Elegy for theory:
Rhetorically charged debates over theory have divided humanities scholars for decades. D. N. Rodowick steps back from arguments pro and con to assess why theory has become such a deeply contested concept. Far from lobbying for a return to the "high theory" of the 1980s, he calls for dialog...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, Mass. [u.a.]
Harvard Univ. Press
2014
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 FUBA1 UPA01 Volltext |
| Zusammenfassung: | Rhetorically charged debates over theory have divided humanities scholars for decades. D. N. Rodowick steps back from arguments pro and con to assess why theory has become such a deeply contested concept. Far from lobbying for a return to the "high theory" of the 1980s, he calls for dialogue on an ethically inflected philosophy of the humanities |
| Beschreibung: | 1 Online-Ressource (XV, 281 S.) Ill. |
| ISBN: | 9780674726086 |
| DOI: | 10.4159/harvard.9780674726086 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV042345567 | ||
| 003 | DE-604 | ||
| 005 | 20200406 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 150212s2014 |||| o||u| ||||||eng d | ||
| 020 | |a 9780674726086 |c Online |9 978-0-674-72608-6 | ||
| 024 | 7 | |a 10.4159/harvard.9780674726086 |2 doi | |
| 035 | |a (OCoLC)867050098 | ||
| 035 | |a (DE-599)BVBBV042345567 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-859 |a DE-860 |a DE-Aug4 |a DE-739 |a DE-1046 |a DE-188 |a DE-1043 |a DE-858 | ||
| 082 | 0 | |a 791.4301 | |
| 084 | |a AP 45000 |0 (DE-625)7518: |2 rvk | ||
| 100 | 1 | |a Rodowick, David Norman |d 1952- |e Verfasser |0 (DE-588)138505691 |4 aut | |
| 245 | 1 | 0 | |a Elegy for theory |c D. N. Rodowick |
| 264 | 1 | |a Cambridge, Mass. [u.a.] |b Harvard Univ. Press |c 2014 | |
| 300 | |a 1 Online-Ressource (XV, 281 S.) |b Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 520 | |a Rhetorically charged debates over theory have divided humanities scholars for decades. D. N. Rodowick steps back from arguments pro and con to assess why theory has become such a deeply contested concept. Far from lobbying for a return to the "high theory" of the 1980s, he calls for dialogue on an ethically inflected philosophy of the humanities | ||
| 650 | 4 | |a Motion pictures / Philosophy | |
| 650 | 7 | |a PERFORMING ARTS / Reference |2 bisacsh | |
| 650 | 4 | |a Film | |
| 650 | 4 | |a Philosophie | |
| 650 | 4 | |a Öffentliche Darbietungen, Film, Rundfunk | |
| 650 | 0 | 7 | |a Ästhetik |0 (DE-588)4000626-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Filmtheorie |0 (DE-588)4071216-3 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Filmtheorie |0 (DE-588)4071216-3 |D s |
| 689 | 0 | 1 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-0-674-04669-6 |
| 856 | 4 | 0 | |u https://doi.org/10.4159/harvard.9780674726086 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-027782048 | ||
| 966 | e | |u https://doi.org/10.4159/harvard.9780674726086 |l FAB01 |p ZDB-23-DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.4159/harvard.9780674726086 |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.4159/harvard.9780674726086 |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.4159/harvard.9780674726086 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.4159/harvard.9780674726086 |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.4159/harvard.9780674726086 |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.4159/harvard.9780674726086 |l FUBA1 |p ZDB-23-DGG |q ZDB-23-DGG Kauf 2013 |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.4159/harvard.9780674726086 |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804152959764791296 |
|---|---|
| any_adam_object | |
| author | Rodowick, David Norman 1952- |
| author_GND | (DE-588)138505691 |
| author_facet | Rodowick, David Norman 1952- |
| author_role | aut |
| author_sort | Rodowick, David Norman 1952- |
| author_variant | d n r dn dnr |
| building | Verbundindex |
| bvnumber | BV042345567 |
| classification_rvk | AP 45000 |
| collection | ZDB-23-DGG |
| ctrlnum | (OCoLC)867050098 (DE-599)BVBBV042345567 |
| dewey-full | 791.4301 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4301 |
| dewey-search | 791.4301 |
| dewey-sort | 3791.4301 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| doi_str_mv | 10.4159/harvard.9780674726086 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02870nmm a2200553zc 4500</leader><controlfield tag="001">BV042345567</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20200406 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">150212s2014 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780674726086</subfield><subfield code="c">Online</subfield><subfield code="9">978-0-674-72608-6</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.4159/harvard.9780674726086</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)867050098</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV042345567</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-188</subfield><subfield code="a">DE-1043</subfield><subfield code="a">DE-858</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.4301</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 45000</subfield><subfield code="0">(DE-625)7518:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Rodowick, David Norman</subfield><subfield code="d">1952-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)138505691</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Elegy for theory</subfield><subfield code="c">D. N. Rodowick</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge, Mass. [u.a.]</subfield><subfield code="b">Harvard Univ. Press</subfield><subfield code="c">2014</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (XV, 281 S.)</subfield><subfield code="b">Ill.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Rhetorically charged debates over theory have divided humanities scholars for decades. D. N. Rodowick steps back from arguments pro and con to assess why theory has become such a deeply contested concept. Far from lobbying for a return to the "high theory" of the 1980s, he calls for dialogue on an ethically inflected philosophy of the humanities</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures / Philosophy</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Reference</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Philosophie</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Öffentliche Darbietungen, Film, Rundfunk</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Filmtheorie</subfield><subfield code="0">(DE-588)4071216-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Filmtheorie</subfield><subfield code="0">(DE-588)4071216-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-0-674-04669-6</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.4159/harvard.9780674726086</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-027782048</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.4159/harvard.9780674726086</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.4159/harvard.9780674726086</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.4159/harvard.9780674726086</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.4159/harvard.9780674726086</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.4159/harvard.9780674726086</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.4159/harvard.9780674726086</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.4159/harvard.9780674726086</subfield><subfield code="l">FUBA1</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">ZDB-23-DGG Kauf 2013</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.4159/harvard.9780674726086</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV042345567 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T01:19:00Z |
| institution | BVB |
| isbn | 9780674726086 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027782048 |
| oclc_num | 867050098 |
| open_access_boolean | |
| owner | DE-859 DE-860 DE-Aug4 DE-739 DE-1046 DE-188 DE-1043 DE-858 |
| owner_facet | DE-859 DE-860 DE-Aug4 DE-739 DE-1046 DE-188 DE-1043 DE-858 |
| physical | 1 Online-Ressource (XV, 281 S.) Ill. |
| psigel | ZDB-23-DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG ZDB-23-DGG Kauf 2013 ZDB-23-DGG UPA_PDA_DGG |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Harvard Univ. Press |
| record_format | marc |
| spelling | Rodowick, David Norman 1952- Verfasser (DE-588)138505691 aut Elegy for theory D. N. Rodowick Cambridge, Mass. [u.a.] Harvard Univ. Press 2014 1 Online-Ressource (XV, 281 S.) Ill. txt rdacontent c rdamedia cr rdacarrier Rhetorically charged debates over theory have divided humanities scholars for decades. D. N. Rodowick steps back from arguments pro and con to assess why theory has become such a deeply contested concept. Far from lobbying for a return to the "high theory" of the 1980s, he calls for dialogue on an ethically inflected philosophy of the humanities Motion pictures / Philosophy PERFORMING ARTS / Reference bisacsh Film Philosophie Öffentliche Darbietungen, Film, Rundfunk Ästhetik (DE-588)4000626-8 gnd rswk-swf Filmtheorie (DE-588)4071216-3 gnd rswk-swf Filmtheorie (DE-588)4071216-3 s Ästhetik (DE-588)4000626-8 s DE-604 Erscheint auch als Druck-Ausgabe 978-0-674-04669-6 https://doi.org/10.4159/harvard.9780674726086 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Rodowick, David Norman 1952- Elegy for theory Motion pictures / Philosophy PERFORMING ARTS / Reference bisacsh Film Philosophie Öffentliche Darbietungen, Film, Rundfunk Ästhetik (DE-588)4000626-8 gnd Filmtheorie (DE-588)4071216-3 gnd |
| subject_GND | (DE-588)4000626-8 (DE-588)4071216-3 |
| title | Elegy for theory |
| title_auth | Elegy for theory |
| title_exact_search | Elegy for theory |
| title_full | Elegy for theory D. N. Rodowick |
| title_fullStr | Elegy for theory D. N. Rodowick |
| title_full_unstemmed | Elegy for theory D. N. Rodowick |
| title_short | Elegy for theory |
| title_sort | elegy for theory |
| topic | Motion pictures / Philosophy PERFORMING ARTS / Reference bisacsh Film Philosophie Öffentliche Darbietungen, Film, Rundfunk Ästhetik (DE-588)4000626-8 gnd Filmtheorie (DE-588)4071216-3 gnd |
| topic_facet | Motion pictures / Philosophy PERFORMING ARTS / Reference Film Philosophie Öffentliche Darbietungen, Film, Rundfunk Ästhetik Filmtheorie |
| url | https://doi.org/10.4159/harvard.9780674726086 |
| work_keys_str_mv | AT rodowickdavidnorman elegyfortheory |