Pyramids at the Louvre: Music, Culture, and Collage from Stravinsky to the Postmodernists
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, Mass.
Harvard University Press
[1994]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Beschreibung: | Num. figs A pyramid in front of the Louvre. Buffalo Bill's Wild West Show and The Rite of Spring. Schoenberg and Shirley Temple. Just as the odd juxtapositions of Modernism produced a new way of seeing, so now collage, in the hands of Glenn Watkins, offers a new perspective on the art of our age. A rich and revealing picture of twentieth-century music and the arts, Watkins' work shows us what our present Postmodern aesthetic owes to our Modernist past. Behind the many guises of Modernism we find an appetite for opposing impulses: the exotic and the home-grown, high and low, black and white, the passionate and the cool, the cerebral and the instinctive. Watkins shows us these oppositions at play in the music of Stravinsky and Ravel, Debussy and Schoenberg, Ives, Satie, Hindemith, Ellington, and Gershwin, in the art of Picasso and the Cubists, Cocteau, Léger, Brancusi and Noguchi, in the anthologies of Nancy Cunard and Main Locke, in the ballet companies of Sergei Diaghilev and Rolf de Math, and in the performances of josephine Baker. Throughout, collage asserts its power to enlighten through juxtaposition, resist resolution, sponsor pluralism, and promote understanding of an order that eludes all edicts. The masks of Oskar Schlemmer, of japanese No drama, and of the commedia dell'arte, the mythologies attendant to the retrieval of folk traditions and the emergence of jazz, and the mass relocation of artists in a time of war-all have a place in this depiction and assessment of the legacy of Modernism. A heady exploration of questions surrounding Primitivism, Orientalism, and technology as they surface at either end of our century, this book exposes the millennial preoccupations mutually invested in our search for "first times" and our convictions about "the end of culture" |
| Beschreibung: | 1 Online-Ressource (ix,571p.) |
| ISBN: | 9780674437418 9780674437425 |
| DOI: | 10.4159/harvard.9780674437418 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV042345030 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 150212s1994 |||| o||u| ||||||eng d | ||
| 020 | |a 9780674437418 |9 978-0-674-43741-8 | ||
| 020 | |a 9780674437425 |c Print |9 978-0-674-43742-5 | ||
| 024 | 7 | |a 10.4159/harvard.9780674437418 |2 doi | |
| 035 | |a (OCoLC)681223719 | ||
| 035 | |a (DE-599)BVBBV042345030 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-Y3 |a DE-Y2 |a DE-859 |a DE-860 |a DE-473 |a DE-Aug4 |a DE-739 |a DE-1046 |a DE-1043 |a DE-858 | ||
| 082 | 0 | |a 780/.9/04 | |
| 100 | 1 | |a Watkins, Glenn |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Pyramids at the Louvre |b Music, Culture, and Collage from Stravinsky to the Postmodernists |c Glenn Watkins |
| 264 | 1 | |a Cambridge, Mass. |b Harvard University Press |c [1994] | |
| 300 | |a 1 Online-Ressource (ix,571p.) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Num. figs | ||
| 500 | |a A pyramid in front of the Louvre. Buffalo Bill's Wild West Show and The Rite of Spring. Schoenberg and Shirley Temple. Just as the odd juxtapositions of Modernism produced a new way of seeing, so now collage, in the hands of Glenn Watkins, offers a new perspective on the art of our age. A rich and revealing picture of twentieth-century music and the arts, Watkins' work shows us what our present Postmodern aesthetic owes to our Modernist past. Behind the many guises of Modernism we find an appetite for opposing impulses: the exotic and the home-grown, high and low, black and white, the passionate and the cool, the cerebral and the instinctive. Watkins shows us these oppositions at play in the music of Stravinsky and Ravel, Debussy and Schoenberg, Ives, Satie, Hindemith, Ellington, and Gershwin, in the art of Picasso and the Cubists, Cocteau, Léger, Brancusi and Noguchi, in the anthologies of Nancy Cunard and Main Locke, in the ballet companies of Sergei Diaghilev and Rolf de Math, and in the performances of josephine Baker. Throughout, collage asserts its power to enlighten through juxtaposition, resist resolution, sponsor pluralism, and promote understanding of an order that eludes all edicts. The masks of Oskar Schlemmer, of japanese No drama, and of the commedia dell'arte, the mythologies attendant to the retrieval of folk traditions and the emergence of jazz, and the mass relocation of artists in a time of war-all have a place in this depiction and assessment of the legacy of Modernism. A heady exploration of questions surrounding Primitivism, Orientalism, and technology as they surface at either end of our century, this book exposes the millennial preoccupations mutually invested in our search for "first times" and our convictions about "the end of culture" | ||
| 546 | |a In English | ||
| 648 | 4 | |a Geschichte 1900-2000 | |
| 648 | 7 | |a Geschichte 1900-1930 |2 gnd |9 rswk-swf | |
| 648 | 7 | |a Geschichte 1900-2000 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Music / 20th century / History and criticism | |
| 650 | 4 | |a Music / Philosophy and aesthetics | |
| 650 | 4 | |a Musique / 20e siècle / Histoire et critique | |
| 650 | 4 | |a Musique / 20e siècle / Philosophie et esthétique | |
| 650 | 4 | |a Musique / Philosophie et esthétique | |
| 650 | 4 | |a Arts / 20e siècle | |
| 650 | 4 | |a Music / Instruction and study | |
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Postmoderne | |
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Art and music | |
| 650 | 4 | |a Art et musique | |
| 650 | 4 | |a Muziek | |
| 650 | 4 | |a Modernisme (cultuur) | |
| 650 | 4 | |a Postmodernisme | |
| 650 | 4 | |a Kultur | |
| 650 | 4 | |a Postmoderne | |
| 650 | 0 | 7 | |a Kultur |0 (DE-588)4125698-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musik |0 (DE-588)4040802-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Theater |0 (DE-588)4059702-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Postmoderne |0 (DE-588)4115604-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Collage |0 (DE-588)4010384-5 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Paris |0 (DE-588)4044660-8 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Paris |0 (DE-588)4044660-8 |D g |
| 689 | 0 | 1 | |a Musik |0 (DE-588)4040802-4 |D s |
| 689 | 0 | 2 | |a Kultur |0 (DE-588)4125698-0 |D s |
| 689 | 0 | 3 | |a Geschichte 1900-1930 |A z |
| 689 | 0 | 4 | |a Postmoderne |0 (DE-588)4115604-3 |D s |
| 689 | 0 | |8 1\p |5 DE-604 | |
| 689 | 1 | 0 | |a Kunst |0 (DE-588)4114333-4 |D s |
| 689 | 1 | 1 | |a Musik |0 (DE-588)4040802-4 |D s |
| 689 | 1 | 2 | |a Geschichte 1900-2000 |A z |
| 689 | 1 | |8 2\p |5 DE-604 | |
| 689 | 2 | 0 | |a Theater |0 (DE-588)4059702-7 |D s |
| 689 | 2 | 1 | |a Geschichte 1900-2000 |A z |
| 689 | 2 | |8 3\p |5 DE-604 | |
| 689 | 3 | 0 | |a Collage |0 (DE-588)4010384-5 |D s |
| 689 | 3 | |8 4\p |5 DE-604 | |
| 856 | 4 | 0 | |u https://doi.org/10.4159/harvard.9780674437418 |x Verlag |3 Volltext |
| 912 | |a ZDB-23-DGG |a ZDB-23-HAA | ||
| 940 | 1 | |q FKE_PDA_DGG | |
| 940 | 1 | |q FLA_PDA_DGG | |
| 940 | 1 | |q UBG_PDA_DGG | |
| 940 | 1 | |q FHA_PDA_DGG | |
| 940 | 1 | |q UPA_PDA_DGG | |
| 940 | 1 | |q FAW_PDA_DGG | |
| 940 | 1 | |q FCO_PDA_DGG | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-027781511 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 2\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 3\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 4\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
Datensatz im Suchindex
| _version_ | 1804152958855675904 |
|---|---|
| any_adam_object | |
| author | Watkins, Glenn |
| author_facet | Watkins, Glenn |
| author_role | aut |
| author_sort | Watkins, Glenn |
| author_variant | g w gw |
| building | Verbundindex |
| bvnumber | BV042345030 |
| collection | ZDB-23-DGG ZDB-23-HAA |
| ctrlnum | (OCoLC)681223719 (DE-599)BVBBV042345030 |
| dewey-full | 780/.9/04 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780/.9/04 |
| dewey-search | 780/.9/04 |
| dewey-sort | 3780 19 14 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.4159/harvard.9780674437418 |
| era | Geschichte 1900-2000 Geschichte 1900-1930 gnd Geschichte 1900-2000 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1900-1930 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05315nmm a2200985zc 4500</leader><controlfield tag="001">BV042345030</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">150212s1994 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780674437418</subfield><subfield code="9">978-0-674-43741-8</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780674437425</subfield><subfield code="c">Print</subfield><subfield code="9">978-0-674-43742-5</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.4159/harvard.9780674437418</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)681223719</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV042345030</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y3</subfield><subfield code="a">DE-Y2</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-1043</subfield><subfield code="a">DE-858</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">780/.9/04</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Watkins, Glenn</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Pyramids at the Louvre</subfield><subfield code="b">Music, Culture, and Collage from Stravinsky to the Postmodernists</subfield><subfield code="c">Glenn Watkins</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge, Mass.</subfield><subfield code="b">Harvard University Press</subfield><subfield code="c">[1994]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (ix,571p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Num. figs</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">A pyramid in front of the Louvre. Buffalo Bill's Wild West Show and The Rite of Spring. Schoenberg and Shirley Temple. Just as the odd juxtapositions of Modernism produced a new way of seeing, so now collage, in the hands of Glenn Watkins, offers a new perspective on the art of our age. A rich and revealing picture of twentieth-century music and the arts, Watkins' work shows us what our present Postmodern aesthetic owes to our Modernist past. Behind the many guises of Modernism we find an appetite for opposing impulses: the exotic and the home-grown, high and low, black and white, the passionate and the cool, the cerebral and the instinctive. Watkins shows us these oppositions at play in the music of Stravinsky and Ravel, Debussy and Schoenberg, Ives, Satie, Hindemith, Ellington, and Gershwin, in the art of Picasso and the Cubists, Cocteau, Léger, Brancusi and Noguchi, in the anthologies of Nancy Cunard and Main Locke, in the ballet companies of Sergei Diaghilev and Rolf de Math, and in the performances of josephine Baker. Throughout, collage asserts its power to enlighten through juxtaposition, resist resolution, sponsor pluralism, and promote understanding of an order that eludes all edicts. The masks of Oskar Schlemmer, of japanese No drama, and of the commedia dell'arte, the mythologies attendant to the retrieval of folk traditions and the emergence of jazz, and the mass relocation of artists in a time of war-all have a place in this depiction and assessment of the legacy of Modernism. A heady exploration of questions surrounding Primitivism, Orientalism, and technology as they surface at either end of our century, this book exposes the millennial preoccupations mutually invested in our search for "first times" and our convictions about "the end of culture"</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1900-2000</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1900-1930</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1900-2000</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music / 20th century / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music / Philosophy and aesthetics</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musique / 20e siècle / Histoire et critique</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musique / 20e siècle / Philosophie et esthétique</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musique / Philosophie et esthétique</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Arts / 20e siècle</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music / Instruction and study</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musik</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Postmoderne</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musik</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art and music</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art et musique</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Muziek</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Modernisme (cultuur)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Postmodernisme</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Kultur</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Postmoderne</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kultur</subfield><subfield code="0">(DE-588)4125698-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Theater</subfield><subfield code="0">(DE-588)4059702-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Postmoderne</subfield><subfield code="0">(DE-588)4115604-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Collage</subfield><subfield code="0">(DE-588)4010384-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Paris</subfield><subfield code="0">(DE-588)4044660-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Paris</subfield><subfield code="0">(DE-588)4044660-8</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Kultur</subfield><subfield code="0">(DE-588)4125698-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1900-1930</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Postmoderne</subfield><subfield code="0">(DE-588)4115604-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Geschichte 1900-2000</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">Theater</subfield><subfield code="0">(DE-588)4059702-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="1"><subfield code="a">Geschichte 1900-2000</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="8">3\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="3" ind2="0"><subfield code="a">Collage</subfield><subfield code="0">(DE-588)4010384-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="3" ind2=" "><subfield code="8">4\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.4159/harvard.9780674437418</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield><subfield code="a">ZDB-23-HAA</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">FKE_PDA_DGG</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">FLA_PDA_DGG</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">UBG_PDA_DGG</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">FHA_PDA_DGG</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">UPA_PDA_DGG</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">FAW_PDA_DGG</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">FCO_PDA_DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-027781511</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">3\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">4\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield></record></collection> |
| geographic | Paris (DE-588)4044660-8 gnd |
| geographic_facet | Paris |
| id | DE-604.BV042345030 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T01:18:59Z |
| institution | BVB |
| isbn | 9780674437418 9780674437425 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027781511 |
| oclc_num | 681223719 |
| open_access_boolean | |
| owner | DE-Y3 DE-Y2 DE-859 DE-860 DE-473 DE-BY-UBG DE-Aug4 DE-739 DE-1046 DE-1043 DE-858 |
| owner_facet | DE-Y3 DE-Y2 DE-859 DE-860 DE-473 DE-BY-UBG DE-Aug4 DE-739 DE-1046 DE-1043 DE-858 |
| physical | 1 Online-Ressource (ix,571p.) |
| psigel | ZDB-23-DGG ZDB-23-HAA FKE_PDA_DGG FLA_PDA_DGG UBG_PDA_DGG FHA_PDA_DGG UPA_PDA_DGG FAW_PDA_DGG FCO_PDA_DGG |
| publishDate | 1994 |
| publishDateSearch | 1994 |
| publishDateSort | 1994 |
| publisher | Harvard University Press |
| record_format | marc |
| spelling | Watkins, Glenn Verfasser aut Pyramids at the Louvre Music, Culture, and Collage from Stravinsky to the Postmodernists Glenn Watkins Cambridge, Mass. Harvard University Press [1994] 1 Online-Ressource (ix,571p.) txt rdacontent c rdamedia cr rdacarrier Num. figs A pyramid in front of the Louvre. Buffalo Bill's Wild West Show and The Rite of Spring. Schoenberg and Shirley Temple. Just as the odd juxtapositions of Modernism produced a new way of seeing, so now collage, in the hands of Glenn Watkins, offers a new perspective on the art of our age. A rich and revealing picture of twentieth-century music and the arts, Watkins' work shows us what our present Postmodern aesthetic owes to our Modernist past. Behind the many guises of Modernism we find an appetite for opposing impulses: the exotic and the home-grown, high and low, black and white, the passionate and the cool, the cerebral and the instinctive. Watkins shows us these oppositions at play in the music of Stravinsky and Ravel, Debussy and Schoenberg, Ives, Satie, Hindemith, Ellington, and Gershwin, in the art of Picasso and the Cubists, Cocteau, Léger, Brancusi and Noguchi, in the anthologies of Nancy Cunard and Main Locke, in the ballet companies of Sergei Diaghilev and Rolf de Math, and in the performances of josephine Baker. Throughout, collage asserts its power to enlighten through juxtaposition, resist resolution, sponsor pluralism, and promote understanding of an order that eludes all edicts. The masks of Oskar Schlemmer, of japanese No drama, and of the commedia dell'arte, the mythologies attendant to the retrieval of folk traditions and the emergence of jazz, and the mass relocation of artists in a time of war-all have a place in this depiction and assessment of the legacy of Modernism. A heady exploration of questions surrounding Primitivism, Orientalism, and technology as they surface at either end of our century, this book exposes the millennial preoccupations mutually invested in our search for "first times" and our convictions about "the end of culture" In English Geschichte 1900-2000 Geschichte 1900-1930 gnd rswk-swf Geschichte 1900-2000 gnd rswk-swf Music / 20th century / History and criticism Music / Philosophy and aesthetics Musique / 20e siècle / Histoire et critique Musique / 20e siècle / Philosophie et esthétique Musique / Philosophie et esthétique Arts / 20e siècle Music / Instruction and study Musik Postmoderne Art and music Art et musique Muziek Modernisme (cultuur) Postmodernisme Kultur Kultur (DE-588)4125698-0 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Postmoderne (DE-588)4115604-3 gnd rswk-swf Collage (DE-588)4010384-5 gnd rswk-swf Paris (DE-588)4044660-8 gnd rswk-swf Paris (DE-588)4044660-8 g Musik (DE-588)4040802-4 s Kultur (DE-588)4125698-0 s Geschichte 1900-1930 z Postmoderne (DE-588)4115604-3 s 1\p DE-604 Kunst (DE-588)4114333-4 s Geschichte 1900-2000 z 2\p DE-604 Theater (DE-588)4059702-7 s 3\p DE-604 Collage (DE-588)4010384-5 s 4\p DE-604 https://doi.org/10.4159/harvard.9780674437418 Verlag Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 4\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Watkins, Glenn Pyramids at the Louvre Music, Culture, and Collage from Stravinsky to the Postmodernists Music / 20th century / History and criticism Music / Philosophy and aesthetics Musique / 20e siècle / Histoire et critique Musique / 20e siècle / Philosophie et esthétique Musique / Philosophie et esthétique Arts / 20e siècle Music / Instruction and study Musik Postmoderne Art and music Art et musique Muziek Modernisme (cultuur) Postmodernisme Kultur Kultur (DE-588)4125698-0 gnd Kunst (DE-588)4114333-4 gnd Musik (DE-588)4040802-4 gnd Theater (DE-588)4059702-7 gnd Postmoderne (DE-588)4115604-3 gnd Collage (DE-588)4010384-5 gnd |
| subject_GND | (DE-588)4125698-0 (DE-588)4114333-4 (DE-588)4040802-4 (DE-588)4059702-7 (DE-588)4115604-3 (DE-588)4010384-5 (DE-588)4044660-8 |
| title | Pyramids at the Louvre Music, Culture, and Collage from Stravinsky to the Postmodernists |
| title_auth | Pyramids at the Louvre Music, Culture, and Collage from Stravinsky to the Postmodernists |
| title_exact_search | Pyramids at the Louvre Music, Culture, and Collage from Stravinsky to the Postmodernists |
| title_full | Pyramids at the Louvre Music, Culture, and Collage from Stravinsky to the Postmodernists Glenn Watkins |
| title_fullStr | Pyramids at the Louvre Music, Culture, and Collage from Stravinsky to the Postmodernists Glenn Watkins |
| title_full_unstemmed | Pyramids at the Louvre Music, Culture, and Collage from Stravinsky to the Postmodernists Glenn Watkins |
| title_short | Pyramids at the Louvre |
| title_sort | pyramids at the louvre music culture and collage from stravinsky to the postmodernists |
| title_sub | Music, Culture, and Collage from Stravinsky to the Postmodernists |
| topic | Music / 20th century / History and criticism Music / Philosophy and aesthetics Musique / 20e siècle / Histoire et critique Musique / 20e siècle / Philosophie et esthétique Musique / Philosophie et esthétique Arts / 20e siècle Music / Instruction and study Musik Postmoderne Art and music Art et musique Muziek Modernisme (cultuur) Postmodernisme Kultur Kultur (DE-588)4125698-0 gnd Kunst (DE-588)4114333-4 gnd Musik (DE-588)4040802-4 gnd Theater (DE-588)4059702-7 gnd Postmoderne (DE-588)4115604-3 gnd Collage (DE-588)4010384-5 gnd |
| topic_facet | Music / 20th century / History and criticism Music / Philosophy and aesthetics Musique / 20e siècle / Histoire et critique Musique / 20e siècle / Philosophie et esthétique Musique / Philosophie et esthétique Arts / 20e siècle Music / Instruction and study Musik Postmoderne Art and music Art et musique Muziek Modernisme (cultuur) Postmodernisme Kultur Kunst Theater Collage Paris |
| url | https://doi.org/10.4159/harvard.9780674437418 |
| work_keys_str_mv | AT watkinsglenn pyramidsatthelouvremusiccultureandcollagefromstravinskytothepostmodernists |