Brahms among friends: listening, performance, and the rhetoric of allusion
"Brahms Among Friends" identifies patterns of listening, performance, and composition among close friends of Johannes Brahms and explores how those patterns informed the creation and reception of his music in the intimate genres of song, sonata, trio, and piano miniature. Among the tangled...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
2014
|
| Schriftenreihe: | AMS studies in music
|
| Schlagworte: | |
| Online-Zugang: | BSB01 UBT01 Volltext |
| Zusammenfassung: | "Brahms Among Friends" identifies patterns of listening, performance, and composition among close friends of Johannes Brahms and explores how those patterns informed the creation and reception of his music in the intimate genres of song, sonata, trio, and piano miniature. Among the tangled threads of counterpoint and circumstance that bound Brahms to his acquaintances was the technique of allusive musical borrowing, whereby a brief passage from a familiar work was drawn into the fabric of a new composition. For the specific listeners whose habits of mind and musicianship he knew best, allusive borrowings could become rhetorically charged gestures, persuasively revising the meanings his music conveyed and the interpretive strategies it invited. Primary documents, original manuscripts, music-analytic comparison, and kinesthetic parameters experienced in the act of performance all work in tandem to support ten case studies in the interplay between Brahms's small-scale works and the women and men who encountered them before publication. Central characters include violinist Joseph Joachim, singers Amalie Joachim, Julius Stockhausen, and Agathe von Siebold, composers Heinrich and Elisabeth von Herzogenberg, and pianists Emma Engelmann and Clara Schumann. For these musicians and for the composer himself, Brahms's allusive music served a broad variety of emotional needs and interpersonal ends. Yet across diverse repertoire and interdisciplinary correlates ranging from ethnography to psychoanalysis, each case study furthers a single, underlying aim: to reconstruct the mutually dependent perspectives of historically situated agents and restore forgotten features of their communicative landscapes as bases for both musical and historical scrutiny. (Klappentext) |
| Beschreibung: | 1 Online-Ressource (IX, 389 Seiten) Notenbeispiele |
| ISBN: | 9780199365050 |
| DOI: | 10.1093/acprof:oso/9780199982646.001.0001 |
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| 520 | |a "Brahms Among Friends" identifies patterns of listening, performance, and composition among close friends of Johannes Brahms and explores how those patterns informed the creation and reception of his music in the intimate genres of song, sonata, trio, and piano miniature. Among the tangled threads of counterpoint and circumstance that bound Brahms to his acquaintances was the technique of allusive musical borrowing, whereby a brief passage from a familiar work was drawn into the fabric of a new composition. For the specific listeners whose habits of mind and musicianship he knew best, allusive borrowings could become rhetorically charged gestures, persuasively revising the meanings his music conveyed and the interpretive strategies it invited. Primary documents, original manuscripts, music-analytic comparison, and kinesthetic parameters experienced in the act of performance all work in tandem to support ten case studies in the interplay between Brahms's small-scale works and the women and men who encountered them before publication. Central characters include violinist Joseph Joachim, singers Amalie Joachim, Julius Stockhausen, and Agathe von Siebold, composers Heinrich and Elisabeth von Herzogenberg, and pianists Emma Engelmann and Clara Schumann. For these musicians and for the composer himself, Brahms's allusive music served a broad variety of emotional needs and interpersonal ends. Yet across diverse repertoire and interdisciplinary correlates ranging from ethnography to psychoanalysis, each case study furthers a single, underlying aim: to reconstruct the mutually dependent perspectives of historically situated agents and restore forgotten features of their communicative landscapes as bases for both musical and historical scrutiny. (Klappentext) | ||
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Datensatz im Suchindex
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| author | Berry, Paul 1977- |
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| discipline | Musikwissenschaft |
| doi_str_mv | 10.1093/acprof:oso/9780199982646.001.0001 |
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| id | DE-604.BV042213471 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T01:15:28Z |
| institution | BVB |
| isbn | 9780199365050 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027652116 |
| oclc_num | 897376497 |
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| physical | 1 Online-Ressource (IX, 389 Seiten) Notenbeispiele |
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| publisher | Oxford University Press |
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| series2 | AMS studies in music |
| spelling | Berry, Paul 1977- Verfasser (DE-588)1033651346 aut Brahms among friends listening, performance, and the rhetoric of allusion Paul Berry New York, NY Oxford University Press 2014 1 Online-Ressource (IX, 389 Seiten) Notenbeispiele txt rdacontent c rdamedia cr rdacarrier AMS studies in music "Brahms Among Friends" identifies patterns of listening, performance, and composition among close friends of Johannes Brahms and explores how those patterns informed the creation and reception of his music in the intimate genres of song, sonata, trio, and piano miniature. Among the tangled threads of counterpoint and circumstance that bound Brahms to his acquaintances was the technique of allusive musical borrowing, whereby a brief passage from a familiar work was drawn into the fabric of a new composition. For the specific listeners whose habits of mind and musicianship he knew best, allusive borrowings could become rhetorically charged gestures, persuasively revising the meanings his music conveyed and the interpretive strategies it invited. Primary documents, original manuscripts, music-analytic comparison, and kinesthetic parameters experienced in the act of performance all work in tandem to support ten case studies in the interplay between Brahms's small-scale works and the women and men who encountered them before publication. Central characters include violinist Joseph Joachim, singers Amalie Joachim, Julius Stockhausen, and Agathe von Siebold, composers Heinrich and Elisabeth von Herzogenberg, and pianists Emma Engelmann and Clara Schumann. For these musicians and for the composer himself, Brahms's allusive music served a broad variety of emotional needs and interpersonal ends. Yet across diverse repertoire and interdisciplinary correlates ranging from ethnography to psychoanalysis, each case study furthers a single, underlying aim: to reconstruct the mutually dependent perspectives of historically situated agents and restore forgotten features of their communicative landscapes as bases for both musical and historical scrutiny. (Klappentext) Brahms, Johannes 1833-1897 Criticism and interpretation Brahms, Johannes 1833-1897 (DE-588)118514253 gnd rswk-swf Brahms, Johannes 1833-1897 (DE-588)118514253 p DE-604 Erscheint auch als Druck-Ausgabe, Festeinband 978-0-19-998264-6 https://doi.org/10.1093/acprof:oso/9780199982646.001.0001 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Berry, Paul 1977- Brahms among friends listening, performance, and the rhetoric of allusion Brahms, Johannes 1833-1897 Criticism and interpretation Brahms, Johannes 1833-1897 (DE-588)118514253 gnd |
| subject_GND | (DE-588)118514253 |
| title | Brahms among friends listening, performance, and the rhetoric of allusion |
| title_auth | Brahms among friends listening, performance, and the rhetoric of allusion |
| title_exact_search | Brahms among friends listening, performance, and the rhetoric of allusion |
| title_full | Brahms among friends listening, performance, and the rhetoric of allusion Paul Berry |
| title_fullStr | Brahms among friends listening, performance, and the rhetoric of allusion Paul Berry |
| title_full_unstemmed | Brahms among friends listening, performance, and the rhetoric of allusion Paul Berry |
| title_short | Brahms among friends |
| title_sort | brahms among friends listening performance and the rhetoric of allusion |
| title_sub | listening, performance, and the rhetoric of allusion |
| topic | Brahms, Johannes 1833-1897 Criticism and interpretation Brahms, Johannes 1833-1897 (DE-588)118514253 gnd |
| topic_facet | Brahms, Johannes 1833-1897 Criticism and interpretation Brahms, Johannes 1833-1897 |
| url | https://doi.org/10.1093/acprof:oso/9780199982646.001.0001 |
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