Dance and British literature: an intermedial encounter ; (theory, typology, case studies)
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Leiden [u.a.]
Brill Rodopi
2015
|
| Schriftenreihe: | Studies in intermediality
8 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | VIII, 298 S. Ill., graph. Darst. |
| ISBN: | 9789004292567 9789004292581 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Acknowledgements........................................................vii
1. Introduction............................................................1
2. THEORY: Mediality and Literalised Dance ................................9
2.1. Definition of Medium............................................. 9
2.2. Literature as Medium ............................................16
2.2.1. A Semiotic Perspective on Literature.....................17
2.2.2. From a Semiotic to a Cultural Perspective on Literature . . 24
2.3. Dance as Medium..................................................27
2.3.1. General Statements.........................................30
2.3.2. A Semiotic Perspective on Dance............................32
2.3.2.1. Movement .........................................38
2.3.2.2. Time............................................ 40
2.3.2.3. Space.............................................42
2.3.3. From a Semiotic through a Cultural
to an Intermedial Perspective on Dance.....................45
2.3.3.1. Dance Genres as Markers of
Class, National Identity, and Gender...............45
2.3.3.2. The Body and Signification........................49
3. TYPOLOGY: Literalised Dance as Intermedial Encounter...................59
3.1. Intermediality as a Concept.......................................59
3.2. Toward a Typology of Literalised Dance..........................76
3.2.1. A Semiotic Approach........................................76
3.2.1.1. Extra-compositional Intermediality................78
3.2.1.2. Intra-compositional Intermediality................90
3.2.2. A Cultural Approach...................................... 153
3.2.2.1. Literalised Dance as a
Platform for Cultural Discourse.................. 153
3.2.2.2. Representations of Dance Culture
in Poetry and Caricature......................... 166
4. CASE STUDIES: Literalised Dance in British Drama.................... 193
4.1. Dance in British Drama
from the Renaissance to the 18th Century....................... 194
4.1.1. Plurimediality in Renaissance Masques—
Dance as Allegory of Order: Jonson’s Hymenaei and
Shakespeare’s The Tempest, Jonson s Pleasure
Reconciled to Virtue, Miltons Comus...................... 194
4.1.2. Intermedial Reference and Cultural Ridicule
in Restoration and 18th Century Comedy:
Wycherley’s The Gentleman Dancing Master,
Sheridan’s The Rivals.....................................203
4.2. Dance in British Drama of the 19th Century.................... 210
4.2.1. Popular Literature and the Waltz......................... 210
4.2.1.1. The Waltz: A Public Scandal and
its Poetic Representations...................... 210
4.2.1.2. The Waltz in 19th Century
Illegitimate’ Drama..............................220
4.2.2. Elitist Drama and Modern Dance............................229
4.2.2.1. Presence through Absence:
Oscar Wilde’s Salome............................ 231
4.2.2.2. The Revolution of Modernism:
Yeats and Modern Dance...........................249
5. Conclusion........................................................... 259
Works Cited............................................................ 265
List of illustrations ................................................. 293
Index
295
|
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| discipline | Allgemeines Anglistik / Amerikanistik |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Thesis Book |
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| spelling | Marcsek-Fuchs, Maria Verfasser (DE-588)1072439093 aut Dance and British literature an intermedial encounter ; (theory, typology, case studies) by Maria Marcsek-Fuchs Leiden [u.a.] Brill Rodopi 2015 VIII, 298 S. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier Studies in intermediality 8 Zugl.: Braunschweig, Univ., Diss., 2010 Geschichte gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Tanz Motiv (DE-588)4184440-3 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Englisch (DE-588)4014777-0 s Literatur (DE-588)4035964-5 s Tanz Motiv (DE-588)4184440-3 s Geschichte z DE-604 Studies in intermediality 8 (DE-604)BV021757189 8 Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027826247&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Dance and British literature an intermedial encounter ; (theory, typology, case studies) |
| title_auth | Dance and British literature an intermedial encounter ; (theory, typology, case studies) |
| title_exact_search | Dance and British literature an intermedial encounter ; (theory, typology, case studies) |
| title_full | Dance and British literature an intermedial encounter ; (theory, typology, case studies) by Maria Marcsek-Fuchs |
| title_fullStr | Dance and British literature an intermedial encounter ; (theory, typology, case studies) by Maria Marcsek-Fuchs |
| title_full_unstemmed | Dance and British literature an intermedial encounter ; (theory, typology, case studies) by Maria Marcsek-Fuchs |
| title_short | Dance and British literature |
| title_sort | dance and british literature an intermedial encounter theory typology case studies |
| title_sub | an intermedial encounter ; (theory, typology, case studies) |
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