The psychology of music:
Gespeichert in:
Format: | Elektronisch E-Book |
---|---|
Sprache: | English |
Veröffentlicht: |
San Diego
Academic Press
c1999
|
Ausgabe: | 2nd ed |
Schriftenreihe: | Academic Press series in cognition and perception
|
Schlagworte: | |
Online-Zugang: | Volltext |
Beschreibung: | The aim of the psychology of music is to understand musical phoneomena in terms of mental functions--to characterize the ways in which one perceives, remembers, creates, and performs music. Since the First Edition of The Psychology of Music was published the field has emerged from an interdisciplinary curiosity into a fully ramified subdiscipline of psychology due to several factors. The opportunity to generate, analyze, and transform sounds by computer is no longer limited to a few researchers with access to large multi-user facilities, but rather is available to individual investigators on a widespread basis. Second, dramatic advances in the field of neuroscience have profoundly influenced thinking about the way that music is processed in the brain. Third, collaborations between psychologists and musicians, which were evolving at the time the first edition was written, are now quite common; to a large extent now speaking a common language and agreeing on basic philosophical issues. The Psychology of Music, Second Edition has been completely revised to bring the reader the most up-to-date information, additional subject matter, and new contributors to incorporate all of these important variables. The book is intended as a comprehensive reference source for both musicians and psychologists. Key Features * Concert Halls: From Magic to Number Theory * Music and the Auditory System * The Perception of Musical Tones * The Perception of Singing * Intervals, Scales, and Tuning * Absolute Pitch * Grouping Mechanisms in Music * Processing of Pitch Combinations * Neural Nets, Temporal Composites and Tonality * Hierarchical Expectation and Musical Style * Rhythm and Timing in Music * Music Performance * The Development of Music Perception and Cognition * Musical Ability * Neurological Aspects of Music Perception and Performance * Comparative Music Perception and Cognition Includes bibliographical references and index |
Beschreibung: | 1 Online-Ressource (xvi, 807 p.) |
ISBN: | 9780122135644 0122135644 0122135652 9780122135651 |
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Datensatz im Suchindex
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any_adam_object | |
building | Verbundindex |
bvnumber | BV042312670 |
collection | ZDB-33-ESD ZDB-33-EBS |
ctrlnum | (OCoLC)162571767 (DE-599)BVBBV042312670 |
dewey-full | 781/.11 |
dewey-hundreds | 700 - The arts |
dewey-ones | 781 - General principles and musical forms |
dewey-raw | 781/.11 |
dewey-search | 781/.11 |
dewey-sort | 3781 211 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
edition | 2nd ed |
format | Electronic eBook |
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series2 | Academic Press series in cognition and perception |
spelling | The psychology of music edited by Diana Deutsch 2nd ed San Diego Academic Press c1999 1 Online-Ressource (xvi, 807 p.) txt rdacontent c rdamedia cr rdacarrier Academic Press series in cognition and perception The aim of the psychology of music is to understand musical phoneomena in terms of mental functions--to characterize the ways in which one perceives, remembers, creates, and performs music. Since the First Edition of The Psychology of Music was published the field has emerged from an interdisciplinary curiosity into a fully ramified subdiscipline of psychology due to several factors. The opportunity to generate, analyze, and transform sounds by computer is no longer limited to a few researchers with access to large multi-user facilities, but rather is available to individual investigators on a widespread basis. Second, dramatic advances in the field of neuroscience have profoundly influenced thinking about the way that music is processed in the brain. Third, collaborations between psychologists and musicians, which were evolving at the time the first edition was written, are now quite common; to a large extent now speaking a common language and agreeing on basic philosophical issues. The Psychology of Music, Second Edition has been completely revised to bring the reader the most up-to-date information, additional subject matter, and new contributors to incorporate all of these important variables. The book is intended as a comprehensive reference source for both musicians and psychologists. Key Features * Concert Halls: From Magic to Number Theory * Music and the Auditory System * The Perception of Musical Tones * The Perception of Singing * Intervals, Scales, and Tuning * Absolute Pitch * Grouping Mechanisms in Music * Processing of Pitch Combinations * Neural Nets, Temporal Composites and Tonality * Hierarchical Expectation and Musical Style * Rhythm and Timing in Music * Music Performance * The Development of Music Perception and Cognition * Musical Ability * Neurological Aspects of Music Perception and Performance * Comparative Music Perception and Cognition Includes bibliographical references and index Auditory Perception Music / psychology Music / Psychology Musique / Aspect psychologique Music / Psychological aspects fast Musique / Aspect psychologique ram Musikpsychologie swd Musik Psychologie Music Psychological aspects Musik (DE-588)4040802-4 gnd rswk-swf Musikpsychologie (DE-588)4127817-3 gnd rswk-swf Musikwahrnehmung (DE-588)4126097-1 gnd rswk-swf Neurologie (DE-588)4041888-1 gnd rswk-swf Psychoakustik (DE-588)4176198-4 gnd rswk-swf Kognition (DE-588)4031630-0 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content 2\p (DE-588)4151278-9 Einführung gnd-content Musikpsychologie (DE-588)4127817-3 s Musikwahrnehmung (DE-588)4126097-1 s Neurologie (DE-588)4041888-1 s Psychoakustik (DE-588)4176198-4 s 3\p DE-604 Musik (DE-588)4040802-4 s Kognition (DE-588)4031630-0 s 4\p DE-604 5\p DE-604 Deutsch, Diana Sonstige oth http://www.sciencedirect.com/science/book/9780122135644 Verlag Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 4\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 5\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | The psychology of music Auditory Perception Music / psychology Music / Psychology Musique / Aspect psychologique Music / Psychological aspects fast Musique / Aspect psychologique ram Musikpsychologie swd Musik Psychologie Music Psychological aspects Musik (DE-588)4040802-4 gnd Musikpsychologie (DE-588)4127817-3 gnd Musikwahrnehmung (DE-588)4126097-1 gnd Neurologie (DE-588)4041888-1 gnd Psychoakustik (DE-588)4176198-4 gnd Kognition (DE-588)4031630-0 gnd |
subject_GND | (DE-588)4040802-4 (DE-588)4127817-3 (DE-588)4126097-1 (DE-588)4041888-1 (DE-588)4176198-4 (DE-588)4031630-0 (DE-588)4143413-4 (DE-588)4151278-9 |
title | The psychology of music |
title_auth | The psychology of music |
title_exact_search | The psychology of music |
title_full | The psychology of music edited by Diana Deutsch |
title_fullStr | The psychology of music edited by Diana Deutsch |
title_full_unstemmed | The psychology of music edited by Diana Deutsch |
title_short | The psychology of music |
title_sort | the psychology of music |
topic | Auditory Perception Music / psychology Music / Psychology Musique / Aspect psychologique Music / Psychological aspects fast Musique / Aspect psychologique ram Musikpsychologie swd Musik Psychologie Music Psychological aspects Musik (DE-588)4040802-4 gnd Musikpsychologie (DE-588)4127817-3 gnd Musikwahrnehmung (DE-588)4126097-1 gnd Neurologie (DE-588)4041888-1 gnd Psychoakustik (DE-588)4176198-4 gnd Kognition (DE-588)4031630-0 gnd |
topic_facet | Auditory Perception Music / psychology Music / Psychology Musique / Aspect psychologique Music / Psychological aspects Musikpsychologie Musik Psychologie Music Psychological aspects Musikwahrnehmung Neurologie Psychoakustik Kognition Aufsatzsammlung Einführung |
url | http://www.sciencedirect.com/science/book/9780122135644 |
work_keys_str_mv | AT deutschdiana thepsychologyofmusic |