From Burke and Wordsworth to the modern sublime in Chinese literature:
This volume presents a historical-textual study about transformations of the aesthetics of the sublime?the literary and aesthetic quality of greatness under duress?from early English Romanticism to the New Poetry Movement in twentieth-century China. Zheng sets up the former and the latter as distinc...
Gespeichert in:
Format: | Elektronisch E-Book |
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Sprache: | English |
Veröffentlicht: |
Palo Alto, Calif.
Ebrary
2011
West Lafayette, Ind. Purdue Univ. Press |
Schriftenreihe: | Comparative cultural studies
|
Schlagworte: | |
Zusammenfassung: | This volume presents a historical-textual study about transformations of the aesthetics of the sublime?the literary and aesthetic quality of greatness under duress?from early English Romanticism to the New Poetry Movement in twentieth-century China. Zheng sets up the former and the latter as distinct but historically analogous moments and argues that both the European Romantic reinvention of the sublime and its later Chinese transformation represent cultural movements built on the excessive and capacious nature of the sublime to counter their shared sense of historical crisis. The author further postulates through a critical analysis of Edmund Burke?s Inquiry into the Origins of Our Ideas of the Sublime and Beautiful, William Wordsworth?s Prelude, and Guo Moruo?s experimental poem ?Fenghuang Niepan? (?Nirvana of the Phoenix?) and verse drama Qu Yuan that these aesthetic practices of modernity suggest a deliberate historical hyperbolization of literary agency. Such an agency is in turn constructed imaginatively and affectively as a means to redress different cultures? traumatic encounter with modernity. The volume will be of interest to scholars including graduate students of Romanticism, philosophy, history, English literature, Chinese literature, comparative literature, and (comparative) cultural studies |
Beschreibung: | Includes bibliographical references and index. - Description based on print version record |
Beschreibung: | Online Ressource (x, 148 p.) |
ISBN: | 9781612491745 161249174X |
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520 | |a This volume presents a historical-textual study about transformations of the aesthetics of the sublime?the literary and aesthetic quality of greatness under duress?from early English Romanticism to the New Poetry Movement in twentieth-century China. Zheng sets up the former and the latter as distinct but historically analogous moments and argues that both the European Romantic reinvention of the sublime and its later Chinese transformation represent cultural movements built on the excessive and capacious nature of the sublime to counter their shared sense of historical crisis. The author further postulates through a critical analysis of Edmund Burke?s Inquiry into the Origins of Our Ideas of the Sublime and Beautiful, William Wordsworth?s Prelude, and Guo Moruo?s experimental poem ?Fenghuang Niepan? (?Nirvana of the Phoenix?) and verse drama Qu Yuan that these aesthetic practices of modernity suggest a deliberate historical hyperbolization of literary agency. Such an agency is in turn constructed imaginatively and affectively as a means to redress different cultures? traumatic encounter with modernity. The volume will be of interest to scholars including graduate students of Romanticism, philosophy, history, English literature, Chinese literature, comparative literature, and (comparative) cultural studies | ||
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Datensatz im Suchindex
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any_adam_object | |
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illustrated | Not Illustrated |
indexdate | 2024-07-10T01:20:37Z |
institution | BVB |
isbn | 9781612491745 161249174X |
language | English |
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physical | Online Ressource (x, 148 p.) |
psigel | ebook ZDB-38-EBR HUB-PDA-EBR-Kauf |
publishDate | 2011 |
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publisher | Ebrary Purdue Univ. Press |
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spelling | From Burke and Wordsworth to the modern sublime in Chinese literature Yi Zheng Palo Alto, Calif. Ebrary West Lafayette, Ind. Purdue Univ. Press 2011 Online Ressource (x, 148 p.) txt rdacontent c rdamedia cr rdacarrier Comparative cultural studies Includes bibliographical references and index. - Description based on print version record This volume presents a historical-textual study about transformations of the aesthetics of the sublime?the literary and aesthetic quality of greatness under duress?from early English Romanticism to the New Poetry Movement in twentieth-century China. Zheng sets up the former and the latter as distinct but historically analogous moments and argues that both the European Romantic reinvention of the sublime and its later Chinese transformation represent cultural movements built on the excessive and capacious nature of the sublime to counter their shared sense of historical crisis. The author further postulates through a critical analysis of Edmund Burke?s Inquiry into the Origins of Our Ideas of the Sublime and Beautiful, William Wordsworth?s Prelude, and Guo Moruo?s experimental poem ?Fenghuang Niepan? (?Nirvana of the Phoenix?) and verse drama Qu Yuan that these aesthetic practices of modernity suggest a deliberate historical hyperbolization of literary agency. Such an agency is in turn constructed imaginatively and affectively as a means to redress different cultures? traumatic encounter with modernity. The volume will be of interest to scholars including graduate students of Romanticism, philosophy, history, English literature, Chinese literature, comparative literature, and (comparative) cultural studies Geschichte 1700-1800 Geschichte 1900-2000 Geschichte 1800-1900 Sublime, The, in literature English poetry / History and criticism / 18th century English poetry / History and criticism / 19th century Chinese poetry / History and criticism / 20th century Comparative literature / English and Chinese Comparative literature / Chinese and English Romanticism / England Chinese poetry / English influences Zheng, Yi 1961- Sonstige (DE-588)1043514236 oth |
spellingShingle | From Burke and Wordsworth to the modern sublime in Chinese literature Sublime, The, in literature English poetry / History and criticism / 18th century English poetry / History and criticism / 19th century Chinese poetry / History and criticism / 20th century Comparative literature / English and Chinese Comparative literature / Chinese and English Romanticism / England Chinese poetry / English influences |
title | From Burke and Wordsworth to the modern sublime in Chinese literature |
title_auth | From Burke and Wordsworth to the modern sublime in Chinese literature |
title_exact_search | From Burke and Wordsworth to the modern sublime in Chinese literature |
title_full | From Burke and Wordsworth to the modern sublime in Chinese literature Yi Zheng |
title_fullStr | From Burke and Wordsworth to the modern sublime in Chinese literature Yi Zheng |
title_full_unstemmed | From Burke and Wordsworth to the modern sublime in Chinese literature Yi Zheng |
title_short | From Burke and Wordsworth to the modern sublime in Chinese literature |
title_sort | from burke and wordsworth to the modern sublime in chinese literature |
topic | Sublime, The, in literature English poetry / History and criticism / 18th century English poetry / History and criticism / 19th century Chinese poetry / History and criticism / 20th century Comparative literature / English and Chinese Comparative literature / Chinese and English Romanticism / England Chinese poetry / English influences |
topic_facet | Sublime, The, in literature English poetry / History and criticism / 18th century English poetry / History and criticism / 19th century Chinese poetry / History and criticism / 20th century Comparative literature / English and Chinese Comparative literature / Chinese and English Romanticism / England Chinese poetry / English influences |
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