Figuring out figurative art: contemporary philosophers on contemporary paintings
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London and New York
Routledge
2015
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XV, 210 S., [8] Bl. Ill. |
| ISBN: | 9781844658022 9781844658039 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Acknowledgements
ix
The artists
xi
List of plates
xvii
Introduction: figurative art and figurative
1
philosophy | Damien Freeman
1 [
The pornography of Western art | Jesse
Prinz 13
John Curnn, The Dane
A moment of capture | Barry
G
Smith
33
Dexter Dalwood, A View From A Window
Uncanny absence and imaginative presence in Dalwood s
paintings | Edward Winters
37
Dexter Dai wood, Room
100
Chelsea Hotel and Hendrix s Last Basement
At the still point of the turning world: Two Quartets by
Tom de Freston | Lydia Goehr 55
Tom de
Freston, Quartet ~~ Stage One and Quartet
-
Stage Two
viii
I CONTENTS
8
10
11
12
13
Being ironic with style | Sam Rose 7j
Tom
de Preston,
Quartet
-
Stage Four
The radioactive wolf, pieing and the goddess
Fashion | Raymond Geuss
8
Adrian Ghenie,
Dada
is Deadand Nickelodeon
Chantal Joffe,
The Black Camisole
Confinement, apathy, indifference | Hallvard
Lillehammer
109І
Pau! Noble,
Heaven
Thinking outside the frame: Plato, Quinn and
Artaud on
representation and thought |
M. M.
McCabe
117;
Geů Quinn,
The Fall
Nature, life and spirit: a Hegelian reading of Quinn s
vanitas art | Alexis Papazoglou
133
Qqö Quinn,
Hegel s Happy End
Of war and madness |
Noël
Carroll
149
Pauía Rego,
War
Showing us how it is | Simon Blackburn
155
George Shaw, This Sporting
Ufe
Paintings, photographs, titles |
/erro
Id
Levinson
167
George Shaw, No Returns
The laughter behind the painted smile |
Söndra
Bacharach
173
Yue Minjun, Unfitted
Contributors
185
Notes
187
Bibliography
201
Index
207
Art and philosophy have always been intertwined; but philosophers have often focused
on a few well-known exemplars in particular genres. This unique book represents a new
departure in philosophical writing about art. Leading philosophers talk itluminatingly
about a striking range of contemporary paintings. The resulting discussions are original,
provocative and will appeal to anyone with an interest in contemporary art and aesthetics.
A wonderful book.
Tim Crane, University of Cambridge, UK
In
1797 Friedrich Schiegel
wrote that philosophy of art usually lacks one of two
things: either the philosophy, or the art. This collection of essays contains both
the philosophy and the art. It brings together an international team of leading
philosophers to address diverse philosophical issues raised by recent works of art. Each
essay engages with a specific artwork and explores the connection between the ¡mage
and the philosophical content. Thirteen contemporary philosophers demonstrate how
philosophy can aid interpretation of the work often contemporary artists, including:
•
Jesse
Prinz
on John Currin
•
Barry C. Smith and Edward Winters on Dexter Dalwood
• Lydia
Goehr and Sam Rose on Tom
de Preston
•
Raymond Geuss on Adrian Ghenie and
Chantai
Joffe
•
Hallvard
Lillehammer
on Paul Noble
•
M. M. McCabe and Alexis Papazoglou on Ged Quinn
•
Noël
Carroll on Paula
Rego
•
Simon Blackburn and Jerrold
Levinson
on George Shaw
•
Söndra
Bacharach on Yue Minjun.
The discussion ranges over ethical, political, psychological and religious concepts,
such as irony, disgust, apathy, inequality, physiognomy and wonder, to historical
experiences of war, Marx-inspired political movements and Thatcherism, and
standard problems in the philosophy of art, such as expression, style, depiction
and ontology of art, as well as major topics in art history, such as vanitas painting,
photography, pornography, and
Dadaism.
Many of the contributors are distinguished
in areas of philosophy other than aesthetics and are writing about art for the first
time. All show how productive the engagement can be between philosophy, more
generally, and art.
Damien Freeman lectures on ethics and aesthetics at Pembroke College,
Cambridge, UK and the Art Gallery of New South Wales, Australia. His books include
Art s Emotions: Ethics, Expression and Aesthetic Experience
(2012).
Derek Matravers is Professor of Philosophy at The Open University, UK and his
books include Introducing Philosophy of Art
(2012),
and Fiction and Narrative
(2014).
PHILOSOPHY
/
ART
Cover ¡mage:
© Tom de
Freston, A Poor Player that Struts and Frets his Hour
(2011).
Oil on canvas,
200
χ
150
cm. Image
ö
Tom
гір
Frpstnn rnurtpw Rrppsp I ittle Callerv. Private Collection.
|
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| discipline | Philosophie |
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| era | Geschichte 1960-2015 gnd |
| era_facet | Geschichte 1960-2015 |
| format | Book |
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| title | Figuring out figurative art contemporary philosophers on contemporary paintings |
| title_auth | Figuring out figurative art contemporary philosophers on contemporary paintings |
| title_exact_search | Figuring out figurative art contemporary philosophers on contemporary paintings |
| title_full | Figuring out figurative art contemporary philosophers on contemporary paintings ed. by Damien Freeman and Derek Matravers |
| title_fullStr | Figuring out figurative art contemporary philosophers on contemporary paintings ed. by Damien Freeman and Derek Matravers |
| title_full_unstemmed | Figuring out figurative art contemporary philosophers on contemporary paintings ed. by Damien Freeman and Derek Matravers |
| title_short | Figuring out figurative art |
| title_sort | figuring out figurative art contemporary philosophers on contemporary paintings |
| title_sub | contemporary philosophers on contemporary paintings |
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