Jean Rhys: twenty-first-century approaches
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh Univ. Press
2015
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XI, 244 S. Ill. |
| ISBN: | 9781474402194 |
Internformat
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Datensatz im Suchindex
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| adam_text | Contents
List of Figures v
Acknowledgements vi
Notes on Contributors ix
Introduction: The Haunting of Jean Rhys
Erica L. Johnson and Patricia Moran 1
PART I Rhys and Modernist Aesthetics
1. Jean Rhys and Katherine Mansfield Writing the sixth act’ 21
Sue Thomas
2. Making a Scene: Rhys and the Aesthete at Mid-Century 40
Rishona Zimring
3. On the Veranda: Jean Rhys’s Material Modernism 59
Mary Lou Emery
PART II Postcolonial Rhys
4. Jean Rhys’s Environmental Language: Oppositions,
Dialogues and Silences 85
Elaine Savory
5. Caribbean Formations in the Rhysian Corpus 107
Carine M. Mardorossian
6. ‘From Black to Red’: Jean Rhys’s Use of Dress in Wide
Sargasso Sea 123
Maroula Joannou
7 The Discourses of Jean Rhys: Resistance, Ambivalence and
Creole Indeterminacy 146
H. Adiat Murdoch
iv
Confenfs
PART III Affective Rhys
8. The Empire of Affect: Reading Rhys after Postcolonial
Theory 171
John ƒ. Su
9. ‘The feelings are always mine5: Chronic Shame and
Humiliated Rage in Jean Rhys’s Fiction 190
Patricia Moran
10. ‘Upholstered Ghosts5: Jean Rhys’s Posthuman Imaginary 209
Erica L. Johnson
Bibliography 228
Index 238
Jean Rhys (1890-1979) is the author of five novels and over seventy short stories. She has
played a major role in debates attempting to establish the parameters of postcolonial and
particularly Caribbean studies, and although she has long been seen as a modernist writer,
she has also been marginalised as one who is not quite in, yet not quite out, either, The
ten newly commissioned essays and introduction collected in this volume demonstrate
Jean Rhys’s centrality to modernism and to postcolonial literature alike by addressing her
stories and novels from the 1920s and 1930s, including Voyage in the Dark, Quartet, After
Leaving Mr. Mackenzie and Good Morning Midnight, as well as her later bestseller, Wide Sargasso
Sea (1966). The volume establishes Rhys as a major author with relevance to a number of
different critical discourses, and includes a path-breaking section on affect theory that
shows how contemporary interest in Rhys correlates with the recent ‘affective turn’ in the
social sciences and humanities. As this collection shows, strangely haunting and deeply
unsettling, Rhys’s portraits of dispossessed women living in the early and late twentieth
century continue to trouble easy conceptualisations and critical
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