Playing in the white: black writers, white subjects
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford [u.a.]
Oxford Univ. Press
2015
|
| Schriftenreihe: | Oxford studies in American literary history
9 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XI, 229 S. |
| ISBN: | 9780199398881 |
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Datensatz im Suchindex
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|---|---|
| adam_text | { CONTENTS }
Preface
ix
Acknowledgments
xi
Introduction: Imagining the Souls of White Folk
3
ι.
Signifyin(g) Black and White Speech in
Zora Neale
Hurstons
Seraph on the Suwanee
31
2.
Race and the Universal Problem of Freedom in Richard Wright
s
The Outsider and Savage Holiday
61
3.
Whiteness and Narrative Authority in Ann
Petry
s
Country Place
95
4.
Conjuring the Africanist Presence: Blackness in James Baldwins
Giovanni s Room
129
5.
William Melvin Kelley
s A
Different Drummer and the Silence
of Blackness
157
Conclusion: Post-Whiteness and Twenty-First-Century American
Literature
189
Notes
201
Works Cited
213
Index
223
HE PO
STWA R
PERIOD WITNESSED
А ГМ
outpouring of white life novels
---
that is,
texts by African American writers focused al¬
most exclusively on
vanite
characters. Almost
every major
miti-t^v^eritie-tri
Century black
writer,
including;
Zora
ISTeale Hurston, Richard WYight,
Ann
Petry,
andjames Baldwin, published one ot
these anomalous texts. Controversial since their
publication in the
1940s
and 50s, these novels
have since fallen into obscurity given the chal¬
lenges they pose to traditional conceptions of
the African American literary canon.
F> ¡¿lying in the White: Hltiek Writers, White
Subjects aims to bring these neglected novels
back into conversations about the nature of Af¬
rican American literature and the unique expec¬
tations imposed upon black texts. In a series of
nuanced readings, Li demonstrates how postwar
black novelists were at the for&froint: of what is
now <zomm.only understood as whiteness
stŁidi&s.
NTovels like Hurston s Seraph on the Sviusariee and
Wright s Scivcige Holiday
,
once read as abdica¬
tions of the political imperative of African Amer¬
ican literature, are revisited with an a^wareness
ofhow whiteness signifies in multivalent ways
that critique America s abiding racial hierarchies.
These novels explore how this particular racial
construction is freighted with social power and
narrative meaning. Whiteness repeatedly figures
in these texts as a set of expectations that are
nearly impossible to fulfill. By describing charac¬
ters who continually fail at whiteness, white life
novels ask readers to reassess what race means
for ail Americans.
Along with its close analysis of key white life
novels, Piny
i t
tg in the WHiite:
В
hi etc Writers, White
Subjects also provides important historical con¬
text to understand how these texts represented
the hopes and anxieties of a newly integrated
nation.
|
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| dewey-full | 810.9/896073 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 810 - American literature in English |
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| era | Geschichte 1948-2014 gnd |
| era_facet | Geschichte 1948-2014 |
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| title | Playing in the white black writers, white subjects |
| title_auth | Playing in the white black writers, white subjects |
| title_exact_search | Playing in the white black writers, white subjects |
| title_full | Playing in the white black writers, white subjects Stephanie Li |
| title_fullStr | Playing in the white black writers, white subjects Stephanie Li |
| title_full_unstemmed | Playing in the white black writers, white subjects Stephanie Li |
| title_short | Playing in the white |
| title_sort | playing in the white black writers white subjects |
| title_sub | black writers, white subjects |
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| topic_facet | American literature African American authors History and criticism Whites in literature Weiße Motiv Schwarze Roman USA |
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