Die Architektur Taiwans: 176. Sitzung am 19. April 1972 in Düsseldorf
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | German |
| Veröffentlicht: |
Wiesbaden
VS Verlag für Sozialwissenschaften
1973
|
| Schriftenreihe: | Rheinisch-Westfälische Akademie der Wissenschaften, Geisteswissenschaften, Vorträge
G 189 |
| Schlagworte: | |
| Online-Zugang: | FLA01 UBY01 Volltext |
| Beschreibung: | In Chinese architecture a Northern style represents the power of the ruler; a Southern style, freedom from government interference. The latter was probably developed by painters during Southern Sung, when North China was under the rule of "barbarians". When, in the 16th century, the Chinese from the Southern coastal provinces began to immigrate to Taiwan, they took with them their architecture with its elaborately curved and decorated roofs, as a symbol of their cultural superiority. After 1947, the mainland Chinese used the so-called Renaissance, pat terned after the Northern style, for government buildings. These two poles of architecture on Taiwan, the Peking Palace style and the uniquely consistent variant of the Southern style preserved on the island, sugges- supported by Sung buildings - that architectural styles arise from historical situations, to which they, in turn, give visual and lasting expl'ession. Resume Dans l'architecture chincoise, un style du nord represente la puissance du despote et un style du sud la liberte de l'esprit. II fut vraissemblablement forme par les peintres de l'epoque Sung du sud, alors qu'en Chine sep tentrionale regnaient les «barbares». Lorsqu'au XVI" siede, les Chinois des provinces littorales du sud commencer,ent d'emigrer vers Formose, il em porterent avec eux leur architecture aux toits richement arques et orne- comme symbole de leur superiorite culturelle |
| Beschreibung: | 1 Online-Ressource (88 S.) |
| ISBN: | 9783322852960 9783531071893 |
| DOI: | 10.1007/978-3-322-85296-0 |
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Datensatz im Suchindex
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| geographic_facet | Taiwan |
| id | DE-604.BV042457245 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T01:22:16Z |
| institution | BVB |
| isbn | 9783322852960 9783531071893 |
| language | German |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027892452 |
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| publishDate | 1973 |
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| series2 | Rheinisch-Westfälische Akademie der Wissenschaften, Geisteswissenschaften, Vorträge |
| spelling | Erdberg-Consten, Eleanor V. Verfasser aut Die Architektur Taiwans 176. Sitzung am 19. April 1972 in Düsseldorf von Eleanor V. Erdberg-Consten Wiesbaden VS Verlag für Sozialwissenschaften 1973 1 Online-Ressource (88 S.) txt rdacontent c rdamedia cr rdacarrier Rheinisch-Westfälische Akademie der Wissenschaften, Geisteswissenschaften, Vorträge G 189 In Chinese architecture a Northern style represents the power of the ruler; a Southern style, freedom from government interference. The latter was probably developed by painters during Southern Sung, when North China was under the rule of "barbarians". When, in the 16th century, the Chinese from the Southern coastal provinces began to immigrate to Taiwan, they took with them their architecture with its elaborately curved and decorated roofs, as a symbol of their cultural superiority. After 1947, the mainland Chinese used the so-called Renaissance, pat terned after the Northern style, for government buildings. These two poles of architecture on Taiwan, the Peking Palace style and the uniquely consistent variant of the Southern style preserved on the island, sugges- supported by Sung buildings - that architectural styles arise from historical situations, to which they, in turn, give visual and lasting expl'ession. Resume Dans l'architecture chincoise, un style du nord represente la puissance du despote et un style du sud la liberte de l'esprit. II fut vraissemblablement forme par les peintres de l'epoque Sung du sud, alors qu'en Chine sep tentrionale regnaient les «barbares». Lorsqu'au XVI" siede, les Chinois des provinces littorales du sud commencer,ent d'emigrer vers Formose, il em porterent avec eux leur architecture aux toits richement arques et orne- comme symbole de leur superiorite culturelle Humanities Humanities / Arts Humanities, general Architektur (DE-588)4002851-3 gnd rswk-swf Taiwan (DE-588)4017875-4 gnd rswk-swf Taiwan (DE-588)4017875-4 g Architektur (DE-588)4002851-3 s 1\p DE-604 https://doi.org/10.1007/978-3-322-85296-0 Verlag Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Erdberg-Consten, Eleanor V. Die Architektur Taiwans 176. Sitzung am 19. April 1972 in Düsseldorf Humanities Humanities / Arts Humanities, general Architektur (DE-588)4002851-3 gnd |
| subject_GND | (DE-588)4002851-3 (DE-588)4017875-4 |
| title | Die Architektur Taiwans 176. Sitzung am 19. April 1972 in Düsseldorf |
| title_auth | Die Architektur Taiwans 176. Sitzung am 19. April 1972 in Düsseldorf |
| title_exact_search | Die Architektur Taiwans 176. Sitzung am 19. April 1972 in Düsseldorf |
| title_full | Die Architektur Taiwans 176. Sitzung am 19. April 1972 in Düsseldorf von Eleanor V. Erdberg-Consten |
| title_fullStr | Die Architektur Taiwans 176. Sitzung am 19. April 1972 in Düsseldorf von Eleanor V. Erdberg-Consten |
| title_full_unstemmed | Die Architektur Taiwans 176. Sitzung am 19. April 1972 in Düsseldorf von Eleanor V. Erdberg-Consten |
| title_short | Die Architektur Taiwans |
| title_sort | die architektur taiwans 176 sitzung am 19 april 1972 in dusseldorf |
| title_sub | 176. Sitzung am 19. April 1972 in Düsseldorf |
| topic | Humanities Humanities / Arts Humanities, general Architektur (DE-588)4002851-3 gnd |
| topic_facet | Humanities Humanities / Arts Humanities, general Architektur Taiwan |
| url | https://doi.org/10.1007/978-3-322-85296-0 |
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