Color Theory and Its Application in Art and Design:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berlin, Heidelberg
Springer Berlin Heidelberg
1979
|
| Schriftenreihe: | Springer Series in Optical Sciences
19 |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Beschreibung: | My aim in this introductory text is to present a comprehensible discussion of certain technical topics and recent developments in color science that I believe are of real interest to artists and designers. I treat a number of applications of this knowledge, for example in selection and use of colorants (pigments and dyes) and light. Early in the book I discuss what color is and what its characteristics are. This is followed by a chapter on pertinent aspects of light, light as the stimulus that causes the perception of color. Then the subject of the colors of opaque and transparent, nonfluorescent and fluorescent materials is taken up. There are sections on color matching, color mixture, and color primaries. Chapter 6 introduces the basic ideas that underlie the universal method (CIE) of color specification. Later chapters show how these ideas have been extended to serve other purposes such as systematic color naming, de termining complementary colors, mixing colored lights, and demonstrating the limitations of color gamuts of colorants. The Munsell and the Ostwald color systems and the Natural Colour System (Sweden) are explained, and the new Uniform Color Scales (Optical Society of America) are described. Color specification itself is a broad topic. The information presented here is relevant in art and design, for those who work with pigments and dyes or with products that contain them, such as paints, printing inks, plastics, glasses, mosaic tesserae, etc |
| Beschreibung: | 1 Online-Ressource (XI, 140 p) |
| ISBN: | 9783662158012 9783662158036 |
| ISSN: | 0342-4111 |
| DOI: | 10.1007/978-3-662-15801-2 |
Internformat
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| 245 | 1 | 0 | |a Color Theory and Its Application in Art and Design |c by George A. Agoston |
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| 500 | |a My aim in this introductory text is to present a comprehensible discussion of certain technical topics and recent developments in color science that I believe are of real interest to artists and designers. I treat a number of applications of this knowledge, for example in selection and use of colorants (pigments and dyes) and light. Early in the book I discuss what color is and what its characteristics are. This is followed by a chapter on pertinent aspects of light, light as the stimulus that causes the perception of color. Then the subject of the colors of opaque and transparent, nonfluorescent and fluorescent materials is taken up. There are sections on color matching, color mixture, and color primaries. Chapter 6 introduces the basic ideas that underlie the universal method (CIE) of color specification. Later chapters show how these ideas have been extended to serve other purposes such as systematic color naming, de termining complementary colors, mixing colored lights, and demonstrating the limitations of color gamuts of colorants. The Munsell and the Ostwald color systems and the Natural Colour System (Sweden) are explained, and the new Uniform Color Scales (Optical Society of America) are described. Color specification itself is a broad topic. The information presented here is relevant in art and design, for those who work with pigments and dyes or with products that contain them, such as paints, printing inks, plastics, glasses, mosaic tesserae, etc | ||
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Datensatz im Suchindex
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| author | Agoston, George A. |
| author_facet | Agoston, George A. |
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| dewey-hundreds | 500 - Natural sciences and mathematics |
| dewey-ones | 537 - Electricity and electronics 535 - Light and related radiation |
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| dewey-search | 537.6 535.2 |
| dewey-sort | 3537.6 |
| dewey-tens | 530 - Physics |
| discipline | Physik Kunst Technik |
| doi_str_mv | 10.1007/978-3-662-15801-2 |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| indexdate | 2024-07-10T01:20:55Z |
| institution | BVB |
| isbn | 9783662158012 9783662158036 |
| issn | 0342-4111 |
| language | English |
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| owner_facet | DE-91 DE-BY-TUM DE-83 |
| physical | 1 Online-Ressource (XI, 140 p) |
| psigel | ZDB-2-PHA ZDB-2-BAE ZDB-2-PHA_Archive |
| publishDate | 1979 |
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| spelling | Agoston, George A. Verfasser aut Color Theory and Its Application in Art and Design by George A. Agoston Berlin, Heidelberg Springer Berlin Heidelberg 1979 1 Online-Ressource (XI, 140 p) txt rdacontent c rdamedia cr rdacarrier Springer Series in Optical Sciences 19 0342-4111 My aim in this introductory text is to present a comprehensible discussion of certain technical topics and recent developments in color science that I believe are of real interest to artists and designers. I treat a number of applications of this knowledge, for example in selection and use of colorants (pigments and dyes) and light. Early in the book I discuss what color is and what its characteristics are. This is followed by a chapter on pertinent aspects of light, light as the stimulus that causes the perception of color. Then the subject of the colors of opaque and transparent, nonfluorescent and fluorescent materials is taken up. There are sections on color matching, color mixture, and color primaries. Chapter 6 introduces the basic ideas that underlie the universal method (CIE) of color specification. Later chapters show how these ideas have been extended to serve other purposes such as systematic color naming, de termining complementary colors, mixing colored lights, and demonstrating the limitations of color gamuts of colorants. The Munsell and the Ostwald color systems and the Natural Colour System (Sweden) are explained, and the new Uniform Color Scales (Optical Society of America) are described. Color specification itself is a broad topic. The information presented here is relevant in art and design, for those who work with pigments and dyes or with products that contain them, such as paints, printing inks, plastics, glasses, mosaic tesserae, etc Physics Computer science Optics and Electrodynamics Computation by Abstract Devices Optics, Optoelectronics, Plasmonics and Optical Devices Informatik Farbenlehre (DE-588)4113517-9 gnd rswk-swf Farbe (DE-588)4016443-3 gnd rswk-swf Farbenlehre (DE-588)4113517-9 s DE-604 Farbe (DE-588)4016443-3 s 1\p DE-604 2\p DE-604 https://doi.org/10.1007/978-3-662-15801-2 Verlag Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Agoston, George A. Color Theory and Its Application in Art and Design Physics Computer science Optics and Electrodynamics Computation by Abstract Devices Optics, Optoelectronics, Plasmonics and Optical Devices Informatik Farbenlehre (DE-588)4113517-9 gnd Farbe (DE-588)4016443-3 gnd |
| subject_GND | (DE-588)4113517-9 (DE-588)4016443-3 |
| title | Color Theory and Its Application in Art and Design |
| title_auth | Color Theory and Its Application in Art and Design |
| title_exact_search | Color Theory and Its Application in Art and Design |
| title_full | Color Theory and Its Application in Art and Design by George A. Agoston |
| title_fullStr | Color Theory and Its Application in Art and Design by George A. Agoston |
| title_full_unstemmed | Color Theory and Its Application in Art and Design by George A. Agoston |
| title_short | Color Theory and Its Application in Art and Design |
| title_sort | color theory and its application in art and design |
| topic | Physics Computer science Optics and Electrodynamics Computation by Abstract Devices Optics, Optoelectronics, Plasmonics and Optical Devices Informatik Farbenlehre (DE-588)4113517-9 gnd Farbe (DE-588)4016443-3 gnd |
| topic_facet | Physics Computer science Optics and Electrodynamics Computation by Abstract Devices Optics, Optoelectronics, Plasmonics and Optical Devices Informatik Farbenlehre Farbe |
| url | https://doi.org/10.1007/978-3-662-15801-2 |
| work_keys_str_mv | AT agostongeorgea colortheoryanditsapplicationinartanddesign |