The life and works of Andrzej Panufnik (1914 - 1991):
Sir Andrzej Panufnik was born in Warsaw and studied in the newly independent Poland in the 1930s, as well as in Vienna and Paris just before the outbreak of the Second World War. During the German occupation he formed a piano duo with his friend and fellow composer Witold Lutosławski, and they perfo...
Gespeichert in:
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| Format: | Buch |
| Sprache: | English |
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Farnham
Ashgate
2015
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| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Sir Andrzej Panufnik was born in Warsaw and studied in the newly independent Poland in the 1930s, as well as in Vienna and Paris just before the outbreak of the Second World War. During the German occupation he formed a piano duo with his friend and fellow composer Witold Lutosławski, and they performed in cafés around Warsaw. After the war, Panufnik quickly established himself as a leading Polish composer, and as a conductor he played a significant role in the re-establishment of first the Kraków and then the Warsaw Philharmonic. Although he was considered Poland's leading composer for some years after the war, Panufnik was subsequently put under intolerable pressure both musically and politically. Frustrated by the continuing rejection of his compositions and the unending political demands inflicted on him by the country's post-war Communist regime, he made a daring escape to England in 1954. He briefly became Principal Conductor of the City of Birmingham Symphony Orchestra, a post he relinquished after two years to devote all his time to composition. His works were in demand by major figures such as Leopold Stokowski who conducted the first performances of Sinfonia Elegiaca, Katyń Epitaph and Universal Prayer, Yehudi Menuhin who commissioned the Violin Concerto, Seiji Ozawa in Boston and Sir Georg Solti in Chicago who both commissioned symphonies for the centenaries of their famous orchestras; also Mstislav Rostropovich with the London Symphony Orchestra, who together commissioned the Cello Concerto. Beata Bolesławska has written the first book on the life and artistic output of Panufnik, setting his significance alongside the political and cultural scene of twentieth-century Europe. The account of the composer's life is based on numerous archival documents, as well as the personal accounts contributed by his family and friends. Panufnik's compositional style and techniques are also analysed. This book will be of interest not only to those devoted to Panufnik but also to all who are fascinated by the relationship between music and politics in the former Communist regimes in Eastern Europe. |
| Beschreibung: | Aus dem Polnischen übersetzt |
| Beschreibung: | XIII, 335 Seiten Illustrationen, Diagramme, Notenbeispiele |
| ISBN: | 9781409463290 |
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| 505 | 0 | |a Foreword; Preface; Early years; Education and first attempts at composition; The Second World War and the Nazi occupation; The new reality - The first years after the war; Socialist realism and the decision to emigrate; Escape from Poland and first years in a new homeland; Birmingham - The conductor and a return to composition; Success of Sinfonia Sacra, marriage and beginning of stabilisation; The search for a new musical language, and artistic flourishing after 1968; The last decade - The years of fulfilment; Andrzej Panufnik's compositional style - A sketch; Symmetry in the composer's self-reflection; Symmetry in terms of harmony and tonality; Symmetry in terms of musical syntax; Symmetry of form; Afterword; Chronological list of compositions; Index. | |
| 520 | |a Sir Andrzej Panufnik was born in Warsaw and studied in the newly independent Poland in the 1930s, as well as in Vienna and Paris just before the outbreak of the Second World War. During the German occupation he formed a piano duo with his friend and fellow composer Witold Lutosławski, and they performed in cafés around Warsaw. After the war, Panufnik quickly established himself as a leading Polish composer, and as a conductor he played a significant role in the re-establishment of first the Kraków and then the Warsaw Philharmonic. Although he was considered Poland's leading composer for some years after the war, Panufnik was subsequently put under intolerable pressure both musically and politically. Frustrated by the continuing rejection of his compositions and the unending political demands inflicted on him by the country's post-war Communist regime, he made a daring escape to England in 1954. He briefly became Principal Conductor of the City of Birmingham Symphony Orchestra, a post he relinquished after two years to devote all his time to composition. His works were in demand by major figures such as Leopold Stokowski who conducted the first performances of Sinfonia Elegiaca, Katyń Epitaph and Universal Prayer, Yehudi Menuhin who commissioned the Violin Concerto, Seiji Ozawa in Boston and Sir Georg Solti in Chicago who both commissioned symphonies for the centenaries of their famous orchestras; also Mstislav Rostropovich with the London Symphony Orchestra, who together commissioned the Cello Concerto. | ||
| 520 | |a Beata Bolesławska has written the first book on the life and artistic output of Panufnik, setting his significance alongside the political and cultural scene of twentieth-century Europe. The account of the composer's life is based on numerous archival documents, as well as the personal accounts contributed by his family and friends. Panufnik's compositional style and techniques are also analysed. This book will be of interest not only to those devoted to Panufnik but also to all who are fascinated by the relationship between music and politics in the former Communist regimes in Eastern Europe. | ||
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Datensatz im Suchindex
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| adam_text |
Contents
List of Plates vii
Foreword to the English Edition ix
Preface: Panufnik: A Life xi
1 Early Years 1
2 Education and First Attempts at Composition 23
3 The Second World War and the Nazi Occupation 47
4 The New Reality ֊ The First Years after the War 67
5 Socialist Realism and the Decision to Emigrate 95
6 Escape from Poland and First Years in a New Homeland 123
7 Birmingham — The Conductor and a Return to Composition 147
S Success of Sinfonia Sacra, Marriage and the
Beginning of Stabilisation 183
9 The Search for a New Musical Language, and
Artistic Flourishing after 1968 205
10 The Last Decade — The Years of Fulfilment 235
11 Andrzej Panufnik’s Compositional Style - A Sketch 263
12 Symmetry in the Composer’s Self-Reflection 269
13 Symmetry in Terms of Harmony and Tonality 283
14 Symmetry in Terms of Musical Syntax 293
15 Symmetry of Form 303
Afterword 311
Chronological List of Compositions 315
Index
323 |
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| author | Bolesławska-Lewandowska, Beata 1974- |
| author_GND | (DE-588)1070293814 |
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| contents | Foreword; Preface; Early years; Education and first attempts at composition; The Second World War and the Nazi occupation; The new reality - The first years after the war; Socialist realism and the decision to emigrate; Escape from Poland and first years in a new homeland; Birmingham - The conductor and a return to composition; Success of Sinfonia Sacra, marriage and beginning of stabilisation; The search for a new musical language, and artistic flourishing after 1968; The last decade - The years of fulfilment; Andrzej Panufnik's compositional style - A sketch; Symmetry in the composer's self-reflection; Symmetry in terms of harmony and tonality; Symmetry in terms of musical syntax; Symmetry of form; Afterword; Chronological list of compositions; Index. |
| ctrlnum | (OCoLC)909756808 (DE-599)BVBBV042402019 |
| discipline | Musikwissenschaft |
| format | Book |
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| spelling | Bolesławska-Lewandowska, Beata 1974- Verfasser (DE-588)1070293814 aut The life and works of Andrzej Panufnik (1914 - 1991) Beata Bolesławska ; translated by Richard J. Reisner Farnham Ashgate 2015 XIII, 335 Seiten Illustrationen, Diagramme, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Aus dem Polnischen übersetzt Foreword; Preface; Early years; Education and first attempts at composition; The Second World War and the Nazi occupation; The new reality - The first years after the war; Socialist realism and the decision to emigrate; Escape from Poland and first years in a new homeland; Birmingham - The conductor and a return to composition; Success of Sinfonia Sacra, marriage and beginning of stabilisation; The search for a new musical language, and artistic flourishing after 1968; The last decade - The years of fulfilment; Andrzej Panufnik's compositional style - A sketch; Symmetry in the composer's self-reflection; Symmetry in terms of harmony and tonality; Symmetry in terms of musical syntax; Symmetry of form; Afterword; Chronological list of compositions; Index. Sir Andrzej Panufnik was born in Warsaw and studied in the newly independent Poland in the 1930s, as well as in Vienna and Paris just before the outbreak of the Second World War. During the German occupation he formed a piano duo with his friend and fellow composer Witold Lutosławski, and they performed in cafés around Warsaw. After the war, Panufnik quickly established himself as a leading Polish composer, and as a conductor he played a significant role in the re-establishment of first the Kraków and then the Warsaw Philharmonic. Although he was considered Poland's leading composer for some years after the war, Panufnik was subsequently put under intolerable pressure both musically and politically. Frustrated by the continuing rejection of his compositions and the unending political demands inflicted on him by the country's post-war Communist regime, he made a daring escape to England in 1954. He briefly became Principal Conductor of the City of Birmingham Symphony Orchestra, a post he relinquished after two years to devote all his time to composition. His works were in demand by major figures such as Leopold Stokowski who conducted the first performances of Sinfonia Elegiaca, Katyń Epitaph and Universal Prayer, Yehudi Menuhin who commissioned the Violin Concerto, Seiji Ozawa in Boston and Sir Georg Solti in Chicago who both commissioned symphonies for the centenaries of their famous orchestras; also Mstislav Rostropovich with the London Symphony Orchestra, who together commissioned the Cello Concerto. Beata Bolesławska has written the first book on the life and artistic output of Panufnik, setting his significance alongside the political and cultural scene of twentieth-century Europe. The account of the composer's life is based on numerous archival documents, as well as the personal accounts contributed by his family and friends. Panufnik's compositional style and techniques are also analysed. This book will be of interest not only to those devoted to Panufnik but also to all who are fascinated by the relationship between music and politics in the former Communist regimes in Eastern Europe. Panufnik, Andrzej / 1914-1991 Panufnik, Andrzej / 1914-1991 / Criticism and interpretation Panufnik, Andrzej / 1914-1991 fast Panufnik, Andrzej 1914-1991 (DE-588)116023791 gnd rswk-swf Composers / Poland / Biography Expatriate composers / England / Biography Composers fast Expatriate composers fast England fast Poland fast Polen (DE-588)4006804-3 Biografie gnd-content Panufnik, Andrzej 1914-1991 (DE-588)116023791 p DE-604 Digitalisierung BSB Muenchen 21 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027837682&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Bolesławska-Lewandowska, Beata 1974- The life and works of Andrzej Panufnik (1914 - 1991) Foreword; Preface; Early years; Education and first attempts at composition; The Second World War and the Nazi occupation; The new reality - The first years after the war; Socialist realism and the decision to emigrate; Escape from Poland and first years in a new homeland; Birmingham - The conductor and a return to composition; Success of Sinfonia Sacra, marriage and beginning of stabilisation; The search for a new musical language, and artistic flourishing after 1968; The last decade - The years of fulfilment; Andrzej Panufnik's compositional style - A sketch; Symmetry in the composer's self-reflection; Symmetry in terms of harmony and tonality; Symmetry in terms of musical syntax; Symmetry of form; Afterword; Chronological list of compositions; Index. Panufnik, Andrzej / 1914-1991 Panufnik, Andrzej / 1914-1991 / Criticism and interpretation Panufnik, Andrzej / 1914-1991 fast Panufnik, Andrzej 1914-1991 (DE-588)116023791 gnd Composers / Poland / Biography Expatriate composers / England / Biography Composers fast Expatriate composers fast |
| subject_GND | (DE-588)116023791 (DE-588)4006804-3 |
| title | The life and works of Andrzej Panufnik (1914 - 1991) |
| title_auth | The life and works of Andrzej Panufnik (1914 - 1991) |
| title_exact_search | The life and works of Andrzej Panufnik (1914 - 1991) |
| title_full | The life and works of Andrzej Panufnik (1914 - 1991) Beata Bolesławska ; translated by Richard J. Reisner |
| title_fullStr | The life and works of Andrzej Panufnik (1914 - 1991) Beata Bolesławska ; translated by Richard J. Reisner |
| title_full_unstemmed | The life and works of Andrzej Panufnik (1914 - 1991) Beata Bolesławska ; translated by Richard J. Reisner |
| title_short | The life and works of Andrzej Panufnik (1914 - 1991) |
| title_sort | the life and works of andrzej panufnik 1914 1991 |
| topic | Panufnik, Andrzej / 1914-1991 Panufnik, Andrzej / 1914-1991 / Criticism and interpretation Panufnik, Andrzej / 1914-1991 fast Panufnik, Andrzej 1914-1991 (DE-588)116023791 gnd Composers / Poland / Biography Expatriate composers / England / Biography Composers fast Expatriate composers fast |
| topic_facet | Panufnik, Andrzej / 1914-1991 Panufnik, Andrzej / 1914-1991 / Criticism and interpretation Panufnik, Andrzej 1914-1991 Composers / Poland / Biography Expatriate composers / England / Biography Composers Expatriate composers England Poland Polen Biografie |
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