American literary minimalism:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Tuscaloosa
Univ. of Alabama Press
2014
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | 196 S. |
| ISBN: | 9780817318277 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Introduction
/1
1
L Ancienne: Ernest Hemingway s
In Our Time
/ 22
2
A
Chekhov-Hemingway
Amalgamation: Raymond
Carver s Cathedral 1
49
З
Popular Minimalism: Jay Mclnerney s Bright Lights, Big City 1
69
4
Images, Fragments, and Little Moments: Susan Minot s Monkeys 1
88
5
Transnational Minimalism: Sandra Cisneros s
Caramelo
1
108
6
The State of the Art: Cormac McCarthy s The Road 1
122
Conclusion
/138
Notes
/151
Bibliography
/177
Index
/191
Although a handful ofbooks and articles have
been written about American literary Minimal¬
ism during the last forty years, the mode remains
misunderstood. When in a 20
11
interview in The
Paris Review author Ann Beattie was asked how
she felt about being classed as a minimalist
Γ
she
began her answer, none of us have ever known
what that means. Her response brings into focus
the lack of agreement or clarity about the sources
and definitions of literary Minimalism. Robert
О
Clark s American Literary Aiinimalism fills this
significant gap.
Clark demonstrates that, despite assertions
by many scholars to the contrary, the movement
originated in the aesthetic programs of the Imag-
ists and literary Impressionists active at the turn
of the twentieth century. The genre reflects the
philosophy that form is thought
Г
and that style
alone dictates whether a poem, story, or novel
falls within the parameters of the tradition. The
characteristics of Minimalist fiction are efficiency,
frequent use of allusion, and implication through
omission.
Organizing his analysis both chronologically
and according to lines of influence, Clark ofFers a
definition of the mode, describes its early stages,
and then explores six works that reflect its core
characteristics: Ernest Hemingways In Our
Tintei
Raymond Carver s Cathedral; Jay Mclnerney s
Bright Lights, Big City; Susan
Minoťs Aíonkeys;
Sandra Cisneros s
Caramelo;
and Cormac McCar¬
thy s The Road. In his conclusion, Clark discusses
the ongoing evolution of the category.
|
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| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 810 - American literature in English |
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| dewey-tens | 810 - American literature in English |
| discipline | Anglistik / Amerikanistik |
| format | Book |
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| title | American literary minimalism |
| title_auth | American literary minimalism |
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