Toward a general theory of acting: cognitive science and performance
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Palgrave Macmillan
2011
|
| Ausgabe: | 1st ed. |
| Schriftenreihe: | Cognitive studies in literature and performance
|
| Schlagworte: | |
| Beschreibung: | "Toward a General Theory of Acting explores the actors art through the lens of Dynamic Systems Theory and recent findings in the Cognitive Sciences. An analysis of different theories of acting in the West from Stanislavski to Lecoq is followed by an in depth discussion of technique, improvisation, and creating a score. In the final chapter, the focus shifts to how these three are interwoven when the actor steps in front of an audience, whether performing realist, non-realist, or postdramatic theatre. Far from using the sciences to reduce acting to a formula, Lutterbie celebrates the mystery of the creative process"-- Provided by publisher. |
| Beschreibung: | X, 269 Seiten |
| ISBN: | 9780230113350 9781349295159 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV042327078 | ||
| 003 | DE-604 | ||
| 005 | 20171114 | ||
| 007 | t | ||
| 008 | 150204s2011 xxu f |||| 00||| eng d | ||
| 020 | |a 9780230113350 |c paperback |9 978-0-230-11335-0 | ||
| 020 | |a 9781349295159 |9 978-1-349-29515-9 | ||
| 035 | |a (OCoLC)774048971 | ||
| 035 | |a (DE-599)BVBBV042327078 | ||
| 040 | |a DE-604 |b ger |e rakwb | ||
| 041 | 0 | |a eng | |
| 044 | |a xxu |c US | ||
| 049 | |a DE-M472 |a DE-B170 | ||
| 050 | 0 | |a PN2061 | |
| 082 | 0 | |a 792.02/801 | |
| 100 | 1 | |a Lutterbie, John Harry |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Toward a general theory of acting |b cognitive science and performance |c John Lutterbie |
| 250 | |a 1st ed. | ||
| 264 | 1 | |a New York |b Palgrave Macmillan |c 2011 | |
| 300 | |a X, 269 Seiten | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Cognitive studies in literature and performance | |
| 500 | |a "Toward a General Theory of Acting explores the actors art through the lens of Dynamic Systems Theory and recent findings in the Cognitive Sciences. An analysis of different theories of acting in the West from Stanislavski to Lecoq is followed by an in depth discussion of technique, improvisation, and creating a score. In the final chapter, the focus shifts to how these three are interwoven when the actor steps in front of an audience, whether performing realist, non-realist, or postdramatic theatre. Far from using the sciences to reduce acting to a formula, Lutterbie celebrates the mystery of the creative process"-- Provided by publisher. | ||
| 650 | 4 | |a Philosophie | |
| 650 | 4 | |a Acting |x Philosophy | |
| 650 | 0 | 7 | |a Kognitionswissenschaft |0 (DE-588)4193780-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Schauspielkunst |0 (DE-588)4129090-2 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Kognitionswissenschaft |0 (DE-588)4193780-6 |D s |
| 689 | 0 | 1 | |a Schauspielkunst |0 (DE-588)4129090-2 |D s |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe,eBook |z 978-0-230-11946-8 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-027763917 | ||
Datensatz im Suchindex
| _version_ | 1804152929809072128 |
|---|---|
| any_adam_object | |
| author | Lutterbie, John Harry |
| author_facet | Lutterbie, John Harry |
| author_role | aut |
| author_sort | Lutterbie, John Harry |
| author_variant | j h l jh jhl |
| building | Verbundindex |
| bvnumber | BV042327078 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN2061 |
| callnumber-raw | PN2061 |
| callnumber-search | PN2061 |
| callnumber-sort | PN 42061 |
| callnumber-subject | PN - General Literature |
| ctrlnum | (OCoLC)774048971 (DE-599)BVBBV042327078 |
| dewey-full | 792.02/801 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.02/801 |
| dewey-search | 792.02/801 |
| dewey-sort | 3792.02 3801 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| edition | 1st ed. |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02056nam a2200433 c 4500</leader><controlfield tag="001">BV042327078</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20171114 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">150204s2011 xxu f |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780230113350</subfield><subfield code="c">paperback</subfield><subfield code="9">978-0-230-11335-0</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781349295159</subfield><subfield code="9">978-1-349-29515-9</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)774048971</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV042327078</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">US</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-M472</subfield><subfield code="a">DE-B170</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PN2061</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">792.02/801</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Lutterbie, John Harry</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Toward a general theory of acting</subfield><subfield code="b">cognitive science and performance</subfield><subfield code="c">John Lutterbie</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1st ed.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Palgrave Macmillan</subfield><subfield code="c">2011</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">X, 269 Seiten</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Cognitive studies in literature and performance</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">"Toward a General Theory of Acting explores the actors art through the lens of Dynamic Systems Theory and recent findings in the Cognitive Sciences. An analysis of different theories of acting in the West from Stanislavski to Lecoq is followed by an in depth discussion of technique, improvisation, and creating a score. In the final chapter, the focus shifts to how these three are interwoven when the actor steps in front of an audience, whether performing realist, non-realist, or postdramatic theatre. Far from using the sciences to reduce acting to a formula, Lutterbie celebrates the mystery of the creative process"-- Provided by publisher.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Philosophie</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Acting</subfield><subfield code="x">Philosophy</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kognitionswissenschaft</subfield><subfield code="0">(DE-588)4193780-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Schauspielkunst</subfield><subfield code="0">(DE-588)4129090-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Kognitionswissenschaft</subfield><subfield code="0">(DE-588)4193780-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Schauspielkunst</subfield><subfield code="0">(DE-588)4129090-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe,eBook</subfield><subfield code="z">978-0-230-11946-8</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-027763917</subfield></datafield></record></collection> |
| id | DE-604.BV042327078 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T01:18:31Z |
| institution | BVB |
| isbn | 9780230113350 9781349295159 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027763917 |
| oclc_num | 774048971 |
| open_access_boolean | |
| owner | DE-M472 DE-B170 |
| owner_facet | DE-M472 DE-B170 |
| physical | X, 269 Seiten |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | Palgrave Macmillan |
| record_format | marc |
| series2 | Cognitive studies in literature and performance |
| spelling | Lutterbie, John Harry Verfasser aut Toward a general theory of acting cognitive science and performance John Lutterbie 1st ed. New York Palgrave Macmillan 2011 X, 269 Seiten txt rdacontent n rdamedia nc rdacarrier Cognitive studies in literature and performance "Toward a General Theory of Acting explores the actors art through the lens of Dynamic Systems Theory and recent findings in the Cognitive Sciences. An analysis of different theories of acting in the West from Stanislavski to Lecoq is followed by an in depth discussion of technique, improvisation, and creating a score. In the final chapter, the focus shifts to how these three are interwoven when the actor steps in front of an audience, whether performing realist, non-realist, or postdramatic theatre. Far from using the sciences to reduce acting to a formula, Lutterbie celebrates the mystery of the creative process"-- Provided by publisher. Philosophie Acting Philosophy Kognitionswissenschaft (DE-588)4193780-6 gnd rswk-swf Schauspielkunst (DE-588)4129090-2 gnd rswk-swf Kognitionswissenschaft (DE-588)4193780-6 s Schauspielkunst (DE-588)4129090-2 s DE-604 Erscheint auch als Online-Ausgabe,eBook 978-0-230-11946-8 |
| spellingShingle | Lutterbie, John Harry Toward a general theory of acting cognitive science and performance Philosophie Acting Philosophy Kognitionswissenschaft (DE-588)4193780-6 gnd Schauspielkunst (DE-588)4129090-2 gnd |
| subject_GND | (DE-588)4193780-6 (DE-588)4129090-2 |
| title | Toward a general theory of acting cognitive science and performance |
| title_auth | Toward a general theory of acting cognitive science and performance |
| title_exact_search | Toward a general theory of acting cognitive science and performance |
| title_full | Toward a general theory of acting cognitive science and performance John Lutterbie |
| title_fullStr | Toward a general theory of acting cognitive science and performance John Lutterbie |
| title_full_unstemmed | Toward a general theory of acting cognitive science and performance John Lutterbie |
| title_short | Toward a general theory of acting |
| title_sort | toward a general theory of acting cognitive science and performance |
| title_sub | cognitive science and performance |
| topic | Philosophie Acting Philosophy Kognitionswissenschaft (DE-588)4193780-6 gnd Schauspielkunst (DE-588)4129090-2 gnd |
| topic_facet | Philosophie Acting Philosophy Kognitionswissenschaft Schauspielkunst |
| work_keys_str_mv | AT lutterbiejohnharry towardageneraltheoryofactingcognitivescienceandperformance |