American and Chinese-language cinemas: examining cultural flows
"Critics frequently describe the influence of "America," through Hollywood and other cultural industries, as a form of cultural imperialism. This unidirectional model of interaction does not address, however, the counter-flows of Chinese-language films into the American film market or...
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Routledge
2015
|
| Schriftenreihe: | Routledge Advances in Film Studies
34 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Critics frequently describe the influence of "America," through Hollywood and other cultural industries, as a form of cultural imperialism. This unidirectional model of interaction does not address, however, the counter-flows of Chinese-language films into the American film market or the influence of Chinese filmmakers, film stars, and aesthetics in Hollywood. The aim of this collection is to (re)consider the complex dynamics of transnational cultural flows between American and Chinese-language film industries. The goal is to bring a more historical perspective to the subject, focusing as much on the Hollywood influence on early Shanghai or postwar Hong Kong films as on the intensifying flows between American and Chinese-language cinemas in recent decades. Contributors emphasize the processes of appropriation and reception involved in transnational cultural practices, examining film production, distribution, and reception. ".. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | viii, 232 pages 24 cm |
| ISBN: | 9780415731829 |
Internformat
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Datensatz im Suchindex
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| adam_text | Contents
Acknowledgments
ix
Introduction: Examining Cultural Flows
1
LISA FUNNELL AND MAN-FUNG YIP
SECTION I
Style, Narrative, Form
1
For Better or Worse, Don t Change Your Husband! Remakes
and Appropriations of American Films in Republican China,
1911-1949 9
ZHIWEI XIAO
2
A Tale of Two Cinemas: Embracing and Rejecting
Hollywood s Influence in
1930s
Shanghai
24
ALISON
HULME
3
Sounding
Giocai:
Synthesizer Scores in Hong Kong
Action Cinema
38
KATHERINE
SPRING
4
Ang
Lee s Life of
Pi: A Cosmopolitica!
Perspective
53
KIN YAN SZETO
SECTION
Π
Genre
5
(Un)Folding Hollywood and New Chinese Subjectivity through
the PRC s Minority Nationality Films in the
1950s
and
1960s 71
KWAI-CHEUNG
LO
viii
Contents
6
Martial
Arts Cinema and Minor Transnationalism
86
MAN-FUNG
ΎΤΡ
7
The Chinese War Film: Refraining National History
in Transnational Cinema
101
VIVIAN LEE
SECTION
Ш
Marketing, Exhibition, Reception
8
Cinema, Propaganda, and Networks of Experience:
Exhibiting Chongqing Cinema in New York
119
WEĽHONG
BAO
AND NATHANIEL BRENNAN
9
Defenders of the Palace: Chinese-Language Movie Theaters
and the Fight over Semi-private Spaces
136
BRIAN HU
10
Reading Hollywood in Postwar Shanghai: From
The Metro News to Western Movie Pictorial
152
LUNPENG MA
11
Watching Anna May Wong in Republican China
169
YÏMAN
WANG
SECTION IV
Performance, Identity, Representation
12
Performing Nationality: The Fifth Generation as an American
Transnational Cinema
189
VICTOR FAN
13
Colliding Fact and Fiction: Techno-Onentalism and Violence
of the Ethical Other in Chen Shi-Zheng s Dark Matter
204
KENNETH CHAN
Contributors
219
Index
225
|
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| title | American and Chinese-language cinemas examining cultural flows |
| title_auth | American and Chinese-language cinemas examining cultural flows |
| title_exact_search | American and Chinese-language cinemas examining cultural flows |
| title_full | American and Chinese-language cinemas examining cultural flows edited by Lisa Funnell and Man-Fung Yip |
| title_fullStr | American and Chinese-language cinemas examining cultural flows edited by Lisa Funnell and Man-Fung Yip |
| title_full_unstemmed | American and Chinese-language cinemas examining cultural flows edited by Lisa Funnell and Man-Fung Yip |
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