Leonard Bernstein and his young people's concerts:
Leonard Bernstein touched millions of lives as composer, conductor, teacher, and activist. He frequently visited homes around the world through the medium of television, particularly through his fifty-three award-winning Young People's Concerts (1958-1972), which at their height were seen by ne...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Lanham ; Boulder ; New York ; London
Rowman & Littlefield
[2015]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Leonard Bernstein touched millions of lives as composer, conductor, teacher, and activist. He frequently visited homes around the world through the medium of television, particularly through his fifty-three award-winning Young People's Concerts (1958-1972), which at their height were seen by nearly ten million in over forty countries. Originally designed for young viewers but equally attractive to eager adults, Bernstein's brilliance as a teacher shined brightly in his televised presentations. And yet, despite the light touch of the "maestro," the innocence of his audience, and the joyousness of each show's topic, the turbulence of the times would peek through. In this first in-depth look at the series, Alicia Kopfstein-Penk's Leonard Bernstein and His Young People's Concerts illustrates how the cultural, social, political, and musical upheavals of the long sixties impacted Bernstein's life and his Young People's Concerts. Responding to trends in corporate sponsorship, censorship, and arts programming from the Golden Age of Television into the 1970s, the Young People's Concerts would show the impact of and reflect the social and cultural politics of the Cold War, Vietnam, the Civil Rights and Women's Movements, and the Counterculture. Bernstein cheerfully bridged classical and popular tastes, juxtaposing the Beatles with Mozart even as he offered personal, televised pleas for peace and unity. At the same time, the concerts reflect Bernstein's troubled relationship as a professional musician with the dominance of atonality and his quest to nurture American music. Anyone who enjoys the oeuvre of Leonard Bernstein, has watched his Young People's Concerts, or is passionate about the history of the long sixties will find in Leonard Bernstein and His Young People's Concerts a story of all three captured in this monumental study. Alicia Kopfstein-Penk is an enthusiastic postmodernist who teaches at American University. As a performer, she has sung Bernstein at the Metropolitan Opera, Beatles at clubs, and played classical guitar at the Kennedy Center. She is also a contributor to Soundboard, and a podcast producer for the Washington National Opera. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xxxiii, 299 Seiten Illustrationen |
| ISBN: | 9780810888494 |
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| 520 | |a Leonard Bernstein touched millions of lives as composer, conductor, teacher, and activist. He frequently visited homes around the world through the medium of television, particularly through his fifty-three award-winning Young People's Concerts (1958-1972), which at their height were seen by nearly ten million in over forty countries. Originally designed for young viewers but equally attractive to eager adults, Bernstein's brilliance as a teacher shined brightly in his televised presentations. And yet, despite the light touch of the "maestro," the innocence of his audience, and the joyousness of each show's topic, the turbulence of the times would peek through. In this first in-depth look at the series, Alicia Kopfstein-Penk's Leonard Bernstein and His Young People's Concerts illustrates how the cultural, social, political, and musical upheavals of the long sixties impacted Bernstein's life and his Young People's Concerts. Responding to trends in corporate sponsorship, censorship, and arts programming from the Golden Age of Television into the 1970s, the Young People's Concerts would show the impact of and reflect the social and cultural politics of the Cold War, Vietnam, the Civil Rights and Women's Movements, and the Counterculture. Bernstein cheerfully bridged classical and popular tastes, juxtaposing the Beatles with Mozart even as he offered personal, televised pleas for peace and unity. At the same time, the concerts reflect Bernstein's troubled relationship as a professional musician with the dominance of atonality and his quest to nurture American music. Anyone who enjoys the oeuvre of Leonard Bernstein, has watched his Young People's Concerts, or is passionate about the history of the long sixties will find in Leonard Bernstein and His Young People's Concerts a story of all three captured in this monumental study. | ||
| 520 | |a Alicia Kopfstein-Penk is an enthusiastic postmodernist who teaches at American University. As a performer, she has sung Bernstein at the Metropolitan Opera, Beatles at clubs, and played classical guitar at the Kennedy Center. She is also a contributor to Soundboard, and a podcast producer for the Washington National Opera. | ||
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Datensatz im Suchindex
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| adam_text | LEONARD BERNSTEIN AND THE YOUNG PEOPLE S CONCERTS
/ KOPFSTEIN-PENK, ALICIA.
: 2015
TABLE OF CONTENTS / INHALTSVERZEICHNIS
BACKGROUND : WHO, WHEN, AND HOW
DECISIONS : TOPICS, PIECES, AND PERFORMERS
THE POSTMODERNIST : HIGHBROW, LOWBROW, AND MIDDLEBROW JOINED
THE TELEVISION PIONEER : ORIGINS, COMPETITION, SUCCESS
THE PACIFIST : THE COLD WAR INTRUDES
THE LIBERAL : CIVIL RIGHTS, FEMINISM, AND THE COUNTERCULTURE
THE MUSICAL REACTIONARY : ATONALITY VERSUS TONALITY OR COMPOSER VERSUS
AUDIENCE
THE ADVOCATE FOR AMERICAN MUSIC : SEARCH FOR AN AMERICAN IDENTITY
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
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| discipline | Musikwissenschaft |
| era | Geschichte 1900-2000 Geschichte 1958-1972 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1958-1972 |
| format | Book |
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| spelling | Kopfstein-Penk, Alicia 1950- Verfasser (DE-588)1069005746 aut Leonard Bernstein and his young people's concerts Alicia Kopfstein-Penk Lanham ; Boulder ; New York ; London Rowman & Littlefield [2015] © 2015 xxxiii, 299 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Leonard Bernstein touched millions of lives as composer, conductor, teacher, and activist. He frequently visited homes around the world through the medium of television, particularly through his fifty-three award-winning Young People's Concerts (1958-1972), which at their height were seen by nearly ten million in over forty countries. Originally designed for young viewers but equally attractive to eager adults, Bernstein's brilliance as a teacher shined brightly in his televised presentations. And yet, despite the light touch of the "maestro," the innocence of his audience, and the joyousness of each show's topic, the turbulence of the times would peek through. In this first in-depth look at the series, Alicia Kopfstein-Penk's Leonard Bernstein and His Young People's Concerts illustrates how the cultural, social, political, and musical upheavals of the long sixties impacted Bernstein's life and his Young People's Concerts. Responding to trends in corporate sponsorship, censorship, and arts programming from the Golden Age of Television into the 1970s, the Young People's Concerts would show the impact of and reflect the social and cultural politics of the Cold War, Vietnam, the Civil Rights and Women's Movements, and the Counterculture. Bernstein cheerfully bridged classical and popular tastes, juxtaposing the Beatles with Mozart even as he offered personal, televised pleas for peace and unity. At the same time, the concerts reflect Bernstein's troubled relationship as a professional musician with the dominance of atonality and his quest to nurture American music. Anyone who enjoys the oeuvre of Leonard Bernstein, has watched his Young People's Concerts, or is passionate about the history of the long sixties will find in Leonard Bernstein and His Young People's Concerts a story of all three captured in this monumental study. Alicia Kopfstein-Penk is an enthusiastic postmodernist who teaches at American University. As a performer, she has sung Bernstein at the Metropolitan Opera, Beatles at clubs, and played classical guitar at the Kennedy Center. She is also a contributor to Soundboard, and a podcast producer for the Washington National Opera. Bernstein, Leonard, 1918-1990 Bernstein, Leonard 1918-1990 (DE-588)118510002 gnd rswk-swf New York Philharmonic (DE-588)800577-1 gnd rswk-swf Young people's concerts (Television program) Geschichte 1900-2000 Geschichte 1958-1972 gnd rswk-swf Geschichte Gesellschaft Musik Music Social aspects United States History 20th century Music United States 20th century History and criticism Jugendkonzert (DE-588)4500513-8 gnd rswk-swf Konzertreihe (DE-588)4432417-0 gnd rswk-swf USA Bernstein, Leonard 1918-1990 (DE-588)118510002 p New York Philharmonic (DE-588)800577-1 b Jugendkonzert (DE-588)4500513-8 s Konzertreihe (DE-588)4432417-0 s Geschichte 1958-1972 z DE-604 Erscheint auch als Online-Ausgabe 978-0-8108-8850-0 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027839489&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Kopfstein-Penk, Alicia 1950- Leonard Bernstein and his young people's concerts Bernstein, Leonard, 1918-1990 Bernstein, Leonard 1918-1990 (DE-588)118510002 gnd New York Philharmonic (DE-588)800577-1 gnd Young people's concerts (Television program) Geschichte Gesellschaft Musik Music Social aspects United States History 20th century Music United States 20th century History and criticism Jugendkonzert (DE-588)4500513-8 gnd Konzertreihe (DE-588)4432417-0 gnd |
| subject_GND | (DE-588)118510002 (DE-588)800577-1 (DE-588)4500513-8 (DE-588)4432417-0 |
| title | Leonard Bernstein and his young people's concerts |
| title_auth | Leonard Bernstein and his young people's concerts |
| title_exact_search | Leonard Bernstein and his young people's concerts |
| title_full | Leonard Bernstein and his young people's concerts Alicia Kopfstein-Penk |
| title_fullStr | Leonard Bernstein and his young people's concerts Alicia Kopfstein-Penk |
| title_full_unstemmed | Leonard Bernstein and his young people's concerts Alicia Kopfstein-Penk |
| title_short | Leonard Bernstein and his young people's concerts |
| title_sort | leonard bernstein and his young people s concerts |
| topic | Bernstein, Leonard, 1918-1990 Bernstein, Leonard 1918-1990 (DE-588)118510002 gnd New York Philharmonic (DE-588)800577-1 gnd Young people's concerts (Television program) Geschichte Gesellschaft Musik Music Social aspects United States History 20th century Music United States 20th century History and criticism Jugendkonzert (DE-588)4500513-8 gnd Konzertreihe (DE-588)4432417-0 gnd |
| topic_facet | Bernstein, Leonard, 1918-1990 Bernstein, Leonard 1918-1990 New York Philharmonic Young people's concerts (Television program) Geschichte Gesellschaft Musik Music Social aspects United States History 20th century Music United States 20th century History and criticism Jugendkonzert Konzertreihe USA |
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