Bertel Thorvaldsen (1770-1844):
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English Italian |
| Veröffentlicht: |
Cinisello Balsamo, Milano
Silvana Editoriale
2015
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | First Italian edition, Silvana Editoriale, 2010 |
| Beschreibung: | 303 Seiten Illustrationen 29 cm |
| ISBN: | 9788836629350 |
Internformat
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Datensatz im Suchindex
| _version_ | 1805087971985063936 |
|---|---|
| adam_text |
CONTENTS
THE CLASSICAL IDEAL IN JASON WHEN COMPARED WITH CANOVA'S WORK
11 THORVALDSEN'S ACADEMIC TRAINING IN COPENHAGEN AND WIEDEWELT,
ABILDGAARD AND SERGEI'S REFORMED CLASSICISM
14 AN ARTISTIC SCHOLARSHIP IN ROME, THE ROLES OF FERNOW AND ZOEGA
15 ZOEGA AS INTERPRETER OF THE SCULPTURAL DEBATE BETWEEN CANOVA,
TRIPPEL,
FLAXMAN AND CARDELLI
18 ACQUAINTANCE WITH CARSTENS AND THE SCHOLARSHIP WORKS
19 CANOVA'S HEROIC MODELS: FROM THE EMPHASIS OF THE SUBLIME
TO THE APOLLONIAN TYPE
20 A DEBUT IN THE HIGHEST GENRE IN STATUARY: JASON WITH THE GOLDEN
FLEECE
30 JASON'S CRITICAL RECEPTION: THE REVELATION OF GREEK PURITY
31 JASON AS A TERM OF COMPARISON WITH CANOVA IN FERNOW'S AESTHETIC
THORVALDSEN AND THE NEW OLYMPUS:
AUSTERE AND CONTEMPLATIVE GRACE
35 CHALLENGING CANOVA: THE DEPICTION OF IDEAL BEAUTY IN ALL ITS GENRES
AND CHARACTERS
44 GANYMEDE AND THE EAGLE AS A PARADIGM OF "SENTIMENTAL" SCULPTURE
IN A SCHILLERIAN KEY
46 THE APOLLONIAN CHARACTER OF BACCHUS AND APOLLO CITHAREDE
50 PSYCHE WITH THE VASE AND THE GROUP OF CUPID AND PSYCHE:
EMULATING CANOVIAN MODELS
53 VENUS AND HEBE AS WORKS SHOWING A NEW AUSTERE AND CHASTE GRACE
"A NEW PERIOD IN THE ART OF THORVALDSEN":
ADONIS, MARS THE PEACEMAKER AND ANACREONTIC THEMES
61 EMULATION IN ROME IN THE FIELD OF IDEAL SCULPTURE
62 "A NEW PERIOD IN THE ART OFTHORVALDSEN": ADONIS
65 MODELS OF HEROIC PORTRAITURE
66 MARS THE PEACEMAKER SEEN WITH REFERENCE TO CANOVA'S HERCULES AND
LICHAS
72 THE THEME OF MARS THE PEACEMAKER FROM COMOLLI TO GIBSON
79 HEROIC SCULPTURE AND POLITICAL ALLEGORY
80 RENOUNCING THE HEROIC GENRE: THORVALDSEN'S PREFERENCE FOR ANACREON
85
86
92
94
97
102
103
106
117
123
134
136
139
141
146
155
157
159
THE PRIMACY OF THE BAS-RELIEF
ROMAN MODELS: PACETTI, DEARE, CANOVA AND THE HOMERIC RELIEF OF HERALDS
LEADING BRISEIS AWAY FROM AGAMEMNON
THE THEME OF CIVILISING POETRY
CHRISTIAN SUBJECTS FOR THE BAPTISMAL FONT
THE NOBLE REGISTER OF THE ALLEGORIES OF GOOD GOVERNMENT AND THE ARTS
FROM THE HEROIC CANON TO THE SENTIMENTALITY OF ANACREONTIC RELIEFS
GREEK MEASURE IN THE MONUMENT TO AUGUSTE BOHMER
THE ARTS IN ROME IN 1809 AND THE DECORATION OF THE IMPERIAL QUIRINALE
THE NARRATIVE MODEL IN THE ALEXANDER FRIEZE, BOTH EPIC AND LYRICAL,
RECALLING VIRGIL'S AENEID
THE SUCCESS OF THE ALEXANDER FRIEZE, FROM TREMEZZO TO COPENHAGEN AND
CARRARA
A NEW SEASON FOR IDEAL SCULPTURE
VARIATIONS ON THE THEME: CUPID, VENUS, HEBE AND GANYMEDE
THE POPULARITY OF THE ROUNDELS OF DAY AND NIGHT
THE PERFECT SYNTHESIS OF ALLEGORY AND PERSONAL NARRATIVES IN THE
FUNERARY RELIEF
NATURALISM AND IDEALISATION: THE AULIC MODELS OF PORTRAIT SCULPTURE
THE RESTORATION OF THE AEGINETAN MARBLES AND THE ARCHAIZING INSPIRATION
OF HOPE
A MASTERPIECE IN THE ANTIQUE GENRE INSPIRED BY VIRGIL: THE SHEPHERD BOY
CANONS OF GRACE COMPARED IN CANOVA AND THORVALDSEN
VARIANTS ON CANOVIAN THEMES: THE DANCING GIRL AND THE DYING LION OF
LUCERNE
THE DEBATE ABOUT SCULPTURE AND THE THORVALDSEN SCHOOL
THE SEARCH' FOR A "TYPE" IN CHRISTIAN SCULPTURE
165 THE ATELIER AND THE 1819-1820 EUROPEAN TOUR
171 PUBLIC COMMISSIONS FOR COPENHAGEN: FROM AN ALLEGORICAL REGISTER TO
CHRISTIAN SCULPTURE
174 THE GRAND GENRE IN SACRED ART, FROM THE ACCADEMIA DI SAN LUCA TO
CANOVA
177 THE ANCIENTS' METHODS IN MODERN ICONOGRAPHY:
THE STATUE OF CHRIST AS THE EXPRESSION OF A "TYPE"
183 THE NEO-RENAISSANCE INSPIRATION OF THE APOSTLES
186 MODELS OF NOBLE "GENRE" SCULPTURE IN JOHN THE BAPTIST'S PREACHING
193 ROMAN PROTOTYPES FOR CHRISTIAN ART, FROM THORVALDSEN TO PURISM
THEMES OF FUNERARY AND MONUMENTAL SCULPTURE
207 THE MONUMENT TO PIUS VII; CONFRONTING THE PAPAL TRADITION
208 THE MONUMENT TO ERCOLE CONSALVI FOR THE PANTHEON
209 A PROTESTANT SCULPTOR AT ST PETER'S: THE CONTROVERSY SURROUNDING
THE PAPAL MONUMENT
211 ASPECTS OF THE CRITICAL AND FIGURATIVE RECEPTION OF THE MONUMENT TO
PIUS VII:
SELVATICO AND THE RELATIONSHIP BETWEEN SCULPTURE AND ARCHITECTURE
215 THE QUESTION OF MODERN COSTUME IN CIVIL SCULPTURE. THE MONUMENT
TO APPIANI AND THE MILANESE DEBATE BETWEEN THE CLASSICISTS AND ROMANTICS
216 THE DEBATE IN ROME, THE CLASSICAL TRADITION COMPARED
WITH ROMANTIC PEDAGOGY
221 FROM PRIVATE TO PUBLIC MONUMENT: THE CIVIL MEANING OF THE CLASSICAL
LANGUAGE IN THE STATUE OF WLODZIMIERZ POTOCKI
225 THE TYPOLOGY OF THE SEATED STATUE IN THE MONUMENT TO COPERNICUS
227 THE EVENTS OF THE EQUESTRIAN MONUMENT TO JOZEF PONIATOWSKI
AND THE DEBATE ON CLASSICAL FORMS AND NATIONAL ASPIRATIONS
230 THE OUTCOME OF A PROBLEMATIC COLLABORATION WITH VON KLENZE AND
TENERANI
IN THE MONUMENT TO EUGENE DE BEAUHARNAIS
234 THE MODERN IMAGE OF THE ROMANTIC POET IN THE PORTRAIT STATUE OF
BYRON
THE THORVALDSEN MYTH: A MUSEUM IN HIS OWN LIFETIME
239 EXAMPLES OF THORVALDSEN'S PORTRAITS
240 THE DIALOGUE BETWEEN SISTER ARTS: THORVALDSEN, ANGELO MARIA RICCI
AND ANACREON
248 ROMAN SCULPTURE STUDIOS AS MUSEUMS OF CONTEMPORARY ART
254 THORVALDSEN'S "PERSONAL MUSEUM"
259 THE FINAL WORKS OF CELEBRATORY SCULPTURE:
SOLDIERS, POETS AND INVENTORS
262 THE TORLONIA FAMILY'S PRINCELY PATRONAGE
263 THE NORDIC PHIDIAS RETURNS HOME
267
CATALOGUE OF BERTEL THORVALDSEN'S WORKS
COMPILED AND EDITED BY LAILA SKJOTBAUG
293 BIBLIOGRAPHICAL WORKS CITED
300 INDEX OF NAMES
Stefano Grandesso
BERTEL
THORVALDSEN
(1770-1844)
With catalogue by Laila Skjothaug
Introductions by Fernando Mazzocca Stig Miss
SilvanaEditoriale
Contents
The Classical Ideal in Jason When Compared with Canova’s Work
Thorvaldsen’s Academic Training in Copenhagen and Wiedewelt,
Abildgaard and Sergei’s Reformed Classicism An Artistic Scholarship in Rome, the Roles of Fernow and Zoega Zoega as Interpreter of the Sculptural Debate between Canova, Trippel, Flaxman and Cardelli
Acquaintance with Carstens and the Scholarship Works Canova’s Heroic Models: from the Emphasis of the Sublime to the Apollonian Type
A Debut in the Highest Genre in Statuary: Jason with the Golden Fleece
Jason’s Critical Reception: The Revelation of Greek Purity
Jason as a Term of Comparison with Canova in Fernow’s Aesthetic
Thorvaldsen and the New Olympus:
Austere and Contemplative Grace
Challenging Canova: the Depiction of Ideal Beauty in All Its Genres and Characters
Ganymede and the Eagle as a Paradigm of “Sentimental” Sculpture in a Schillerian Key
The Apollonian Character of Bacchus and Apollo Citharede Psyche with the Vase and the Group of Cupid and Psyche:
Emulating Canovian Models
Venus and Hebe as Works Showing a New Austere and Chaste Grace
“A New Period in the Art of Thorvaldsen”:
Adonis, Mars the Peacemaker and Anacreontic Themes
Emulation in Rome in the Field of Ideal Sculpture “A New Period in the Art of Thorvaldsen”: Adonis Models of Heroic Portraiture
Mars the Peacemaker Seen with Reference to Canova’s Hercules and Lichas The Theme of Mars the Peacemaker from Comolli to Gibson Heroic Sculpture and Political Allegory
Renouncing the Heroic Genre: Thorvaldsen’s Preference for Anacreon
The Primacy of the Bas-Relief
Roman Models: Pacetti, Deare, Canova and the Homeric Relief of Heralds Leading Briseis away from Agamemnon The Theme of Civilising Poetry Christian Subjects for the Baptismal Font
The Noble Register of the Allegories of Good Government and the Arts From the Heroic Canon to the Sentimentality of Anacreontic Reliefs Greek Measure in the Monument to Auguste Böhmer The Arts in Rome in 1809 and the Decoration of the Imperial Quirinale The Narrative Model in the Alexander Frieze, both Epic and Lyrical,
Recalling Virgil’s Aeneid
The Success of the Alexander Frieze, from Tremezzo to Copenhagen and Carrara A New Season for Ideal Sculpture
Variations on the Theme: Cupid, Venus, Hebe and Ganymede The Popularity of the Roundels of Day and Night
The Perfect Synthesis of Allegory and Personal Narratives in the Funerary Relief Naturalism and Idealisation: the Aulic Models of Portrait Sculpture The Restoration of the Aeginetan Marbles and the Archaizing Inspiration of Hope A Masterpiece in the Antique Genre Inspired by Virgil: the Shepherd Boy Canons of Grace Compared in Canova and Thorvaldsen
Variants on Canovian Themes: the Dancing Girl and the Dying Lion of Lucerne The Debate about Sculpture and the Thorvaldsen School
85
86
92
94
97
102
103
106
117
123
134
136
139
141
146
155
157
159
The Search for a “Type” in Christian Sculpture
165 The Atelier and the 1819-1820 European Tour 171 Public Commissions for Copenhagen: from an Allegorical Register to Christian Sculpture
174 The Grand Genre in Sacred Art, from the Accademia di San Luca to Canova 177 The Ancients’ Methods in Modern Iconography: the Statue of Christ as the Expression of a “Type”
183 The Neo-Renaissance Inspiration of the Apostles
186 Models of Noble “Genre” Sculpture in John the Baptist’s Preaching
193 Roman Prototypes for Christian Art, from Thorvaldsen to Purism
Themes of Funerary and Monumental Sculpture
207 The Monument to Pius vii; Confronting the Papal Tradition
208 The Monument to Ercole Consalvi for the Pantheon
209 A Protestant Sculptor at St Peter’s: the Controversy Surrounding the Papal Monument
211 Aspects of the Critical and Figurative Reception of the Monument to Pius VII: Selvatico and the Relationship between Sculpture and Architecture
215 The Question of Modern Costume in Civil Sculpture. The Monument
to Appiani and the Milanese Debate between the Classicists and Romantics
216 The Debate in Rome, the Classical Tradition Compared with Romantic Pedagogy
221 From Private to Public Monument: the Civil Meaning of the Classical Language in the Statue of Wlodzimierz Potocki 225 The Typology of the Seated Statue in the Monument to Copernicus 227 The Events of the Equestrian Monument to Jdzef Poniatowski and the Debate on Classical Forms and National Aspirations 230 The Outcome of a Problematic Collaboration with von Klenze and Tenerani in the Monument to Eugène de Beauharnais 234 The Modern Image of the Romantic Poet in the Portrait Statue of Byron
The Thorvaldsen Myth: a Museum In His Own Lifetime
239 Examples of Thorvaldsen’s Portraits
240 The Dialogue between Sister Arts: Thorvaldsen, Angelo Maria Ricci and Anacreon
248 Roman Sculpture Studios as Museums of Contemporary Art 254 Thorvaldsen’s “Personal Museum”
259 The Final Works of Celebratory Sculpture:
Soldiers, Poets and Inventors
262 The Torlonia Family’s Princely Patronage
263 The Nordic Phidias Returns Home
267 Catalogue of Bertel Thorvaldsens Works
Compiled and edited by Laila Skjothaug
293 Bibliographical Works Cited 300 Index of Names |
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| contents | Catalogue of Bertel Thovaldsen's works |
| ctrlnum | (ItFiC)2973920 (OCoLC)929104132 (DE-599)BVBBV042233639 |
| discipline | Kunstgeschichte |
| format | Book |
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| id | DE-604.BV042233639 |
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| indexdate | 2024-07-20T09:00:37Z |
| institution | BVB |
| isbn | 9788836629350 |
| language | English Italian |
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| publishDate | 2015 |
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| spelling | Grandesso, Stefano Verfasser (DE-588)1201687284 aut Bertel Thorvaldsen (1770-1844) Stefano Grandesso ; with catalogue by Laila Skjøthaug ; introduction by Fernando Mazzocca, Stig Miss Cinisello Balsamo, Milano Silvana Editoriale 2015 303 Seiten Illustrationen 29 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier First Italian edition, Silvana Editoriale, 2010 Catalogue of Bertel Thovaldsen's works compiled and edited by Laila Skjøthaug Thorvaldsen, Bertel 1770-1844 (DE-588)118622323 gnd rswk-swf (DE-588)4189680-4 Werkverzeichnis gnd-content Thorvaldsen, Bertel 1770-1844 (DE-588)118622323 p DE-604 Skjøthaug, Laila Sonstige oth Mazzocca, Fernando (DE-588)124324827 win Miss, Stig (DE-588)132052466 win Thorvaldsen, Bertel 1770-1844 (DE-588)118622323 ctb Übersetzung von italienisch Bertel Thorvaldsen (1770-1844) Cinisello Balsamo, Milano : Silvana Editoriale, 2010 978-88-366-1912-2 (DE-604)BV037687150 KUBIKAT Anreicherung application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027671893&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Grandesso, Stefano Bertel Thorvaldsen (1770-1844) Catalogue of Bertel Thovaldsen's works Thorvaldsen, Bertel 1770-1844 (DE-588)118622323 gnd |
| subject_GND | (DE-588)118622323 (DE-588)4189680-4 |
| title | Bertel Thorvaldsen (1770-1844) |
| title_alt | Catalogue of Bertel Thovaldsen's works |
| title_auth | Bertel Thorvaldsen (1770-1844) |
| title_exact_search | Bertel Thorvaldsen (1770-1844) |
| title_full | Bertel Thorvaldsen (1770-1844) Stefano Grandesso ; with catalogue by Laila Skjøthaug ; introduction by Fernando Mazzocca, Stig Miss |
| title_fullStr | Bertel Thorvaldsen (1770-1844) Stefano Grandesso ; with catalogue by Laila Skjøthaug ; introduction by Fernando Mazzocca, Stig Miss |
| title_full_unstemmed | Bertel Thorvaldsen (1770-1844) Stefano Grandesso ; with catalogue by Laila Skjøthaug ; introduction by Fernando Mazzocca, Stig Miss |
| title_short | Bertel Thorvaldsen (1770-1844) |
| title_sort | bertel thorvaldsen 1770 1844 |
| topic | Thorvaldsen, Bertel 1770-1844 (DE-588)118622323 gnd |
| topic_facet | Thorvaldsen, Bertel 1770-1844 Werkverzeichnis |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027671893&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT grandessostefano bertelthorvaldsen17701844 AT skjøthauglaila bertelthorvaldsen17701844 AT mazzoccafernando bertelthorvaldsen17701844 AT missstig bertelthorvaldsen17701844 AT thorvaldsenbertel bertelthorvaldsen17701844 |