Why have there been no great forgeries?: collectors, artefacts, and the question of originality
Gespeichert in:
1. Verfasser: | |
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Format: | Artikel |
Sprache: | English |
Veröffentlicht: |
2014
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Schlagworte: | |
ISBN: | 978-3-8376-2411-3 |
Internformat
MARC
LEADER | 00000naa a2200000 c 4500 | ||
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001 | BV042319879 | ||
003 | DE-604 | ||
005 | 20150318 | ||
007 | t | ||
008 | 150130s2014 |||| 00||| eng d | ||
035 | |a (OCoLC)902652630 | ||
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040 | |a DE-604 |b ger |e rakwb | ||
041 | 0 | |a eng | |
049 | |a DE-Y3 | ||
100 | 1 | |a Ulz, Melanie |d 1972- |e Verfasser |0 (DE-588)134141873 |4 aut | |
245 | 1 | 0 | |a Why have there been no great forgeries? |b collectors, artefacts, and the question of originality |c Melanie Ulz |
264 | 1 | |c 2014 | |
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
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773 | 1 | 8 | |g pages:303-316 |
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999 | |a oai:aleph.bib-bvb.de:BVB01-027756830 | ||
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Datensatz im Suchindex
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any_adam_object | |
article_link | (DE-604)BV042110829 |
author | Ulz, Melanie 1972- |
author_GND | (DE-588)134141873 |
author_facet | Ulz, Melanie 1972- |
author_role | aut |
author_sort | Ulz, Melanie 1972- |
author_variant | m u mu |
building | Verbundindex |
bvnumber | BV042319879 |
ctrlnum | (OCoLC)902652630 (DE-599)BVBBV042319879 |
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isbn | 978-3-8376-2411-3 |
language | English |
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publishDate | 2014 |
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spelling | Ulz, Melanie 1972- Verfasser (DE-588)134141873 aut Why have there been no great forgeries? collectors, artefacts, and the question of originality Melanie Ulz 2014 txt rdacontent n rdamedia nc rdacarrier Kunst (DE-588)4114333-4 gnd rswk-swf Ausstellung (DE-588)4129601-1 gnd rswk-swf Afrika (DE-588)4000695-5 gnd rswk-swf Afrika (DE-588)4000695-5 g Kunst (DE-588)4114333-4 s Ausstellung (DE-588)4129601-1 s DE-604 pages:303-316 Art History and Fetishism Abroad / Gabriele Genge ; Angela Stercken (eds.) Bielefeld, 2014 S. 303-316 Image ; 54 (DE-604)BV042110829 978-3-8376-2411-3 |
spellingShingle | Ulz, Melanie 1972- Why have there been no great forgeries? collectors, artefacts, and the question of originality Kunst (DE-588)4114333-4 gnd Ausstellung (DE-588)4129601-1 gnd |
subject_GND | (DE-588)4114333-4 (DE-588)4129601-1 (DE-588)4000695-5 |
title | Why have there been no great forgeries? collectors, artefacts, and the question of originality |
title_auth | Why have there been no great forgeries? collectors, artefacts, and the question of originality |
title_exact_search | Why have there been no great forgeries? collectors, artefacts, and the question of originality |
title_full | Why have there been no great forgeries? collectors, artefacts, and the question of originality Melanie Ulz |
title_fullStr | Why have there been no great forgeries? collectors, artefacts, and the question of originality Melanie Ulz |
title_full_unstemmed | Why have there been no great forgeries? collectors, artefacts, and the question of originality Melanie Ulz |
title_short | Why have there been no great forgeries? |
title_sort | why have there been no great forgeries collectors artefacts and the question of originality |
title_sub | collectors, artefacts, and the question of originality |
topic | Kunst (DE-588)4114333-4 gnd Ausstellung (DE-588)4129601-1 gnd |
topic_facet | Kunst Ausstellung Afrika |
work_keys_str_mv | AT ulzmelanie whyhavetherebeennogreatforgeriescollectorsartefactsandthequestionoforiginality |