British theatre and performance: 1900 - 1950
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Bloomsbury Methuen Drama
2015
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Critical companions
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | VII, 339 S. |
| ISBN: | 9781408165652 9781408174920 |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS
Acknowledgements viii
Introduction 1
1 The Edwardian Theatre 11
Introduction 11
The Edwardian theatre 12
Popular genres 17
New theatrical forms 28
Censorship and the rise of the new theatres 32
Social drama 34
Suffrage drama 45
Regional and repertory theatre 48
Conclusion 55
2 First World War Theatre 59
Introduction 59
Theatre during the war 60
Propaganda and censorship 62
Popular genres 63
Patriotic plays 70
Anti-war plays 75
Theatre and the services 78
Women and war 84
Staging social change 85
Shakespeare and war 88
Conclusion 91
3 Interwar Theatre 95
Introduction 95
Inter war entertainment 97
‘Little’, amateur and regional theatres 98
Experiments in drama 104
Contents
The rise of commercial theatre 111
Dramatising the first world war 117
Shifting social and sexual mores 131
Images of England 141
Conclusion 146
4 Second World War Theatre and After 149
Introduction 149
Wartime conditions 150
Troop entertainment 153
CEMA 158
Touring theatre 161
Community theatre and theatre in education 165
Repertory and regional theatre 167
Popular genres 171
Responses to war 174
The Holocaust and nuclear war 177
Political plays 181
Reinscribing national identity 184
Radio and television 187
Refugee theatre 189
Post-war Britain 191
Post-war theatre 192
Conclusion 197
5 ‘Producing the Scene’: The Evolution of the Director
in British Theatre 1900-50 by Claire Cochrane 199
Origins and obstacles 201
The director in the regions 203
Directing women 207
The Oxbridge factor 210
6 ‘Masculine Women and Effeminate Men’: Gender and
Sexuality on the Modernist Stage by Penny Farfan 213
7 Staging Hitler, Not Staging Hitler by Steve Nicholson 223
Introduction 223
1933-4 224
1935-7 226
1938-9 228
vi
Contents
Conclusion 241
Chronology 247
Notes 261
Bibliography 295
Notes on Contributors 317
Index 319
VII
British theatre from 1900 to 1950 has been subject to
radical re-evaluation with plays from the period setting
theatres alight and gaining critical acclaim once again;
this book explains why, presenting a comprehensive
survey of the theatre and how it shaped the work
that followed.
Rebecca D Monte examines how the emphasis upon
the working class, angry drama from the 1950s has led to the neglect
of much of the century s earlier drama, positioning the book as part of
the current debate about the relationship between war and culture, the
middlebrow, and historiography. For anyone studying twentieth-century
British drama, this will prove a foundational text.
In a comprehensive survey of the period, the book considers:
• the Edwardian theatre;
• the theatre of the First World War, including propaganda and musicals;
• the interwar years, the rise of political theatre and the influence
of Modernism;
• the theatre of the Second World War and post-war era.
The volume shows the variety of theatrical experience, the links between
text and context, and provides an understanding of the developments
in theatre and staging. Essays from leading scholars Claire Cochrane,
Penny Farfan and Steve Nicholson give further critical perspectives on
the period s theatre and demonstrate its relevance to the drama of today.
|
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| era | Geschichte 1900-2000 Geschichte 1900-1950 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1900-1950 |
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| title | British theatre and performance 1900 - 1950 |
| title_auth | British theatre and performance 1900 - 1950 |
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