Mermaids and the production of knowledge in early modern England:
"We no longer ascribe the term 'mermaid' to those we deem sexually or economically threatening; we do not ubiquitously use the mermaid's image in political propaganda or feature her within our houses of worship; perhaps most notably, we do not entertain the possibility of the mer...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Farnham [u.a.]
Ashgate
2015
|
| Schlagworte: | |
| Zusammenfassung: | "We no longer ascribe the term 'mermaid' to those we deem sexually or economically threatening; we do not ubiquitously use the mermaid's image in political propaganda or feature her within our houses of worship; perhaps most notably, we do not entertain the possibility of the mermaid's existence. This, author Tara Pedersen argues, makes it difficult for contemporary scholars to consider the mermaid as a figure who wields much social significance. During the early modern period, however, this was not the case, and Pedersen illustrates the complicated category distinctions that the mermaid inhabits and challenges in 16th-and 17th-century England. Addressing epistemological questions about embodiment and perception, this study furthers research about early modern theatrical culture by focusing on under-theorized and seldom acknowledged representations of mermaids in English locations and texts. While individuals in early modern England were under pressure to conform to seemingly monolithic ideals about the natural order, there were also significant challenges to this order. Pedersen uses the figure of the mermaid to rethink some of these challenges, for the mermaid often appears in surprising places; she is situated at the nexus of historically specific debates about gender, sexuality, religion, the marketplace, the new science, and the culture of curiosity and travel. Although these topics of inquiry are not new, Pedersen argues that the mermaid provides a new lens through which to look at these subjects and also helps scholars think about the present moment, methodologies of reading, and many category distinctions that are important to contemporary scholarly debates" -- |
| Beschreibung: | Includes bibliographical references and index Introduction -- Identifying mermaids: economies of representation in Dekker and Middleton's The roaring girl -- "We shall discover our selves": practicing the mermaid's law in Margaret Cavendish's The convent of pleasure -- Perfect pictures: the mermaid's half-theater and the anti-theatrical debates in Book III of Spenser's The faerie queene -- Reading like a mermaid: Antony and Cleopatra's (un)mysterious history and the case of the disappearing snake -- Afterword: "drown'd O, where?": the mermaid and the map in Shakespeare's Hamlet |
| Beschreibung: | X, 155 S. Ill. |
| ISBN: | 9781472440013 |
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| 500 | |a Includes bibliographical references and index | ||
| 500 | |a Introduction -- Identifying mermaids: economies of representation in Dekker and Middleton's The roaring girl -- "We shall discover our selves": practicing the mermaid's law in Margaret Cavendish's The convent of pleasure -- Perfect pictures: the mermaid's half-theater and the anti-theatrical debates in Book III of Spenser's The faerie queene -- Reading like a mermaid: Antony and Cleopatra's (un)mysterious history and the case of the disappearing snake -- Afterword: "drown'd O, where?": the mermaid and the map in Shakespeare's Hamlet | ||
| 520 | |a "We no longer ascribe the term 'mermaid' to those we deem sexually or economically threatening; we do not ubiquitously use the mermaid's image in political propaganda or feature her within our houses of worship; perhaps most notably, we do not entertain the possibility of the mermaid's existence. This, author Tara Pedersen argues, makes it difficult for contemporary scholars to consider the mermaid as a figure who wields much social significance. During the early modern period, however, this was not the case, and Pedersen illustrates the complicated category distinctions that the mermaid inhabits and challenges in 16th-and 17th-century England. Addressing epistemological questions about embodiment and perception, this study furthers research about early modern theatrical culture by focusing on under-theorized and seldom acknowledged representations of mermaids in English locations and texts. While individuals in early modern England were under pressure to conform to seemingly monolithic ideals about the natural order, there were also significant challenges to this order. Pedersen uses the figure of the mermaid to rethink some of these challenges, for the mermaid often appears in surprising places; she is situated at the nexus of historically specific debates about gender, sexuality, religion, the marketplace, the new science, and the culture of curiosity and travel. Although these topics of inquiry are not new, Pedersen argues that the mermaid provides a new lens through which to look at these subjects and also helps scholars think about the present moment, methodologies of reading, and many category distinctions that are important to contemporary scholarly debates" -- | ||
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Datensatz im Suchindex
| _version_ | 1804153133377519616 |
|---|---|
| any_adam_object | |
| author | Pedersen, Tara E. |
| author_GND | (DE-588)1069941212 |
| author_facet | Pedersen, Tara E. |
| author_role | aut |
| author_sort | Pedersen, Tara E. |
| author_variant | t e p te tep |
| building | Verbundindex |
| bvnumber | BV042441217 |
| ctrlnum | (OCoLC)909616822 (DE-599)BVBBV042441217 |
| era | Geschichte 1600-1700 Geschichte 1500-1700 gnd |
| era_facet | Geschichte 1600-1700 Geschichte 1500-1700 |
| format | Book |
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| geographic | England fast |
| geographic_facet | England |
| id | DE-604.BV042441217 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T01:21:46Z |
| institution | BVB |
| isbn | 9781472440013 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027876522 |
| oclc_num | 909616822 |
| open_access_boolean | |
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| owner_facet | DE-12 DE-19 DE-BY-UBM |
| physical | X, 155 S. Ill. |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Ashgate |
| record_format | marc |
| spelling | Pedersen, Tara E. Verfasser (DE-588)1069941212 aut Mermaids and the production of knowledge in early modern England Tara Pedersen Farnham [u.a.] Ashgate 2015 X, 155 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Introduction -- Identifying mermaids: economies of representation in Dekker and Middleton's The roaring girl -- "We shall discover our selves": practicing the mermaid's law in Margaret Cavendish's The convent of pleasure -- Perfect pictures: the mermaid's half-theater and the anti-theatrical debates in Book III of Spenser's The faerie queene -- Reading like a mermaid: Antony and Cleopatra's (un)mysterious history and the case of the disappearing snake -- Afterword: "drown'd O, where?": the mermaid and the map in Shakespeare's Hamlet "We no longer ascribe the term 'mermaid' to those we deem sexually or economically threatening; we do not ubiquitously use the mermaid's image in political propaganda or feature her within our houses of worship; perhaps most notably, we do not entertain the possibility of the mermaid's existence. This, author Tara Pedersen argues, makes it difficult for contemporary scholars to consider the mermaid as a figure who wields much social significance. During the early modern period, however, this was not the case, and Pedersen illustrates the complicated category distinctions that the mermaid inhabits and challenges in 16th-and 17th-century England. Addressing epistemological questions about embodiment and perception, this study furthers research about early modern theatrical culture by focusing on under-theorized and seldom acknowledged representations of mermaids in English locations and texts. While individuals in early modern England were under pressure to conform to seemingly monolithic ideals about the natural order, there were also significant challenges to this order. Pedersen uses the figure of the mermaid to rethink some of these challenges, for the mermaid often appears in surprising places; she is situated at the nexus of historically specific debates about gender, sexuality, religion, the marketplace, the new science, and the culture of curiosity and travel. Although these topics of inquiry are not new, Pedersen argues that the mermaid provides a new lens through which to look at these subjects and also helps scholars think about the present moment, methodologies of reading, and many category distinctions that are important to contemporary scholarly debates" -- Geschichte 1600-1700 Geschichte 1500-1700 gnd rswk-swf Women in literature English drama / 17th century / History and criticism English drama / Early modern and Elizabethan, 1500-1600 / History and criticism Mermaids in literature Sex role in literature Social values in literature Sex role / England / History Women and literature / England / History Meerweib gnd Geschlechterrolle gnd Englisch gnd Literatur gnd English drama fast English drama / Early modern and Elizabethan fast Mermaids in literature fast Sex role fast Sex role in literature fast Social values in literature fast Women and literature fast Women in literature fast Geschichte Meerweib (DE-588)4228017-5 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Geschlechterrolle Motiv (DE-588)4222106-7 gnd rswk-swf England fast Englisch (DE-588)4014777-0 s Drama (DE-588)4012899-4 s Meerweib (DE-588)4228017-5 s Geschlechterrolle Motiv (DE-588)4222106-7 s Geschichte 1500-1700 z DE-604 Erscheint auch als Online-Ausgabe, EPUB 978-1-4724-4003-7 Erscheint auch als Online-Ausgabe, PDF 978-1-4724-4002-0 |
| spellingShingle | Pedersen, Tara E. Mermaids and the production of knowledge in early modern England Women in literature English drama / 17th century / History and criticism English drama / Early modern and Elizabethan, 1500-1600 / History and criticism Mermaids in literature Sex role in literature Social values in literature Sex role / England / History Women and literature / England / History Meerweib gnd Geschlechterrolle gnd Englisch gnd Literatur gnd English drama fast English drama / Early modern and Elizabethan fast Mermaids in literature fast Sex role fast Sex role in literature fast Social values in literature fast Women and literature fast Women in literature fast Geschichte Meerweib (DE-588)4228017-5 gnd Englisch (DE-588)4014777-0 gnd Drama (DE-588)4012899-4 gnd Geschlechterrolle Motiv (DE-588)4222106-7 gnd |
| subject_GND | (DE-588)4228017-5 (DE-588)4014777-0 (DE-588)4012899-4 (DE-588)4222106-7 |
| title | Mermaids and the production of knowledge in early modern England |
| title_auth | Mermaids and the production of knowledge in early modern England |
| title_exact_search | Mermaids and the production of knowledge in early modern England |
| title_full | Mermaids and the production of knowledge in early modern England Tara Pedersen |
| title_fullStr | Mermaids and the production of knowledge in early modern England Tara Pedersen |
| title_full_unstemmed | Mermaids and the production of knowledge in early modern England Tara Pedersen |
| title_short | Mermaids and the production of knowledge in early modern England |
| title_sort | mermaids and the production of knowledge in early modern england |
| topic | Women in literature English drama / 17th century / History and criticism English drama / Early modern and Elizabethan, 1500-1600 / History and criticism Mermaids in literature Sex role in literature Social values in literature Sex role / England / History Women and literature / England / History Meerweib gnd Geschlechterrolle gnd Englisch gnd Literatur gnd English drama fast English drama / Early modern and Elizabethan fast Mermaids in literature fast Sex role fast Sex role in literature fast Social values in literature fast Women and literature fast Women in literature fast Geschichte Meerweib (DE-588)4228017-5 gnd Englisch (DE-588)4014777-0 gnd Drama (DE-588)4012899-4 gnd Geschlechterrolle Motiv (DE-588)4222106-7 gnd |
| topic_facet | Women in literature English drama / 17th century / History and criticism English drama / Early modern and Elizabethan, 1500-1600 / History and criticism Mermaids in literature Sex role in literature Social values in literature Sex role / England / History Women and literature / England / History Meerweib Geschlechterrolle Englisch Literatur English drama English drama / Early modern and Elizabethan Sex role Women and literature Geschichte Drama Geschlechterrolle Motiv England |
| work_keys_str_mv | AT pedersentarae mermaidsandtheproductionofknowledgeinearlymodernengland |