Žižek and performance:
Slavoj Zizek is a cultural phenomenon. His writings have influenced the way we think about politics, psychoanalysis, and a range of cultural issues in our increasingly volatile political and economic climate. This is the first collection to relate explicitly his thoughts on neoliberalism, globalisat...
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Basingstoke [u.a.]
Palgrave Macmillan
2014
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Performance philosophy
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Slavoj Zizek is a cultural phenomenon. His writings have influenced the way we think about politics, psychoanalysis, and a range of cultural issues in our increasingly volatile political and economic climate. This is the first collection to relate explicitly his thoughts on neoliberalism, globalisation, social change and subjectivity to the theory and practice of theatre and performance. Are there common grounds between Zizek's performative persona, his writing style, and performative and theatrical events? Can theatre and performance theories and practices shed some more light on the 'Elvis of cultural theory' and his often controversial work? This volume features 16 critical essays that examine a truly eclectic range of performance makers, events, and moments - from Wagner's Parsifal to Daniel Radcliffe, from Forced Entertainment to Hollywood dance. It concludes with a new text from Zizek himself, as he turns, for the first time, his gaze to performance |
| Beschreibung: | Introduction: Performing Zizek: Hegel, Lacan, Marx and the Parallax View -- 1. Kantor's Symptom or Grotowski's Fantasy?: Defining a Political Theatre over a Theatre of Politics; Bryce Lease -- 2. The Lacanian Performative: Austin after Zizek; Geoff Boucher -- 3. Who's Watching? Me!: Theatrality, Spectatorship, and the Zizekian Subject; Peter M. Boenisch -- 4. Zizek's Death Drive, the Intervention of Grace and the Wagnerian Performative: Conceptualising the Director's Subjectivity; Eve Katsouraki -- 5. 'Even if we do not take things seriously we are still doing them': Disidentification, Ideology, and Queer Performance; Stephen Greer -- 6. The Performative Constitution of Liberal Totalitarianism on Facebook; Natasha Lushetich -- 7. Enjoyment as a Theatrical Object: The Actor as Neighbour; Graham Wolfe -- 8. 'There are more of you than there are of us': Forced Entertainment and the Critique of the Neoliberal Subject; Linda Taylor -- 9. Ideology and the True/False Performance of Heritage; Paul Johnson -- 10. Getting Involved with the Neighbour's Thing: Zizek and the Participatory Performance of Reactor (UK); Daniel Oliver -- 11. Dancing with Zizek: Sublime Objets and the Hollywood Dance Film; Melissa Blanco Borelli -- 12. There are dreams that cannot be: 'Actual Idiocy' and the Sublime Object of Susan Boyle; Dave Calvert -- 13. Theatre's Immediacy: Notes on Performing 'With' Zizek; Patrick Duggan -- 14. Collaboration, Violence, and Difference; Simon Ellis and Colin Poole -- 15. The Tickling Object: On Zizek and Comedy; Broderick D.V. Chow -- 16. Notes on Performing, its Frame, and its Gaze; Slavoj Zizek Includes bibliographical references and index |
| Beschreibung: | XIV, 268 S. graph. Darst. |
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| 500 | |a Includes bibliographical references and index | ||
| 520 | |a Slavoj Zizek is a cultural phenomenon. His writings have influenced the way we think about politics, psychoanalysis, and a range of cultural issues in our increasingly volatile political and economic climate. This is the first collection to relate explicitly his thoughts on neoliberalism, globalisation, social change and subjectivity to the theory and practice of theatre and performance. Are there common grounds between Zizek's performative persona, his writing style, and performative and theatrical events? Can theatre and performance theories and practices shed some more light on the 'Elvis of cultural theory' and his often controversial work? This volume features 16 critical essays that examine a truly eclectic range of performance makers, events, and moments - from Wagner's Parsifal to Daniel Radcliffe, from Forced Entertainment to Hollywood dance. It concludes with a new text from Zizek himself, as he turns, for the first time, his gaze to performance | ||
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Datensatz im Suchindex
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|---|---|
| adam_text | Zizek and Performance
Edited by
Broderick Chow
Brunei University, UK
and
Alex Mangold
Aberystwyth University, UK
pa I grave
macmillan
Contents
List of Figures
Series Preface
Acknowl edgemen ts
Notes on Contributors
Introduction: Performing Zizek: Hegel, Lacan, Marx, and
the Parallax View
Alex Mangold
1 The Lacanian Performative: Austin after Zizek
Geoff Boucher
2 Kantor s Symptom or Grotovvski s Fantasy?
Towards a Theatre of the Political
Bryce Lease
3 Who s Watching? Me!: Theatrality, Spectatorship, and
the Zizekian Subject
Peter M Boenisch
4 Zizek s Death Drive, the Intervention of Grace, and the Wagnerian
Performative: Conceptualising the Director s Subjectivity
Eve Katsouraki
5 Even if we do not take things seriously we are still doing
them : Disidentification, Ideology, and Queer Performance
Stephen Greer
6 The Performative Constitution of Liberal Totalitarianism
on Facebook
Natasha Lushetich
7 Enjoyment as a Theatrical Object: The Actor as Neighbour
Graham Wolfe
8 There are more of you than there are of us : Forced
Entertainment and the Critique of the Neoliberal Subject
Linda Taylor
9 Ideology and the True/False Performance of Heritage
Paul Johnson
vii
viii
xi
xii
V
vi Contents
LO Getting Involved with the Neighbour s Thing: Zizek and the
Participatory Performance of Reactor (UK)
Daniel Oliver
11 Dancing with Zizek: Sublime Objets and the Hollywood
Dance Film
Melissa Blanco Borelli
12 Actual Idiocy and the Sublime Object of Susan Boyle
Dave Calvert
13 Theatre s Immediacy: Notes on Performing with Zizek
Patrick Duggan
14 Collaboration, Violence, and Difference
Simon Ellis and Colin Poole
15 The Tickling Object: On Zizek and Comedy
Broderick Chow
16 Notes on Performing, Its Frame, and Its Gaze
Slavoj Zizek
Bibliography
Index
|
| any_adam_object | 1 |
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| spelling | Žižek and performance ed. by Broderick Chow and Alex Mangold 1. publ. Basingstoke [u.a.] Palgrave Macmillan 2014 XIV, 268 S. graph. Darst. txt rdacontent n rdamedia nc rdacarrier Performance philosophy Introduction: Performing Zizek: Hegel, Lacan, Marx and the Parallax View -- 1. Kantor's Symptom or Grotowski's Fantasy?: Defining a Political Theatre over a Theatre of Politics; Bryce Lease -- 2. The Lacanian Performative: Austin after Zizek; Geoff Boucher -- 3. Who's Watching? Me!: Theatrality, Spectatorship, and the Zizekian Subject; Peter M. Boenisch -- 4. Zizek's Death Drive, the Intervention of Grace and the Wagnerian Performative: Conceptualising the Director's Subjectivity; Eve Katsouraki -- 5. 'Even if we do not take things seriously we are still doing them': Disidentification, Ideology, and Queer Performance; Stephen Greer -- 6. The Performative Constitution of Liberal Totalitarianism on Facebook; Natasha Lushetich -- 7. Enjoyment as a Theatrical Object: The Actor as Neighbour; Graham Wolfe -- 8. 'There are more of you than there are of us': Forced Entertainment and the Critique of the Neoliberal Subject; Linda Taylor -- 9. Ideology and the True/False Performance of Heritage; Paul Johnson -- 10. Getting Involved with the Neighbour's Thing: Zizek and the Participatory Performance of Reactor (UK); Daniel Oliver -- 11. Dancing with Zizek: Sublime Objets and the Hollywood Dance Film; Melissa Blanco Borelli -- 12. There are dreams that cannot be: 'Actual Idiocy' and the Sublime Object of Susan Boyle; Dave Calvert -- 13. Theatre's Immediacy: Notes on Performing 'With' Zizek; Patrick Duggan -- 14. Collaboration, Violence, and Difference; Simon Ellis and Colin Poole -- 15. The Tickling Object: On Zizek and Comedy; Broderick D.V. Chow -- 16. Notes on Performing, its Frame, and its Gaze; Slavoj Zizek Includes bibliographical references and index Slavoj Zizek is a cultural phenomenon. His writings have influenced the way we think about politics, psychoanalysis, and a range of cultural issues in our increasingly volatile political and economic climate. This is the first collection to relate explicitly his thoughts on neoliberalism, globalisation, social change and subjectivity to the theory and practice of theatre and performance. Are there common grounds between Zizek's performative persona, his writing style, and performative and theatrical events? Can theatre and performance theories and practices shed some more light on the 'Elvis of cultural theory' and his often controversial work? This volume features 16 critical essays that examine a truly eclectic range of performance makers, events, and moments - from Wagner's Parsifal to Daniel Radcliffe, from Forced Entertainment to Hollywood dance. It concludes with a new text from Zizek himself, as he turns, for the first time, his gaze to performance Žižek, Slavoj Žižek, Slavoj 1949- (DE-588)104308281 gnd rswk-swf Theater / Philosophy Philosophie Aufführung (DE-588)4143388-9 gnd rswk-swf Theatertheorie (DE-588)4185056-7 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Žižek, Slavoj 1949- (DE-588)104308281 p Aufführung (DE-588)4143388-9 s Theatertheorie (DE-588)4185056-7 s b DE-604 Chow, Broderick Sonstige (DE-588)1064661858 oth HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027645401&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Žižek and performance |
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