Agnolo Gaddi and the Cappella Maggiore in Santa Croce in Florence: studies after its restoration
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Cinisello Balsamo, Milano
Silvana Editoriale
2014
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Beschreibung: | ISBN nur auf dem Schutzumschlag |
| Beschreibung: | 337 S. überw. Ill. |
| ISBN: | 9788836629572 |
Internformat
MARC
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Datensatz im Suchindex
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| adam_text | Contents 21 The story of the project Cristina Acidini, Giuseppe De Micheli, Takaharu Miyashita 25 1294-1934: From the Feast of the Holy Cross to Fascism Ludovica Sebregondi 35 Family alliances, merchant companies: The Alberti, Agnolo Gaddi and the Cappella Maggiore of Santa Croce Annamaria Bernacchioni 47 Historical documents on restoration in the Cappella Maggiore Chiara Cappuccini 55 Agnolo Gaddi’s career and the Opera del Duomo in Florence Jean K. Cadogan 73 Comparative analysis and historical context Sonia Chiodo 85 “With much mastery of handling but not with much design Notes toward the history of a wall-painting worksite at the end of the fourteenth century Alessio Monciatti 113 The narrative structure of the cycle of the Legend of the True Cross by Agnolo Gaddi Takaharu Miyashita 123 The literary sources for the Legenda aurea Giovanni Paolo Maggioni
137 The stained-glass windows of the Cappella Maggiore 217 Johannes Tripps 149 Painted architecture in the frescoes of the Cappella Maggiore Cecilia Frosinini 235 Francesco Benelli 155 Agnolo Gaddi and Trecento Florentine portraiture On the margins of the Invention of the True Cross 251 Agnolo Gaddi’s palette for the Legend of the True Cross cycle Paola Ilaria Mariotti 271 Alessandra Malquori 173 The use of metal leaf in the Cappella Maggiore of Santa Croce Maria Rosa Lanfranchi Carl Brandon Strehlke 165 Design, planning and drawing in the Legend of the True Cross The “low people” among the sacred narratives A comparison of Agnolo Gaddi’s painting technique in the fresco cycle of the Cappella Maggiore with Cennino Cennini’s Il libro dell’arte Fabrizio Bändini Cecilia Frosinini 283 179 185 The painted inscriptions of the frescoes in the Cappella Maggiore A digital archive for the Cappella Maggiore using Modus Operandi® Matteo Mazzalupi Massimo Chirnenti and Sara Rutigliano The conservation of the frescoes in the Cappella Maggiore 291 ATLAS OF COLOR PLATES 325 General bibliography Maria Rosa Lanfranchi 203 The scaffolding for the frescoes of the Cappella Maggiore Alberto Felici
Agnolo Gaddi and the Cappella Maggiore in Santa Croce in Florence Studies after its Restoration The restoration of Agnolo Gaddi’s wall paintings in the Cappella Maggiore of Santa Croce (2004-2014) was undertaken thanks to the initiative of Professor Takaharu Miyashita and a donation from Tetsuya Kuroda, with support from Kanazawa University and financial contributions from the Opera di Santa Croce and the Ministero dei Beni e delle Attività Culturali e il Turismo The Restoration Project Opificio delle Pietre Dure, Wall Painting and Stucco Division Presidents: Yujiro ffayashi (2004 ֊ March 2008), Shinichi Nakamura (April 2008 March 2014) Organizational advisor: Takaharu Miyashita Project directors: Cristina Danti (2004-2007), Cecilia Frosinini (from 2008 until the conclusion of the project), Marco Ciatti (Vice Director from 2008 to 2012), Maria Cristina Improta (Vice Director starting 2013) Technical director for the restoration: Maria Rosa Lanfranchi (worksite head), with Fabrizio Bandini, Alberto Felici, and Paola Ilaria Mariotti Site manager and safety coordinator: Marco Panoani (Opera di Santa Croce consultant) Risk management and security for the Opificio delle Pietre Dure: Pietro Capone Structural engineer: Leonardo Paolini (Opera di Santa Croce consultant) Opera di Santa Croce Technical Analysis President: Carla Guiducci Bonanni (2004֊2007), Stefania Fuscagni (from 2007) Director: Giuseppe De Micheli Coordination of the Scientific Laboratory of the Opificio delle Pietre Dure: Alfredo Aldrovandi, Andrea Cagnini, Monica Galeotti, Carlo Galliano Lalli, Giancarlo
Lanterna, Daniela Pinna, Simone Porcinai, Maria Rizzi, Isetta Tošini, with the collaboration of Darya Andrash, Natalia Cavalca, Federica Innocenti, Alessandro Migliori, and Arcangelo Moles Thermal Imaging: Guido Roche, Ditta Architecno The project was planned and carried out by the Opificio delle Pietre Dure. Sponsors and Organizing Institutions Kanazawa University Opificio delle Pietre Dure Superintendent: Cristina Acidini (2004-2008), Bruno Santi (2008-2009), Isabella Lapi (2009-2010), Cristina Acidini (ad interim 2010-2012), Marco Ciatti (from 2012 until the completion of the project) Director of the Wall Painting Restoration Division: Cristina Danti (2004-2007), Cecilia Frosinini (from 2008 until the conclusion of the project) Administrative coordinator: Cristiana Massari Fibre Optic Reflectance Spectroscopy (FORS): Istituto dì Fisica Applicata “Nello Carrara”(IFAC-CNR), Florence: Marcello Picollo, with Bruno Radicati, Mauro Bacci, Donata Magrini Microwave Dielectric Spectroscopy: Device for measuring humidity and salt content (SUSI), Istituto di Fisica Applicata “Nello Carrara” (IFAC-CNR), Florence: Roberto Olmi, and Cristiano Rimmesi Gas Chromatography: Dipartimento di Chimica e Chimica Industriale, Università di Pisa: Maria Perla Colombini, Alessia Andreotti and Ilaria Bonaduce, Anna Lluveras-Tenorio with the collaboration of Ilaria Degano Fiber-optic fluorescence spectroscopy (FOFS) and Fourier transform infrared spectroscopy (FTIR): Istituto di Scienza e Tecnologie Molecolari (ISTM-CNR), Dipartimento di Chimica, Università degli Studi di Perugia: Antonio
Sgamellotti and Brunetto Giovanni Brunetti, David Buti, Catia Clementi, Alessia Daveri, Costanza Millani, Aldo Romani, and Manuela Vagnim Organic Materials in Wall Paintings: Project carried out in collaboration with the Getty Conservation Institute of Los Angeles and the Opificio delle Pietre Dure, to study and identify organic substances used in wall painting: Francesca Piqué, Giovanni Verri. Conservation Science Research Supply and advising on nanolimes and nanostructured alcohol dispersions of calcium hydroxide: Dipartimento di Chimica “Ugo Schiff,” Università di Firenze: Luigi Dei Consulting on preconsolidation of the painted surface: Consorzio Interuniversitario per lo Sviluppo dei Sistemi a Grande Interfase (CSGI): Piero Baglioni, Azzurra Macherelli, and Barbara Salvadori
Ministero dei beni e delle attività culturali e del turismo Provider of laser equipment for restoration: El.En. S.p.A., Sesto Fiorentino: Administration Academic theses and research fellowships Opera di Santa Croce: Giuseppe De Micheli, carried out during the restoration Ilaria Barbetti - thesis (tesi di diploma) on the Leonardo Masotti, Alessandro Zanini Luisa Amabile Laser-cleaning consultation: Restauri Brunetto Opificio delle Pietre Dure: Cecilia Frosinini, applications of Nd:YAG lasers for cleaning di Brunetto Anna, Vicenza Cristiana Massari wall paintings, Settore Pitture Murali e Stucchi, Kanazawa University: Takaharu Miyashita Opificio delle Pietre Dure. Advisors: Alberto Felici, Cecilia Frosinini, Marco Giamello, Carlo Conservators and Daisuke Kamiguchi Alessandra Bargellini, Sergio Begliardi, Pier Galliano Lalli, Salvatore Siano, academic years Paolo Brunori, Simona Careccia, Laura Ciceri, Archive research and project administration Antonella Cinotti, Giulia Coccioni, Sara Di Opificio delle Pietre Dure: Cristiana Massari Gregorio, Stefania Franceschini, Isabella (from 2007 until the conclusion of the Gambina, Valentina Ghiso, Arianna Martinelli, project), with Lillina di Mucci (until 2006) Daniela Murphy Corella, Cristina Napolitano, Opera di Santa Croce: Ginevra Facchinetti Elena Onnis, Rossana Parigi, Luisanna Poli, Pulazzini (until 2005) Katia Stura, and Daniela Valentini. Students from the school of the Opificio delle Scaffolding: Pietre Dure: Ilaria Barbetti, Irene Biadaioli, Mannucci Geom. Vinicio S.r.L, Florence Azzurra Macherelli ֊ “Caratterizzazione
chimico-fìsica di materiali pittorici,” dissertation for a doctorate (dottorato di ricerca) in cultural heritage conservation science, cycle XVIII, academic year 2004/2005. Advisor: Luigi Dei; coordinator: Emilio Mano Castellucci; Dipartimento di chimica, Università di Firenze, December 2005 Ottaviano Caruso, Anna Medon, and Eugenia Olivari (academic years: 2006/2009) 2006/2009 Ministry of Culture Supervisory Officials Silvia Yagiie Gómez-Reino ֊ doctoral thesis for Soprintendenza per il Patrimonio Storico, the Polytechnic University of Valencia, Spain, Photographic documentation Artistico ed Etnoantropologico per le Province on the use of inorganic consolidants for the Photography Lab of the Opificio delle Pietre Dure: Director: Alfredo Aldrovandi, di Firenze, Prato e Pistoia: Superintendent restoration of wall paintings Photographer: Sergio Cipriani, Nicole Seris - fellowship for the research with the collaboration of Lorenzo del Francia, 2007); Soprintendenza Speciale per il Patrimonio Annette Keller, Angelo Latronico, Luca Storico, Artistico ed Etnoantropologico e dei metodi di trattamento utilizzati nel Lupi, Antonio Quattrone; and of Iain Antony per il Polo Museale della città di Firenze: settore dei Beni Culturali: Nuove procedure Macleod for the video shooting Superintendent Cristina Acidini, until 2007, e applicazioni di tecniche di analisi Managing Officer: Brunella Teodori; innovative,” Regione Autonoma Valle d’Aosta, Photogrammetric surveys, database Soprintendenza per і beni architettonici, Soprintendenza per і Beni e le Attività management, documentation,
paesaggistici, storici, artistici ed Culturali and archiving Massimo Chimenti (Culturanuova S.r.L, Pistoia e Prato (con esclusione della città Arezzo), with Sara Rutigliano and Sandra di Firenze, per le competenze in materia di Beatrice De Filippis (Soprintendenza per Damianelli for data entry; and Giacomo Tenti beni storici, artistici ed etnoantropologici): і Beni Archeologici del Piemonte e del for photogrammetry and 3D modelling Superintendent Paola Grifoni (2004-2009), Museo Antichità Egizie di Torino); Manuel Alessandra Marino (from 2009 until the Alagarda Carratalà (Instituto Valenciano de conclusion of the works), Managing Officer: Lia Conservación y Restauración Pescatori de Bienes Culturales) Bruno Santi, Officer: Brunella Teodori (2004project “Sviluppo di un sistema di valutazione etnoantropologici per le province di Firenze, Internships
Iconographie research Book credits du Louvre, Paris: fig. 8, p. 64; fig. 9, p. 65 Editor Diocesi di Arezzo-Cortona-Sansepolcro: Cecilia Frosinini fig. 11, p. 98 Image courtesy Fondation Custodia, Collection Frits Lugt, Paris: Claudia Timossi, Archivio Opera figs. 4-5, p. 61 di Santa Croce Helen Spande for the English edition Gabinetto Fotografico del Polo Museale Cristiana Massari di Firenze: fig. 2, p. 91; fig. 3, p. 59; Anna Mieli, Stefania Giordano, Rebecca Giulietti, Archivio Restauri OPD Editorial coordination Adele Leccia Adele Leccia fig. 6, p. 62; fig. 7, p. 63; fig. 6, p. 142; Photographic credits fig. 8, p. 143; fig. 7, p. 41; figs. 2-3, p. 27; All photographs not otherwise cited are figs. ба-бЬ, p. 29; fig. 7, p. 30; fig. З, p. 158; from the Archivio Restauri dell’Opificio fig. 4, p. 159; fig. 8, p. 162 delle Pietre Dure Gemäldegalerie, Berlin: fig. 18, p. 102; Alessandro Becattini ֊ Guido Polloni C. S.n.c.: fig. 2, p. 138 Antonio Quattrone: fig. 3, p. 91; fig. 19, p. 103 (orthographic reconstruction fig. 2, p. 77; fig. l,p. 156 Giorgio Funaro ֊ Forme S.n.c.: fig. 1, p. 138; figs. 3-4, p. 140; fig. 5, p. 141; fig. 7, p. 142; figs. 9-10, p. 144 by Culturanuova S.r.l. on original photo Laboratorio Fotografico della Soprintendenza by Antonio Quattrone); BAPSAE di Pisa e Livorno (AF Archivi Alinări: fig. 16, p. 101 Soprintendenza Pisa SBAAASPI n. 142967): fig. 4, p. 93 Archivio dell’Opera di Santa Maria del Fiore: fig. 1, p. 56; fig. 1, p. 116 Archivio fotografico del Sacro Convento di San Francesco in Assisi: fig. 9, p. 96 Takaharu Miyashita: fig. 3, p. 117; fig. 5,
p. 119 National Gallery of Art, Washington: fig. 6, p. 40 © Photo Musées de Strasbourg: fig. 2, p. 157 (photo by Marcello Fedeli, Spoleto) Associazione Fotoimmagine di Volterra: Département des Arts graphiques, Musée Severina Russo and Roberto Rossi, Soprintendenza BAPSAE di Pisa e Livorno Dominique Cordellier and his staff, Departement des Arts graphiques, Musée du Louvre, Paris Stefan Weppelmann and Marion Kolanoski, Staatliche Museen, Berlin Barbara Bernard, Division of Imaging and Visual Services, National Gallery of Art, Washington, DC Mariska de Jonge, Fondation Custodia, Collection Frits Lugt, Paris Daniel Monteil, Bibliothèque Municipale, RMN - Réunion des Musées Nationaux / distr. Alinări: fig. 7, p. 95 (photo Gérard Blot) Universitetsbibliotek, Uppsala Soprintendenza BSAE per le province di Parma e Piacenza: fig. 1, p. 74 di San Francesco, Assisi © Stiftung Museum Kunstpalast - Horst di storia dell’arte, Firenze Bibliothèque Municipale, Toulouse: fig. 5, p. 170 © BnF, Paris: figs. 12-13, p. 99 del Polo Museale di Firenze Toulouse Per concessione della Biblioteca Apostolica Vaticana. All rights reserved: fig. 1, p. 26 and all the staff of the Gabinetto Fotografico Rabatti Domingie Fotografi: figs. 4-5, p. 28 fig. 4, p. 169 © 2014 Biblioteca Apostolica Vaticana. Marilena Tamassia, Susi Piovanelli Kolberg ֊ ARTOTHEK: fig. 22, p. 104 Universitetsbibliotek, Uppsala: fig. 2, p. 168 Caroline Chevallier, Manuscript Department, Archivio fotografico, Sacro Convento Ilaria Masi, Istituto Universitario Olandese Serena Nocentini, Diocesi di Arezzo-CortonaSansepolcro
Francesca Pacini, Paola Acquarelli, Elena Mariotti, Edifia Sergio Borghesi, Associazione Fotoimmagine Volterra We would, like to thank the following for generously providing images from their collections free of charge: Archivio dell’Opera di Santa Maria del Fiore Archivio fotografico del Sacro Convento di San Francesco, Assisi Bibliothèque Municipale, Toulouse Département des Arts graphiques, Musée du Louvre, Paris Acknowledgements Lara Avezza, Barbara Baert, Maria Bambi, Roberto Beliucci, Fabio Bertelli, Giorgio Bonsanti, Eve Borsook, Giancarlo Buzzanca, Ciro Castelli, Matteo Ceriana, Joe Connors, Donai Cooper, Elizabeth Cropper, Andrea De Marchi, Charles Dempsey, Giampaolo Ermini, Rosi Fontana of Ku.ra, Julian Gardner, Christa Gardner von Teuffel, Dennis Geronimus, Gretchen Hirschauer, Giuliana Innocenti, Ada Labriola, Sara Micheli, Valentino Pace, Giovanni Pagliarulo, Daniela Parenti, Mattia Patti, Lino Pertile, Philip Pullella of Reuters International, Lorenzo Sbaraglio, Angelo Tartuferi, Elizabeth Walmsley, Gerhard Wolf Diocesi di Arezzo-Cortona-Sansepolcro Fondation Custodia, Collection Frits Lugt, Paris Gabinetto Fotografico, Polo Museale di Firenze Gemäldegalerie, Berlin Laboratorio Fotografico, Soprintendenza BAPSAE di Pisa e Livorno National Gallery of Art, Washington Soprintendenza BSAE per le province di Parma e Piacenza Universitetsbibliotek, Uppsala Associazione Fotoimmagine di Volterra Antonio Quattrone Rabatti Domingie Fotografi The Basilica of Santa Croce is owned by the Religious Buildings Foundation of the Italian Ministry of the Interior (FEC)
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| any_adam_object | 1 |
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| bvnumber | BV042285579 |
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| discipline | Kunstgeschichte |
| format | Book |
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| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| geographic | Santa Croce Florenz Hauptchorkapelle (DE-588)7585898-8 gnd |
| geographic_facet | Santa Croce Florenz Hauptchorkapelle |
| id | DE-604.BV042285579 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T01:17:19Z |
| institution | BVB |
| isbn | 9788836629572 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027722865 |
| oclc_num | 907256067 |
| open_access_boolean | |
| owner | DE-M341 DE-255 DE-355 DE-BY-UBR |
| owner_facet | DE-M341 DE-255 DE-355 DE-BY-UBR |
| physical | 337 S. überw. Ill. |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Silvana Editoriale |
| record_format | marc |
| spelling | Agnolo Gaddi and the Cappella Maggiore in Santa Croce in Florence studies after its restoration ed. by Cecilia Frosinini Cinisello Balsamo, Milano Silvana Editoriale 2014 337 S. überw. Ill. txt rdacontent sti rdacontent n rdamedia nc rdacarrier ISBN nur auf dem Schutzumschlag Gaddi, Agnolo 1350-1396 Legende vom Heiligen Kreuz (DE-588)1060471574 gnd rswk-swf Gaddi, Agnolo 1350-1396 (DE-588)118716069 gnd rswk-swf Santa Croce Florenz Hauptchorkapelle (DE-588)7585898-8 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Gaddi, Agnolo 1350-1396 Legende vom Heiligen Kreuz (DE-588)1060471574 u DE-604 Santa Croce Florenz Hauptchorkapelle (DE-588)7585898-8 g Gaddi, Agnolo 1350-1396 (DE-588)118716069 p Frosinini, Cecilia Sonstige (DE-588)1056644168 oth Parallele Sprachausgabe italienisch Agnolo Gaddi e la Cappella Maggiore di Santa Croce a Firenze (DE-604)BV042092746 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027722865&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027722865&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Agnolo Gaddi and the Cappella Maggiore in Santa Croce in Florence studies after its restoration Gaddi, Agnolo 1350-1396 Legende vom Heiligen Kreuz (DE-588)1060471574 gnd Gaddi, Agnolo 1350-1396 (DE-588)118716069 gnd |
| subject_GND | (DE-588)1060471574 (DE-588)118716069 (DE-588)7585898-8 (DE-588)4143413-4 |
| title | Agnolo Gaddi and the Cappella Maggiore in Santa Croce in Florence studies after its restoration |
| title_auth | Agnolo Gaddi and the Cappella Maggiore in Santa Croce in Florence studies after its restoration |
| title_exact_search | Agnolo Gaddi and the Cappella Maggiore in Santa Croce in Florence studies after its restoration |
| title_full | Agnolo Gaddi and the Cappella Maggiore in Santa Croce in Florence studies after its restoration ed. by Cecilia Frosinini |
| title_fullStr | Agnolo Gaddi and the Cappella Maggiore in Santa Croce in Florence studies after its restoration ed. by Cecilia Frosinini |
| title_full_unstemmed | Agnolo Gaddi and the Cappella Maggiore in Santa Croce in Florence studies after its restoration ed. by Cecilia Frosinini |
| title_short | Agnolo Gaddi and the Cappella Maggiore in Santa Croce in Florence |
| title_sort | agnolo gaddi and the cappella maggiore in santa croce in florence studies after its restoration |
| title_sub | studies after its restoration |
| topic | Gaddi, Agnolo 1350-1396 Legende vom Heiligen Kreuz (DE-588)1060471574 gnd Gaddi, Agnolo 1350-1396 (DE-588)118716069 gnd |
| topic_facet | Gaddi, Agnolo 1350-1396 Legende vom Heiligen Kreuz Gaddi, Agnolo 1350-1396 Santa Croce Florenz Hauptchorkapelle Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027722865&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027722865&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT frosininicecilia agnologaddiandthecappellamaggioreinsantacroceinflorencestudiesafteritsrestoration |
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