Military band in Ghana: a historical inquiry
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Göttingen
Sierke
2014
|
| Ausgabe: | 1. Aufl. |
| Schriftenreihe: | Studies in African music, culture, politics and sports
1 |
| Schlagworte: | |
| Online-Zugang: | Inhaltstext Inhaltsverzeichnis |
| Beschreibung: | XXIII, 322 S. zahlr. Ill., Notenbeisp. |
| ISBN: | 9783868446357 |
Internformat
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Datensatz im Suchindex
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| adam_text |
TABLE OF CONTENTS
DECLARATION III
DEDICATION IV
ACKNOWLEDGEMENTS V
TABLE OF CONTENTS VIIII
LIST OF FIGURES XII
ABBREVIATIONS XX
ABSTRACT XXIII
CHAPTER ONE BACKGROUND TO THE STUDY 1
1.1 INTRODUCTION 1
1.2 STATEMENT OF PROBLEM 2
1.3 NATURE OF PROJECT 3
1.4 ORGANIZATION OF THE WORK 5
1.5 LEGAL REQUIREMENT AND RESEARCH FUNDING 6
1.6 OBJECTIVE OF THE STUDY 6
1.7 SCOPE OF THE STUDY 7
1.8 METHODOLOGY 7
1.9 LIMITATION OF THE STUDY 9
1.10 SIGNIFICANCE AND NEED FOR THE STUDY 9
1.11 THEORETICAL FRAME WORK 10
CHAPTER TWO REVIEW OF RELATED LITERATURE 17
2.1 EARLY BIBLICAL TIMES 17
2.2 POST BIBLICAL TIMES 19
2.3 PATRONAGE BANDS 21
2.4 SUBSCRIPTION BANDS 22
2.5 VOLUNTEER BANDS 22
2.6 MISSIONARY AND BRASS BAND 23
2.7 GERMAN TOWER MASTERS (STADTPFEIFER) 24
2.8 MILITARY BAND IN EUROPE 25
2.9 THE AMERICAN EXPERIENCE 28
2.10 THE INFLUENCE OF GERMANS 29
2.11 THE INFLUENCE OF ITALIANS 31
2.12 IRISH INFLUENCE 31
2.13 INSTRUMENTATION 32
2.14 REPERTOIRE 33
2.15 ACHIEVING A GOAL FOR AFRICA 35
2.16 IN SUMMARY 37
VIII
HTTP://D-NB.INFO/1060572435
CHAPTER THREE PRE-COLONIAL ENSEMBLES 40
3.1 THE ASAFO COMPANY 41
3.2 THE ASAFO FLAG 41
3.3 ASAFO COMPANY AND FESTIVALS (FETU) 44
3.4 AKWAMBO FESTIVAL 45
3.5 ABOAKYER FESTIVAL 45
3.6 BAKATUE FESTIVAL 46
3.7 MILITARIZATION OF THE EWES 47
3.8 ADZOGBO 49
3.9 ADAWATRAM 50
3.10 GOWU 51
3.11 GADZO 51
3.12 ATRIKPUI/KPOKA 52
3.13 ATSIAGBEKOR 52
3.14 KPEGISU 52
3.15 INSTRUMENTATION 53
3.16 IN SUMMARY 56
CHAPTER FOUR BANDS IN THE COLONIAL ERA 58
4.1 EARLY MILITARY MUSIC IN THE GOLD COAST 59
4.2 THE ADAHA STYLE 61
4.3 KONKOMA MUSIC 63
4.4 PALM-WINE MUSIC 67
4.5 BRIEF HISTORY OF THE GOLD COAST ARMY 69
4.6 THE GOLD COAST ARMY BAND 71
4.7 COLONIAL DIRECTORS 74
4.8 GHANAIAN DIRECTORS 78
4.9 THE GOLD COAST POLICE BAND 84
4.10 POLICE BAND TOUR OF THE UNITED KINGDOM 90
4.11 THE BAND OF THE GOLD COAST POLICE 91
4.12 JUNGLE BAND OF THIRTY LEAVES 90 WIVES AT HOME 96
4.13 POLICE BAND NORTHERN TERRITORIES 100
4.14 THE GHANA POLICE BAND 101
4.15 REGIONAL POLICE BAND, KUMASI 111
4.16 IN SUMMARY 115
CHAPTER FIVE POST-COLONIAL BANDS 118
5.1 SECOND BRIGADE ARMY BAND 119
5.2 BRIEF HISTORY OF GHANA AIR FORCE (GAF) 121
5.3 AIR FORCE BAND 122
5.4 BRIEF HISTORY OF GHANA NAVY 124
5.5 GHANA NAVY BAND 124
IX
5.6
CENTRAL REGIONAL POLICE BAND, WINNEBA
126
5.7 EASTERN REGIONAL POLICE BAND, KOFORIDUA
128
5.8
VOLTA REGIONAL POLICE BAND. HO 131
5.9
UPPER EAST REGIONAL POLICE BAND, BOLGATANGA
132
5.10
THE INTRODUCTION OF DANCE BANDS (POP BANDS) 134
5.11
BRIEF HISTORY OF GHANA PRISONS 138
5.12 PRISONS BAND
138
5.13 GHANA NATIONAL FIRE SERVICE
141
5.14
BRIEF HISTORY, FIRE MUSIC DEPARTMENT 142
5.15
FIRE VIBRATION CHOIR
142
5.16
FLAME FIGHTERS BAND
144
5.17 FIRE ANGLE'S GOSPEL BAND
144
5.18
INTRODUCTION OF A MILITARY BAND
144
5.19 THE VISIT OF THE US NAVAL BAND TO GHANA
147
5.20
GHANA IMMIGRATION SERVICE
148
5.21
IMMIGRATION BAND
148
5.22 IN SUMMARY
150
CHAPTER SIX
THE ROLE OF THE MISSIONARIES
1S2
6.1 A BRIEF HISTORICAL OVERVIEW
152
6.2
EDUCATION
155
6.3
HIE BEGINNING OF BOOK (SHEET) MUSIC
157
6.4 BRASS BAND MOVEMENT IN GHANA
159
6.5
CHURCH BRASS BANDS
160
6.6
CHURCH BAND REPERTOIRE
163
6.7 THE STORY OF EPHRAIM AMU
165
6.8
SCHOOL BRASS BANDS
168
6.9 FOLK BRASS BANDS
168
6.10
BRASS BAND BACK TO LIFE
170
6.11
SUPPORT BRASS BAND MUSIC
170
6.12
LONG LIVE THE VILLAGE BRASS BAND
171
6.13
SECURITY SERVICES AND WORK PLACE BANDS
172
6.14
BRASS BAND AND GENDER
173
6.15 IN SUMMARY
177
CHAPTER SEVEN
UNIFORM AND INSIGNIA
180
7.1
BRIEF HISTORY
181
7.2 DEVELOPMENT AND ITS SPREAD
182
7.3
PRE-COLONIA ERA
183
7.4 THE COLONIA ERA
186
7.5 APPEARANCE IN UNIFORM (GAF)
192
7.6 BAND UNIFORM
193
7.7 RANK AND INSIGNIA (GAF)
197
7.8
GHANA POLICE UNIFORM REGULATIONS
199
X
7.9 POLICE RANK AND INSIGNIA 210
7.10 PRISON SERVICE UNIFORMS 211
7.11 FIRE SERVICE UNIFORMS 213
7.12 IMMIGRATION SERVICE UNI FORMS 215
7.13 IN SUMMARY 217
CHAPTER EIGHT INSTRUMENTATION 219
8.1 BRASS-WIND SECTION 222
8.2 CORNET 223
8.3 TRUMPET 223
8.4 FLUGAL HORN 224
8.5 EUPHONIUM 225
8.6 TROMBONE 225
8.7 HORN 226
8.8 TUBA 227
8.9 WOODWIND SECTION 228
8.10 FLUTE 229
8.11 OBOE 230
8.12 THE CLARINETS 231
8.13 BASSOON 232
8.14 SAXOPHONES 232
8.15 PERCUSSION SECTION 234
8.16 BASS DRUM 235
8.17 SIDE/SNARE DRUM 235
8.18 CYMBALS 237
8.19 GLOCKENSPIEL 237
8.20 TIMPANI 239
8.21 INDIGENOUS GHANAIAN INSTRUMENTS 240
8.22 ATENTEBEN 240
8.23 THE PRIMAL DRUM ESEMBLES 242
8.24 DONDO 243
8.25 IN SUMMARY 245
CHAPTER NINE REPERTOIRE 247
9.1 BRIEF HISTORY 248
9.2 THE MARCH TEMPO 249
9.3 THE REPERTOIRE IN GHANA 252
9.4 FOLK SONGS IN GHANA 254
9.5 POLITICAL INFLUENCE 255
9.6 RELIGIOUS INFLUENCE 257
9.7 MILITARY AND FOLKSONGS 258
9.8 EDUCATIONAL AND RELIGIOUS INSTITUTIONS 259
XI
9.9
9.10
DISCOGRAPHY
IN SUMMARY
260
263
CHAPTER TEN SUMMARY,
CONCLUSIONS
AND RECOMMENDATIONS
265
10.1 SUMMARY OF CHAPTERS 265
10.2 FURTHER RESEARCH 268
10.3 CONCLUSIONS 271
10.4 RECOMMENDATIONS 273
BIBLIOGRAPHY 276
INTERVIEWS AND CONSULTATIONS 290
APPENDIX A. EWE WAR PARAPHEMELIA 291
APPENDIX B. RANK AND INSIGNIA (ARMED FORCES) 293
APPENDIX C. RANK AND INSIGNIA (POLICE. PRISIONS. IMMIGRATIONS) 295
APPENDIX D. SHEET MUSIC/SCORE 298
CARICULUM VITAE 319 |
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| title | Military band in Ghana a historical inquiry |
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