The art of theatrical design: elements of visual composition, methods, and practice
Beginnings. What is design? -- Content and context -- Genre -- Style -- Structure and format -- Elements of design. Line -- Shape/form/mass/space -- Value -- Color -- Texture -- Creating the illusion of depth on a flat surface -- Principles of design. Unity and variety -- Balance -- Repetition/patte...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Focal Press
2015
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Beginnings. What is design? -- Content and context -- Genre -- Style -- Structure and format -- Elements of design. Line -- Shape/form/mass/space -- Value -- Color -- Texture -- Creating the illusion of depth on a flat surface -- Principles of design. Unity and variety -- Balance -- Repetition/pattern/rhythm -- Scale and proportion -- Emphasis and subordination -- Core principles for the theatrical designer. Collaboration -- Analysis -- Conceptualization -- The design process -- The role of the critique -- Drawing as our common language -- Rendering techniques -- Individual design areas. Costume design -- Scene design -- Lighting design -- Sound design -- Projection design |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XXI, 320 S. Ill., graph. Darst. |
| ISBN: | 9781138021495 9781138021501 |
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| 250 | |a 1. publ. | ||
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| 300 | |a XXI, 320 S. |b Ill., graph. Darst. | ||
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| 520 | |a Beginnings. What is design? -- Content and context -- Genre -- Style -- Structure and format -- Elements of design. Line -- Shape/form/mass/space -- Value -- Color -- Texture -- Creating the illusion of depth on a flat surface -- Principles of design. Unity and variety -- Balance -- Repetition/pattern/rhythm -- Scale and proportion -- Emphasis and subordination -- Core principles for the theatrical designer. Collaboration -- Analysis -- Conceptualization -- The design process -- The role of the critique -- Drawing as our common language -- Rendering techniques -- Individual design areas. Costume design -- Scene design -- Lighting design -- Sound design -- Projection design | ||
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Datensatz im Suchindex
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|---|---|
| adam_text | The Art of Theatrical Design
Elements of Visual Composition, Methods, and Practice
Kaoime E Malloy
Focal Press
Taylor amp; Francis Croup
NEW YORK AND LONDON
CONTENTS
Preface xix
Acknowledgments xxi
Part One Beginnings 2
CHAPTER I WHAT IS THEATRIC AL DESIGN? 3
WHAT IS THEATRICAL DESIGN? 3
WHAT DO DESIGNERS DO? 3
THE DESIGN AREAS 4
THEATRICAL SPACES AND THEIR I-1PACT ON DEiSIGN 5
Proscenium Theatre 6
Arena Theatre 6
Thrust Theatre 6
End Stage 7
Black Box Theatre 7
Courtyard Theatre 8
Found Space 8
Environmental Theatre 8
CHAPTER 2 FORM, CONTENT, AND CONTEXT II
WHAT IS FORM? I I
CONTENT 12
CHAPTER 3 GENRE 15
WHAT IS GENRE? 15
TRAGEDY 15
DRAMA 16
COMEDY 17
vii
viii Contents
FARCE 17
SATIRE 17
TRAGICOMEDY 18
MELODRAMA 18
MUSICAL THEATRE 18
OPERA AND OPERETTA 19
CHILDREN S THEATRE 19
CHAPTER 4 STYLE 23
WHAT IS STYLE? 23
REALISM 23
NATURALISM 24
CLASSICISM 24
ROMANTICISM 25
STYLIZATION 25
EXPRESSIONISM 27
SYMBOLISM 27
FUTURISM 28
THEATRE OF THE ABSURD 28
EPIC THEATRE: DIDACTICISM AND BF ECHTIAN THEATRE 28
POSTMODERNISM 29
THE INFLUENCE OF STYLE ON DESIGN 29
CHAPTER 5 DRAMATIC STRUCTUF E 33
WHAT IS DRAMATIC STRUCTURE? 33
THE ELEMENTS OF DRAMATIC STRUCTURE 33
Story 34
Plot 34
Dramatic Action 36
Conflict 36
Character
Theme and Meaning
Balance
NONTRADITIONAL STRUCTURE
Part Two Elements of Design
CHAPTER 6 LINE
WHAT IS A LINE?
LINE QUALITIES
TYPES OF LINE
THE FUNCTIONS OF LINE
Lines Define Shape
Line Creates Value and Emphasis
Line Can Communicate Feelings and Mood
Line Can Create Direction and Movement
LINE EXERCISES
Exercise #1: Exploring Expressive Line
Exercise #2: Telling a Story with Line
CHAPTER 7 SHAPE, FORM, MASS, VOLUME, AND SPACE
WHAT IS SHAPE?
TYPES OF SHAPES
COMPOSITION
MASS, VOLUME, AND SPACE
POSITIVE AND NEGATIVE SPACE
SHAPE EXERCISE
Positive and Negative Space
CHAPTER 8 VALUE
WHAT IS VALUE?
THE VALUE SCALE
VALUE AND COLOR
x Contents
WAYS THAT VALUE CAN BE CREA TED 59
VALUE EXERCISE 62
Value in Color 62
CHAPTER 9 COLOR 65
WHAT IS COLOR? 65
THE PHYSICS OF COLOR 65
THE COLOR WHEEL AND COLOR THEORY 66
COLOR PROPERTIES 67
COLOR SCHEMES AND HARMONIES 69
COLOR SYMBOLISM 70
COLOR EXERCISE 76
Color Copy/Enlargement 76
CHAPTER 10 TEXTURE 79
WHAT IS TEXTURE? 79
TYPES OF TEXTURE 81
TEXTURE EXERCISES 84
CHAPTER 11 CREATING THE ILLUSION OF DEPTH ON A FLAT SURFACE 85
WHY IS IT IMPORTANT TO CREATE THE ILLUSION OF DEPTH ON A FLAT SURFACE? 85
IMPLIED SPACE 85
FORMAT AND DEPTH 86
CREATING THE ILLUSION OF DEP TH IN A TWO-DIMENSIONAL COMPOSITION 86
THE RENAISSANCE SYSTEM FOR CREATING THE ILLUSION OF DEPTH 87
LINEAR PERSPECTIVE 87
PERSPECTIVE EXERCISE 90
Creating a Perspective Grid Quickly with Photoshop 90
MODELING EXERCISES 90
Contents xi
Part Three Principles of Design 92
CHAPTER 12 UNITY AND VARIET Y 93
WHAT ARE UNITY AND VARIETY? 93
VISUAL UNITY VERSUS CONCEPTl AL UNITY 94
HOW UNITY IS CREATED 94
SIMILARITY 95
UNIFORM CONNECTEDNESS 96
PROXIMITY 96
ALIGNMENT 98
CONTINUATION 99
CLOSURE 101
THE LAW OF PRAGNANZ 101
FIGURE AND GROUND 102
CHAPTER 13 BALANCE 105
WHAT IS BALANCE? 105
SYMMETRICAL BALANCE 105
ASYMMETRICAL BALANCE 106
GENERAL PRINCIPLES OF INFORM/ L BALANCE 107
RADIAL SYMMETRY 109
OCCULT BALANCE 110
CRYSTALLOGRAPHIC BALANCE I 10
CHAPTER 14 REPETITION, RHYTLIM, AND PATTERN I 13
WHAT IS REPETITION? I 13
TYPES OF REPETITION I 13
RHYTHM 114
TYPES OF RHYTHM I I 6
xii Contents
PATTERN 117
TYPES OF PATTERN I 18
Lattices 118
Spherical 119
Spirals—Helices and Volutes 119
Meanders 120
Waves 121
Branching and Circulation 121
Polyhedron 122
Tessellation and Symmetry 122
Fractals 124
CHAPTER 15 SCALE AND PROPORTION 127
WHAT ARE SCALE AND PROPORTIC N? 127
THE HUMAN BODY AS REFERENCE 128
INTERNAL SCALE AND PROPORTION 128
THE HIERARCHY OF SCALE 129
IN SEARCH OF IDEAL PROPORTIONS 129
SCALE IN THEATRICAL DESIGN I 30
CHAPTER 16 EMPHASIS AND SUBORDINATION 133
WHAT ARE EMPHASIS AND SUBORDINATION? I 33
CREATING EMPHASIS 134
Placement 134
Contrast 134
Isolation 135
Part Four Core Principles for the Theatrical Designer 138
CHAPTER 17 COLLABORATION 139
WHAT IS COLLABORATION? I 39
IMPORTANT CONCEPTS—WHAT MAKES FOR A SUCCESSFUL COLLABORATION? 140
Learn How to Listen 140
Bring Your Own Ideas to the Table 141
Do Your Homework 141
Be Flexible and Adaptable 142
Contents xiii
CHAPTER 18 ANALYSIS 143
WHAT IS ANALYSIS? 143
READING THE PLAY 143
GENERAL QUESTIONS TO ASK OF Tl iE PLAY 144
CHAPTER 19 CONCEPTUALIZATIO M 147
WHAT IS CONCEPTUALIZATION? 147
THE DESIGN CONCEPT 147
PRELIMINARY WORK: WHAT TO DC BEFORE COMING UP WITH A DESIGN CONCEPT 148
INSPIRATION 149
Where Does Inspiration Come From? 149
Creating a Personal Resource of Inspiration 151
CULTIVATING THE CREATIVE PROCE SS AND GENERATING IDEAS 152
CHAPTER 20 THE DESIGN PROCESS 155
WHAT IS THE DESIGN PROCESS? 155
STEP ONE: THE SCRIPT 155
STEP TWO: THE FIRST DESIGN MEETING 156
STEP THREE: GOING BACK TO THE SCRIPT AND BEGINNING WORK 156
STEP FOUR: PRELIMINARY RESEARCH 157
Primary versus Secondary Research 159
Presentation of Research Materials 160
STEP FIVE: ADDITIONAL DESIGN MEE TINGS 161
STEP SIX: PRELIMINARY SKETCHES 161
STEP SEVEN: FINAL DRAWINGS, REN DERINGS, PROJECTION FILES, AND SOUND CUES I 64
THE DESIGN PROCESS IN THE CLASJ ROOM 167
CHAPTER 21 THE ROLE OF THE CFITIQUE 169
WHAT IS A CRITIQUE? 169
THE CRITIQUE PROCESS I 69
Description 169
Analysis 170
xiv Contents
Interpretation 171
Evaluation and judgment 171
GUIDELINES FOR A SUCCESSFUL CRTIQUE 171
CHAPTER 22 DRAWING AS OUR COMMON LANGUAGE 173
WHAT IS DRAWING? 173
HOW DRAWING CAN BE USED BY DESIGNER 173
Personal Notation 173
Preliminary Sketches or Rough Drawings 173
Detail Drawings 173
Final Drawings 175
THE MECHANICS OF DRAWING 175
LEARNING TO SEE 176
TRANSLATING A THREE-DIMENSIONAL OBJECT TO A FLAT SURFACE 176
THE ANATOMY OF LIGHT 176
THE FOUR BASIC SHAPES 177
Spheres 178
Cubes 179
Cylinders 185
Cones 187
DRAWING MEDIA 190
Dry Media 190
Liquid Media 192
Mixed Media 193
CHAPTER 23 RENDERING 195
WHAT IS A RENDERING? 195
SURFACES 196
COLOR MEDIA 196
COLORED PENCILS 196
Tools and Supplies 197
Techniques 199
ACRYLICS 204
Types of Acrylics 205
Contents xv
Important Things to Remember about Acrylics 205
Mixing Colors 208
Brushstrokes 208
Paint in Sections 209
Working in Layers 209
MIXED MEDIA 214
DIGITAL 214
Demonstration: Digital Painting with Adobe Photoshop 215
Some Tips for Working with Layers 220
Part Five Individual Design Areas 222
CHAPTER 24 COSTUME DESIGN 223
WHAT IS COSTUME DESIGN? A BRIEF HISTORY 223
THE FUNCTIONS OF COSTUME 224
CREATING AND DEFINING THE CHAF ACTER 224
INFORMATION COMMUNICATED BY ZOSTUME 225
Gender 225
Age 225
Health 225
Personality and Mood 225
Culture 226
Time Period 226
Time of Year 226
Location 226
Social Status 226
Occupation 227
Character Changes and Development 227
QUESTIONS TO ASK/WHERE TO STAR T 227
CHARACTER ANALYSIS 228
BASIC COSTUME ELEMENTS 230
THE ART OF THE COSTUME DESIGNEF, 231
COSTUME EXERCISES 234
Project#!: Research Project 234
Project #2: Art as Inspiration 234
xvi Contents
CHAPTER 25 SCENE DESIGN 235
WHAT IS SCENE DESIGN? A BRIEF HI 3TORY 235
THE FUNCTIONS OF SCENERY 236
BASIC SCENERY ELEMENTS 241
Three-Dimensional Scenery 241
Soft Units 242
SET DECORATION AND PROPERTIE i 242
QUESTIONS TO ASK/WHERE TO ST RT 242
THE SCENE DESIGNER S ART 243
SCENE DESIGN EXERCISES 246
Developing a Central Image 246
CHAPTER 26 LIGHTING DESIGN 251
WHAT IS LIGHTING DESIGN? A BRIE : HISTORY 25 I
THE CONTROLLABLE QUALITIES O! LIGHT 253
Intensity and Brightness 253
Color 253
Distribution 253
Movement 254
THE FUNCTIONS OF LIGHT 255
Visibility 255
Setting the Scene 255
Creating Focus 256
Establishing Mood and Atmosphere 257
Modeling Form 257
Creating Visual Compositions 258
Staging the Story 258
Creating Rhythm 259
Supporting the Visual Style of the Production 259
THE ART OF THE LIGHTING DESIGf IER 260
LIGHTING THE ACTOR VERSUS LIG HTING THE STAGE 261
TYPES OF LIGHT 262
SCRIPT ANALYSIS—GENERAL QUE5 TIONS TO ASK OF THE PLAY 264
ADDITIONAL CONCERNS FOR THE LIGHTING DESIGNER 265
Contents xvii
LIGHTING DESIGN EXERCISE 267
Observing Light in Compositions or Spaces 267
CHAPTER 27 SOUND DESIGN 269
WHAT IS SOUND DESIGN? A BRIEF HISTORY 269
THE CONTROLLABLE QUALITIES OF SOUND 270
THE FUNCTIONS OF SOUND 271
SCRIPT ANALYSIS—GENERAL QUESTIONS TO ASK OF THE PLAY 273
OTHER THINGS TO CONSIDER 274
Function 274
Intent 274
Onstage Action 274
Emotion and Contrast 275
Style 275
Appropriateness 275
THE ART OF THE SOUND DESIGNER 275
SOUND DESIGN EXERCISES 277
Exercise #1: Noticing Sounds in an Environment 277
Exercise #2: Visualizing Individual Sounds 278
CHAPTER 28 PROJECTION DESIGN 279
WHAT IS PROJECTION DESIGN? A BRIEF HISTORY 279
THE FIVE MAIN COMPONENTS OF PPOJECTIONS 282
THE CONTROLLABLE QUALITIES OF I ROJECTIONS 283
Relating to the Image 283
Relating to the Projection Method 284
THE FUNCTION OF PROJECTIONS 287
TYPES OF PROJECTIONS AND COMMON PROJECTORS 290
Projection Types 290
Projectors 290
CONTENT GENERATION 293
Finding Images versus Creating Images 293
THE ART OF THE PROJECTION DESIG NER 293
SCRIPT ANALYSIS—GENERAL QUEST ONS TO ASK OF THE PLAY 295
xviii Contents
ADDITIONAL CONCERNS FOR THE F ROJECTION DESIGNER 296
PROJECTION DESIGN EXERCISE 298
Glossary 299
Bibliography 313
Index 315
|
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| spelling | Malloy, Kaoime E. Verfasser (DE-588)1072155370 aut The art of theatrical design elements of visual composition, methods, and practice Kaoime E. Malloy 1. publ. New York [u.a.] Focal Press 2015 XXI, 320 S. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Beginnings. What is design? -- Content and context -- Genre -- Style -- Structure and format -- Elements of design. Line -- Shape/form/mass/space -- Value -- Color -- Texture -- Creating the illusion of depth on a flat surface -- Principles of design. Unity and variety -- Balance -- Repetition/pattern/rhythm -- Scale and proportion -- Emphasis and subordination -- Core principles for the theatrical designer. Collaboration -- Analysis -- Conceptualization -- The design process -- The role of the critique -- Drawing as our common language -- Rendering techniques -- Individual design areas. Costume design -- Scene design -- Lighting design -- Sound design -- Projection design Theaters / Stage-setting and scenery Bühnenbild (DE-588)4008738-4 gnd rswk-swf (DE-588)4123623-3 Lehrbuch gnd-content Bühnenbild (DE-588)4008738-4 s DE-604 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027907463&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Malloy, Kaoime E. The art of theatrical design elements of visual composition, methods, and practice Theaters / Stage-setting and scenery Bühnenbild (DE-588)4008738-4 gnd |
| subject_GND | (DE-588)4008738-4 (DE-588)4123623-3 |
| title | The art of theatrical design elements of visual composition, methods, and practice |
| title_auth | The art of theatrical design elements of visual composition, methods, and practice |
| title_exact_search | The art of theatrical design elements of visual composition, methods, and practice |
| title_full | The art of theatrical design elements of visual composition, methods, and practice Kaoime E. Malloy |
| title_fullStr | The art of theatrical design elements of visual composition, methods, and practice Kaoime E. Malloy |
| title_full_unstemmed | The art of theatrical design elements of visual composition, methods, and practice Kaoime E. Malloy |
| title_short | The art of theatrical design |
| title_sort | the art of theatrical design elements of visual composition methods and practice |
| title_sub | elements of visual composition, methods, and practice |
| topic | Theaters / Stage-setting and scenery Bühnenbild (DE-588)4008738-4 gnd |
| topic_facet | Theaters / Stage-setting and scenery Bühnenbild Lehrbuch |
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