Franz Lehár oder das schlechte Gewissen der leichten Musik:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | German |
| Veröffentlicht: |
Berlin
De Gruyter
1995
|
| Schriftenreihe: | Theatron
12 |
| Schlagworte: | |
| Online-Zugang: | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-739 Volltext |
| Beschreibung: | Includes bibliographical references (pages 217-224). - Originally presented as the author's thesis (doctoral)--Universität Heidelberg, 1993 Main description: Franz Lehár (1870-1948), 'the composer most frequently performed within his own lifetime', still represents an unresolved dilemma for the historiography of music. In terms of modernism his music is of significance as a negative contrast to the products of the avant-garde, a significance largely bound up with the implications of operetta on the plane of cultural sociology within the general aesthetic context of the 20th century. Thus the question posed by operetta has little to do with aesthetic evaluation and a great deal to do with historical content. If, as Adorno suggests, "art for entertainment purposes is in social terms the guilty conscience of its serious counterpart", then Lehár's operettas, hitherto neglected by musicologists as not warranting serious attention, would in fact demand to be taken seriously as the aesthetic guilty conscience of light music Main description: Franz Lehár (1870-1948), der innerhalb seiner Lebensgrenzen am meisten aufgeführte Komponist aller Zeiten, stellt noch immer ein unbewältigtes Kapitel der Musikgeschichte dar. Als negatives Phänomen der Moderne gewinnt sein Werk gerade im Kontrast zur Avantgarde Bedeutung, deren kultursoziologische Dimension die Operette in den großen ästhetischen Kontext des 20. Jahrhunderts stellt. Nicht ihre ästhetische Bewertung steht somit zur Debatte, sondern ihr historischer Gehalt. Ist, nach Adorno, "die leichte Kunst das gesellschaftlich schlechte Gewissen der ernsten", so wäre Lehárs Operette als schlechtes Gewissen der leichten Musik ernstgenommen, für Wissenschaft und Bühne neu zu entdecken |
| Beschreibung: | 1 Online-Ressource (XIII, 224 S.) |
| ISBN: | 9783110935141 9783111825526 |
Internformat
MARC
| LEADER | 00000nam a2200000zcb4500 | ||
|---|---|---|---|
| 001 | BV042354838 | ||
| 003 | DE-604 | ||
| 005 | 20160614 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 150212s1995 xx o|||| 00||| ger d | ||
| 020 | |a 9783110935141 |9 978-3-11-093514-1 | ||
| 020 | |a 9783110935141 |9 978-3-11-093514-1 | ||
| 020 | |a 9783111825526 |9 978-3-11-182552-6 | ||
| 035 | |a (OCoLC)853236798 | ||
| 035 | |a (DE-599)BVBBV042354838 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a ger | |
| 049 | |a DE-859 |a DE-860 |a DE-739 |a DE-1046 |a DE-1043 |a DE-858 | ||
| 082 | 0 | |a 782.1/092 | |
| 084 | |a LP 93050 |0 (DE-625)108469: |2 rvk | ||
| 084 | |a LR 54180 |0 (DE-625)109647:13528 |2 rvk | ||
| 100 | 1 | |a Frey, Stefan |d 1962- |e Verfasser |0 (DE-588)143241818 |4 aut | |
| 245 | 1 | 0 | |a Franz Lehár oder das schlechte Gewissen der leichten Musik |
| 246 | 1 | 3 | |a Franz Lehár or The Guilty Conscience of Light Music |
| 264 | 1 | |a Berlin |b De Gruyter |c 1995 | |
| 300 | |a 1 Online-Ressource (XIII, 224 S.) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Theatron |v 12 | |
| 500 | |a Includes bibliographical references (pages 217-224). - Originally presented as the author's thesis (doctoral)--Universität Heidelberg, 1993 | ||
| 500 | |a Main description: Franz Lehár (1870-1948), 'the composer most frequently performed within his own lifetime', still represents an unresolved dilemma for the historiography of music. In terms of modernism his music is of significance as a negative contrast to the products of the avant-garde, a significance largely bound up with the implications of operetta on the plane of cultural sociology within the general aesthetic context of the 20th century. Thus the question posed by operetta has little to do with aesthetic evaluation and a great deal to do with historical content. If, as Adorno suggests, "art for entertainment purposes is in social terms the guilty conscience of its serious counterpart", then Lehár's operettas, hitherto neglected by musicologists as not warranting serious attention, would in fact demand to be taken seriously as the aesthetic guilty conscience of light music | ||
| 500 | |a Main description: Franz Lehár (1870-1948), der innerhalb seiner Lebensgrenzen am meisten aufgeführte Komponist aller Zeiten, stellt noch immer ein unbewältigtes Kapitel der Musikgeschichte dar. Als negatives Phänomen der Moderne gewinnt sein Werk gerade im Kontrast zur Avantgarde Bedeutung, deren kultursoziologische Dimension die Operette in den großen ästhetischen Kontext des 20. Jahrhunderts stellt. Nicht ihre ästhetische Bewertung steht somit zur Debatte, sondern ihr historischer Gehalt. Ist, nach Adorno, "die leichte Kunst das gesellschaftlich schlechte Gewissen der ernsten", so wäre Lehárs Operette als schlechtes Gewissen der leichten Musik ernstgenommen, für Wissenschaft und Bühne neu zu entdecken | ||
| 600 | 1 | 4 | |a Lehár, Franz |d 1870-1948 |x Criticism and interpretation |
| 600 | 1 | 7 | |a Lehár, Franz |d 1870-1948 |0 (DE-588)118571036 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Operette |0 (DE-588)4043602-0 |2 gnd |9 rswk-swf |
| 653 | |a Electronic books | ||
| 655 | 7 | |8 1\p |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
| 689 | 0 | 0 | |a Lehár, Franz |d 1870-1948 |0 (DE-588)118571036 |D p |
| 689 | 0 | 1 | |a Operette |0 (DE-588)4043602-0 |D s |
| 689 | 0 | |8 2\p |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druckausgabe |z 978-3-484-66012-0 |
| 856 | 4 | 0 | |u http://www.degruyter.com/search?f_0=isbnissn&q_0=9783110935141&searchTitles=true |x Verlag |3 Volltext |
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 2\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 912 | |a ZDB-23-DGG | ||
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-027791319 | |
| 966 | e | |u http://www.degruyter.com/search?f_0=isbnissn&q_0=9783110935141&searchTitles=true |l DE-1043 |p ZDB-23-DGG |x Verlag |3 Volltext | |
| 966 | e | |u http://www.degruyter.com/search?f_0=isbnissn&q_0=9783110935141&searchTitles=true |l DE-1046 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u http://www.degruyter.com/search?f_0=isbnissn&q_0=9783110935141&searchTitles=true |l DE-858 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u http://www.degruyter.com/search?f_0=isbnissn&q_0=9783110935141&searchTitles=true |l DE-859 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u http://www.degruyter.com/search?f_0=isbnissn&q_0=9783110935141&searchTitles=true |l DE-860 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u http://www.degruyter.com/search?f_0=isbnissn&q_0=9783110935141&searchTitles=true |l DE-739 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1824508560522870784 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Frey, Stefan 1962- |
| author_GND | (DE-588)143241818 |
| author_facet | Frey, Stefan 1962- |
| author_role | aut |
| author_sort | Frey, Stefan 1962- |
| author_variant | s f sf |
| building | Verbundindex |
| bvnumber | BV042354838 |
| classification_rvk | LP 93050 LR 54180 |
| collection | ZDB-23-DGG |
| ctrlnum | (OCoLC)853236798 (DE-599)BVBBV042354838 |
| dewey-full | 782.1/092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.1/092 |
| dewey-search | 782.1/092 |
| dewey-sort | 3782.1 292 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zcb4500</leader><controlfield tag="001">BV042354838</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20160614</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">150212s1995 xx o|||| 00||| ger d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783110935141</subfield><subfield code="9">978-3-11-093514-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783110935141</subfield><subfield code="9">978-3-11-093514-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783111825526</subfield><subfield code="9">978-3-11-182552-6</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)853236798</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV042354838</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">ger</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-1043</subfield><subfield code="a">DE-858</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">782.1/092</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LP 93050</subfield><subfield code="0">(DE-625)108469:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 54180</subfield><subfield code="0">(DE-625)109647:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Frey, Stefan</subfield><subfield code="d">1962-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)143241818</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Franz Lehár oder das schlechte Gewissen der leichten Musik</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Franz Lehár or The Guilty Conscience of Light Music</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Berlin</subfield><subfield code="b">De Gruyter</subfield><subfield code="c">1995</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (XIII, 224 S.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Theatron</subfield><subfield code="v">12</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (pages 217-224). - Originally presented as the author's thesis (doctoral)--Universität Heidelberg, 1993</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Main description: Franz Lehár (1870-1948), 'the composer most frequently performed within his own lifetime', still represents an unresolved dilemma for the historiography of music. In terms of modernism his music is of significance as a negative contrast to the products of the avant-garde, a significance largely bound up with the implications of operetta on the plane of cultural sociology within the general aesthetic context of the 20th century. Thus the question posed by operetta has little to do with aesthetic evaluation and a great deal to do with historical content. If, as Adorno suggests, "art for entertainment purposes is in social terms the guilty conscience of its serious counterpart", then Lehár's operettas, hitherto neglected by musicologists as not warranting serious attention, would in fact demand to be taken seriously as the aesthetic guilty conscience of light music</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Main description: Franz Lehár (1870-1948), der innerhalb seiner Lebensgrenzen am meisten aufgeführte Komponist aller Zeiten, stellt noch immer ein unbewältigtes Kapitel der Musikgeschichte dar. Als negatives Phänomen der Moderne gewinnt sein Werk gerade im Kontrast zur Avantgarde Bedeutung, deren kultursoziologische Dimension die Operette in den großen ästhetischen Kontext des 20. Jahrhunderts stellt. Nicht ihre ästhetische Bewertung steht somit zur Debatte, sondern ihr historischer Gehalt. Ist, nach Adorno, "die leichte Kunst das gesellschaftlich schlechte Gewissen der ernsten", so wäre Lehárs Operette als schlechtes Gewissen der leichten Musik ernstgenommen, für Wissenschaft und Bühne neu zu entdecken</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Lehár, Franz</subfield><subfield code="d">1870-1948</subfield><subfield code="x">Criticism and interpretation</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Lehár, Franz</subfield><subfield code="d">1870-1948</subfield><subfield code="0">(DE-588)118571036</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Operette</subfield><subfield code="0">(DE-588)4043602-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Electronic books</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="8">1\p</subfield><subfield code="0">(DE-588)4113937-9</subfield><subfield code="a">Hochschulschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Lehár, Franz</subfield><subfield code="d">1870-1948</subfield><subfield code="0">(DE-588)118571036</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Operette</subfield><subfield code="0">(DE-588)4043602-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">2\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druckausgabe</subfield><subfield code="z">978-3-484-66012-0</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://www.degruyter.com/search?f_0=isbnissn&q_0=9783110935141&searchTitles=true</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-027791319</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://www.degruyter.com/search?f_0=isbnissn&q_0=9783110935141&searchTitles=true</subfield><subfield code="l">DE-1043</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://www.degruyter.com/search?f_0=isbnissn&q_0=9783110935141&searchTitles=true</subfield><subfield code="l">DE-1046</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://www.degruyter.com/search?f_0=isbnissn&q_0=9783110935141&searchTitles=true</subfield><subfield code="l">DE-858</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://www.degruyter.com/search?f_0=isbnissn&q_0=9783110935141&searchTitles=true</subfield><subfield code="l">DE-859</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://www.degruyter.com/search?f_0=isbnissn&q_0=9783110935141&searchTitles=true</subfield><subfield code="l">DE-860</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://www.degruyter.com/search?f_0=isbnissn&q_0=9783110935141&searchTitles=true</subfield><subfield code="l">DE-739</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| genre | 1\p (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| id | DE-604.BV042354838 |
| illustrated | Not Illustrated |
| indexdate | 2025-02-19T17:42:34Z |
| institution | BVB |
| isbn | 9783110935141 9783111825526 |
| language | German |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027791319 |
| oclc_num | 853236798 |
| open_access_boolean | |
| owner | DE-859 DE-860 DE-739 DE-1046 DE-1043 DE-858 |
| owner_facet | DE-859 DE-860 DE-739 DE-1046 DE-1043 DE-858 |
| physical | 1 Online-Ressource (XIII, 224 S.) |
| psigel | ZDB-23-DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UPA_PDA_DGG |
| publishDate | 1995 |
| publishDateSearch | 1995 |
| publishDateSort | 1995 |
| publisher | De Gruyter |
| record_format | marc |
| series2 | Theatron |
| spelling | Frey, Stefan 1962- Verfasser (DE-588)143241818 aut Franz Lehár oder das schlechte Gewissen der leichten Musik Franz Lehár or The Guilty Conscience of Light Music Berlin De Gruyter 1995 1 Online-Ressource (XIII, 224 S.) txt rdacontent c rdamedia cr rdacarrier Theatron 12 Includes bibliographical references (pages 217-224). - Originally presented as the author's thesis (doctoral)--Universität Heidelberg, 1993 Main description: Franz Lehár (1870-1948), 'the composer most frequently performed within his own lifetime', still represents an unresolved dilemma for the historiography of music. In terms of modernism his music is of significance as a negative contrast to the products of the avant-garde, a significance largely bound up with the implications of operetta on the plane of cultural sociology within the general aesthetic context of the 20th century. Thus the question posed by operetta has little to do with aesthetic evaluation and a great deal to do with historical content. If, as Adorno suggests, "art for entertainment purposes is in social terms the guilty conscience of its serious counterpart", then Lehár's operettas, hitherto neglected by musicologists as not warranting serious attention, would in fact demand to be taken seriously as the aesthetic guilty conscience of light music Main description: Franz Lehár (1870-1948), der innerhalb seiner Lebensgrenzen am meisten aufgeführte Komponist aller Zeiten, stellt noch immer ein unbewältigtes Kapitel der Musikgeschichte dar. Als negatives Phänomen der Moderne gewinnt sein Werk gerade im Kontrast zur Avantgarde Bedeutung, deren kultursoziologische Dimension die Operette in den großen ästhetischen Kontext des 20. Jahrhunderts stellt. Nicht ihre ästhetische Bewertung steht somit zur Debatte, sondern ihr historischer Gehalt. Ist, nach Adorno, "die leichte Kunst das gesellschaftlich schlechte Gewissen der ernsten", so wäre Lehárs Operette als schlechtes Gewissen der leichten Musik ernstgenommen, für Wissenschaft und Bühne neu zu entdecken Lehár, Franz 1870-1948 Criticism and interpretation Lehár, Franz 1870-1948 (DE-588)118571036 gnd rswk-swf Operette (DE-588)4043602-0 gnd rswk-swf Electronic books 1\p (DE-588)4113937-9 Hochschulschrift gnd-content Lehár, Franz 1870-1948 (DE-588)118571036 p Operette (DE-588)4043602-0 s 2\p DE-604 Erscheint auch als Druckausgabe 978-3-484-66012-0 http://www.degruyter.com/search?f_0=isbnissn&q_0=9783110935141&searchTitles=true Verlag Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Frey, Stefan 1962- Franz Lehár oder das schlechte Gewissen der leichten Musik Lehár, Franz 1870-1948 Criticism and interpretation Lehár, Franz 1870-1948 (DE-588)118571036 gnd Operette (DE-588)4043602-0 gnd |
| subject_GND | (DE-588)118571036 (DE-588)4043602-0 (DE-588)4113937-9 |
| title | Franz Lehár oder das schlechte Gewissen der leichten Musik |
| title_alt | Franz Lehár or The Guilty Conscience of Light Music |
| title_auth | Franz Lehár oder das schlechte Gewissen der leichten Musik |
| title_exact_search | Franz Lehár oder das schlechte Gewissen der leichten Musik |
| title_full | Franz Lehár oder das schlechte Gewissen der leichten Musik |
| title_fullStr | Franz Lehár oder das schlechte Gewissen der leichten Musik |
| title_full_unstemmed | Franz Lehár oder das schlechte Gewissen der leichten Musik |
| title_short | Franz Lehár oder das schlechte Gewissen der leichten Musik |
| title_sort | franz lehar oder das schlechte gewissen der leichten musik |
| topic | Lehár, Franz 1870-1948 Criticism and interpretation Lehár, Franz 1870-1948 (DE-588)118571036 gnd Operette (DE-588)4043602-0 gnd |
| topic_facet | Lehár, Franz 1870-1948 Criticism and interpretation Lehár, Franz 1870-1948 Operette Hochschulschrift |
| url | http://www.degruyter.com/search?f_0=isbnissn&q_0=9783110935141&searchTitles=true |
| work_keys_str_mv | AT freystefan franzleharoderdasschlechtegewissenderleichtenmusik AT freystefan franzleharortheguiltyconscienceoflightmusic |