Musical rhetoric: foundations and annotation schemes
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
ISTE
2014
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Computer engineering series
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references (pages 167-175) and index |
| Beschreibung: | XV, 179 S. Ill., Notenbeisp. 24 cm |
Internformat
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| 300 | |a XV, 179 S. |b Ill., Notenbeisp. |c 24 cm | ||
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| 650 | 4 | |a Music and rhetoric | |
| 650 | 4 | |a Computational linguistics | |
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Datensatz im Suchindex
| _version_ | 1804152722975358976 |
|---|---|
| adam_text | Contents
PREFACE
.................................
ХІ
Chapter l. An Introduction to Classical
Rhetoric
................................ 1
1.1.
A few basic definitions
................... 2
1.2.
The structure of rhetoric
................. 4
1.2.1.
Rhetoric and communication
............ 5
1.2.2.
The structure of classical rhetoric
........ 6
1.2.3.
The invention step
................... 7
1.2.4.
The arrangement
.................... 9
1.2.5.
The style or elocution step
............. 12
1.2.6.
The delivery or action
................. 14
1.2.7.
The facets of rhetoric
................. 15
1.3.
Some figures of speech
................... 17
1.3.1.
Introduction
....................... 17
1.3.2.
The major figures of speech of interest
in music rhetoric
........................ 18
vi Musical
Rhetoric
1.4.
Argumentation and explanation
............ 21
1.5.
Conclusion: a few historical milestones
of traditional rhetoric
...................... 25
1.6.
A few historical references for
classical rhetoric
.......................... 28
Chapter
2.
Language, Music and the
Rhetoric Discourse
....................... 31
2.1.
Music and language
.................... 31
2.1.1.
On the relations between language
and music
............................. 32
2.1.2.
Going into the details of music
parameters, music for rhetoric
............... 36
2.1.3.
Music and rhetoric
................... 42
2.2.
A few historical milestones of music rhetoric
emergence and evolution
.................... 43
2.2.1.
The Middle Ages and the
Renaissance
............................ 44
2.2.2.
The transition between the
Renaissance and the Baroque period
.......... 48
2.2.3.
The Baroque period
.................. 51
2.2.4.
The Classical period
.................. 54
2.2.5.
The Romantic period
................. 56
2.3.
Main contemporary trends in
music rhetoric
............................ 58
Contents
vii
Chapter
з.
The Symbolism of Musical
Elements
................................ 61
3.1.
Symbolic and perceptual properties of modes
and tonalities
............................ 62
3.2.
Perceptual and symbolic properties
of intervals
.............................. 65
3.3.
Musical figures and their role in rhetoric
...... 67
3.4.
Figures of rhythm and their roles
in rhetoric
.............................. 74
3.5.
Motive alternations
..................... 79
3.6.
Figures of counterpoint
.................. 80
3.7.
The symbolism of numbers and proportions.
... 83
3.8.
The rhetoric contents of classical forms
....... 87
3.8.1.
The perception of large forms
........... 87
3.8.2.
The simple bi- and tripartite forms
....... 88
3.8.3.
The sonata forms
.................... 95
3.9.
Conclusion
........................... 98
Chapter
4.
Feature Structures for
Representing Musical Constructions
........ 101
4.1.
Feature structures in language
............ 102
4.2.
Representation of a melody by a
feature structure
.......................... 104
4.3.
From musical motives to polyphony
......... 109
4.4.
Dealing with harmony
................... 110
viii
Musical
Rhetoric
4.5.
A few generic operations of feature
structures
.............................. 112
4.5.1.
Transformations by augmentation
or diminution
........................... 112
4.5.2.
Mirror forms
....................... 114
4.5.3.
Reverse forms
...................... 116
4.5.4.
A few other transformations
............ 117
4.5.5.
Expressive power of this formalism
....... 117
4.6.
Elements of annotation of musical
structures in XML
........................ 118
4.6.1.
Basic feature structures
............... 118
4.6.2.
Advanced XML annotations for
two-dimension structures
.................. 120
4.6.3.
Figures of sound in XML
............... 121
4.7.
Perspectives
.......................... 125
Chapter
5.
A Rhetoric Analysis of
Musical Works
........................... 127
5.1.
Discourse theories in linguistics
............ 128
5.1.1.
The rhetorical structure theory
.......... 129
5.1.2.
The pragma-dialectic movement
......... 131
5.2.
The rhetoric of the stylus phantasticus
....... 132
5.3.
The rhetoric and argumentation dimensions
of J.S. Bach s C. minor
Passacaglia
............. 140
5.3.1.
The global structure and the
symbolic of numbers
...................... 140
Contents ix
5.3.2.
The structure of the argumentation
in the
Passacaglia
........................ 142
5.4.
The dialectics of the personality split
........ 147
5.5.
Beethoven s Muss
es sein?
question
and debate
.............................. 149
5.5.1.
The personal context
................. 149
5.5.2.
The questions and their formulations
...... 150
5.5.3.
The response formulations
............. 155
5.6.
A high-level notation for the structure
of musical works
.......................... 161
5.7.
Conclusion
........................... 166
Bibliography
............................. 167
Index
................................... 177
|
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| spelling | Saint-Dizier, Patrick 1954- Verfasser (DE-588)172351618 aut Musical rhetoric foundations and annotation schemes Patrick Saint-Dizier 1. publ. London ISTE 2014 XV, 179 S. Ill., Notenbeisp. 24 cm txt rdacontent n rdamedia nc rdacarrier Computer engineering series Includes bibliographical references (pages 167-175) and index Geschichte gnd rswk-swf Music and rhetoric Computational linguistics Computerlinguistik (DE-588)4035843-4 gnd rswk-swf Rhetorik (DE-588)4076704-8 gnd rswk-swf Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Musik (DE-588)4040802-4 s Rhetorik (DE-588)4076704-8 s Geschichte z DE-604 Computerlinguistik (DE-588)4035843-4 s Musikalische Analyse (DE-588)4040814-0 s Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027643045&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Saint-Dizier, Patrick 1954- Musical rhetoric foundations and annotation schemes Music and rhetoric Computational linguistics Computerlinguistik (DE-588)4035843-4 gnd Rhetorik (DE-588)4076704-8 gnd Musikalische Analyse (DE-588)4040814-0 gnd Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)4035843-4 (DE-588)4076704-8 (DE-588)4040814-0 (DE-588)4040802-4 |
| title | Musical rhetoric foundations and annotation schemes |
| title_auth | Musical rhetoric foundations and annotation schemes |
| title_exact_search | Musical rhetoric foundations and annotation schemes |
| title_full | Musical rhetoric foundations and annotation schemes Patrick Saint-Dizier |
| title_fullStr | Musical rhetoric foundations and annotation schemes Patrick Saint-Dizier |
| title_full_unstemmed | Musical rhetoric foundations and annotation schemes Patrick Saint-Dizier |
| title_short | Musical rhetoric |
| title_sort | musical rhetoric foundations and annotation schemes |
| title_sub | foundations and annotation schemes |
| topic | Music and rhetoric Computational linguistics Computerlinguistik (DE-588)4035843-4 gnd Rhetorik (DE-588)4076704-8 gnd Musikalische Analyse (DE-588)4040814-0 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Music and rhetoric Computational linguistics Computerlinguistik Rhetorik Musikalische Analyse Musik |
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