Women art critics in nineteenth-century France: vanishing acts
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Newark
Univ. of Delaware Press
2015
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XVI, 366 S. Ill. |
| ISBN: | 1611495660 9781611495669 9781611494464 9781611494471 |
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Datensatz im Suchindex
| _version_ | 1804153051970273280 |
|---|---|
| adam_text | Contents
List of
Figures
xi
Acknowledgments
xv
Preface
1
Wendelin Guentner
Women Writing Art
3
Reappearing Acts
4
Notes
11
Introduction
15
Wendelin
Guentner
The Ideology of the Two Spheres
15
The Education of Girls
24
The Menace of the Bas-Bleus
25
The Salon and Its Art Critics
28
The Golden Age of Art Criticism: Society, Economics, and Culture
33
Art Criticism as a Literary Genre: Denis Diderot
36
The Literary Craft of Art Criticism
40
Notes
42
1
C W.
. . .
académicienne ;
Caroline Wuiet and the Emergence
of the Woman Art Critic in Postrevolutionary France
53
Heather Belnap Jensen
Wuiet and Authorial Voice
55
What a Woman Wants: Female Spectatorship
62
vii
viii
Contents
Notes
67
2
Amélie-Julie
Cándenle
s
Critical
Enterprise
and the Creation of
Girodet
73
Heather Belnap Jensen
Epistolary Art Criticism in Women s Writings
75
Candeille as Corresponding Critic
77
Managing Girodet
83
Fashioning Girodet
en publique
85
Notes
89
3
Women Art Critics during the July Monarchy
(1830-1848) 93
Véronique
Chagnon-Burke
Art Criticism and the Paris Salon
96
Women Art Critics and the Parisian Cultural World
98
Women as Spectators
102
Beyond Gender; Issues of Class and Education
107
Further Questions 111
Notes
112
4
A Career True to Woman s Nature : Constructing the Woman
Artist in France s Midcentury Feminine Press
117
Véronique
Chagnon-Burke
Women Artists: Class and Education
118
The Mission of Women Art Critics
122
The British Connection
123
Gender or Class?
124
The Gender of Genius and the Artistic Genres
126
Women Art Critics and the (Limited) Contours of an Artistic Vision
129
Notes
134
5
Claude Vignon s Salon
de
1850-51:
Dialogues of Art and
Ideology
141
Wendelin Guentner
The Art Critic and Her Readers
142
Historical Context and Political Ideologies
146
Spiritual Ideologies
157
The Author behind the Critic
162
Notes
165
6
Dieu! Une
plume
de femme!
: Mathilde Stevens
s Impressions
d une femme au Salon de
1859 173
Wendelin
Guentner
A
Rhetoric of Sincerity
174
To Feel or to Think: That Is the Question
178
Playing Favorites: Critics and Artists at the
1859
Salon
185
A Voice of Her Own
194
Contents ix
Notes 198
7 Marc de Montifaud:
The esprit
critique of an esprit
fort 203
Wendelin Gnentner
Envisioning History Painting
207
Genre
Painting: History Writ Small
211
Portraits of Degeneration
213
The Subjective Landscape
216
Corot,
Pagan Poet
219
Notes
230
8
Tel père, telle fille :
Judith
Gautier,
Artist, Author, and Art Critic
237
Véronique
Chagnon-Burke
Judith
Gautier,
Artist, and the French Art World
238
Judith
Gautier,
Author, and the Far East
240
Judith
Gautier,
Art Critic
242
Notes
254
Conclusion
259
Wendelin Guentner
The Ideology of the Two Spheres, Revisited
259
Vanishing Genre?
264
Vanishing Gender?
267
Final Act
271
Encores
272
Notes
273
Appendix
1 :
Amélie-Julie Candeille
(1767-1834) 279
Heather Belnap Jensen
Notes
284
Appendix
2:
Judith
Gautier
(1845-1917),
Mme Catulle Mendès,
Judith
Walter (pseud.),
F. Chaulnes
(pseud.)
287
Véronique
Chagnon-Burke
Notes
294
Appendix
3:
Marie-Amélie
Chartroułe
de
Montifaud, Madame
Léon
de
Quivogne,
Marc de Montifaud (pseud.), Paul
Erasme
(pseud.) 295
Wendelin Guentner
Notes 302
Appendix 4: Mathilde
Kindt
Stevens (1833-1886),
Mme
Arthur
Stevens Mathilde Stev*** (pseud.),
Jeanne Thilda
(pseud.) 307
Wendelin Guentner
Notes 310
χ
Contents
Appendix 5: Claude Vignon (1828—1888)
(pseud, of
Noémi
Cadiot,
Mme
A.-L. Constant,
then
Mme Maurice Rouvier)
313
Wendelin Giientner
Notes
320
Appendix 6:
Caroline Wuiet, la Baronne Auffdiener
(1766-1835) 327
Heather
Belnap
Jensen
Notes
333
Appendix
7:
Biographical Intersections
335
Wendelin Giientner
Notes
344
Selected Bibliography
347
Index
359
About the Contributors
365
I Over the past years, studies have begun not only to identify the factors that
impeded the full participation of women artists in French cultural life, such as
women s limited access to professional art education, but also to bring to light
the considerable artistic accomplishments of women occluded by historians
for over a century. A similar effort at historical revision has been under way
for French women writers. Works of fiction that enjoyed many editions in the
nineteenth century receded from our field of vision for almost a century before
being rediscovered and reissued during the last decades of the twentieth cen¬
tury. Such efforts have resulted in scholarship that has helped revise the history
of both artistic and literary expression in nineteenth-century France.
Similarly, many women in nineteenth-century France had their art criticism
published both in journal reviews and in book form, often for decades, in a
number of the most influential venues of their day. However, it is perplex¬
ing that they remain almost totally invisible in histories of French culture.
Women Art Critics in Nineteenth-Century France: Vanishing Acts is the first sus¬
tained effort to bring these prolific and influential critics out from the shadows.
Although each of the chapters in this volume results from an interdisciplinary
approach, the fact that they are written by scholars in art history and litera¬
ture means that there will be inevitable differences in approach and methodol¬
ogy. Thus, the contributors study the women s reception of specific artworks
and aesthetic movements, discuss intersections of aesthetics and politics in
their essays and the literary styles and rhetorical strategies of individual
critics, explore the social conditions that allowed or impeded their successes,
and suggest reasons for their veritable disappearance in the twentieth century.
In bringing to light for twenty-first-century readers the vanished writings of
heretofore unrecognized or underrecognized women art critics, the contribu¬
tors hope to add to the ongoing revision of women s roles in cultural history.
The multifaceted approaches to word/image studies modeled in this book, and
the many avenues for further research it identifies, will inspire scholars in a
number of disciplines to continue the work of reinscribing women in the his¬
tory of cultural life
j
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| title | Women art critics in nineteenth-century France vanishing acts |
| title_auth | Women art critics in nineteenth-century France vanishing acts |
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| title_full | Women art critics in nineteenth-century France vanishing acts ed. by Wendelin Guentner |
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