Costly Monuments: Representations of the Self in George Herbert's Poetry
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, Mass.
Harvard University Press
[1982]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
| Beschreibung: | Harman begins by surveying the critical tradition on Herbert's work in our century--from George Herbert Palmer to Stanley Fish. In this penetrating assessment Harman explores the relationship between critical practice and belief In recent years George Herbert's poetry has been analyzed by some of our most distinguished literary critics. Offering close readings of central poems, and insights derived from contemporary literary theory, Barbara Harman takes her place in their company. She begins by surveying the critical tradition on Herbert's work in our century--from George Herbert Palmer to Stanley Fish. In this penetrating assessment Harman explores the relationship between critical practice and belief. The impulse toward self-representation is, she argues, a powerful one in Herbert's work, and it is also an impulse thwarted and redesigned in extraordinary ways. In poems Harman calls fictions of coherence and "chronicles of dissolution," speakers both protect and dismantle their own narratives, and because they do they raise questions about the values we attach to stories and about the difficulties we undergo when stories fail to represent us in traditional ways |
| Beschreibung: | 1 Online-Ressource (x,225p.) |
| ISBN: | 9780674497337 |
| DOI: | 10.4159/harvard.9780674497337 |
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Datensatz im Suchindex
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| author | Harman, Barbara Leah |
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| dewey-full | 821/.3 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 821 - English poetry |
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| dewey-search | 821/.3 |
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| discipline | Anglistik / Amerikanistik |
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| indexdate | 2024-07-10T01:18:59Z |
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| isbn | 9780674497337 |
| language | English |
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| spelling | Harman, Barbara Leah Verfasser aut Costly Monuments Representations of the Self in George Herbert's Poetry Barbara Leah Harman Cambridge, Mass. Harvard University Press [1982] 1 Online-Ressource (x,225p.) txt rdacontent c rdamedia cr rdacarrier Harman begins by surveying the critical tradition on Herbert's work in our century--from George Herbert Palmer to Stanley Fish. In this penetrating assessment Harman explores the relationship between critical practice and belief In recent years George Herbert's poetry has been analyzed by some of our most distinguished literary critics. Offering close readings of central poems, and insights derived from contemporary literary theory, Barbara Harman takes her place in their company. She begins by surveying the critical tradition on Herbert's work in our century--from George Herbert Palmer to Stanley Fish. In this penetrating assessment Harman explores the relationship between critical practice and belief. The impulse toward self-representation is, she argues, a powerful one in Herbert's work, and it is also an impulse thwarted and redesigned in extraordinary ways. In poems Harman calls fictions of coherence and "chronicles of dissolution," speakers both protect and dismantle their own narratives, and because they do they raise questions about the values we attach to stories and about the difficulties we undergo when stories fail to represent us in traditional ways In English Herbert, George 1593-1633 (DE-588)118549499 gnd rswk-swf Christian poetry, English / Early modern, 1500-1700 / History and criticism Poetry / Psychological aspects Christian poetry, English / Early modern Psychologie Englische Literatur Self in literature Lyrisches Ich (DE-588)4126561-0 gnd rswk-swf Herbert, George 1593-1633 (DE-588)118549499 p Lyrisches Ich (DE-588)4126561-0 s 1\p DE-604 Erscheint auch als Druckausgabe 978-0-674-49732-0 https://doi.org/10.4159/harvard.9780674497337 Verlag Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Harman, Barbara Leah Costly Monuments Representations of the Self in George Herbert's Poetry Herbert, George 1593-1633 (DE-588)118549499 gnd Christian poetry, English / Early modern, 1500-1700 / History and criticism Poetry / Psychological aspects Christian poetry, English / Early modern Psychologie Englische Literatur Self in literature Lyrisches Ich (DE-588)4126561-0 gnd |
| subject_GND | (DE-588)118549499 (DE-588)4126561-0 |
| title | Costly Monuments Representations of the Self in George Herbert's Poetry |
| title_auth | Costly Monuments Representations of the Self in George Herbert's Poetry |
| title_exact_search | Costly Monuments Representations of the Self in George Herbert's Poetry |
| title_full | Costly Monuments Representations of the Self in George Herbert's Poetry Barbara Leah Harman |
| title_fullStr | Costly Monuments Representations of the Self in George Herbert's Poetry Barbara Leah Harman |
| title_full_unstemmed | Costly Monuments Representations of the Self in George Herbert's Poetry Barbara Leah Harman |
| title_short | Costly Monuments |
| title_sort | costly monuments representations of the self in george herbert s poetry |
| title_sub | Representations of the Self in George Herbert's Poetry |
| topic | Herbert, George 1593-1633 (DE-588)118549499 gnd Christian poetry, English / Early modern, 1500-1700 / History and criticism Poetry / Psychological aspects Christian poetry, English / Early modern Psychologie Englische Literatur Self in literature Lyrisches Ich (DE-588)4126561-0 gnd |
| topic_facet | Herbert, George 1593-1633 Christian poetry, English / Early modern, 1500-1700 / History and criticism Poetry / Psychological aspects Christian poetry, English / Early modern Psychologie Englische Literatur Self in literature Lyrisches Ich |
| url | https://doi.org/10.4159/harvard.9780674497337 |
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