
Journal
des débats,
September
2,7,1835
Open-air, ancient grandeur vs. artifice of modern theaters
in Italy;
Hérold s
work vs. Mozart s and
Molière s;
Parisian music vs. moments of quality in the score
31.
Music Review
183
Le Rénovateur,
October
5,1835
Satire on review writing:
Vigny
greets Berlioz as man of
letters; Berlioz greets
Vigny as
musician; review topics
considered and dismissed, e.g., Bellini s I
Puritani
at the
Théâtre-Italien,
Cherubini s Treatise on Counterpoint
—
or a volume of poetry by Chaudesaigues
32.
Mozart s
Donjuan
188
Journal
des débats,
November
15,1835
Success of Mozart s masterpiece at the
Opéra
owing to
positive influence of Meyerbeer s
Les
Huguenots and
Rossini s William Tell; great
Commendatore
Scene
given its due; catechism on judicious use of orchestral
resources; great interpreters of Don Giovanni (Garcia,
Nourrit,
Tamburini)
and Donna Anna (Falcon); higher
musical standards under new
Opéra
administration
33.
Religious Music: M. Lesueur: Rachel,
Noémi,
Ruth etBooz,
Oratorios; M. Urhan: Auditions
195
Journal
des débats,
November
zi,
1835
Contents
χ
і
Three phases of artists lives: imitation, independence,
solitude; Lesueur as exception
—
wholly individual
style; unusually expressive role of harmony; novelties of
instrumentation and vocal writing; his oratorios; Urhan s
imitation of an Aeolian harp
34.
Opéra-Comique
—
Concerts: Virtuosos and Composers
203
Journal
des débats,
January
17, 1836
The
Opéra-Comique as a
French musical institution;
concerts added (Styrian singers; Hauman); difficulties
of virtuoso career; even greater obstacles for composers;
example of
Gluck,
Spontini,
Meyerbeer; Mozart
disdained by the
Opéra
35.
First Conservatoire Concert of the Season
212
Journal
des débats,
February
24, 1836
Exorbitant poor tax threatens even the Conservatoire
Orchestra; review of failed concert initiatives in Paris;
story of a hapless foreign concertgiver; sensational
appearance of
Thalberg;
scene from Mozart s Idomeneo
eclipses Beethoven s Seventh Symphony
36.
Meyerbeer s
Les
Huguenots: Acts
4
and
5 219
Revue
et
gazette
musicale de
Paris, March
20,1836
Analysis of the climax of Meyerbeer s masterpiece
(Earlier acts: see companion website O)
37.
Concerts at the Conservatoire: The Magic Flute and
Les Mystères
d
Isis;
Mozart s Corrector
224
Journal
des débats,
May
ι,
1836
Burlesque scene of audience misbehavior, mirrored by the
players on an off day; history ofMozart s Magic Flute in
France; anathema on its arranger, left unnamed
38.
Liszt
231
Revue
et
gazette
musicale de
Paris, June
12,1836
New Liszt, just returned from Geneva, in concert at
Erard s; has attained the summit of artistry through
self-mastery; represents highest of several artistic stages
xii Contents
or types; solves
Hammerklavier
riddle of the Sphinx; is
pianist of the future
39.
Antoine Reicha
Journal
des débats,
July
3,1836
Recent deaths of
Choron, Boieldieu,
and Bellini; sudden
death of Reicha, a dedicated teacher and composer
indifferent to success; youthful acquaintance with
Beethoven; studies with Haydn; contrast between
Reicha, exponent of music as mathematics, and
Choron,
of music as expression and soul; many successful students
40.
Musical Entertainments:
Le Siège de
Corinthe at the
Opéra; M. Oie
Bull;
M. Labarre
and His Harp School; Music of Public Festivals;
Paris Artists and Music Lovers Celebrating the Victory at Fleurus
in
1794;
Amateur Fund-raiser for the Wounded in
1830;
Huge
Chorus in
Galerie
Colbert
244
Journal
des débats,
July
23,1836
Rossini s light-weight success;
Ole
Bull s promising talent;
Labarre s powers as harpist; potential of his harp school
for mass music; power of music to ennoble the crowd;
examples from
1794
and Berlioz s own experience in
1830
with the Marseillaise
41.
The Progress of Musical Education in France: M.Joseph
Mainzer
and
M. Aubéry du Boulley
2.52.
Journal
des débats,
September
18,1836
Destruction of choir schools and of Choron s Institution
for Religious Music; abolition of the
Chapelle royale;
lack of musical sensibility in the clergy; orchestral music
in the provinces suffers from musicians disdain for
rehearsing, vs. thirty rehearsals for Beethoven s Choral
Symphony at Conservatoire; promising initiatives for
military music in France under M. Beer, clarinetist; for
a philharmonic society in Normandy under
Aubéry
du
Boulley; for a workers chorus in Paris under Joseph
Mainzer
Contents xiii
42. Polytechnical Society:
Awards Ceremony
2,60
Revue et
gazette
musicale
de Paris,
December
4,1836
Touching awards ceremony for workers school; classes
in music and choral singing added to regular classes;
civilizing power of music lauded in awards speech;
four hundred workers sang a vocal fugue by
Mainzer,
organizer of choir and concert
43.
Opéra: William
Tell·, Debut of Duprez
263
Journal
des débats,
April
19,1837
Farewell to tenor
Adolphe Nourrit;
background and
talents of Duprez; astonishment of his high notes from
the chest ; his talent as actor and dramatic singer
44.
Royal Academy of Music: Premiere
oí
La Chatte métamorphosée en
femme,
Ballet in Three Acts by MM. Charles Duveyrier and Corali,
Music by M. Montfort
2.70
Revue
et
gazette
musicale de
Paris, October
22,1837
Satiric discussion of pantomime, impossible for Berlioz
to comprehend; simulated audience conversation over
ballet-pantomime in question; Fanny Elssler dazzles,
silencing conversation and objections
Biographical Notes
2.7$
Abbreviations and Short Bibliography
285
Index
289
|
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| era_facet | Geschichte 1800-1900 Geschichte 1824-1837 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04576nam a2200649 c 4500</leader><controlfield tag="001">BV042477899</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20180625 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">150331s2015 xxkc||| |||| 00||| eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">014023062</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780199391950</subfield><subfield code="c">hardback</subfield><subfield code="9">978-0-19-939195-0</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)911178900</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV042477899</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxk</subfield><subfield code="c">GB</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-703</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">ML410.B5</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">780.9</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LP 63300</subfield><subfield code="0">(DE-625)107267:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Berlioz, Hector</subfield><subfield code="d">1803-1869</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)118509675</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Berlioz on music</subfield><subfield code="b">selected criticism 1824 - 1837</subfield><subfield code="c">edited by Katherine Kolb ; translated by Samuel N. Rosenberg</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York, NY</subfield><subfield code="b">Oxford University Press</subfield><subfield code="c">2015</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">XVII, 300 Seiten</subfield><subfield code="b">Porträts</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The quintessential Romantic artist of his century, Hector Berlioz impressed Paganini and Liszt as "Beethoven's only heir" and dazzled the young Wagner as a composer, orchestra conductor, and critic. To Paris and all Europe, Berlioz was known as much for his writings as for his music, yet there has been no English-language anthology of his criticism available until now. Berlioz on Music plunges us into the Parisian music world during one of its most vibrant periods, the revolutionary years surrounding 1830, still resonant with memories of Napoleon and the French Revolution of only a few decades before. We follow Berlioz as he confronts the transition to a modern, commerce-driven society where music as high art has yet to find a place, using his pen to praise or scold, rouse or cajole performers, composers, managers, and the general public. The articles presented here-given in chronological order and, with a few exceptions, in their entirety-are accompanied by an introductory paragraph and notes that explain Berlioz's references to persons, musical and literary works, historical events, and more. 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| geographic | Frankreich Paris (DE-588)4044660-8 gnd |
| geographic_facet | Frankreich Paris |
| id | DE-604.BV042477899 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T01:22:54Z |
| institution | BVB |
| isbn | 9780199391950 |
| language | English |
| lccn | 014023062 |
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| physical | XVII, 300 Seiten Porträts |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Oxford University Press |
| record_format | marc |
| spelling | Berlioz, Hector 1803-1869 Verfasser (DE-588)118509675 aut Berlioz on music selected criticism 1824 - 1837 edited by Katherine Kolb ; translated by Samuel N. Rosenberg New York, NY Oxford University Press 2015 XVII, 300 Seiten Porträts txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index The quintessential Romantic artist of his century, Hector Berlioz impressed Paganini and Liszt as "Beethoven's only heir" and dazzled the young Wagner as a composer, orchestra conductor, and critic. To Paris and all Europe, Berlioz was known as much for his writings as for his music, yet there has been no English-language anthology of his criticism available until now. Berlioz on Music plunges us into the Parisian music world during one of its most vibrant periods, the revolutionary years surrounding 1830, still resonant with memories of Napoleon and the French Revolution of only a few decades before. We follow Berlioz as he confronts the transition to a modern, commerce-driven society where music as high art has yet to find a place, using his pen to praise or scold, rouse or cajole performers, composers, managers, and the general public. The articles presented here-given in chronological order and, with a few exceptions, in their entirety-are accompanied by an introductory paragraph and notes that explain Berlioz's references to persons, musical and literary works, historical events, and more. The result is an engaging collection of Berlioz's lively prose, presented with scholarly rigor and rendered in accessible, graceful English. Scholars, lovers of Berlioz's music, history enthusiasts, and Francophiles will delight in this compelling introduction to one of the richest periods of French culture. Katherine Kolb is Professor Emerita of French and German at Southeastern Louisiana University. She also founded and directed the Kolb-Proust Archive at the University of Illinois-Urbana, where she collaborated on the first anthology of Marcel Proust's correspondence (Marcel Proust, Lettres, Plon 2004). Samuel N. Rosenberg is Professor Emeritus of French and Italian at Indiana University, where he taught language and linguistics -- including translation -- and literature of the Middle Ages. His translations, like his philological scholarship, have appeared in a wide variety of publications both American and French. Berlioz, Hector 1803-1869 (DE-588)118509675 gnd rswk-swf Geschichte 1800-1900 Geschichte 1824-1837 gnd rswk-swf Musical criticism France 19th century Musikkritik (DE-588)4139777-0 gnd rswk-swf Musikleben (DE-588)4075128-4 gnd rswk-swf Frankreich Paris (DE-588)4044660-8 gnd rswk-swf (DE-588)4175662-9 Pressestimme gnd-content (DE-588)4135952-5 Quelle gnd-content Paris (DE-588)4044660-8 g Musikleben (DE-588)4075128-4 s Musikkritik (DE-588)4139777-0 s Geschichte 1824-1837 z DE-604 Berlioz, Hector 1803-1869 (DE-588)118509675 p Kolb, Katherine 1946- (DE-588)1070955272 edt Rosenberg, Samuel N. 1936- (DE-588)138637423 trl Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027912938&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Berlioz, Hector 1803-1869 Berlioz on music selected criticism 1824 - 1837 Berlioz, Hector 1803-1869 (DE-588)118509675 gnd Musical criticism France 19th century Musikkritik (DE-588)4139777-0 gnd Musikleben (DE-588)4075128-4 gnd |
| subject_GND | (DE-588)118509675 (DE-588)4139777-0 (DE-588)4075128-4 (DE-588)4044660-8 (DE-588)4175662-9 (DE-588)4135952-5 |
| title | Berlioz on music selected criticism 1824 - 1837 |
| title_auth | Berlioz on music selected criticism 1824 - 1837 |
| title_exact_search | Berlioz on music selected criticism 1824 - 1837 |
| title_full | Berlioz on music selected criticism 1824 - 1837 edited by Katherine Kolb ; translated by Samuel N. Rosenberg |
| title_fullStr | Berlioz on music selected criticism 1824 - 1837 edited by Katherine Kolb ; translated by Samuel N. Rosenberg |
| title_full_unstemmed | Berlioz on music selected criticism 1824 - 1837 edited by Katherine Kolb ; translated by Samuel N. Rosenberg |
| title_short | Berlioz on music |
| title_sort | berlioz on music selected criticism 1824 1837 |
| title_sub | selected criticism 1824 - 1837 |
| topic | Berlioz, Hector 1803-1869 (DE-588)118509675 gnd Musical criticism France 19th century Musikkritik (DE-588)4139777-0 gnd Musikleben (DE-588)4075128-4 gnd |
| topic_facet | Berlioz, Hector 1803-1869 Musical criticism France 19th century Musikkritik Musikleben Frankreich Paris Pressestimme Quelle |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027912938&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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